The expression of the category of negation in the system of the German adjective has not yet received a sufficiently complete description, although many researchers have repeatedly addressed this issue. One of the unsolved problems remains the problem of the speaker’s choice of a linguistic means of negation. The aim of the study is to identify the reasons for the variation of the means of negation in the class of German adjectives. The subject of consideration is represented by the ways that the negative meaning of adjectives is expressed. The main provisions concerning the essence and specifics of how the stems of adjectives are combined with negative affixes are touched upon. The variety of negative characteristics is seen as a peculiarity of the adjective from the perspective of the expression of a negative property or the absence of something. The scientific novelty of the study lies in the fact that the variability of the means of negative expression by adjectives is considered as an object of a synchronous structural analysis of linguistic units and is investigated taking into account the following linguistic levels: word-formation, structural-typological, syntactic and semantic. As a result of the study, it has been found that, in general, only a small number of factors are crucial when choosing a certain negation variant. In most cases, the prefix ‘un-’ is used to negate adjectives, regardless of the factors considered.
{"title":"Variability of the means of negation expression (based on the material of German adjectives)","authors":"Andrej Nikolaevich Belyaev","doi":"10.30853/phil20230552","DOIUrl":"https://doi.org/10.30853/phil20230552","url":null,"abstract":"The expression of the category of negation in the system of the German adjective has not yet received a sufficiently complete description, although many researchers have repeatedly addressed this issue. One of the unsolved problems remains the problem of the speaker’s choice of a linguistic means of negation. The aim of the study is to identify the reasons for the variation of the means of negation in the class of German adjectives. The subject of consideration is represented by the ways that the negative meaning of adjectives is expressed. The main provisions concerning the essence and specifics of how the stems of adjectives are combined with negative affixes are touched upon. The variety of negative characteristics is seen as a peculiarity of the adjective from the perspective of the expression of a negative property or the absence of something. The scientific novelty of the study lies in the fact that the variability of the means of negative expression by adjectives is considered as an object of a synchronous structural analysis of linguistic units and is investigated taking into account the following linguistic levels: word-formation, structural-typological, syntactic and semantic. As a result of the study, it has been found that, in general, only a small number of factors are crucial when choosing a certain negation variant. In most cases, the prefix ‘un-’ is used to negate adjectives, regardless of the factors considered.","PeriodicalId":43335,"journal":{"name":"Theoretical and Practical Issues of Journalism","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135460720","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Kim Mugallimovich Minnullin, Liliya Minnullovna Giniyatullina
The aim of the study is to determine the role of lexical repetition in the formation of syntactic links between sentences in the texts of Tatar songs. The paper analyses the function of this linking means in the formation of a chain link. The scientific novelty of the study lies in carrying out a comprehensive analysis of the use of lexical repetitions in poetic texts and identifying the structural features of Tatar songs. It is the first time that the types of syntactic links that are established through lexical repetition between sentences in the texts of Tatar songs have been identified and illustrated with examples. As a result, the syntactic relations between the parts of sentences that are formed through lexical repetition have been determined; the following syntactic links between sentences that are most characteristic of song lyrics have been revealed: “subject – object”, “object – subject”, “subject – subject”, “object – object”, “attribute – subject”.
{"title":"The role of lexical repetition in the texts of Tatar songs","authors":"Kim Mugallimovich Minnullin, Liliya Minnullovna Giniyatullina","doi":"10.30853/phil20230557","DOIUrl":"https://doi.org/10.30853/phil20230557","url":null,"abstract":"The aim of the study is to determine the role of lexical repetition in the formation of syntactic links between sentences in the texts of Tatar songs. The paper analyses the function of this linking means in the formation of a chain link. The scientific novelty of the study lies in carrying out a comprehensive analysis of the use of lexical repetitions in poetic texts and identifying the structural features of Tatar songs. It is the first time that the types of syntactic links that are established through lexical repetition between sentences in the texts of Tatar songs have been identified and illustrated with examples. As a result, the syntactic relations between the parts of sentences that are formed through lexical repetition have been determined; the following syntactic links between sentences that are most characteristic of song lyrics have been revealed: “subject – object”, “object – subject”, “subject – subject”, “object – object”, “attribute – subject”.","PeriodicalId":43335,"journal":{"name":"Theoretical and Practical Issues of Journalism","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135460722","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The aim of the study is to identify the specifics of the spatial and geographical image of the Far East in P. S. Komarov’s poetry from the perspective of the “frontier” vision. The paper substantiates the productivity of using the “frontier spectrum” for the analysis of regional lyrical poetry and provides an overview of the leading works in this field. Main attention is paid to the identification and analysis of the forms of artistic representation of the image of the Far East in Komarov’s lyrical poetry. The paper is novel in that it is the first to consider the author’s poetic world from the perspective of “frontier imagery”, to substantiate the role of extra-textual (geographical and historical-cultural) realia for the formation of the image of the frontier. As a result of the study, it has been found that the image of the Far East as a frontier territory of Russia is created by means of landscape, ethnopoetics, mythopoetics, toponymy, spatial markers (“east – west”, distance, “top – bottom”, etc.). The paper argues that the “frontier image” in Komarov’s lyrical poetry has a “double content”, combining the poetic vision of the region as a “Russian borderland” and at the same time as an inseparable part of the “Russian land”; it is shown that in relation to the image of the persona, “frontier characteristics” are associated with the theme of land development and border protection.
{"title":"The image of the “Far Eastern frontier” in P. S. Komarov’s lyrical poetry","authors":"Olga Nikolaevna Alexandrova-Osokina","doi":"10.30853/phil20230553","DOIUrl":"https://doi.org/10.30853/phil20230553","url":null,"abstract":"The aim of the study is to identify the specifics of the spatial and geographical image of the Far East in P. S. Komarov’s poetry from the perspective of the “frontier” vision. The paper substantiates the productivity of using the “frontier spectrum” for the analysis of regional lyrical poetry and provides an overview of the leading works in this field. Main attention is paid to the identification and analysis of the forms of artistic representation of the image of the Far East in Komarov’s lyrical poetry. The paper is novel in that it is the first to consider the author’s poetic world from the perspective of “frontier imagery”, to substantiate the role of extra-textual (geographical and historical-cultural) realia for the formation of the image of the frontier. As a result of the study, it has been found that the image of the Far East as a frontier territory of Russia is created by means of landscape, ethnopoetics, mythopoetics, toponymy, spatial markers (“east – west”, distance, “top – bottom”, etc.). The paper argues that the “frontier image” in Komarov’s lyrical poetry has a “double content”, combining the poetic vision of the region as a “Russian borderland” and at the same time as an inseparable part of the “Russian land”; it is shown that in relation to the image of the persona, “frontier characteristics” are associated with the theme of land development and border protection.","PeriodicalId":43335,"journal":{"name":"Theoretical and Practical Issues of Journalism","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135460725","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The research aims to identify the potential of lexical and syntactic means for expressing the category of temporality in the Chuvash language. The scientific novelty of the research lies in carrying out a detailed analysis of both traditional and atypical cases of expressing temporal meanings in context, as no specific research on this topic has been conducted in Chuvash studies before. The paper is the first to establish that many phraseologised constructions, proverbs and sayings, as well as certain proper names serve as expressions of temporal relations and transmit ethnocultural information, as their prevailing connotative meaning reflects the native speakers’ particular worldview and view of specific life situations. The research findings demonstrate that the temporal conceptualisation in the Chuvash language has its own national characteristics. The temporal indicator is an integral characteristic of our existence and, being interpreted through the lens of human consciousness (of the author, character, reader), finds its expression in the text.
{"title":"Expression of the category of temporality through lexical and syntactic means in the Chuvash language","authors":"Galina Nikolaevna Semenova, Andrey Anatolyevich Danilov, Nadezhda Ivanovna Yakimova, Natalia Rudolfovna Skvortsova","doi":"10.30853/phil20230555","DOIUrl":"https://doi.org/10.30853/phil20230555","url":null,"abstract":"The research aims to identify the potential of lexical and syntactic means for expressing the category of temporality in the Chuvash language. The scientific novelty of the research lies in carrying out a detailed analysis of both traditional and atypical cases of expressing temporal meanings in context, as no specific research on this topic has been conducted in Chuvash studies before. The paper is the first to establish that many phraseologised constructions, proverbs and sayings, as well as certain proper names serve as expressions of temporal relations and transmit ethnocultural information, as their prevailing connotative meaning reflects the native speakers’ particular worldview and view of specific life situations. The research findings demonstrate that the temporal conceptualisation in the Chuvash language has its own national characteristics. The temporal indicator is an integral characteristic of our existence and, being interpreted through the lens of human consciousness (of the author, character, reader), finds its expression in the text.","PeriodicalId":43335,"journal":{"name":"Theoretical and Practical Issues of Journalism","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135460731","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The study aims to determine the semantic features of the transforming morality and its discourse. The scientific novelty of the work lies in the author’s approach to identifying and describing the semantics of morality and moral discourse, taking into account the most typical collocations of the keyword ‘Moral’ acting as a subject. As a result of the study, it was found that metaphors, metaphtonymies and intertextuality serve as the semantic markers of the transforming morality as a subject in the type of discourse under consideration. The analysis of examples of moral discourse, in which ‘Moral’ acts as a subject, has shown that intertextuality is manifested in the use of precedent phenomena in moral discourse referring to moral issues. Aphorisms can undergo formal transformations and receive occasional components without changing the negative axiological vector of moral discourse. It is determined that the sports metaphor ‘auf der Strecke bleiben’, which is based on the metaphorical model LIFE is A SPORTS COMPETITION, is actualised in moral discourse. The conceptual vector of rivalry reflects the real worldview and the place that morality occupies in it: morality appears as a loser, a player who has lost the race, who has conceded victory to politics, art, profit and economic progress. The metaphtonymies ‘Moral verlangt’, ‘Moral herrscht’ have negative evaluativeness. Metaphors and metaphtonymies in moral discourse emphasise the secondary nature of morality at the present stage of societal development.
{"title":"Semantic aspect of morality deconstruction (based on the material of the German language)","authors":"Ksenia Viktorovna Nevolina","doi":"10.30853/phil20230551","DOIUrl":"https://doi.org/10.30853/phil20230551","url":null,"abstract":"The study aims to determine the semantic features of the transforming morality and its discourse. The scientific novelty of the work lies in the author’s approach to identifying and describing the semantics of morality and moral discourse, taking into account the most typical collocations of the keyword ‘Moral’ acting as a subject. As a result of the study, it was found that metaphors, metaphtonymies and intertextuality serve as the semantic markers of the transforming morality as a subject in the type of discourse under consideration. The analysis of examples of moral discourse, in which ‘Moral’ acts as a subject, has shown that intertextuality is manifested in the use of precedent phenomena in moral discourse referring to moral issues. Aphorisms can undergo formal transformations and receive occasional components without changing the negative axiological vector of moral discourse. It is determined that the sports metaphor ‘auf der Strecke bleiben’, which is based on the metaphorical model LIFE is A SPORTS COMPETITION, is actualised in moral discourse. The conceptual vector of rivalry reflects the real worldview and the place that morality occupies in it: morality appears as a loser, a player who has lost the race, who has conceded victory to politics, art, profit and economic progress. The metaphtonymies ‘Moral verlangt’, ‘Moral herrscht’ have negative evaluativeness. Metaphors and metaphtonymies in moral discourse emphasise the secondary nature of morality at the present stage of societal development.","PeriodicalId":43335,"journal":{"name":"Theoretical and Practical Issues of Journalism","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135665313","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The research aims to determine the formal-structural and semantic-etymological features of compound terms in the field of veterinary epizootiology and veterinary parasitology in the German language. The scientific novelty of the research lies in identifying the most productive models of veterinary compounds in the German language. The structural analysis of complex terms revealed that they can be represented by compounds with a complex modifier, a complex head, or both a complex modifier and a complex head. The most productive word-formation models of veterinary compounds have been identified. An attempt has been made to classify compounds into groups with common specific features and to identify the most frequent components of compounds denoting generic features. From the perspective of etymology, it has been found that veterinary complex terms are predominantly hybrid formations composed of Greek-Latin elements and endogenous language material. As a result, it has been found that determinative compounds dominate, with the majority being two-word proper complex terminological units, in the veterinary terminology system in the German language.
{"title":"Compounding as one of the productive ways of word formation of veterinary terms (based on the modern German language)","authors":"Giulnara Ansarovna Khakimova","doi":"10.30853/phil20230550","DOIUrl":"https://doi.org/10.30853/phil20230550","url":null,"abstract":"The research aims to determine the formal-structural and semantic-etymological features of compound terms in the field of veterinary epizootiology and veterinary parasitology in the German language. The scientific novelty of the research lies in identifying the most productive models of veterinary compounds in the German language. The structural analysis of complex terms revealed that they can be represented by compounds with a complex modifier, a complex head, or both a complex modifier and a complex head. The most productive word-formation models of veterinary compounds have been identified. An attempt has been made to classify compounds into groups with common specific features and to identify the most frequent components of compounds denoting generic features. From the perspective of etymology, it has been found that veterinary complex terms are predominantly hybrid formations composed of Greek-Latin elements and endogenous language material. As a result, it has been found that determinative compounds dominate, with the majority being two-word proper complex terminological units, in the veterinary terminology system in the German language.","PeriodicalId":43335,"journal":{"name":"Theoretical and Practical Issues of Journalism","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135779212","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The aim of the research is to identify the semantic characteristics of perceptual adjectives in Old English, to obtain data on the ratio of adjectives belonging to the lexico-semantic groups (hereinafter LSG) “Vision”, “Hearing”, “Touch”, “Smell”, “Taste” and to study the formation of the lexico-semantic field of synaesthetic adjectives. The paper notes the percentage of intramodal, polymodal and crossmodal adjectives, analyses cases of synaesthetic usage of perceptual adjectives and presents models of synaesthetic transfer. The scientific novelty of the research lies in ascertaining the fact that the boundaries between the lexico-semantic groups of perceptual adjectives are not rigid and there are attributes whose meanings relate to characteristics of multiple modes. The paper is the first to determine that adjectives from the LSG “Vision”, alongside adjectives from the LSG “Touch”, are dominant in Old English. A classification of adjectives from the LSG “Vision” was developed and the ratio of perceptual adjectives of different modes was determined. The novelty of the research also lies in a broad approach to selecting perceptual adjectives for lexico-semantic groups. As a result of the conducted overview, the semantic characteristics of perceptual adjectives in Old English were identified and data on the ratio of adjectives in the lexico-semantic groups “Vision”, “Hearing”, “Touch”, “Smell”, “Taste” were obtained. It is shown that adjectives from the LSG “Vision” are used to denote auditory, tactile, gustatory and olfactory semantic features through semantic transfer (synaesthetic metaphor).
{"title":"Semantic features of perceptual adjectives (the lexico-semantic groups “Vision”, “Hearing”, “Touch”, “Smell”, “Taste”) in Old English","authors":"Alisa Michkailovna Nikiforova","doi":"10.30853/phil20230549","DOIUrl":"https://doi.org/10.30853/phil20230549","url":null,"abstract":"The aim of the research is to identify the semantic characteristics of perceptual adjectives in Old English, to obtain data on the ratio of adjectives belonging to the lexico-semantic groups (hereinafter LSG) “Vision”, “Hearing”, “Touch”, “Smell”, “Taste” and to study the formation of the lexico-semantic field of synaesthetic adjectives. The paper notes the percentage of intramodal, polymodal and crossmodal adjectives, analyses cases of synaesthetic usage of perceptual adjectives and presents models of synaesthetic transfer. The scientific novelty of the research lies in ascertaining the fact that the boundaries between the lexico-semantic groups of perceptual adjectives are not rigid and there are attributes whose meanings relate to characteristics of multiple modes. The paper is the first to determine that adjectives from the LSG “Vision”, alongside adjectives from the LSG “Touch”, are dominant in Old English. A classification of adjectives from the LSG “Vision” was developed and the ratio of perceptual adjectives of different modes was determined. The novelty of the research also lies in a broad approach to selecting perceptual adjectives for lexico-semantic groups. As a result of the conducted overview, the semantic characteristics of perceptual adjectives in Old English were identified and data on the ratio of adjectives in the lexico-semantic groups “Vision”, “Hearing”, “Touch”, “Smell”, “Taste” were obtained. It is shown that adjectives from the LSG “Vision” are used to denote auditory, tactile, gustatory and olfactory semantic features through semantic transfer (synaesthetic metaphor).","PeriodicalId":43335,"journal":{"name":"Theoretical and Practical Issues of Journalism","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135730704","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The aim of the study is to determine the cognitive mechanisms of colour terms in the advertising tourist narrative. The scientific novelty of the work is accounted for by the problem statement: it is the first time that colour terms have been considered taking into account the mechanisms of their cognitive organisation in the advertising tourist narrative using Lake Baikal as an example. The paper analyses the views of researchers describing colour terms in the Russian linguistic worldview, the advertising discourse, cognitive linguistics, historical and comparative linguistics. The study emphasises that colour as a culture code is a significant cognitive category and colour terms possess associativity and axiological value, are connected to the history of the nation, its peculiarities in relation to ethnic norms, traditions, customs and rituals. As a result of the study, it has been found that the main cognitive mechanisms of colour terms in the advertising tourist narrative include foregrounding as the informational-pragmatic core in the structure of the textual whole; metaphor as a source of figurative naming; standard comparative constructions and realised comparisons. The analysis of the material attests to the fulfillment of the potential of lexical units with secondary colour naming in such main conceptual-thematic areas as “Animate nature” and “Inanimate nature”.
{"title":"Cognitive mechanisms of colour terms in the advertising tourist narrative (by the example of Lake Baikal)","authors":"Ekaterina Evgen’evna Men’shikova","doi":"10.30853/phil20230548","DOIUrl":"https://doi.org/10.30853/phil20230548","url":null,"abstract":"The aim of the study is to determine the cognitive mechanisms of colour terms in the advertising tourist narrative. The scientific novelty of the work is accounted for by the problem statement: it is the first time that colour terms have been considered taking into account the mechanisms of their cognitive organisation in the advertising tourist narrative using Lake Baikal as an example. The paper analyses the views of researchers describing colour terms in the Russian linguistic worldview, the advertising discourse, cognitive linguistics, historical and comparative linguistics. The study emphasises that colour as a culture code is a significant cognitive category and colour terms possess associativity and axiological value, are connected to the history of the nation, its peculiarities in relation to ethnic norms, traditions, customs and rituals. As a result of the study, it has been found that the main cognitive mechanisms of colour terms in the advertising tourist narrative include foregrounding as the informational-pragmatic core in the structure of the textual whole; metaphor as a source of figurative naming; standard comparative constructions and realised comparisons. The analysis of the material attests to the fulfillment of the potential of lexical units with secondary colour naming in such main conceptual-thematic areas as “Animate nature” and “Inanimate nature”.","PeriodicalId":43335,"journal":{"name":"Theoretical and Practical Issues of Journalism","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135889596","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The aim of the paper is to determine the most frequent elements of the vertical context in Northern Irish novels expressed by intertextual references. The study is original in that it is the first to analyse the ratio of different intertextual reference types, as well as to identify the main types of intertextual references in modern Northern Irish literature, which has not been fully examined from this perspective. The paper considers referents related to socio-historical events, geographical names, mythology and culture. The analysis of the vertical context allowed identifying the names of Northern Irish and Irish cities, districts and streets in Belfast, the names of historical events, as well as the proper names denoting Irish mythological figures. As a result, 3 groups of intertextual referents were highlighted: geographical, historical, mythological. The results showed that intertextual references contain the extralinguistic information relevant to understanding and interpreting the main ideas and messages of the novels.
{"title":"Intertextual references as a part of the vertical context of modern Northern Irish novels","authors":"Oksana Olegovna Kandrashkina","doi":"10.30853/phil20230546","DOIUrl":"https://doi.org/10.30853/phil20230546","url":null,"abstract":"The aim of the paper is to determine the most frequent elements of the vertical context in Northern Irish novels expressed by intertextual references. The study is original in that it is the first to analyse the ratio of different intertextual reference types, as well as to identify the main types of intertextual references in modern Northern Irish literature, which has not been fully examined from this perspective. The paper considers referents related to socio-historical events, geographical names, mythology and culture. The analysis of the vertical context allowed identifying the names of Northern Irish and Irish cities, districts and streets in Belfast, the names of historical events, as well as the proper names denoting Irish mythological figures. As a result, 3 groups of intertextual referents were highlighted: geographical, historical, mythological. The results showed that intertextual references contain the extralinguistic information relevant to understanding and interpreting the main ideas and messages of the novels.","PeriodicalId":43335,"journal":{"name":"Theoretical and Practical Issues of Journalism","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136037497","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The aim of the study is to determine the functional-semantic features of demonstrative pronouns ‘this/these’ and ‘that/those’ as integral elements of an English-language film dialogue. The work analysed dialogue fragments from modern English-language feature films, in which the ability of demonstrative pronouns to perform the deictic, anaphoric, cataphoric and identifying functions was established. The content of the nominative component of multifunctional demonstrative pronouns and their stylistic marking were determined. The study is novel in that it is the first to analyse speech behaviour and the role of demonstrative pronouns in conveying pragmatically and stylistically important information in the context of a feature film plot. The results of the study showed that demonstrative pronouns have their own nominative meanings, which are realised through the speech senses of ‘close/distant’, ‘here, now / then in the past / in the future’, ‘one’s own / someone else’s’, ‘known personally by the subject / generally known’, ‘subjectively important / objectively important’, ‘unique/similar’, ‘special/typical’, etc. Demonstrative pronouns are capable of participating in the creation of the ‘intimacy’ and ‘alienation’ stylistic devices and conveying the evaluative-emotive shades of irritation, contempt, hostility, regret and disapproval. Due to the presence of the nominative component in demonstrative pronouns and their emotiveness, the realisation of the communicative-pragmatic setting of the participant in the film dialogue aimed at expressing their attitude towards what is happening and influencing the addressee becomes possible.
{"title":"Demonstrative pronouns ‘this/these’, ‘that/those’ in the dialogical speech of film characters","authors":"Tatiana Yurievna Borodina, Irina Viktorovna Lysenko","doi":"10.30853/phil20230547","DOIUrl":"https://doi.org/10.30853/phil20230547","url":null,"abstract":"The aim of the study is to determine the functional-semantic features of demonstrative pronouns ‘this/these’ and ‘that/those’ as integral elements of an English-language film dialogue. The work analysed dialogue fragments from modern English-language feature films, in which the ability of demonstrative pronouns to perform the deictic, anaphoric, cataphoric and identifying functions was established. The content of the nominative component of multifunctional demonstrative pronouns and their stylistic marking were determined. The study is novel in that it is the first to analyse speech behaviour and the role of demonstrative pronouns in conveying pragmatically and stylistically important information in the context of a feature film plot. The results of the study showed that demonstrative pronouns have their own nominative meanings, which are realised through the speech senses of ‘close/distant’, ‘here, now / then in the past / in the future’, ‘one’s own / someone else’s’, ‘known personally by the subject / generally known’, ‘subjectively important / objectively important’, ‘unique/similar’, ‘special/typical’, etc. Demonstrative pronouns are capable of participating in the creation of the ‘intimacy’ and ‘alienation’ stylistic devices and conveying the evaluative-emotive shades of irritation, contempt, hostility, regret and disapproval. Due to the presence of the nominative component in demonstrative pronouns and their emotiveness, the realisation of the communicative-pragmatic setting of the participant in the film dialogue aimed at expressing their attitude towards what is happening and influencing the addressee becomes possible.","PeriodicalId":43335,"journal":{"name":"Theoretical and Practical Issues of Journalism","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136038400","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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