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Cultivating Freedom in South Korea: Media Discourse on Chayu during the Early Park Chung-hee Period 韩国的自由培育:朴正熙前期关于茶的媒体话语
IF 0.3 0 ASIAN STUDIES Pub Date : 2022-02-16 DOI: 10.1353/ks.2018.0031
Jungyoun Kim
This article analyzes the notion of freedom under Park Chung-hee’s regime by examining media representations of freedom in South Korean newspapers during the early period of Park’s regime from 1964 to 1970. The analysis of the media discourse of freedom brings to light the complex mechanisms of Park’s dictatorship and South Koreans’ participation in mobilization projects under Park’s regime. I argue that the notion of freedom played an essential role in the way in which Park’s regime produced and mobilized dutiful, productive citizens. By appropriating conflicting media representations of freedom, Park’s regime defined South Korea’s own ideal of freedom within the contexts of Cold War South Korea in the 1960s. Whilst Park’s regime assured South Korea’s enjoyment of freedom in contrast to communist countries, Park’s regime convinced South Koreans that freedom in South Korea cannot be same as in other western countries. Specifically, in the name of South Korea’s urgent missions of economic development and national security against communism, Park’s regime claimed South Koreans should practice freedom in a responsible, restricted manner. Hence, this article highlights that Park’s regime utilized the notion of freedom in a way to turn South Koreans into citizens who believed themselves to be free, yet who acted responsibly to serve national interests against communism. By illuminating the notion of freedom under Park’s regime, this article discusses both the conditional, limited nature of mass participation under Park’s regime and how the regime used the complex, specific conditions of Cold War South Korea to create mass participation.
本文通过考察朴正熙政权初期(1964年至1970年)韩国报纸对自由的媒体表述,分析了朴正熙政权下的自由概念。对媒体自由话语的分析揭示了朴槿惠独裁统治和韩国人参与朴槿惠政权下的动员项目的复杂机制。我认为,自由的概念在朴槿惠政权培养和动员忠诚、有生产力的公民的过程中发挥了至关重要的作用。通过挪用媒体对自由的相互矛盾的表述,朴槿惠政权在上世纪60年代的韩国冷战背景下定义了韩国自己的自由理想。虽然与共产主义国家相比,朴槿惠政权确保韩国享有自由,但朴槿惠政权让韩国人相信,韩国的自由不可能与其他西方国家一样。具体来说,朴槿惠政权以韩国经济发展和国家安全对抗共产主义的紧迫任务为名,声称韩国人应该以负责任的、受限制的方式实践自由。因此,这篇文章强调,朴槿惠政权利用自由的概念,把韩国人变成了相信自己是自由的公民,但他们却为反对共产主义的国家利益而负责任地行动。通过阐明朴槿惠政权下的自由概念,本文讨论了朴槿惠政权下群众参与的条件性和有限性,以及该政权如何利用冷战时期韩国复杂的具体条件来创造群众参与。
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引用次数: 0
The Discourse on Multi-Child Families in South Korea’s Media and Popular Culture 韩国媒体与大众文化中的多子女家庭话语
IF 0.3 0 ASIAN STUDIES Pub Date : 2021-08-02 DOI: 10.1353/ks.2018.0030
Irene Park
In the last 60 years the typical Korean family has dramatically changed its size due to a drastic drop in the national fertility rates, which plummeted from 6.2 in 1960 to 0.98 in 2018. This transformation was actively supported by population policies that promoted not only a change in behavior but also in values and cultural perceptions on childrearing and family size, mobilizing all sorts of communication media for that purpose. Families with multiple children were associated with negative connotations such as backwardness, poverty, unhappiness, and lack of education or parental responsibility, making of it an abnormal, and later on invisible, reality. Since the mid-2000s however, following the rising concern of government officials for the decreasing fertility rates and coinciding with the enactment of childbirth encouragement policies, there has been an increasing visibility of multichild families (two or more children) in local media and popular culture. This paper examines the multi-child family representations involved in these reactions to population policy by identifying patterns of representation and critically analyzing their cultural meaning. Specifically, it focuses on how these representations confirm, contradict, contrast, or interact in complex ways with existing discourses on family and parenting and with new policies.
韩国的生育率从1960年的6.2人急剧下降到2018年的0.98人,在过去的60年里,韩国家庭的规模发生了巨大的变化。这一转变得到了人口政策的积极支持,这些政策不仅促进了行为的改变,而且促进了关于养育子女和家庭规模的价值观和文化观念的改变,并为此目的动员了各种传播媒介。有多个孩子的家庭与落后、贫穷、不幸福、缺乏教育或父母责任等负面含义联系在一起,使其成为一种不正常的、后来看不见的现实。然而,自2000年代中期以来,随着政府官员对生育率下降的日益关注,以及鼓励生育政策的颁布,多子女家庭(两个或两个以上子女)在当地媒体和流行文化中的可见度越来越高。本文通过识别代表模式并批判性地分析其文化意义,研究了这些对人口政策的反应中涉及的多子女家庭代表。具体来说,它关注的是这些表述如何以复杂的方式与现有的家庭和育儿话语以及新政策相证实、矛盾、对比或相互作用。
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引用次数: 0
Introduction to the Special Section Unsettling Korean Migration: Multiple Trajectories and Experiences “令人不安的韩国移民:多重轨迹和经验”专题导言
IF 0.3 0 ASIAN STUDIES Pub Date : 2021-07-30 DOI: 10.1353/ks.2021.0001
Sunhee Koo, Jihye Kim
The fi rst wave of Korean emigration began in mid-nineteenth century, when Koreans crossed over into China in search of unused land to cultivate and then to work in the industries that China, Japan, and Russia were developing in Northeast China (Manchuria) and the Russian Far East (Primorsky Krai). Some of these Koreans left their native land voluntarily; others were pushed by political and economic forces threatening their lives at home. We can only speculate as to how many of them had a clear idea of where they would end up or what was waiting for them there. The political climate in Northeast Asia in the fi rst half of the twentieth century, marked by a series of wars, colonization, and the partitioning of the Korean Peninsula into two separate countries, induced many Koreans into internal or international exile. While some earlier emigrants returned to Korea by the middle of the twentieth century despite ominous political and economic uncertainty there, Koreans continued to leave the peninsula in the second half of the century — this time mostly South Koreans who seized a range of voluntary migration opportunities and left for different parts of the world for various reasons. Today, sizable Korean communities are found in countries of East Asia, North and South Americas, Europe, Oceania, and Southeast Asia.
第一次朝鲜移民潮开始于19世纪中叶,当时朝鲜人越境进入中国,寻找未开垦的土地耕种,然后在中国、日本和俄罗斯正在中国东北(满洲)和俄罗斯远东(滨海边疆区)发展的工业中工作。这些朝鲜人中有些是自愿离开祖国的;其他人则是被威胁到他们在国内生命的政治和经济力量所逼。我们只能推测他们中有多少人清楚地知道他们会在哪里结束,或者在那里等着他们的是什么。20世纪上半叶东北亚的政治气候,以一系列战争、殖民和朝鲜半岛分裂为两个独立国家为标志,导致许多朝鲜人在国内或国际上流亡。虽然一些早期的移民在20世纪中叶不顾政治和经济的不确定性返回朝鲜,但韩国人在20世纪下半叶继续离开朝鲜半岛——这一次主要是韩国人,他们抓住了一系列自愿移民的机会,出于各种原因前往世界各地。如今,在东亚、南北美洲、欧洲、大洋洲、东南亚等国家都有相当规模的韩国人社区。
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引用次数: 0
The Quest for Authenticity and Innovation: Diasporic Korean Drumming in the United States 追求真实与创新:散居在美国的韩国击鼓
IF 0.3 0 ASIAN STUDIES Pub Date : 2021-07-30 DOI: 10.1353/ks.2021.0004
Soojin Kim
Abstract:Korean drumming is a significant performance type that demonstrates a variety of Korean American identities. Korean drumming is a synthetized concept that includes p'ungmul, a traditional percussion genre, and its newly modified and invented form, samullori (also known as samulnori). Korean percussion ensembles in the United States are shaped by cultural policy in South Korea and by professional musicians who migrate to the United States, both of which are elements of the continuous bilateral exchange between the home and host countries. The means by which Korean drumming is learned and taught has extended beyond traditional oral transmission to include the involvement of digital media such as performance recordings found on YouTube. In this article, I examine the ways in which Korean Americans perform contrasting ideas of traditional versus modern, old versus new, Korea versus United States—ideas that are in constant flux. The history of Korean drumming in the United States is characterized by continuous transnational circulation of Korean performance genres and their adaptation in the host society. Analyzing ideas about authenticity and innovation embedded in the various Korean percussion performance styles in the United States, I reveal the negotiable, flexible, and complex constitution of cultural identities of Korean Americans through their drumming.
摘要:韩式击鼓是一种重要的表演形式,体现了韩裔美国人的多种身份。韩国击鼓是一个综合概念,包括传统的打击乐和它的新修改和发明的形式,三物乐(也被称为四物乐)。在美国的韩国打击乐乐团是由韩国的文化政策和移民到美国的专业音乐家塑造的,这两者都是母国和东道国之间持续的双边交流的要素。韩国击鼓的学习和教学方式已经超越了传统的口头传播,包括在YouTube上找到的演奏录音等数字媒体的参与。在这篇文章中,我研究了韩裔美国人如何表现传统与现代、旧与新、韩国与美国等不断变化的观念。韩国击鼓在美国的历史,其特点是韩国表演类型的不断跨国流通及其在东道国社会的适应。我分析了在美国的各种韩国打击乐表演风格中蕴含的真实性和创新思想,通过他们的打鼓揭示了韩裔美国人文化身份的可协商、灵活和复杂的构成。
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引用次数: 0
Who Are the Doctors of Korean Medicine? Exploring the Identity of a Medical Profession 谁是韩国医学的医生?探索医学职业的身份
IF 0.3 0 ASIAN STUDIES Pub Date : 2021-07-30 DOI: 10.1353/ks.2021.0008
S. Na
Abstract:This paper explores the characteristics of the professional identity of the Doctors of Korean Medicine (KMD), a medical profession in South Korea practicing traditional East Asian medicine. They play a primary care role in healthcare, notwithstanding the legally limited purview of their clinical and public health roles. This mainstream position came their way through biomedicalization that occurred in the profession in the context of the country's private sector-led health system. Based on data gathered among KMDs and in state-level policymaking scenes as an insider, this paper aims to illustrate the characteristics of KMDs' identity by attending to multiple levels of their presence as modern medical profession. In doing so, it draws on works that explored medical identity, Simon Sinclair's (1997) Making Doctors: An Institutional Apprenticeship in particular, to show that despite their similarities to biomedical practitioners, KMDs exhibit discriminating characteristics in their professional consciousness.
摘要:本文探讨了韩国传统东亚医学——韩国医学医生(KMD)的职业认同特征。她们在医疗保健中发挥初级保健作用,尽管她们在临床和公共卫生方面的作用在法律上受到限制。这一主流地位是通过在该国私营部门主导的卫生系统背景下发生的职业生物医学化来实现的。本文以内部人士在国家级决策场景中收集的数据为基础,旨在通过关注其作为现代医学专业的多个层面的存在来说明医师身份的特征。在此过程中,它借鉴了探索医学身份的作品,特别是西蒙·辛克莱(1997)的《制作医生:机构学徒》,以表明尽管他们与生物医学从业者相似,但kmd在专业意识上表现出区别性特征。
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引用次数: 0
From Ethnic to Class: The Evolution of Korean Entrepreneurship in Argentina 从民族到阶级:韩国企业家在阿根廷的演变
IF 0.3 0 ASIAN STUDIES Pub Date : 2021-07-30 DOI: 10.1353/ks.2021.0003
Jihye Kim
Abstract:Since the beginning of Korean migration to Argentina in the 1960s, ethnic Koreans in Argentina have been intensively involved in the garment industry. Based on archival and documentary research, along with ethnographic research conducted in Argentina, this study examines what kinds of resources Korean immigrants have relied upon to start up and expand their businesses and how these resources have changed over time. The study reveals that in the development of their garment businesses, Korean entrepreneurs have strategically tapped into ethnic networks and resources to achieve economic viability, financial support, and eventual upward mobility within the Argentine garment industry. Yet the relative importance of these resources to Korean entrepreneurs and their level of dependence on them vary according to settlement stages and circumstances. Findings further suggest that whereas most Koreans have remained closely tied to one particular economic sector, ethnic resources should not be considered an absolute condition for the establishment and development of Korean garment businesses, but rather one of the available resources that facilitates this process, in most cases.
摘要:自20世纪60年代朝鲜族移民阿根廷以来,在阿根廷的朝鲜族一直在密集地参与服装产业。基于档案和文献研究,以及在阿根廷进行的民族志研究,本研究考察了韩国移民在创业和扩大业务时所依赖的资源,以及这些资源如何随着时间的推移而变化。研究显示,在发展服装业务的过程中,韩国企业家战略性地利用了民族网络和资源,以实现经济可行性、金融支持,并最终在阿根廷服装行业中向上流动。然而,这些资源对韩国企业家的相对重要性及其依赖程度因结算阶段和环境而异。调查结果进一步表明,虽然大多数韩国人与某一特定经济部门保持密切联系,但在大多数情况下,民族资源不应被视为建立和发展韩国服装企业的绝对条件,而应被视为促进这一进程的现有资源之一。
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引用次数: 1
The Hijacked War: The Story of Chinese POWs in the Korean War by David Cheng Chang (review) 《被劫持的战争:朝鲜战争中中国战俘的故事》作者:程昌(书评)
IF 0.3 0 ASIAN STUDIES Pub Date : 2021-07-30 DOI: 10.1353/ks.2021.0014
Austin Dean
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引用次数: 0
From Korea to Japan: A Transnational Perspective on South Korea's Important Intangible Cultural Properties and Zainichi Korean Artists 从韩国到日本:韩国重要非物质文化遗产与在日韩国艺术家的跨国视角
IF 0.3 0 ASIAN STUDIES Pub Date : 2021-07-30 DOI: 10.1353/ks.2021.0005
Sunhee Koo
Abstract:In 1962, the South Korean government promulgated the Cultural Property Protection Law (CPPL, Munhwajae pohopŏp) in order to preserve Korean heritage cultures that were at risk of disappearance in the postcolonial and post-Korean War social milieu. The CPPL was modeled after a similar law in Japan, Bunkazai hogoho, enacted in 1950. With this legal stipulation, numerous Korean musics and dances were designated as Important Intangible Cultural Properties (IICP) of the nation, to be transmitted by "living national treasures" who were appointed as holders of particular genres and styles of Korean performing arts. This paper explores the transnational aspects of and input into the institution and application of IICP in the past and present century. I am particularly interested in how the Korean musics and dances designated and practiced as IICPs have been shaped by national and transnational subjects who have crossed the traditional boundary of the nation-state border. Cultural symbols attributed as heritage arts of a nation can be transnationally constructed and reinforced.
摘要:1962年,韩国政府颁布了《文化财产保护法》(CPPL, Munhwajae pohopŏp),以保护在后殖民主义和后朝鲜战争的社会环境中面临消失危险的韩国文化遗产。CPPL模仿了日本1950年颁布的类似法律Bunkazai hogoho。根据这一法律规定,许多韩国音乐和舞蹈被指定为国家重要非物质文化遗产(IICP),由被任命为韩国表演艺术特定流派和风格的持有者的“活着的国宝”来传播。本文探讨了在过去和现在的世纪中,国际icp的建立和应用的跨国方面和投入。我特别感兴趣的是,被指定为iicp的韩国音乐和舞蹈是如何被跨越民族国家边界的民族和跨国主体所塑造的。作为一个民族的遗产艺术的文化符号可以被跨国建构和强化。
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引用次数: 0
Samaritans from the East: Emotion and Korean Nurses in Germany 来自东方的撒玛利亚人:德国的情感与韩国护士
IF 0.3 0 ASIAN STUDIES Pub Date : 2021-07-30 DOI: 10.1353/ks.2021.0002
Yonson Ahn
Abstract:In line with the increasing significance of the role of transnational migration in healthcare provision—especially in the West—slightly over 11,000 nurses and nurse assistants from South Korea moved as "guest workers" (Gastarbeiter) to the former West Germany mainly between the 1960s and the 1970s. This study explores the role of emotions in the professional practice of nursing care. Particular attention is paid to gendered and racialized aspects of the emotional labor carried out by the Korean migrant healthcare workers based on their experiences at work. The way in which the stereotypical image of Asian/Korean femininity has been shaped into care work will be examined. Another focus is the way in which the Korean female healthcare practitioners manage their emotions and act as compassionate nurses in care delivery. They perform or manage their emotions to demonstrate a sense of compassion and empathy in nursing practices. In the process of performing their duty of care and managing their emotions over the long-term, the Korean healthcare workers also have to negotiate between providing compassionate care and coping with "compassion fatigue" in healthcare settings by performing racialized gender in a recurring manner. Their emotional labor is thereby undertaken in intersection with gender, and race/ethnicity; factors which are entangled and mutually reinforced in the performativity of gender and race/ethnicity within the context of nursing care by the "guest workers."
摘要:随着跨国移民在医疗保健服务中的作用日益重要,特别是在西方,在20世纪60年代和70年代之间,来自韩国的11,000多名护士和护士助理作为“客工”(Gastarbeiter)迁移到前西德。本研究探讨情绪在护理专业实践中的作用。特别关注韩国移徙保健工作者根据其工作经验进行的情绪劳动的性别和种族方面。亚洲/韩国女性的刻板形象是如何被塑造成护理工作的?另一个重点是韩国女性保健从业人员如何管理自己的情绪,并在护理过程中充当富有同情心的护士。他们在护理实践中表现或管理自己的情绪,以表现出同情心和同理心。在履行护理职责和长期管理情绪的过程中,韩国医护人员还必须在提供同情护理和通过反复进行种族化性别来应对医疗环境中的“同情疲劳”之间进行协商。因此,他们的情绪劳动是与性别、种族/民族交叉进行的;在“客工”护理的背景下,在性别和种族/民族的表现中纠缠和相互加强的因素。
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引用次数: 0
Dying for Rights: Putting North Korea's Human Rights Abuses on the Record by Sandra Fahy (review) 《为权利而死:揭露朝鲜侵犯人权行为》桑德拉·法希著(书评)
IF 0.3 0 ASIAN STUDIES Pub Date : 2021-07-30 DOI: 10.1353/ks.2021.0013
Sung-Yoon Lee
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引用次数: 0
期刊
Korean Studies
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