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"The Forgotten of This Tribute": Settler Soldiers, Colonial Categories and the Centenary of the First World War “被遗忘的贡品”:移民士兵,殖民地分类和第一次世界大战百年纪念
IF 0.9 1区 历史学 Q2 Arts and Humanities Pub Date : 2019-02-05 DOI: 10.2979/HISTMEMO.31.2.0003
C. Eldridge
Abstract:This article uses the centenary of the First World War to explore how colonial categories have been mobilized in memory projects. Focusing on "settler soldiers" from French Algeria, it argues that the centenary continues a long-standing practice of attaching oversimplified singular identities to these men. Using untapped sources, it exposes the gap between these externally assigned labels and the more pluralistic and malleable identifications possessed and used by settler soldiers themselves. Restoring and historicizing the complex identifications of these settler soldiers sheds new light on how the history and memory of the French empire interweaves with that of the First World War, and the ongoing evolution of this relationship.
摘要:本文以第一次世界大战一百周年为契机,探讨殖民分类是如何在记忆项目中被动员起来的。聚焦于在法属阿尔及利亚的“定居者士兵”,它认为百年纪念延续了将这些人过于简单化的单一身份附加到这些人身上的长期做法。利用未开发的资源,它暴露了这些外部分配的标签与定居者士兵自己拥有和使用的更多元化和可塑的身份之间的差距。对这些移民士兵复杂身份的修复和历史化,揭示了法兰西帝国的历史和记忆如何与第一次世界大战交织在一起,以及这种关系的持续演变。
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引用次数: 2
Apology and Commemoration: Memorializing the World War II Japanese American Incarceration at the Tanforan Assembly Center 道歉和纪念:纪念第二次世界大战日裔美国人在坦福兰集会中心的监禁
IF 0.9 1区 历史学 Q2 Arts and Humanities Pub Date : 2018-08-31 DOI: 10.2979/HISTMEMO.30.2.03
Valentina Rozas-Krause
Abstract:A series of on-site historic plaques and a photographic exhibition at a nearby train station serve as background to study the development of a new memorial to remember the wartime incarceration of Japanese Americans at the Tanforan Assembly Center in San Bruno, California. The design and iconography of the future Tanforan memorial are analyzed alongside the motivations of the main actors that have shaped it: a group of memory activists, a transit agency and a shopping mall developer. The article concludes that these past and future commemorative interventions reveal the relationship between an unsettled memorial landscape and the Japanese American community's ongoing demands for apology.
摘要:加利福尼亚州圣布鲁诺的坦佛兰集会中心(Tanforan Assembly Center)为纪念二战期间被监禁的日裔美国人,以一系列现场历史牌匾和附近火车站的摄影展为背景,研究了这座新纪念碑的发展。我们分析了未来坦佛兰纪念馆的设计和图像,以及塑造它的主要参与者的动机:一群记忆活动人士、一家交通机构和一家购物中心开发商。文章的结论是,这些过去和未来的纪念干预揭示了不稳定的纪念景观与日裔美国人社区持续的道歉要求之间的关系。
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引用次数: 6
Postcolonial Nostalgia: The Ambiguities of White Memoirs of Zimbabwe 后殖民怀旧:津巴布韦白人回忆录的模糊性
IF 0.9 1区 历史学 Q2 Arts and Humanities Pub Date : 2018-08-31 DOI: 10.2979/HISTMEMO.30.2.06
A. Rasch
Abstract:This article introduces the concept of "postcolonial nostalgia" to discuss four memoirs by white expatriate Zimbabweans Alexandra Fuller and Peter Godwin. The authors borrow from colonial discourse, producing nostalgic accounts that may appeal to their Western audiences but which fail to challenge colonial mindsets in the way that their postcolonial self-image might lead us to expect. Written at a time of national crisis in Zimbabwe, the memoirs contrast a past of childhood innocence and settler contributions with a dystopic present. Even as the authors dissociate themselves from the white supremacist regime of the past, they present white settlers as benevolent and productive, and seem to lament the replacement of white order with nothing.
摘要:本文引入“后殖民怀旧”的概念,讨论了四位津巴布韦白人侨民亚历山德拉·富勒和彼得·戈德温的回忆录。作者借用殖民话语,制作怀旧的叙述,这些叙述可能会吸引西方读者,但却无法以他们后殖民自我形象可能引导我们期望的方式挑战殖民思维。这本回忆录写于津巴布韦的国家危机时期,将童年的纯真和定居者的贡献与反乌托邦的现在进行了对比。尽管两位作者将自己与过去的白人至上主义政权划清了界限,但他们将白人定居者描绘成仁慈而富有成效的人,似乎在哀叹白人秩序被无物取代。
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引用次数: 11
Valuing Immigrant Memories as Common Heritage: The Leif Erikson Monument in Boston 将移民记忆视为共同遗产:波士顿的雷夫·埃里克森纪念碑
IF 0.9 1区 历史学 Q2 Arts and Humanities Pub Date : 2018-08-31 DOI: 10.2979/HISTMEMO.30.2.04
T. Guttormsen
Abstract:This article examines the history of the monument to the Viking and transatlantic seafarer Leif Erikson (ca. AD 970–1020) that was erected in 1887 on Commonwealth Avenue in Boston, Massachusetts. It analyzes how a Scandinavian-American immigrant culture has influenced America through continued celebration and commemoration of Leif Erikson and considers Leif Erikson monuments as a heritage value for the public good and as a societal resource. Discussing the link between discovery myths, narratives about refugees at sea and immigrant memories, the article suggests how the Leif Erikson monument can be made relevant to present-day society.
摘要:本文考察了1887年在马萨诸塞州波士顿联邦大道上建立的维京人和跨大西洋海员莱夫·埃里克森纪念碑(约公元970-1020年)的历史。它分析了斯堪的纳维亚裔美国移民文化如何通过对雷夫·埃里克森的持续庆祝和纪念影响美国,并将雷夫·埃里克森纪念碑视为公共利益和社会资源的遗产价值。文章讨论了发现神话、关于海上难民的叙述和移民记忆之间的联系,提出了如何使列夫·埃里克森纪念碑与当今社会相关。
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引用次数: 2
"Ask the Assyrians, Armenians, Kurds": Transcultural Memory and Nationalism in Greek Historical Discourse on Turkey “问亚述人、亚美尼亚人、库尔德人”:希腊关于土耳其的历史话语中的跨文化记忆和民族主义
IF 0.9 1区 历史学 Q2 Arts and Humanities Pub Date : 2018-08-31 DOI: 10.2979/HISTMEMO.30.2.02
Huw Halstead
Abstract:Recent research has suggested that in the contemporary globalized and digitized world memories transcend national boundaries in a manner that might replace exclusive and antagonistic national histories with inclusive cosmopolitan solidarities. This article critically engages with such models by exploring transcultural cross-referencing in narratives about Greek-Turkish relationships in two different settings: print media produced by memory activists from the expatriated Greek minority of Turkey; and peer-to-peer debates in the "comments" section on YouTube. Whilst such transcultural discourses might indeed draw different victim communities closer together, they nevertheless also have the capacity to reinforce national histories and identities.
摘要:最近的研究表明,在当今全球化和数字化的世界中,记忆超越国界,可能以包容的世界主义团结取代排他性和对抗性的民族历史。本文通过探索两种不同背景下希腊-土耳其关系叙事中的跨文化交叉引用,批判性地参与了这些模型:由土耳其流亡希腊少数民族的记忆活动家制作的印刷媒体;以及在YouTube的“评论”区进行点对点辩论。虽然这种跨文化话语确实可能使不同的受害者群体更紧密地联系在一起,但它们也有能力加强国家的历史和身份。
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引用次数: 3
Carlos Barral and the Struggle for Holocaust Consciousness in Franco's Spain 卡洛斯·巴拉尔与佛朗哥统治下的西班牙的大屠杀意识斗争
IF 0.9 1区 历史学 Q2 Arts and Humanities Pub Date : 2018-08-31 DOI: 10.2979/HISTMEMO.30.2.05
S. O’Donoghue
Abstract:This article uncovers the role of the Spanish publisher Carlos Barral in promoting knowledge of the Holocaust through a number of publishing ventures beginning in the late 1950s. Based on research in the Archivo General de la Administración, it sets Barral's endeavors in the context of the Franco regime's resistance to the public airing of Nazi crimes in Spain. After considering the historical factors that help explain why Franco's regime was reluctant to tolerate an uninhibited public awareness of the extermination of the European Jews, the article examines how and why Carlos Barral made it his duty to promote knowledge of the horrors the regime was eager to hide.
摘要:本文揭示了西班牙出版商卡洛斯·巴拉尔(Carlos Barral)在20世纪50年代末开始的一系列出版企业中促进大屠杀知识的作用。基于对档案馆Administración的研究,它将Barral的努力置于佛朗哥政权抵制在西班牙公开播放纳粹罪行的背景下。在考虑了有助于解释为什么佛朗哥政权不愿意容忍公众对欧洲犹太人灭绝的肆无忌惮的认识的历史因素之后,本文探讨了卡洛斯·巴拉尔如何以及为什么把宣传该政权渴望隐藏的恐怖作为他的职责。
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引用次数: 1
Transcultural Memory and the Troostmeisjes/Comfort Women Photographic Project 跨文化记忆与慰安妇摄影项目
IF 0.9 1区 历史学 Q2 Arts and Humanities Pub Date : 2018-03-29 DOI: 10.2979/HISTMEMO.30.1.05
Katharine McGregor, V. Mackie
Abstract:In 2008 and 2009, a Dutch photographer, Jan Banning, and an anthropologist, Hilde Janssen, traveled around Indonesia to document, with photographs and testimonies, survivors of militarized sexual abuse by the Japanese military during the three-year occupation (1942–1945) of the former Dutch colony, the Netherlands East Indies. We argue that the resultant photographic project can best be understood within the framework of the "politics of pity" and the associated genres of representation. The project creators anticipated a cosmopolitan audience that might be moved to action to support the survivors. Yet, as the project was exhibited in different sites, the women's memories were interpreted through local knowledge systems and mnemonic practices. We analyze the reception of these photographs in diverse local contexts.
摘要:2008年和2009年,荷兰摄影师扬·班宁(Jan Banning)和人类学家希尔德·杨森(Hilde Janssen)走遍印度尼西亚,用照片和证词记录了在日本占领前荷兰殖民地荷属东印度群岛(1942年至1945年)期间遭受日军军事化性侵犯的幸存者。我们认为,最终的摄影项目可以在“同情的政治”和相关的表现类型的框架内得到最好的理解。这个项目的创造者期望全世界的观众都能被感动,采取行动来支持幸存者。然而,由于该项目在不同的地点展出,妇女的记忆通过当地的知识系统和记忆练习来解释。我们分析了这些照片在不同地方背景下的接受情况。
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引用次数: 3
Monumental Change: The Shifting Politics of Obligation at the Tomb of the Unknowns 巨大的变化:在无名之墓的责任政治的转变
IF 0.9 1区 历史学 Q2 Arts and Humanities Pub Date : 2018-03-29 DOI: 10.2979/HISTMEMO.30.1.03
Sarah Wagner, Thomas Matyók
Abstract:The Tomb of the Unknowns at Arlington National Cemetery has long served as a site of instruction about national sacrifice, but its lessons in mourning war's costs and honoring its combatants have changed with time and shifting political currents, as reflected in the reordered space, the sentinels' altered rituals and the public's increasingly disciplined engagement with the site. Tracing these changes, this article argues that the gradual distancing of the monument and its sentinels from the visiting public mirrors the sharpening sense of civilian-military division within American society itself, revealing the exclusionary politics of obligation that help shape contemporary political discourse about war and its costs.
摘要:阿灵顿国家公墓(Arlington National Cemetery)的无名烈士墓(Tomb of The unknown)长期以来一直是国家牺牲的指导场所,但随着时间的推移和政治趋势的变化,它在悼念战争代价和纪念战斗人员方面的教训发生了变化,这反映在重新安排的空间、哨兵改变的仪式和公众对该遗址日益有纪律的参与上。追溯这些变化,本文认为,纪念碑及其哨兵与来访的公众逐渐疏远,反映了美国社会本身日益尖锐的军民分化感,揭示了排他性的义务政治,这种义务政治有助于塑造当代关于战争及其代价的政治话语。
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引用次数: 15
The Military History Museum in Dresden: Between Forum and Temple 德累斯顿军事历史博物馆:介于论坛与神庙之间
IF 0.9 1区 历史学 Q2 Arts and Humanities Pub Date : 2018-03-29 DOI: 10.2979/HISTMEMO.30.1.02
Cristian Cercel
Abstract:This article analyzes the Military History Museum (MHM) in Dresden against the backdrop of recent theoretical elaborations on agonistic memory, as opposed to the cosmopolitan and antagonistic modes of remembering. It argues that the MHM attempts to combine two functions of the museum: the museum as forum and the museum as temple. By examining the concept underpinning the reorganization of the permanent exhibition of the MHM, and by bringing examples from both the permanent and temporary exhibitions, the article shows that the discourse of the MHM presents some relevant compatibilities with the principles of agonistic memory, yet does not embrace agonism to the full. The article also suggests that the agonistic mode of remembering requires rejecting the notion of the museum as temple.
摘要:本文分析了德累斯顿军事历史博物馆(MHM)在最近的理论阐述的背景下,对抗记忆的世界性和对抗性模式。本文认为,MHM试图将博物馆的两种功能结合起来:博物馆作为论坛和博物馆作为寺庙。通过研究MHM永久展览重组的基础概念,并从永久展览和临时展览中引入例子,文章表明MHM的话语与激动记忆的原则呈现出一些相关的兼容性,但并没有完全拥抱激动。这篇文章还提出,记忆的斗争模式需要拒绝博物馆作为寺庙的概念。
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引用次数: 17
Family Legacies in the Centenary: Motives for First World War Commemoration among British and German Descendants 百年的家庭遗产:英国和德国后裔纪念第一次世界大战的动机
IF 0.9 1区 历史学 Q2 Arts and Humanities Pub Date : 2018-03-29 DOI: 10.2979/HISTMEMO.30.1.04
M. Roper, R. Duffett
Abstract:This article investigates the affective motives for remembrance among British and German descendants of men and women who served in the First World War. Based on observations of a First World War centenary project funded by the Heritage Lottery and hosted in Bavaria in early 2016 by the London-based reminiscence organization Age Exchange, it asks why people are drawn to research the First World War pasts of their ancestors and how their historical pursuits connect personal experience to public commemoration in the two countries. It develops an understanding of legacy as operating across time in two directions: backwards from contemporary preoccupations to the First World War, and forwards across generations, from the survivors and their descendants to the present.
摘要:本文调查了英国和德国第一次世界大战参战男女后代的纪念情感动机。基于对遗产彩票资助的第一次世界大战百年纪念项目的观察,该项目于2016年初由总部位于伦敦的怀旧组织“年龄交流”在巴伐利亚举办,它询问了人们为什么会被吸引去研究他们祖先的第一次世界大战历史,以及他们的历史追求如何将个人经历与两国的公共纪念联系起来。它发展了一种对遗产的理解,认为遗产在两个方向上跨越时间:从当代的关注倒退到第一次世界大战,从幸存者及其后代到现在,向前跨越几代人。
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引用次数: 5
期刊
History & Memory
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