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“Showing Up America”: Performing Race and Nation in Britain Before the First World War “展现美国”:第一次世界大战前在英国上演的种族与民族
IF 0.3 3区 历史学 Q2 Arts and Humanities Pub Date : 2022-07-25 DOI: 10.1017/S1537781422000305
Lewis Defrates
Abstract This article examines American travel and performance in Britain in the decades prior to the First World War, arguing that the expression of nationality in this transatlantic context played a profound role in formulating both America’s dominant culture and a culture of opposition advanced by African American performers. It explores this “oppositional” culture in detail, focusing on the transatlantic work of Ida B. Wells and the Fisk Jubilee Singers. Both found a sympathetic audience across the Atlantic at a time of increased repression at home. British support opened new avenues for these activists, but also limited the rhetorical possibilities of their work. By bringing into conversation previously separate historiographies on early waves of “Americanization,” the transnational dimensions of various reform movements and the international formation of the Black Atlantic, it illustrates the economic, infrastructural, and racial inequalities that shaped the United States’ emerging national culture.
本文考察了一战前几十年美国人在英国的旅行和演出,认为在这种跨大西洋背景下的国籍表达在形成美国的主导文化和非裔美国表演者所推动的反对文化方面发挥了深远的作用。它详细探讨了这种“对立”文化,重点是艾达·b·威尔斯和菲斯克·朱比利歌手的跨大西洋作品。在国内镇压加剧之际,两人都在大西洋彼岸找到了同情的听众。英国的支持为这些活动人士开辟了新的途径,但也限制了他们工作的修辞可能性。通过将先前关于早期“美国化”浪潮、各种改革运动的跨国维度以及黑人大西洋的国际形成的独立的历史编纂纳入对话,它说明了经济、基础设施和种族不平等塑造了美国新兴的民族文化。
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引用次数: 0
Hierarchy and Higher Education 等级制度与高等教育
IF 0.3 3区 历史学 Q2 Arts and Humanities Pub Date : 2022-07-01 DOI: 10.1017/s1537781422000202
Matthew G. Johnson
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引用次数: 0
Imperialism’s Proving Grounds 帝国主义的试验场
IF 0.3 3区 历史学 Q2 Arts and Humanities Pub Date : 2022-07-01 DOI: 10.1017/s153778142200024x
S. Bell
In Pursuing Respect in the Cannibal Isles: Americans in Nineteenth-Century Fiji, Nancy Shoemaker successfully weaves the history of nineteenth-century Fiji and its extraterritorial Americans into a cohesive story that illuminates the role of Fiji in the “ political evolution of the United States ” (16). Shoemaker argues that the United States ’ s extraterritorial machinations began significantly earlier than many think, and the case of Fiji therefore greatly extends the geography of American imperialism and pushes its temporal bounds backward several generations. Equally important, imperialist patterns first practiced in the Cannibal Isles can be used to understand U.S. actions long after its involvement in Fiji: “ The value of extraterritoriality and the government protection afforded extraterritorial Americans pushed the United States to enlarge its global scope and power ” (17). ” in straight-forward, linear narrative, U.S. and tethers Shoemaker ’ s to
在《在食人群岛追求尊重:19世纪斐济的美国人》一书中,Nancy Shoemaker成功地将19世纪斐济及其域外美国人的历史编织成一个连贯的故事,阐明了斐济在“美国政治演变”中的作用(16)。舒梅克认为,美国的域外阴谋比许多人想象的要早得多,因此斐济的情况极大地扩展了美帝国主义的地理范围,并将其时间界限向后推了几代人。同样重要的是,最初在食人群岛实行的帝国主义模式可以用来理解美国在介入斐济很久之后的行动:“治外法权的价值和政府为治外美国人提供的保护推动了美国扩大其全球范围和权力”(17)在直截了当、线性的叙述中,美国和舒梅克
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引用次数: 0
An Embarrassment of Editorial Riches 编辑财富的尴尬
IF 0.3 3区 历史学 Q2 Arts and Humanities Pub Date : 2022-07-01 DOI: 10.1017/s1537781422000275
N. Unger
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引用次数: 0
Japanese Tea and Transnational History 日本茶与跨国历史
IF 0.3 3区 历史学 Q2 Arts and Humanities Pub Date : 2022-07-01 DOI: 10.1017/S1537781422000251
Abigail M. Markwyn
Robert Hellyer ’ s new book Green with Milk and Sugar: When Japan Filled America ’ s Tea Cups exemplifies the surprising insights that can emerge from transnational research. Hellyer brings his expertise in Japanese history and his own family history to a study of tea that spans the Pacific (and at times the Atlantic) Ocean. By using commodity chains to trace the changing relationships between American consumers and Asian producers, he reveals a fascinating history of the beverage that most Americans more likely associate with the American Revolution than Japan. Hellyer convincingly argues that Americans have had a long and complex relationship with green and black tea that has nothing to do with the Boston Tea Party. Rather, he demonstrates, American tea consumption has a storied history shaped by events ranging from internal immigration debates to Japanese political changes and racialized advertising campaigns. In turn, the rise and fall of green tea in the United States shaped tea consumption in Japan. This slim volume will interest not only tea lovers but those interested in the intertwined histories of the United States and Japan.Hellyer ’ s book is organized into six chronological chapters that cover the history of what he terms “ teaways ” in both Japan and the United States from the eighteenth century to the present. Each chapter interweaves the history of members of his own family, who exported Japanese tea to Britain and later the United States, with Japanese counterparts, who produced and marketed Japanese tea. But he considers the experiences of many others, from the women who refined the tea to the brokers who sold it and the American wives who purchased it. Throughout it all, he illuminates everything from the gendering of teaways in the United States to the evolving packaging and sale of tea. Overall, Hellyer makes a compelling case for the significance of tea to the economic and cultural history of the United States and Japan. Hellyer ’ s first chapter explores and in
罗伯特·赫勒(Robert Hellyer)的新书《牛奶和糖的绿色:当日本斟满美国的茶杯》(When Japan斟满美国的茶杯)体现了跨国研究可能产生的令人惊讶的见解。Hellyer把他在日本历史和他自己的家族史方面的专业知识带到了对跨越太平洋(有时是大西洋)的茶的研究中。通过使用商品链来追踪美国消费者和亚洲生产商之间不断变化的关系,他揭示了一段迷人的饮料历史,大多数美国人更可能将其与美国革命而不是日本联系在一起。赫勒令人信服地认为,美国人与绿茶和红茶有着长期而复杂的关系,这与波士顿倾茶事件无关。相反,他证明,美国的茶叶消费有着一段由一系列事件塑造的传奇历史,从国内的移民辩论到日本的政治变革,再到种族化的广告宣传。反过来,绿茶在美国的兴衰影响了日本的茶叶消费。这本薄薄的书不仅会让茶爱好者感兴趣,也会让那些对美日两国交织的历史感兴趣的人感兴趣。Hellyer的书按时间顺序分为六个章节,涵盖了日本和美国从18世纪到现在的“teaways”的历史。每一章都交织着他自己的家族成员的历史,他们将日本茶叶出口到英国,后来又出口到美国,而日本同行则生产和销售日本茶叶。但他也考虑了其他许多人的经历,从提炼茶叶的妇女到出售茶叶的经纪人,再到购买茶叶的美国妻子。在整个过程中,他阐明了从美国茶的性别到茶叶包装和销售的演变。总的来说,Hellyer为茶在美国和日本的经济和文化史上的重要性提供了一个令人信服的案例。赫勒的第一章探讨了
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引用次数: 0
Teaching Queer History in the GAPE Classroom 在GAPE课堂上教授酷儿历史
IF 0.3 3区 历史学 Q2 Arts and Humanities Pub Date : 2022-07-01 DOI: 10.1017/s1537781422000184
Brian M. Trump
Abstract Digitization of archival materials has made it easier not only to analyze queer history during the Gilded Age and Progressive Era, but also to include these sources in the classroom. For instructors interested in incorporating queer history into their classrooms, this piece highlights specific examples of these queer primary sources and what they reveal about the queer past. Focusing specifically on criminal statutes, legal records, newspaper articles, medical discourse, and firsthand accounts, this introduction to queer archival sources emphasizes how these sources can be incorporated into class lectures and discussions, as well as directing attention to where similar examples can be found online in digital archives and databases.
档案资料的数字化不仅使分析镀金时代和进步时代的酷儿历史变得更加容易,而且也使这些资料在课堂上更加容易。对于有兴趣将酷儿历史融入课堂的教师来说,这篇文章突出了这些酷儿主要来源的具体例子,以及它们揭示了酷儿的过去。特别关注刑事法规、法律记录、报纸文章、医学论述和第一手资料,这篇关于酷儿档案资料的介绍强调了如何将这些资料纳入课堂讲座和讨论中,并将注意力集中在在线数字档案和数据库中可以找到的类似例子上。
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引用次数: 0
The Biography of a Woman Erased 被抹去的女人传
IF 0.3 3区 历史学 Q2 Arts and Humanities Pub Date : 2022-07-01 DOI: 10.1017/s1537781422000214
E. Hart
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引用次数: 0
JGA volume 21 issue 3 Cover and Back matter JGA第21卷第3期封面和封底
IF 0.3 3区 历史学 Q2 Arts and Humanities Pub Date : 2022-07-01 DOI: 10.1017/s1537781422000160
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引用次数: 0
Henry Adams’s Protean Views of the American Empire, 1890–1905 亨利·亚当斯对美国帝国的多变看法,1890-1905
IF 0.3 3区 历史学 Q2 Arts and Humanities Pub Date : 2022-07-01 DOI: 10.1017/S1537781422000135
Ángel de Jesús Cortés
Abstract In the history of the Gilded Age and its geopolitics, Henry Adams has a reputation for being an imperialist. While not universally subscribed to by historians, this characterization has waxed sufficiently as to eclipse Adams’s more complex, even contradictory, record on the American Empire. The evidence I will marshal will not prove that Adams was actually an anti-imperialist, but it will reveal the protean nature of Adams’s views of the American Empire. To get a grip on this relatively unexamined aspect of Adams’s thought, I will analyze his correspondence during the last decade of the nineteenth century in which he criticized the extension of American power across the Pacific, particularly in regard to its political economy, religion, and civilization. With the onset of the American Filipino War, Adams raged at the news of American atrocities. This paper shows that Adams’s outrage was part of an incipient civilizational ideology, one that neither materialized into an attachment to the anti-imperialist cause nor accepted the vaunted superiority of the West. Even though Adams possessed no principle to guide his thinking on the empire, his pessimistic evaluation of the extension of American power is enough to reconsider his reputation as an imperialist.
摘要在镀金时代及其地缘政治史上,亨利·亚当斯以帝国主义著称。虽然历史学家们并不普遍认同这一点,但这种描述已经足够成熟,足以掩盖亚当斯对美利坚帝国更复杂、甚至矛盾的记录。我将收集的证据不会证明亚当斯实际上是一个反帝国主义者,但它将揭示亚当斯对美利坚帝国观点的多变性。为了了解亚当斯思想中这一相对未经审查的方面,我将分析他在19世纪最后十年的通信,他在通信中批评了美国在太平洋地区的权力扩张,特别是在政治经济、宗教和文明方面。随着美菲战争的爆发,亚当斯对美国暴行的消息大发雷霆。这篇论文表明,亚当斯的愤怒是一种早期文明意识形态的一部分,这种意识形态既没有具体化为对反帝国主义事业的依恋,也没有接受西方吹嘘的优越性。尽管亚当斯没有原则来指导他对帝国的思考,但他对美国权力扩张的悲观评价足以重新考虑他作为帝国主义者的声誉。
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引用次数: 0
Fashioning the Gilded Age 打造镀金时代
IF 0.3 3区 历史学 Q2 Arts and Humanities Pub Date : 2022-07-01 DOI: 10.1017/s1537781422000196
Einav Rabinovitch-Fox
The new HBO series The Gilded Age revolves around a rivalry between “ Old New York, ” represented by the fictional character of Agnes van Rhijn (played by Christine Baranski), and the Russell family, led by George Russell (played by Morgan Spector), who stand in for the era ’ s “ New Rich. ” While business dealings serve as background to the story, the show ’ s main focus is the social intrigues of its women in a world where appearance, etiquette, and social networks capture the audience ’ s attention. Like The Gilded Age , Elizabeth L. Block ’ s Dressing Up puts the women of the era — and their dresses — at the center of its narrative. Block ’ s new book frames the wealthy elites who shaped the Gilded Age economy, culture, and politics as consumers, and focuses on the wives and daughters of elite businessmen and financiers. Such an emphasis allows Block not only to insert women and women ’ s agency more meaningfully into Gilded Age history, but also to explore the economic consequences of the fashion trade. In Block ’ s narrative, elite women were more than a passive manifestation of Thorstein Veblen ’ s “ conspicuous consumption. ” They were active players in a transatlantic network of commerce, power, and privilege that allowed them a position of influence within U.S. society by turning fashion and the dresses they wore into cultural capital. Dressing Up is both a study of the French couture industry and an examination of the role American women played in its development. Block rightly moves away from focusing on couture designers as omnipotent geniuses to focus instead on the social life of garments themselves. This method of “ follow the dresses ” allows her to spotlight the relationships enabled by fashion, bringing labor, gender, space, consumer culture, and performance together into her analysis. Rather than looking at the construction of the garments themselves, Block situates them within a
HBO的新剧《镀金时代》(The Gilded Age)围绕着以虚构人物艾格尼丝·范·莱辛(Agnes van Rhijn,克里斯汀·巴兰斯基饰)为代表的“旧纽约”和以乔治·罗素(George Russell,摩根·斯佩克特饰)为代表的“新富人”罗素家族之间的竞争展开。虽然商业交易是故事的背景,但这部剧的主要焦点是女性在一个外表、礼仪和社交网络吸引观众注意力的世界里的社会阴谋。就像《镀金时代》一样,伊丽莎白·l·布洛克的《盛装打扮》把那个时代的女性——以及她们的服装——放在了叙事的中心。布洛克的新书将塑造镀金时代经济、文化和政治的富有精英视为消费者,并将重点放在精英商人和金融家的妻子和女儿身上。这样的强调使布洛克不仅可以将女性和女性代理更有意义地插入镀金时代的历史,而且还可以探索时尚贸易的经济后果。在布洛克的叙述中,精英女性不仅仅是Thorstein Veblen“炫耀性消费”的被动表现。他们是跨大西洋商业、权力和特权网络的积极参与者,通过将时尚和服饰转化为文化资本,他们在美国社会中占据了影响力地位。《打扮》既是对法国高级定制行业的研究,也是对美国女性在其发展过程中所扮演角色的审视。布洛克正确地从关注时装设计师作为无所不能的天才转向关注服装本身的社会生活。这种“跟随服装”的方法使她能够聚焦时尚所带来的关系,将劳动,性别,空间,消费文化和表演一起纳入她的分析中。Block并没有关注服装本身的结构,而是将它们放在一个
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Journal of the Gilded Age and Progressive Era
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