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The Martin Luther King, Jr. Memorial and the Politics of Post-Racialism 马丁·路德·金纪念馆与后种族主义政治
IF 0.9 1区 历史学 Q2 Arts and Humanities Pub Date : 2020-09-05 DOI: 10.2979/histmemo.32.2.03
Patrick Hagopian
Abstract:This article examines the history of the design of the Martin Luther King, Jr. National Memorial, dedicated in October 2011. Based on documentary records and original interviews, it uncovers new evidence about the design competition, the design’s oversight by federal commissions and the selection of the inscriptions. The article highlights the consequences of the sponsors’ preference for “universal” and “timeless” themes over King’s radical critique of American society. These choices bring this memorial to a civil rights leader into line with political conservatives’ advocacy of “color-blind” government action.
摘要:本文考察了2011年10月落成的马丁·路德·金国家纪念碑的设计历史。根据文献记录和原始采访,它揭示了有关设计竞赛、联邦委员会对设计的监督和铭文的选择的新证据。这篇文章强调了发起人对“普遍”和“永恒”主题的偏好,而不是金对美国社会的激进批评所带来的后果。这些选择使这位民权领袖的纪念碑符合政治保守派所倡导的“不分肤色”的政府行为。
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引用次数: 1
Pacific War Battle Sites through the Eyes of Japanese Travel Writers: Vicarious Consumer Travel and Emotional Performance in Travelogues 日本旅行作家眼中的太平洋战争战场:旅行记录中的替代消费者旅行和情感表现
IF 0.9 1区 历史学 Q2 Arts and Humanities Pub Date : 2020-09-05 DOI: 10.2979/histmemo.32.2.06
Ryōta Nishino
Abstract:This article analyzes travelogues written by Japanese visitors to the battle sites of the Pacific War. It argues that they tend to turn the destinations into exclusively Japanese zones of emotional performance, thereby promoting an imaginary reconquest of these sites. While most of these travelogues recount deepening empathy toward the Japanese victims and ignore the islander counterparts, a minority imagine the suffering of the islanders and view the Japanese as perpetrators. These conflicting visions reflect the historiographical debates in Japan. In order to establish whether the journeys yielded these visions or reinforced previously held beliefs, the background, styles and motivation of the travelers require careful consideration.
摘要:本文分析了日本游客在太平洋战争战场上留下的游记。它认为,他们倾向于把目的地变成专属于日本人的情感表演区域,从而促进了对这些地点的想象性重新征服。虽然这些游记大多讲述了对日本受害者日益加深的同情,而忽略了岛民的遭遇,但少数游记想象了岛民的痛苦,并将日本人视为肇事者。这些相互矛盾的观点反映了日本史学上的争论。为了确定旅行是否产生了这些愿景或加强了以前持有的信念,需要仔细考虑旅行者的背景,风格和动机。
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引用次数: 1
“I Am Their Jew”: Karla Raveh’s Testimony in Germany and in Israel “我是他们的犹太人”:卡拉·拉维在德国和以色列的见证
IF 0.9 1区 历史学 Q2 Arts and Humanities Pub Date : 2020-09-05 DOI: 10.2979/histmemo.32.2.05
Lilach Naishtat-Bornstein
Abstract:This article examines the differences in how Holocaust testimony is told and received in Israel and in Germany through an analysis of the unique case study of Karla Raveh (1927–2017). After forty years of silence, Raveh became an admired witness-celebrity in her prewar hometown in Germany, where she spent every summer for thirty years bearing testimony before thousands of Germans. Meanwhile, her testimony received little to no attention in Israel, her adopted home. Raveh’s case study raises questions about the complex interplay between individual testimonials and national context, and between personal motivations and intended audiences.
摘要:本文通过对Karla Raveh(1927-2017)的独特案例分析,探讨了以色列和德国在讲述和接受大屠杀证词方面的差异。在沉寂了四十年之后,拉维在战前的德国家乡成为了一位受人尊敬的证人名人,在那里,三十年来,她每年夏天都在成千上万的德国人面前作证。与此同时,她的证词在她的第二故乡以色列几乎没有受到关注。拉维的案例研究提出了个人推荐与国家背景、个人动机与目标受众之间复杂的相互作用问题。
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引用次数: 0
A Contested Latecomer: The Munich Documentation Center for the History of National Socialism 一个有争议的后来者:慕尼黑国家社会主义历史文献中心
IF 0.9 1区 历史学 Q2 Arts and Humanities Pub Date : 2020-03-30 DOI: 10.2979/histmemo.32.1.03
A. Sierp
Abstract:This article traces the debates surrounding the conception of the Documentation Center for the History of National Socialism in Munich in order to understand why it took the city whose history is so deeply intertwined with National Socialism so long to acknowledge its dark past. It investigates whether the final conception of this unusual museum is the expression of a new transnational trend that provided new perspectives on memorialization. It argues that the museum actively attempts to create an arena for public engagement with the past by encouraging visitors to take responsibility for their own interpretation of history based on the material presented.
摘要:本文追溯了围绕在慕尼黑建立国家社会主义历史文献中心的争论,以理解为什么这座历史与国家社会主义纠缠不清的城市如此长久地承认其黑暗的过去。它探讨了这个不同寻常的博物馆的最终概念是否是一种新的跨国趋势的表达,这种趋势为纪念提供了新的视角。它认为,博物馆积极尝试创造一个公众参与过去的舞台,鼓励游客根据所呈现的材料对自己的历史解释负责。
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引用次数: 0
Introduction: Museums and Monuments: Memorials of Violent Pasts in Urban Spaces 简介:博物馆和纪念碑:城市空间中暴力过去的纪念碑
IF 0.9 1区 历史学 Q2 Arts and Humanities Pub Date : 2020-03-30 DOI: 10.2979/histmemo.32.1.02
Ulrike Capdepón, A. Sierp, J. Strauss
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引用次数: 2
Writing and Reading Memories at a Buenos Aires Memorial Site: The Ex-ESMA 布宜诺斯艾利斯纪念遗址的书写和阅读记忆:前esma
IF 0.9 1区 历史学 Q2 Arts and Humanities Pub Date : 2020-03-30 DOI: 10.2979/histmemo.32.1.05
Susana Kaiser
Abstract:ESMA, an infamous center for torture and extermination, now houses a memorial museum. It first opened in 2007 and was subsequently rethought and remodeled. Museological interventions modified the museum script and the visits’ format. This article explores the (re)construction of memories through the communication process between the site and its visitors. It asks: What are the differences between the previous space and the modified one? How do changes affect interactions between visitors and the space? I review the authorial intentions of curators and public responses to the space to trace the evolving debate over what the museum’s script should include/exclude, changes in official memorialization policies and the perceived impact of the space of memory/museum on visitors.
摘要:ESMA,一个臭名昭著的酷刑和灭绝中心,现在建了一个纪念博物馆。它于2007年首次开放,随后进行了重新设计和改造。博物馆学的干预改变了博物馆的脚本和参观的形式。本文通过场地与参观者之间的交流过程来探索记忆的(重新)建构。它问:以前的空格和修改后的空格有什么不同?变化如何影响游客与空间之间的互动?我回顾了策展人的创作意图和公众对这个空间的反应,以追踪关于博物馆的剧本应该包括/排除什么,官方纪念政策的变化以及记忆空间/博物馆对游客的感知影响的不断演变的辩论。
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引用次数: 2
Challenging the Symbolic Representation of the Franco Dictatorship: The Street Name Controversy in Madrid 挑战佛朗哥独裁统治的象征性表现:马德里街道名称之争
IF 0.9 1区 历史学 Q2 Arts and Humanities Pub Date : 2020-03-30 DOI: 10.2979/histmemo.32.1.06
Ulrike Capdepón
Abstract:This article examines the controversy surrounding the street names symbolizing the Franco dictatorship (1939–75) in Madrid. The Memory Law, passed in 2007, which sought to eradicate Francoist symbols in the public sphere, was ignored by Madrid’s conservative mayoral administration until 2015 when a new mayor announced the official removal of Francoist street names from the cityscape. The article discusses the negotiation of contested memorialization processes and how different political forces shape commemorative practices in urban space. By addressing the political, discursive, academic and legal fields of action, it focuses in particular on civil society’s and grassroots attempts to replace Francoist street names with new ones demonstrating how a cityscape is a vehicle for ongoing struggles over memory in the present.
摘要:本文探讨了围绕象征佛朗哥独裁统治(1939-75)的马德里街道名称的争议。2007年通过的《记忆法》(Memory Law)旨在消除公共领域中的佛朗哥主义符号,但一直被马德里保守的市长政府忽视,直到2015年,一位新市长宣布正式从城市景观中移除佛朗哥主义街道名称。本文讨论了有争议的纪念过程的谈判,以及不同的政治力量如何塑造城市空间中的纪念实践。通过讨论政治、话语、学术和法律领域的行动,它特别关注公民社会和基层试图用新的街道名称取代弗朗哥主义街道名称,展示城市景观如何成为当前持续斗争的记忆工具。
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引用次数: 5
From the Editor: Change of the Guard 来自编辑:卫兵换岗
IF 0.9 1区 历史学 Q2 Arts and Humanities Pub Date : 2020-03-30 DOI: 10.2979/histmemo.32.1.01
J. Brunner, S. Ury
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引用次数: 0
Contested Site or Reclaimed Space? Re-membering but Not Honoring the Past on the Empty Pedestal 争地还是填海?在空的基座上,记住但不尊重过去
IF 0.9 1区 历史学 Q2 Arts and Humanities Pub Date : 2020-03-30 DOI: 10.2979/histmemo.32.1.07
Jill Strauss
Abstract:Debates over contested monuments often focus on the statue, but the pedestal also has significance. In May 2017, the New York City Mayoral Advisory Commission on City Art, Monuments, and Markers recommended removing the controversial figure of Dr. J. Marion Sims. The base however, was left behind. The separation of sculpture from pedestal creates a space to research, document, commemorate and talk about the interruption of memory. In January 2019, undergraduate students created augmented reality images on the Sims pedestal to “bring to life” their interpretations that are not (yet) part of the prevailing history. The resulting images create another platform for exploring difficult histories in relation to present injustices.
摘要:关于有争议的纪念碑的争论往往集中在雕像上,但基座也具有重要意义。2017年5月,纽约市城市艺术、纪念碑和标记市长咨询委员会建议移除有争议的j·马里恩·西姆斯博士的雕像。然而,基地却被抛在了后面。雕塑与基座的分离创造了一个研究、记录、纪念和谈论记忆中断的空间。2019年1月,本科生在模拟人生基座上创建了增强现实图像,以“赋予生活”他们的解释,这些解释还不是主流历史的一部分。由此产生的图像为探索与当前不公正有关的艰难历史创造了另一个平台。
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引用次数: 4
Creating a Cosmopolitan Past: Local and Transnational Influences on Memory Work in Schindler’s Factory, Kraków 创造一个世界性的过去:辛德勒工厂对记忆工作的本地和跨国影响,Kraków
IF 0.9 1区 历史学 Q2 Arts and Humanities Pub Date : 2020-03-23 DOI: 10.2979/HISTMEMO.32.1.04
Janek Gryta
Abstract:This article tests the limits of cosmopolitan memory. It spotlights a unique case study, the permanent exhibition in Schindler’s Factory in Kraków, shaped by a group of local curators and politicians, as well as representatives of foreign memorial institutions and supranational NGOs. The thrust to create a cosmopolitan narrative came from Polish curators, but their vision was curbed by both a local politician and the head of a global NGO. The version of cosmopolitanism offered in Kraków engaged with contemporary Polish problems. However, it ignored Polish anti-Semitism and perpetration. The article reveals how in practice the cosmopolitan message is shaped, what propels it forward and what limits its horizons.
摘要:本文对世界记忆的局限性进行了检验。它聚焦了一个独特的案例研究,即Kraków辛德勒工厂的常设展览,由一群当地策展人和政治家,以及外国纪念机构和超国家非政府组织的代表组成。波兰策展人想要创造一种世界主义的叙事,但他们的愿景受到了当地政治家和一家全球非政府组织负责人的抑制。Kraków提供的世界主义版本与当代波兰问题有关。然而,它忽视了波兰的反犹太主义和罪行。文章揭示了在实践中世界主义的信息是如何形成的,是什么推动了它的发展,是什么限制了它的视野。
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引用次数: 1
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History & Memory
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