Pub Date : 2023-05-30DOI: 10.5007/2175-8034.2023.e92028
Eduardo Di Deus, Jeremy Deturche
Este curto e instigante artigo, publicado originalmente em 1975 na revista Études Rurales, toma como ponto de partida uma indagação fundamental: como o conhecimento técnico é elaborado, apropriado, transmitido, disseminado ou monopolizado? Para dar conta dessa questão, em especial no que tange à agricultura, o autor faz a defesa de dois pontos fundamentais: primeiramente, a consolidação de uma tecnologia da agricultura, entendida como uma ciência humana dedicada aos fatos técnicos desse campo; em segundo lugar, advoga pelo aprofundamento do diálogo entre etnólogos e agrônomos a respeito da complexidade e da diversidade dos fenômenos técnicos na agricultura. A tecnologia da agricultura, concebida como equivalente a uma etnociência dos fatos técnicos e como um campo de encontro entre agrônomos e etnólogos, abre caminho para que os sistemas agrícolas tradicionais e seus saberes técnicos associados possam dialogar com os saberes agronômicos.
{"title":"A Tecnologia da Agricultura: campo de encontro entre agrônomos e etnólogos","authors":"Eduardo Di Deus, Jeremy Deturche","doi":"10.5007/2175-8034.2023.e92028","DOIUrl":"https://doi.org/10.5007/2175-8034.2023.e92028","url":null,"abstract":"Este curto e instigante artigo, publicado originalmente em 1975 na revista Études Rurales, toma como ponto de partida uma indagação fundamental: como o conhecimento técnico é elaborado, apropriado, transmitido, disseminado ou monopolizado? Para dar conta dessa questão, em especial no que tange à agricultura, o autor faz a defesa de dois pontos fundamentais: primeiramente, a consolidação de uma tecnologia da agricultura, entendida como uma ciência humana dedicada aos fatos técnicos desse campo; em segundo lugar, advoga pelo aprofundamento do diálogo entre etnólogos e agrônomos a respeito da complexidade e da diversidade dos fenômenos técnicos na agricultura. A tecnologia da agricultura, concebida como equivalente a uma etnociência dos fatos técnicos e como um campo de encontro entre agrônomos e etnólogos, abre caminho para que os sistemas agrícolas tradicionais e seus saberes técnicos associados possam dialogar com os saberes agronômicos.","PeriodicalId":43226,"journal":{"name":"Ilha do Desterro-A Journal of English Language Literatures in English and Cultural Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-05-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135692982","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-05-30DOI: 10.5007/2175-8034.2023.e85630
Lucas Tramontano
A biopolítica contemporânea é marcada pela molecularização da vida e uma intensa farmacologização do cotidiano, que sustenta a teoria hormonal do corpo e aprofunda a visão dos hormônios sexuais como mensageiros químicos do sexo/gênero. Assim, este artigo analisa relatos de história de vida de homens usuários da testosterona como ferramenta de modificação corporal para refletir sobre as fontes de informação legitimadas na busca por um encontro efetivo com o hormônio. São identificadas quatro fontes não mutuamente excludentes: a biomedicina, a clínica, grupos de usuários especialistas e uma rede pessoal de contatos. O hormônio se localiza no centro de oposições como natural/artificial, legal/ ilegal e legítimo/ilegítimo e articula uma ampla circulação de saberes que compõem sua própria biografia. As conclusões apontam para um processo de coprodução, no qual, mais do que priorizar uma fonte específica, constrói-se um corpo de saberes compartilhado e multifacetado sobre a testosterona.
{"title":"Na busca pela testosterona: circulação de saberes entre homens usuários","authors":"Lucas Tramontano","doi":"10.5007/2175-8034.2023.e85630","DOIUrl":"https://doi.org/10.5007/2175-8034.2023.e85630","url":null,"abstract":"A biopolítica contemporânea é marcada pela molecularização da vida e uma intensa farmacologização do cotidiano, que sustenta a teoria hormonal do corpo e aprofunda a visão dos hormônios sexuais como mensageiros químicos do sexo/gênero. Assim, este artigo analisa relatos de história de vida de homens usuários da testosterona como ferramenta de modificação corporal para refletir sobre as fontes de informação legitimadas na busca por um encontro efetivo com o hormônio. São identificadas quatro fontes não mutuamente excludentes: a biomedicina, a clínica, grupos de usuários especialistas e uma rede pessoal de contatos. O hormônio se localiza no centro de oposições como natural/artificial, legal/ ilegal e legítimo/ilegítimo e articula uma ampla circulação de saberes que compõem sua própria biografia. As conclusões apontam para um processo de coprodução, no qual, mais do que priorizar uma fonte específica, constrói-se um corpo de saberes compartilhado e multifacetado sobre a testosterona.","PeriodicalId":43226,"journal":{"name":"Ilha do Desterro-A Journal of English Language Literatures in English and Cultural Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-05-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135692576","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-02DOI: 10.5007/2175-8026.2023.e88279
L. Coelho, Eduardo Marks de Marques
Este artigo apresenta uma leitura crítica dos romances A Parábola do Semeador (2018) e A Parábola dos Talentos (2019) da autora afro-americana Octavia E. Butler, com foco na análise das diferentes representações e experiências de corpos marginalizados nessas produções distópicas. No contexto dessas narrativas, entendem-se corpos marginalizados como aqueles que mais sofrem pelos efeitos de uma exploração capitalista desenfreada, de uma crise climática sem precedentes e da incapacidade de gerência do governo. Nessa categoria, incluem-se corpos de diferentes raças, gêneros, idades, entre outros. O suporte teórico utilizado compreende principalmente noções de corpo expostas nas obras A Sociologia do Corpo, de David Le Breton (2007), Microfísica do Poder, de Michel Foucault (1998) e Changing Bodies in the Fiction of Octavia Butler: Slaves, Aliens, and Vampires, de Gregory Hampton (2010).
{"title":"Representação e experiência de corpos marginalizados na duologia Semente da Terra, de Octavia E. Butler","authors":"L. Coelho, Eduardo Marks de Marques","doi":"10.5007/2175-8026.2023.e88279","DOIUrl":"https://doi.org/10.5007/2175-8026.2023.e88279","url":null,"abstract":"Este artigo apresenta uma leitura crítica dos romances A Parábola do Semeador (2018) e A Parábola dos Talentos (2019) da autora afro-americana Octavia E. Butler, com foco na análise das diferentes representações e experiências de corpos marginalizados nessas produções distópicas. No contexto dessas narrativas, entendem-se corpos marginalizados como aqueles que mais sofrem pelos efeitos de uma exploração capitalista desenfreada, de uma crise climática sem precedentes e da incapacidade de gerência do governo. Nessa categoria, incluem-se corpos de diferentes raças, gêneros, idades, entre outros. O suporte teórico utilizado compreende principalmente noções de corpo expostas nas obras A Sociologia do Corpo, de David Le Breton (2007), Microfísica do Poder, de Michel Foucault (1998) e Changing Bodies in the Fiction of Octavia Butler: Slaves, Aliens, and Vampires, de Gregory Hampton (2010).","PeriodicalId":43226,"journal":{"name":"Ilha do Desterro-A Journal of English Language Literatures in English and Cultural Studies","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-03-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78160954","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-02DOI: 10.5007/2175-8026.2023.e88282
Janice Inês Nodari, Mônica Stefani
This paper focuses on an important narratological aspect, the setting, as informed by the humanist geography and the distinguishing concepts of “place” and “space” championed by Tuan (2012, 2001). In order to explore such aspect, we chose three short stories written by African women writers that keep the African continent as the main setting: “Leaving Lamu”, by Lily Mabura (Kenya); “Porcelain”, by Henrietta Rose-Innes (South Africa), and “The Homecoming” by Milly Jafta (Namibia). In our analysis and comparison of the short stories, following the methodological procedure of close reading and highlighting the main aspects in regards to space/place and construction of the characters, we detail how the space described in each of the stories becomes a place to each of the protagonists (and how their movements connects to that), helping the postcolonial reader (Ashcroft et al., 2013) apprehend the landscape and understand the idiosyncrasies of a continent which is still seen as “exotic” by many, but whose subtleties, through the literary practice, become familiar, as they are, above all, humane
{"title":"The inverted pyramid and its (reading) space/place: a comparative study of “Leaving Lamu” by Lily Mabura (Kenya), “The Homecoming” by Milly Jafta (Namibia) and “Porcelain” by Henrietta Rose-Innes (South Africa)","authors":"Janice Inês Nodari, Mônica Stefani","doi":"10.5007/2175-8026.2023.e88282","DOIUrl":"https://doi.org/10.5007/2175-8026.2023.e88282","url":null,"abstract":"This paper focuses on an important narratological aspect, the setting, as informed by the humanist geography and the distinguishing concepts of “place” and “space” championed by Tuan (2012, 2001). In order to explore such aspect, we chose three short stories written by African women writers that keep the African continent as the main setting: “Leaving Lamu”, by Lily Mabura (Kenya); “Porcelain”, by Henrietta Rose-Innes (South Africa), and “The Homecoming” by Milly Jafta (Namibia). In our analysis and comparison of the short stories, following the methodological procedure of close reading and highlighting the main aspects in regards to space/place and construction of the characters, we detail how the space described in each of the stories becomes a place to each of the protagonists (and how their movements connects to that), helping the postcolonial reader (Ashcroft et al., 2013) apprehend the landscape and understand the idiosyncrasies of a continent which is still seen as “exotic” by many, but whose subtleties, through the literary practice, become familiar, as they are, above all, humane","PeriodicalId":43226,"journal":{"name":"Ilha do Desterro-A Journal of English Language Literatures in English and Cultural Studies","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-03-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85737872","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-02DOI: 10.5007/2175-8026.2023.e88289
A. Martins
{"title":"Keen Dispatch of Real Hunger: A Review of Toward a Sacramental Poetics (2021)","authors":"A. Martins","doi":"10.5007/2175-8026.2023.e88289","DOIUrl":"https://doi.org/10.5007/2175-8026.2023.e88289","url":null,"abstract":"","PeriodicalId":43226,"journal":{"name":"Ilha do Desterro-A Journal of English Language Literatures in English and Cultural Studies","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-03-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86429945","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-02DOI: 10.5007/2175-8026.2023.e93000
Magali Sperling Beck, Janaina Miriam Rosa, André Carvalho
Critical Approaches in Literature, Film
{"title":"Resignifying Critical Approaches in Literature, Film, and Cultural Studies","authors":"Magali Sperling Beck, Janaina Miriam Rosa, André Carvalho","doi":"10.5007/2175-8026.2023.e93000","DOIUrl":"https://doi.org/10.5007/2175-8026.2023.e93000","url":null,"abstract":"Critical Approaches in Literature, Film","PeriodicalId":43226,"journal":{"name":"Ilha do Desterro-A Journal of English Language Literatures in English and Cultural Studies","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-03-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84400832","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-02DOI: 10.5007/2175-8026.2023.e88172
H. S. Saraç Durgun, Kıvılcım Uzun, A. Arıkan
In Alice Munro’s short story “Boys and Girls,” society’s involvement in creating gendered lives is narrated by an eleven-year-old girl. To provide a linguistic analysis of her psychosexual development shaped by her family, in this study, all utterances are analyzed by employing a theoretical framework composed of Austin’s (1962) Speech Act Theory and Lipsitz Bem’s (1981) Gender Schema Theory. Analysis of the utterances postulates that the family’s stereotypical and value-ridden statements affect the child’s understanding of the making of a woman as the narrator’s psychosexual development occurs under the influence of sex-typed individuals who mainly use implicit performatives primarily marked as verdictive utterances. Hence, the narrator’s immediate social environment exerts their authority and power through specific linguistic constructions, as exemplified in the forceful use of the verdictives.
在爱丽丝·门罗(Alice Munro)的短篇小说《男孩和女孩》(Boys and Girls)中，一个11岁的女孩讲述了社会参与创造性别生活的过程。为了对她的家庭对她性心理发展的影响进行语言学分析，本研究采用了由Austin(1962)的言语行为理论和Lipsitz Bem(1981)的性别图式理论组成的理论框架来分析所有的话语。对话语的分析假设，家庭的陈规定型和价值导向的陈述会影响孩子对女性的理解，因为叙述者的性心理发展是在性别型个体的影响下发生的，这些个体主要使用内隐行为，主要被标记为判决性话语。因此，叙述者的直接社会环境通过特定的语言结构来发挥他们的权威和力量，例如判决词的强力使用。
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Pub Date : 2023-03-02DOI: 10.5007/2175-8026.2023.e86869
Manonita Chowdhary Roy Ghatak
Nidhi Chanani in her debut graphic novel, Pashmina synthesizes the diasporic dilemma of dislocation and relocation in a multicultural context through Nimisha’s character. As a first-generation immigrant, Nimisha projects the concept of “cultural transplantation” in a diasporic setting. She represents the Indian-American women and brings out their quandaries, joys, and sorrows during their struggle between relocation and acculturation. Seen through the eyes of Priyanka, Pashmina charts Nimisha’s quest for identity in India and the diaspora. Through the psychological, cultural, and generational conflict of Nimisha and her daughter, Nidhi Chanani presents a mother-daughter duo to us who challenge the traditional concept of diasporic womanhood in various ways. The present paper demarcates the zones of Nidhi Chanani’s female diasporic characters’ confirmation of the prevalent diasporic theories and their breaking from them. It further proceeds to focus on how the traditional concept of diasporic victimhood and forced exile has given way to emancipation and identity formation. Finally, the article examines how the graphic novel presents America as a total antithesis to India: although geographically alien, the country is perceived by immigrant women as a place in which they can survive with dignity and respect.
{"title":"Nidhi Chanani's Pashmina: A Single Mother's Quest for Diasporic Relocation","authors":"Manonita Chowdhary Roy Ghatak","doi":"10.5007/2175-8026.2023.e86869","DOIUrl":"https://doi.org/10.5007/2175-8026.2023.e86869","url":null,"abstract":"Nidhi Chanani in her debut graphic novel, Pashmina synthesizes the diasporic dilemma of dislocation and relocation in a multicultural context through Nimisha’s character. As a first-generation immigrant, Nimisha projects the concept of “cultural transplantation” in a diasporic setting. She represents the Indian-American women and brings out their quandaries, joys, and sorrows during their struggle between relocation and acculturation. Seen through the eyes of Priyanka, Pashmina charts Nimisha’s quest for identity in India and the diaspora. Through the psychological, cultural, and generational conflict of Nimisha and her daughter, Nidhi Chanani presents a mother-daughter duo to us who challenge the traditional concept of diasporic womanhood in various ways. The present paper demarcates the zones of Nidhi Chanani’s female diasporic characters’ confirmation of the prevalent diasporic theories and their breaking from them. It further proceeds to focus on how the traditional concept of diasporic victimhood and forced exile has given way to emancipation and identity formation. Finally, the article examines how the graphic novel presents America as a total antithesis to India: although geographically alien, the country is perceived by immigrant women as a place in which they can survive with dignity and respect.","PeriodicalId":43226,"journal":{"name":"Ilha do Desterro-A Journal of English Language Literatures in English and Cultural Studies","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-03-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77941901","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-02DOI: 10.5007/2175-8026.2023.e88363
Yasmim Pereira Yonekura, Vitor Henrique de Souza
The present paper discusses the United-Statesian TV show Buffy the Vampire Slayer reassessing its protagonist, Buffy Summers, in 2022, twenty-five years after its first broadcasting. As a teenage girl turned into a vampire/demon hunter, Buffy undergoes significant changes in relation to her calling as a slayer. Reluctant at first, she comes to terms with her responsibilities later in the series, in a movement that echoes Joseph Campbell’s definition of the monomyth. The authors propose to discuss Buffy’s changes throughout the series, emphasizing key narrative moments, in order to illustrate how the character evolves from what could be perceived as an archetype similar to the “final girl” to a (feminist?) heroine. Additionally, the authors comment on the abuse allegations against Buffy’s creator Joss Whedon, and how they relate to the series’ legacy twenty-five years later.
{"title":"Be Brave, live: reviewing Buffy's journey in Buffy The Vampire Slayer from Final Girl to Heroine twenty-five years later","authors":"Yasmim Pereira Yonekura, Vitor Henrique de Souza","doi":"10.5007/2175-8026.2023.e88363","DOIUrl":"https://doi.org/10.5007/2175-8026.2023.e88363","url":null,"abstract":"The present paper discusses the United-Statesian TV show Buffy the Vampire Slayer reassessing its protagonist, Buffy Summers, in 2022, twenty-five years after its first broadcasting. As a teenage girl turned into a vampire/demon hunter, Buffy undergoes significant changes in relation to her calling as a slayer. Reluctant at first, she comes to terms with her responsibilities later in the series, in a movement that echoes Joseph Campbell’s definition of the monomyth. The authors propose to discuss Buffy’s changes throughout the series, emphasizing key narrative moments, in order to illustrate how the character evolves from what could be perceived as an archetype similar to the “final girl” to a (feminist?) heroine. Additionally, the authors comment on the abuse allegations against Buffy’s creator Joss Whedon, and how they relate to the series’ legacy twenty-five years later.","PeriodicalId":43226,"journal":{"name":"Ilha do Desterro-A Journal of English Language Literatures in English and Cultural Studies","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-03-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78967055","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-02DOI: 10.5007/2175-8026.2023.e88142
A. Gomes
Este artigo objetiva investigar desafios da (con)vivência entre seres humanos e pós-humanos representados em duas obras de ficção contemporânea: o romance Klara e o Sol (2021), de Kazuo Ishiguro, e o filme After Yang (2021), de Kogonada. Os dois trabalhos narram os efeitos da presença de indivíduos pós-humanos em famílias humanas. O presente texto será organizado a partir de dois focos de análise: primeiramente, a maneira que essas obras de ficção problematizam noções de identidade humana e pós-humana, especialmente considerando questões como memória, raça e fé; e em segundo lugar, as formas que esses entes tecnológicos se inserem em um contexto familiar humano. Sendo assim, esse trabalho pretende mostrar como Klara e o Sol e After Yang são obras que testam os limites da representação pós-humana, questionando paradigmas essencialistas do humanismo.
本文旨在探讨石黑一雄的小说《Klara e o Sol》(2021)和小冈田的电影《After Yang》(2021)中人类与后人类之间的生活挑战。这两部作品都讲述了后人类个体在人类家庭中的存在所产生的影响。本文将从两个方面进行分析:第一，这些小说作品对人类和后人类身份概念提出质疑的方式，特别是考虑到记忆、种族和信仰等问题;其次，这些技术实体插入人类家庭环境的方式。因此，本作品旨在展示《克拉拉》、《太阳》和《阳后》是如何考验后人类表现的极限，质疑人文主义的本质主义范式的作品。
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