Pub Date : 2023-04-01DOI: 10.1017/S1537781422000706
Gerard Llorens-DeCesaris
Judge, Puck, and other widely available sources would have similarly enlivened this monograph. In spite of these modest reservations, Klotz’s important work deserves attention. Scholars such as Klotz, who work in an interdisciplinary fashion in an age of hyperspecialization, are absolutely essential. Lyndon Johnson’s biographer Robert Caro titled one of his volumesMaster of the Senate to capture the Texan’s legislative brilliance. After reading Klotz’s examination of Reed’s political acumen, one might, with apologies to Les Misérables, think of Reed as Master of the House.
{"title":"Imperial Reconstructions","authors":"Gerard Llorens-DeCesaris","doi":"10.1017/S1537781422000706","DOIUrl":"https://doi.org/10.1017/S1537781422000706","url":null,"abstract":"Judge, Puck, and other widely available sources would have similarly enlivened this monograph. In spite of these modest reservations, Klotz’s important work deserves attention. Scholars such as Klotz, who work in an interdisciplinary fashion in an age of hyperspecialization, are absolutely essential. Lyndon Johnson’s biographer Robert Caro titled one of his volumesMaster of the Senate to capture the Texan’s legislative brilliance. After reading Klotz’s examination of Reed’s political acumen, one might, with apologies to Les Misérables, think of Reed as Master of the House.","PeriodicalId":43534,"journal":{"name":"Journal of the Gilded Age and Progressive Era","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46344623","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-01DOI: 10.1017/s153778142200072x
Elizabeth Garner Masarik
their work on everyday clothing and sportswear. A distinction that echoed the adaption in Gibson Girl fashion between the white New Woman and the Black New Negro. In Dressed for Freedom, the author has written a book of interest for dress scholars, cultural historians, and the general public. Thoughmany of the ideas and historical actors in the book will not be new to scholars of dress or costume, groups like the Rainy Daisies or the author’s argument of an extended shared visual language of feminist liberationmay be. For historians and general readers, Rabinovitch-Fox convincingly shows that fashion was far more significant to the development of feminism in the twentieth century than previously recognized.
{"title":"Centering Women of Color in Suffrage History","authors":"Elizabeth Garner Masarik","doi":"10.1017/s153778142200072x","DOIUrl":"https://doi.org/10.1017/s153778142200072x","url":null,"abstract":"their work on everyday clothing and sportswear. A distinction that echoed the adaption in Gibson Girl fashion between the white New Woman and the Black New Negro. In Dressed for Freedom, the author has written a book of interest for dress scholars, cultural historians, and the general public. Thoughmany of the ideas and historical actors in the book will not be new to scholars of dress or costume, groups like the Rainy Daisies or the author’s argument of an extended shared visual language of feminist liberationmay be. For historians and general readers, Rabinovitch-Fox convincingly shows that fashion was far more significant to the development of feminism in the twentieth century than previously recognized.","PeriodicalId":43534,"journal":{"name":"Journal of the Gilded Age and Progressive Era","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46413450","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.1017/s1537781422000470
Bryan Winston
{"title":"State Surveillance and Anarchism in the U.S.-Mexico Borderlands","authors":"Bryan Winston","doi":"10.1017/s1537781422000470","DOIUrl":"https://doi.org/10.1017/s1537781422000470","url":null,"abstract":"","PeriodicalId":43534,"journal":{"name":"Journal of the Gilded Age and Progressive Era","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42011134","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.1017/S1537781422000512
Eugene Edward Beiriger
A Revolution in Three Acts is an entertaining graphic novel about three prominent performers who appeared in vaudeville in the early twentieth century. The three char-acters it presents, Eva Tanguay, Bert Williams and Julian Eltinge
{"title":"The First World War and Irish Independence","authors":"Eugene Edward Beiriger","doi":"10.1017/S1537781422000512","DOIUrl":"https://doi.org/10.1017/S1537781422000512","url":null,"abstract":"A Revolution in Three Acts is an entertaining graphic novel about three prominent performers who appeared in vaudeville in the early twentieth century. The three char-acters it presents, Eva Tanguay, Bert Williams and Julian Eltinge","PeriodicalId":43534,"journal":{"name":"Journal of the Gilded Age and Progressive Era","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46476521","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.1017/S1537781422000457
A. Goings
The salmon canning industry has dominated territorial Alaska ’ s economy and politics. And, as historian Diane J. Purvis shows in the new book, Ragged Coast, Rugged Coves: Labor, Culture, and Politics in Southeast Alaska Canneries , cannery workers, especially thousands of Alaska Native, Chinese, Japanese, and Filipino workers, made that industry possible. The product of vast and ambitious research, Ragged Coast, Rugged Coves is a fascinating intersectional social history of Southeast Alaska, one that rightly places colonialism, migration, class, and conflict at the center of the region ’ s history. Stretching from the mid-nineteenth century to the mid-twentieth, Ragged Coast, Rugged Coves focuses on three overlapping subjects. First, it explores Native Alaskan history and social structure and European and American settler-colonial projects in what, after 1867, became a United States property and a major site of investment for absentee cannery owners. Purvis depicts the profound changes brought by canneries: “ The Southeast Alaska Natives, who had fished in a wilderness setting from time immemorial, were now part of an industrial environment that was divorced from their ancient rapport with the water and land ” (23). As the author makes clear, it was the Tlingit, Haida, and Tsimshian women who performed much of the paid industrial labor in Southeast Alaska. Without them, “ there is no story ” of Alaska ’ s salmon canneries (7). Second, Ragged Coast, Rugged Coves looks at Alaska ’ s business history, examining the introduction and expansion of industrial capitalism in nineteenth-century Alaska, a period which saw canneries grow “ from small businesses to conglomerates in a short period of time, influencing every aspect of Alaskan life ” (24). Third, as the book ’ s subtitle
鲑鱼罐头工业一直主导着阿拉斯加的经济和政治。而且，正如历史学家Diane J. Purvis在新书《粗糙的海岸，崎岖的海湾:阿拉斯加东南部罐头厂的劳工、文化和政治》中所展示的那样，罐头厂工人，尤其是成千上万的阿拉斯加本地人、中国人、日本人和菲律宾人，使这个行业成为可能。《崎岖的海岸，崎岖的海湾》是一部宏大而雄心勃勃的研究成果，它是一部迷人的阿拉斯加东南部交叉社会史，它正确地将殖民主义、移民、阶级和冲突置于该地区历史的中心。从十九世纪中期延伸到二十世纪中期，粗糙的海岸，崎岖的海湾集中在三个重叠的主题。首先，它探索了阿拉斯加原住民的历史和社会结构，以及欧洲和美国的移民殖民项目，在1867年之后，这里成为了美国的财产，也是缺席的罐头厂老板的主要投资地点。珀维斯描绘了罐头厂带来的深刻变化:“阿拉斯加东南部的土著人，自古以来就在荒野中捕鱼，现在是工业环境的一部分，与他们与水和土地的古老关系分离了”(23)。正如作者明确指出的那样，在阿拉斯加东南部，是特林吉特人、海达人和尖山人的妇女承担了大部分的有偿工业劳动。第二，《粗糙的海岸，崎岖的海湾》考察了阿拉斯加的商业历史，考察了19世纪阿拉斯加工业资本主义的引入和扩张，在这一时期，罐头工厂“在短时间内从小企业发展到大企业集团，影响了阿拉斯加生活的方方面面”(24)。第三，作为本书的副标题
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Pub Date : 2023-01-01DOI: 10.1017/s1537781422000573
{"title":"JGA volume 22 issue 1 Cover and Back matter","authors":"","doi":"10.1017/s1537781422000573","DOIUrl":"https://doi.org/10.1017/s1537781422000573","url":null,"abstract":"","PeriodicalId":43534,"journal":{"name":"Journal of the Gilded Age and Progressive Era","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45262078","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.1017/s1537781422000561
{"title":"JGA volume 22 issue 1 Cover and Front matter","authors":"","doi":"10.1017/s1537781422000561","DOIUrl":"https://doi.org/10.1017/s1537781422000561","url":null,"abstract":"","PeriodicalId":43534,"journal":{"name":"Journal of the Gilded Age and Progressive Era","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47241063","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.1017/S1537781422000445
Laura Crossley
Abstract Chickasaw, Choctaw, Cherokee, Muscogee, and Seminole citizens employed the Indian Territory exhibits at the 1904 Louisiana Purchase Exposition to advance the separate statehood movement. Increasingly shut out of the formal political realm, they adopted creative measures to exert their political will, including participating in the world’s fair. Employing insights from settler-colonial theory and public history, this paper argues that the politics of display expanded the agency of a group marginalized from political representation. The U.S. government, pressured by the territory’s growing population of non-Native settlers, had begun planning for statehood, passing the 1898 Curtis Act to force allotment and dissolve the Five Tribes’ governments by 1906. To protect their land and sovereignty, a cohort of Native citizens pursued statehood for Indian Territory separate from Oklahoma Territory. Although joint statehood won out, separate statehood advocates succeeded in creating exhibits that centered on the survival of Native nations. They also articulated an Indigenous conception of citizenship, developing an imaginative vision for a future in which self-determination and U.S. citizenship could converge in a Native state. This represented a novel contribution to ongoing debates over how to integrate remaining western territories into the United States and how to incorporate diverse peoples within the citizenry.
{"title":"“An Exhibit as Will Astonish the Civilized World”: Seeking Separate Statehood for Indian Territory at the 1904 Louisiana Purchase Exposition","authors":"Laura Crossley","doi":"10.1017/S1537781422000445","DOIUrl":"https://doi.org/10.1017/S1537781422000445","url":null,"abstract":"Abstract Chickasaw, Choctaw, Cherokee, Muscogee, and Seminole citizens employed the Indian Territory exhibits at the 1904 Louisiana Purchase Exposition to advance the separate statehood movement. Increasingly shut out of the formal political realm, they adopted creative measures to exert their political will, including participating in the world’s fair. Employing insights from settler-colonial theory and public history, this paper argues that the politics of display expanded the agency of a group marginalized from political representation. The U.S. government, pressured by the territory’s growing population of non-Native settlers, had begun planning for statehood, passing the 1898 Curtis Act to force allotment and dissolve the Five Tribes’ governments by 1906. To protect their land and sovereignty, a cohort of Native citizens pursued statehood for Indian Territory separate from Oklahoma Territory. Although joint statehood won out, separate statehood advocates succeeded in creating exhibits that centered on the survival of Native nations. They also articulated an Indigenous conception of citizenship, developing an imaginative vision for a future in which self-determination and U.S. citizenship could converge in a Native state. This represented a novel contribution to ongoing debates over how to integrate remaining western territories into the United States and how to incorporate diverse peoples within the citizenry.","PeriodicalId":43534,"journal":{"name":"Journal of the Gilded Age and Progressive Era","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46583726","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.1017/s1537781422000469
R. Mccormick
Kelly Lytle Hernández ’ s Bad Mexicans: Race, Empire, and Revolution in the Borderlands is a compelling history of the Mexican radicals who traversed Mexico and the United States at the turn of the twentieth century and inspired the Mexican Revolution. Lytle Hernández convincingly shows how Ricardo Flores Magón and a band of Mexican socialists and anarchists inspired one of the great social revolutions of the twentieth century. In fact, Bad Mexicans makes clear how the Magonistas and the Mexican Revolution are essential to understanding the U.S
Kelly Lytle Hernández的《坏墨西哥人:边境地带的种族、帝国和革命》是一部引人入胜的墨西哥激进派历史，他们在二十世纪之交穿越墨西哥和美国，激发了墨西哥革命。利特尔Hernández令人信服地展示了里卡多·弗洛雷斯Magón和一群墨西哥社会主义者和无政府主义者如何激发了二十世纪最伟大的社会革命之一。事实上，《坏墨西哥人》清楚地表明，马格尼斯塔和墨西哥革命对于理解美国和墨西哥之间的关系至关重要
{"title":"The History of American Statebuilding","authors":"R. Mccormick","doi":"10.1017/s1537781422000469","DOIUrl":"https://doi.org/10.1017/s1537781422000469","url":null,"abstract":"Kelly Lytle Hernández ’ s Bad Mexicans: Race, Empire, and Revolution in the Borderlands is a compelling history of the Mexican radicals who traversed Mexico and the United States at the turn of the twentieth century and inspired the Mexican Revolution. Lytle Hernández convincingly shows how Ricardo Flores Magón and a band of Mexican socialists and anarchists inspired one of the great social revolutions of the twentieth century. In fact, Bad Mexicans makes clear how the Magonistas and the Mexican Revolution are essential to understanding the U.S","PeriodicalId":43534,"journal":{"name":"Journal of the Gilded Age and Progressive Era","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44049032","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.1017/S1537781422000433
James E. Sanders
Abstract As historians have begun to conceptualize the U.S. Civil War as a global event, so too must they consider Reconstruction as a political process that transcended national boundaries. The United States and Colombia both abolished slavery during civil wars; ex-slaves in both societies struggled for full citizenship and landholding, partially succeeding for a time; in both societies, a harsh reaction ripped full citizenship from the freedpeople and denied their claims to the land. These events, usually studied only as part of a national story in either the United States or Colombia, can also be understood, and perhaps be better understood, as a history of hemispheric and transnational processes—of race, of republican politics, of contests over equality, of capitalism. This essay examines the words and actions of historical actors, especially U.S. African Americans and afrocolombianos, to note the impressive commonalities of discourse (which was almost exactly the same in many cases) and political repertoires. This article focuses first on the agency of African Americans in both societies to create post-emancipation social movements for citizenship and land and then on the, largely successful, reactions against these movements.
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