Pub Date : 2024-02-28DOI: 10.1080/17400309.2023.2264711
Shelley Cobb
This article argues for an understanding of contemporary women’s television as a twenty-first century iteration of Lauren Berlant’s concept of the ‘intimate public’ of femininity, by analysing how ...
{"title":"Adaptation, authorship and the critical conversations of Little Fires Everywhere","authors":"Shelley Cobb","doi":"10.1080/17400309.2023.2264711","DOIUrl":"https://doi.org/10.1080/17400309.2023.2264711","url":null,"abstract":"This article argues for an understanding of contemporary women’s television as a twenty-first century iteration of Lauren Berlant’s concept of the ‘intimate public’ of femininity, by analysing how ...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"46 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015672","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-28DOI: 10.1080/17400309.2024.2304604
Cristina Ruiz-Poveda Vera
Contemporary European cinema insistently depicts female teenagers in association with non-human animals. This article focuses on a group of films in which the teenage protagonists approach animalit...
{"title":"Girls gone wild: animality, female teenagers, and disidentification in contemporary European cinema","authors":"Cristina Ruiz-Poveda Vera","doi":"10.1080/17400309.2024.2304604","DOIUrl":"https://doi.org/10.1080/17400309.2024.2304604","url":null,"abstract":"Contemporary European cinema insistently depicts female teenagers in association with non-human animals. This article focuses on a group of films in which the teenage protagonists approach animalit...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"32 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015654","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-28DOI: 10.1080/17400309.2023.2263692
Sarah Louise Smyth, Stefania Marghitu
This special dossier examines issues in women’s authorship and adaptation in contemporary television. Recently, in the television streaming era, there have been a number of significant television s...
本特别档案探讨当代电视中的女性作者和改编问题。最近,在电视流媒体时代,出现了许多重要的电视节目。
{"title":"Introduction: women’s authorship and adaptation in contemporary television","authors":"Sarah Louise Smyth, Stefania Marghitu","doi":"10.1080/17400309.2023.2263692","DOIUrl":"https://doi.org/10.1080/17400309.2023.2263692","url":null,"abstract":"This special dossier examines issues in women’s authorship and adaptation in contemporary television. Recently, in the television streaming era, there have been a number of significant television s...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"6 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015686","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-28DOI: 10.1080/17400309.2023.2261349
Kornelia Boczkowska
Commonly associated with the cinema of Béla Tarr and Gus Van Sant, walking on screen has received relatively little attention from researchers despite the ongoing popularity of wayfaring films and ...
银幕上的行走通常与贝拉-塔尔(Béla Tarr)和格斯-范-桑特(Gus Van Sant)的电影联系在一起,但研究人员对它的关注却相对较少,尽管行走类电影和...
{"title":"Cityscapes, trance states, and women walking: embodied practices of walking in experimental film and video","authors":"Kornelia Boczkowska","doi":"10.1080/17400309.2023.2261349","DOIUrl":"https://doi.org/10.1080/17400309.2023.2261349","url":null,"abstract":"Commonly associated with the cinema of Béla Tarr and Gus Van Sant, walking on screen has received relatively little attention from researchers despite the ongoing popularity of wayfaring films and ...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"10 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015696","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-28DOI: 10.1080/17400309.2023.2257859
Karim Townsend
This article examines Mike White and Laura Dern’s HBO series Enlightened (2011–13) in relation to questions of segmentarity, motherhood, feminism, reproductive futurism, and neoliberal capitalism. ...
{"title":"“The mother is a child, too”: neoliberal segmentarity, reproductive futurism, and relationality in Enlightened","authors":"Karim Townsend","doi":"10.1080/17400309.2023.2257859","DOIUrl":"https://doi.org/10.1080/17400309.2023.2257859","url":null,"abstract":"This article examines Mike White and Laura Dern’s HBO series Enlightened (2011–13) in relation to questions of segmentarity, motherhood, feminism, reproductive futurism, and neoliberal capitalism. ...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"1 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015684","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-28DOI: 10.1080/17400309.2023.2299190
Leung Wing-Fai
This article focuses on Female Convict Scorpion, a Japanese women-in-prison film series (1972–1973), which exemplifies studio-produced exploitation cinema. The series is influenced by the contempor...
{"title":"Female Convict Scorpion: production context, gender politics, and cinematic excesses in a Japanese women-in-prison film series","authors":"Leung Wing-Fai","doi":"10.1080/17400309.2023.2299190","DOIUrl":"https://doi.org/10.1080/17400309.2023.2299190","url":null,"abstract":"This article focuses on Female Convict Scorpion, a Japanese women-in-prison film series (1972–1973), which exemplifies studio-produced exploitation cinema. The series is influenced by the contempor...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"99 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015610","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-28DOI: 10.1080/17400309.2024.2304601
Fabienne Collignon
This article investigates Jonathan Glazer’s 2013 film Under the Skin as it pertains to the ‘insectile’ or, in other words, to an entomological imagination. The insectile, I argue, is structured acc...
本文研究了乔纳森-格拉泽(Jonathan Glazer)2013 年的电影《皮囊之下》(Under the Skin),因为这部电影与 "昆虫 "有关,或者换句话说,与昆虫学的想象力有关。我认为,"昆虫学 "的结构是...
{"title":"Othered form and insectile subjectile: Under the Skin","authors":"Fabienne Collignon","doi":"10.1080/17400309.2024.2304601","DOIUrl":"https://doi.org/10.1080/17400309.2024.2304601","url":null,"abstract":"This article investigates Jonathan Glazer’s 2013 film Under the Skin as it pertains to the ‘insectile’ or, in other words, to an entomological imagination. The insectile, I argue, is structured acc...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"19 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140016598","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-28DOI: 10.1080/17400309.2023.2263690
Sarah Louise Smyth
Through her programmes, including Big Little Lies (2017–2019), The Morning Show (2019–), and Little Fires Everywhere (2020), Reese Witherspoon has been central to the recent rise of women-centric t...
通过《大小谎言》(Big Little Lies,2017-2019)、《早间秀》(The Morning Show,2019-)和《小火遍地》(Little Fires Everywhere,2020)等节目,瑞茜-威瑟斯彭(Reese Witherspoon)在最近兴起的以女性为中心的电视节目中起到了核心作用。
{"title":"Reese Witherspoon’s popular feminism: adaptation and authorship in Big Little Lies","authors":"Sarah Louise Smyth","doi":"10.1080/17400309.2023.2263690","DOIUrl":"https://doi.org/10.1080/17400309.2023.2263690","url":null,"abstract":"Through her programmes, including Big Little Lies (2017–2019), The Morning Show (2019–), and Little Fires Everywhere (2020), Reese Witherspoon has been central to the recent rise of women-centric t...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"32 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015590","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-28DOI: 10.1080/17400309.2024.2310472
Maureen Mauk
Published in New Review of Film and Television Studies (Vol. 22, No. 1, 2024)
发表于《电影电视研究新评论》(第 22 卷第 1 期,2024 年)
{"title":"Their own best creations: women writers in postwar television","authors":"Maureen Mauk","doi":"10.1080/17400309.2024.2310472","DOIUrl":"https://doi.org/10.1080/17400309.2024.2310472","url":null,"abstract":"Published in New Review of Film and Television Studies (Vol. 22, No. 1, 2024)","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"32 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015690","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-28DOI: 10.1080/17400309.2024.2304618
Janet Bergstrom
Kelly Reichardt pays attention to women’s actions and subjectivities, often when they are alone, but not at the expense of men. It takes seeing her films more than once to understand how intricatel...
{"title":"Ghost riders: Kelly Reichardt, certain women, certain men","authors":"Janet Bergstrom","doi":"10.1080/17400309.2024.2304618","DOIUrl":"https://doi.org/10.1080/17400309.2024.2304618","url":null,"abstract":"Kelly Reichardt pays attention to women’s actions and subjectivities, often when they are alone, but not at the expense of men. It takes seeing her films more than once to understand how intricatel...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"22 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015592","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}