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International Journal of Humanities and Arts Computing-A Journal of Digital Humanities最新文献

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The Crisis of Artificial Intelligence: A New Digital Humanities Curriculum for Human-Centred AI 人工智能的危机:面向以人为本的人工智能的新数字人文课程
4区 社会学 Q1 Arts and Humanities Pub Date : 2023-10-01 DOI: 10.3366/ijhac.2023.0310
Jon Chun, Katherine Elkins
This article outlines what a successful artificial intelligence digital humanities (AI DH) curriculum entails and why it is so critical now. Artificial intelligence is rapidly reshaping our world and is poised to exacerbate long-standing crises including (1) the crisis of higher education and the humanities, (2) the lack of diversity, equity and inclusion (DEI) in computer science and technology fields and (3) the wider social and economic crises facilitated by new technologies. We outline a number of ways in which an AI DH curriculum offers concrete and impactful responses to these many crises. AI DH yields meaningful new avenues of research for the humanities and the humanistic social sciences, and offers new ways that higher education can better prepare students for the world into which they graduate. DEI metrics show how an AI DH curriculum can engage students traditionally underserved by conventional STEM courses. Finally, AI DH educates all students for civic engagement in order to address both the social and economic impacts of emerging AI technologies. This article provides an overview of an AI DH curriculum, the motivating theory behind design decisions, and a detailed look into two sample courses.
本文概述了一个成功的人工智能数字人文(AI DH)课程需要什么,以及为什么它现在如此重要。人工智能正在迅速重塑我们的世界,并有可能加剧长期存在的危机,包括:(1)高等教育和人文学科的危机;(2)计算机科学和技术领域缺乏多样性、公平性和包容性(DEI);(3)新技术引发的更广泛的社会和经济危机。我们概述了人工智能DH课程提供具体和有影响力的应对这些危机的多种方式。AI - DH为人文科学和人文社会科学提供了有意义的新研究途径,并为高等教育提供了新的途径,使学生更好地为毕业后的世界做好准备。DEI指标显示了AI DH课程如何能够吸引传统STEM课程中服务不足的学生。最后,AI DH教育所有学生公民参与,以解决新兴AI技术的社会和经济影响。本文概述了AI DH课程,设计决策背后的激励理论,并详细介绍了两个示例课程。
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引用次数: 0
Female Protagonism and Multilingualism in Spanish Byzantine Novels Analysed Using Character Networks 从人物网络分析西班牙拜占庭小说中的女主人公与多语化
4区 社会学 Q1 Arts and Humanities Pub Date : 2023-10-01 DOI: 10.3366/ijhac.2023.0311
José Luis Losada Palenzuela
The rediscovery of Greek novels in Europe, in particular Heliodorus’ Aethiopica, together with its literary emulations by Lope de Vega or Miguel de Cervantes, had a deep impact in the renewal of motifs, fictional devices and character descriptions, for example the explicit or implicit presence of foreign languages or the predominance of female characters. The analysis seeks to quantitatively identify the multilingual character and the position of the female protagonists in novels using network analysis. We have approached both aspects from a twofold methodological perspective – first, using taxonomies that help to describe more precisely the concept of multilingualism for quantitative studies; second, making use of measures of centrality to locate the protagonist. Taking into consideration various network metrics together with the language attribution, we can compare the correlation between character importance and languages. The results validate the hypothesis that the novels show a strong thematization of foreign languages, but the female heroines fall behind their male counterparts in protagonism.
希腊小说在欧洲的重新发现,特别是Heliodorus的Aethiopica,以及Lope de Vega或Miguel de Cervantes的文学模仿,对主题,虚构手法和人物描述的更新产生了深远的影响,例如,显性或隐性的外语存在或女性角色的主导地位。本文试图运用网络分析方法定量地识别小说中女性主人公的多语言特征和地位。我们从两方面的方法论角度来探讨这两个方面——首先,使用有助于更准确地描述定量研究中多语言使用概念的分类法;第二,利用中心性的度量来定位主角。考虑到各种网络指标和语言归因,我们可以比较字符重要性与语言之间的相关性。研究结果证实了小说具有很强的外语主体性,但女主人公在主体性方面落后于男主人公的假设。
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引用次数: 0
Blood Meridian's Chronotopic Gates: Reading Cormac McCarthy through the Lens of a Literary-Historical GIS 《血色子午线》的时空门:从文学历史GIS的视角解读科马克·麦卡锡
4区 社会学 Q1 Arts and Humanities Pub Date : 2023-10-01 DOI: 10.3366/ijhac.2023.0312
Charles Travis
This geographical information systems (GIS) reading of Cormac McCarthy’s Blood Meridian: Or the Evening Redness in the West (1985) provides a literary geography analysis that plots latitude and longitude coordinates in conjunction with Mikhail M. Bakhtin’s chronotopes of the Road, the Rabelaisian, the Petty-Bourgeois Provincial Town, the Threshold and the political cartography of the United States–Mexico border established by the 1849 Treaty of Guadalupe Hidalgo to map the emergence of an American Imperial chronotope. Blood Meridian is a fictionalized account of historical events carried out by the Glanton Gang, a band of mercenaries contracted by Governor Trias in 1849 to counter the threat of Apache raids in Chihuahua province, Mexico. Viewed through the lenses of a GIS/MAXQDA platform, Blood Meridian comes into focus as ‘cartographical novel’ illuminating its literary geography as a melange, spun from allusions to and spatial remediations of Classical, medieval and Indigenous mythologies. The GIS/MAXQDA platform frames Blood Meridian as deep chronotopic map that, in tracing the spiralling lifepath of its protagonist, the ‘Kid’, across the terra damnata of the American Southwest and northern Mexico, creates an analogy and spatial metaphor for the violent geographical teleology of US nineteenth-century westward expansion which unfolded between the 1830s and 1880s.
这是地理信息系统(GIS)对科马克·麦卡锡的《血子午线》的解读:或者,《西方的晚红》(1985)提供了一种文学地理分析,结合米哈伊尔·m·巴赫金的《道路》、《拉伯雷人》、《小资产阶级省城》、《门坎》和1849年《瓜达卢佩伊达尔戈条约》确立的美墨边境政治地图学,绘制了经纬度坐标,描绘了美帝国时标的出现。《血色子午线》是一部虚构的历史事件,讲述了格兰顿帮(Glanton Gang)的历史事件。格兰顿帮是1849年由总督特里亚斯(Trias)雇佣的一群雇佣兵,目的是对抗墨西哥奇瓦瓦省阿帕奇(Apache)的袭击威胁。通过GIS/MAXQDA平台的镜头,《血色子午线》成为“地图小说”的焦点,将其文学地理作为一种混合体,从古典、中世纪和土著神话的典故和空间补救中解脱出来。GIS/MAXQDA平台将《血色子午线》作为一幅深度时序图,在追踪主人公“孩子”穿越美国西南部和墨西哥北部原野的螺旋人生之路的过程中,为19世纪30年代至80年代展开的美国西部扩张的暴力地理目的论创造了类比和空间隐喻。
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引用次数: 0
From a Crisis Response to Feminist Talking Circles: Reconsidering Collaborative Feedback Practices in the Digital Humanities 从危机回应到女权主义讨论圈:重新考虑数字人文学科中的协作反馈实践
4区 社会学 Q1 Arts and Humanities Pub Date : 2023-10-01 DOI: 10.3366/ijhac.2023.0308
Jacquelyne Thoni Howard, Rachel Tabor
Digital humanities (DH) scholars have examined how feminist methodologies promote inclusive practices to value all stages of the development process. DH scholars can learn from feminist educators, however, about how to extend ‘cultures of care’ in DH learning spaces around feedback processes. Centring these feminist tenets, the Technology and Digital Humanities Lab at Newcomb Institute models strategies for how mentors in DH labs and classrooms can use digital tools to adapt during and beyond crises to intentionally build cultures of care and set up supportive spaces for giving and receiving feedback. During the COVID-19 pandemic interns use Zoom to conduct their weekly meetings. While others had a negative connotation with Zoom meetings, we found that the intentional use of the platform’s sharing features created opportunities to unify our community, permitting more discussion across peers when showing their work. Over time we tailored our Zoom use to create a hybrid feminist solidarity circle to meet DH students’ learning needs. We argue through adapting our use of digital tools like Zoom, primarily introduced as a crisis response, we better entrenched our feminist tenets of equitable collaboration by creating a process that encouraged students to seek feedback more openly and on their terms.
数字人文(DH)学者研究了女权主义方法如何促进包容性实践,以重视发展过程的各个阶段。然而,卫生保健学者可以向女权主义教育家学习如何在卫生保健学习空间中围绕反馈过程扩展“关怀文化”。以这些女权主义原则为中心,纽科姆研究所的技术和数字人文实验室为DH实验室和教室的导师如何在危机期间和危机之后使用数字工具进行调整,有意地建立关怀文化,并为给予和接受反馈建立支持性空间。在COVID-19大流行期间,实习生使用Zoom召开每周会议。虽然其他人对Zoom会议有负面的含义,但我们发现故意使用平台的共享功能创造了统一我们社区的机会,在展示他们的作品时允许同龄人之间进行更多的讨论。随着时间的推移,我们调整了Zoom的用途,创建了一个混合女权主义团结圈,以满足DH学生的学习需求。我们认为,通过调整我们对Zoom等数字工具的使用,我们创建了一个鼓励学生更公开地、按自己的条件寻求反馈的过程,从而更好地巩固了平等合作的女权主义原则。Zoom主要是作为危机应对措施引入的。
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引用次数: 0
Notes on Contributors 投稿人说明
4区 社会学 Q1 Arts and Humanities Pub Date : 2023-10-01 DOI: 10.3366/ijhac.2023.0303
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引用次数: 0
Research on Healing Landscape and Horticultural Therapy Based on Bibliometric Methods 基于文献计量学方法的愈合景观与园艺疗法研究
IF 0.5 4区 社会学 Q1 Arts and Humanities Pub Date : 2023-09-08 DOI: 10.57237/j.ha.2023.03.001
Shengyong Deng, Jianjun Liao
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引用次数: 0
(Non)violent protest in Africa: Echoes and lessons from Fela Anikulapo Kuti 非洲的非暴力抗议:Fela Anikulapo Kuti的回响与教训
IF 0.5 4区 社会学 Q1 Arts and Humanities Pub Date : 2023-09-05 DOI: 10.25082/ijah.2023.01.004
Noah Opeyemi Balogun
This study examines the intersection of popular music/culture, social movement and protest by analysing the numerous protest music produced and performed by Fela Anikulapo Kuti, Africa’s most iconic resistant artist of the twentieth century. It engages the core questions of right, injustice and inequality that have manifested in Africa/Nigeria’s underdevelopment since the Union Jack was lowered in 1960. It argues that Fela’s music did have obvious impact on Nigerian youth and the working class who attempted to revise or renegotiate their relationship with the Nigerian state. Yet, it posed hitherto unanswered questions of the changing meaning of social movement in relation to artistic production -- an aspect of peace studies that scholars have completely overlooked. It concludes that as people reconfigure social relations from one stage to another in their life, their engagement with the State and the social meaning attributed to social justice, which Fela’s music emphasised, also change. Thus, popular consciousness shaped by resistant music is not immutable to nonviolent social protest. Rather, it continued to change as individuals and groups reconstitute their relationship with the society, and as their social status transformed in accordance with the acquisition of better education, wealth/resources, among other significant elements that shape human’s consciousness.
本研究通过分析非洲20世纪最具代表性的抵抗艺术家Fela Anikulapo Kuti制作和表演的众多抗议音乐,考察了流行音乐/文化,社会运动和抗议的交集。它涉及自1960年英国国旗降下以来在非洲/尼日利亚的不发达中表现出来的权利、不公正和不平等的核心问题。它认为Fela的音乐确实对尼日利亚年轻人和工人阶级产生了明显的影响,他们试图修改或重新谈判他们与尼日利亚政府的关系。然而,它提出了迄今为止尚未解决的问题,即社会运动与艺术生产之间不断变化的意义——这是学者们完全忽视的和平研究的一个方面。它的结论是,当人们在生活中从一个阶段到另一个阶段重新配置社会关系时,他们与国家的接触以及归因于社会正义的社会意义(Fela的音乐强调的)也会发生变化。因此,抵抗音乐塑造的大众意识对非暴力社会抗议并非一成不变。相反,随着个人和群体重建他们与社会的关系,随着他们的社会地位随着获得更好的教育、财富/资源以及其他塑造人类意识的重要因素而改变,它继续发生变化。
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引用次数: 1
Art Education and its Impact on Creativity and Critical Thinking Skills: A Review literature 艺术教育及其对创造力和批判性思维能力的影响:文献综述
4区 社会学 Q1 Arts and Humanities Pub Date : 2023-09-04 DOI: 10.61424/ijah.v1i1.15
Dickson Lukaka
This study aims to review the literature on art education and its impact on creativity and critical thinking skills. The study examines various sources to understand how art education contributes to the development of these skills and how it can be integrated into traditional educational practices. The study majorly used secondary sources to gather information. The findings suggest that art education enhances creativity and critical thinking by encouraging expressive and cognitive skills. Furthermore, the study highlights the importance of integrating art education into the curriculum to foster creativity and critical thinking skills in students. Overall, this research emphasizes the value of art education in promoting these crucial skills for students' academic and personal growth. In conclusion, this review of literature provides evidence for the positive impact of art education on the development of creativity and critical thinking skills. It underscores the importance of incorporating art education in educational curricula to foster these essential skills in individuals. The findings of this study have implications for policy-makers, educators, and researchers in understanding the potential of art education in promoting creativity and critical thinking in individuals of all ages.
本研究旨在回顾有关艺术教育及其对创造力和批判性思维能力的影响的文献。该研究考察了各种来源,以了解艺术教育如何有助于这些技能的发展,以及如何将其融入传统的教育实践。这项研究主要使用二手资料来收集信息。研究结果表明,艺术教育通过鼓励表达能力和认知能力来提高创造力和批判性思维。此外,该研究强调了将艺术教育融入课程的重要性,以培养学生的创造力和批判性思维能力。总体而言,本研究强调艺术教育在促进学生学业和个人成长的这些关键技能方面的价值。总之,这篇文献综述为艺术教育对创造力和批判性思维技能发展的积极影响提供了证据。它强调了将艺术教育纳入教育课程以培养个人这些基本技能的重要性。这项研究的发现对政策制定者、教育工作者和研究人员理解艺术教育在促进所有年龄段个体的创造力和批判性思维方面的潜力具有重要意义。
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引用次数: 0
An Analysis of Character Dialogue and Rhetorical Devices in the Film "To Live" 电影《活着》人物对话与修辞手法分析
IF 0.5 4区 社会学 Q1 Arts and Humanities Pub Date : 2023-08-29 DOI: 10.57237/j.ha.2023.02.002
Juan Gong, Ai Zhou, Fengxia Mao
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引用次数: 0
The Teacher-Centered and the Student-Centered: A Comparison of Two Approaches 以教师为中心与以学生为中心:两种教学方式的比较
4区 社会学 Q1 Arts and Humanities Pub Date : 2023-08-12 DOI: 10.61424/ijah.v1i1.7
Zanyar Nathir Ghafar
There has been much discussion in the field of education concerning the differences between teaching based on the educator and teaching centered on the student. One of the main points of contention is that teaching should be student-centered. The claim that more student-centered instruction and less focus on the teacher is one of the most contentious aspects of the debate. Every tactic has unique advantages and disadvantages that cannot be had with any other approach. "Teacher-centered instruction" is a term that describes the educational approach that is sometimes referred to as "traditional education" by itself. The stage of learning in which the instructor acts as both the principal figure of authority and the primary source of information for the students enrolled in a particular class. On the other hand, learning focused on the student stimulates students to take an active part in the independent research that they perform by pushing them to concentrate on their requirements. This is because learning centered on the student encourages students to learn about themselves. In this investigation, comparison and contrast of these two approaches have been examined, and an attempt has been made to enumerate the advantages of each potential choice.
关于以教育者为中心的教学与以学生为中心的教学的区别,在教育界一直有很多讨论。争论的主要观点之一是教学应该以学生为中心。更多以学生为中心的教学和更少关注教师的说法是这场辩论中最具争议的方面之一。每一种战术都有独特的优势和劣势,这是其他任何方法都无法比拟的。“以教师为中心的教学”是一个术语,用来描述有时被称为“传统教育”的教育方法。在学习的阶段,教师既是主要的权威人物,又是某一特定班级的学生的主要信息来源。另一方面,以学生为中心的学习通过推动学生专注于自己的要求来激励他们积极参与独立研究。这是因为以学生为中心的学习鼓励学生了解自己。在这项调查中,比较和对比这两种方法已经检查,并试图列举每个潜在选择的优势。
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引用次数: 0
期刊
International Journal of Humanities and Arts Computing-A Journal of Digital Humanities
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