Pub Date : 2024-02-28DOI: 10.1080/17400309.2023.2263690
Sarah Louise Smyth
Through her programmes, including Big Little Lies (2017–2019), The Morning Show (2019–), and Little Fires Everywhere (2020), Reese Witherspoon has been central to the recent rise of women-centric t...
通过《大小谎言》（Big Little Lies，2017-2019）、《早间秀》（The Morning Show，2019-）和《小火遍地》（Little Fires Everywhere，2020）等节目，瑞茜-威瑟斯彭（Reese Witherspoon）在最近兴起的以女性为中心的电视节目中起到了核心作用。
{"title":"Reese Witherspoon’s popular feminism: adaptation and authorship in Big Little Lies","authors":"Sarah Louise Smyth","doi":"10.1080/17400309.2023.2263690","DOIUrl":"https://doi.org/10.1080/17400309.2023.2263690","url":null,"abstract":"Through her programmes, including Big Little Lies (2017–2019), The Morning Show (2019–), and Little Fires Everywhere (2020), Reese Witherspoon has been central to the recent rise of women-centric t...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"32 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015590","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-28DOI: 10.1080/17400309.2024.2310472
Maureen Mauk
Published in New Review of Film and Television Studies (Vol. 22, No. 1, 2024)
发表于《电影电视研究新评论》（第 22 卷第 1 期，2024 年）
{"title":"Their own best creations: women writers in postwar television","authors":"Maureen Mauk","doi":"10.1080/17400309.2024.2310472","DOIUrl":"https://doi.org/10.1080/17400309.2024.2310472","url":null,"abstract":"Published in New Review of Film and Television Studies (Vol. 22, No. 1, 2024)","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"32 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015690","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-28DOI: 10.1080/17400309.2024.2304618
Janet Bergstrom
Kelly Reichardt pays attention to women’s actions and subjectivities, often when they are alone, but not at the expense of men. It takes seeing her films more than once to understand how intricatel...
{"title":"Ghost riders: Kelly Reichardt, certain women, certain men","authors":"Janet Bergstrom","doi":"10.1080/17400309.2024.2304618","DOIUrl":"https://doi.org/10.1080/17400309.2024.2304618","url":null,"abstract":"Kelly Reichardt pays attention to women’s actions and subjectivities, often when they are alone, but not at the expense of men. It takes seeing her films more than once to understand how intricatel...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"22 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015592","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-28DOI: 10.1080/17400309.2023.2301255
Anna Siomopoulos
My Man Godfrey (Gregory La Cava, 1936) begins with a critique of Depression-era public relief efforts but then focuses for the remainder of the film on the attempts of one ‘forgotten man’ to restor...
{"title":"“Some things are proper, and some things are not”: forgotten men and disciplined women in My Man Godfrey","authors":"Anna Siomopoulos","doi":"10.1080/17400309.2023.2301255","DOIUrl":"https://doi.org/10.1080/17400309.2023.2301255","url":null,"abstract":"My Man Godfrey (Gregory La Cava, 1936) begins with a critique of Depression-era public relief efforts but then focuses for the remainder of the film on the attempts of one ‘forgotten man’ to restor...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"30 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015619","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-28DOI: 10.1080/17400309.2023.2299199
Emily Naser-Hall
The affective dimensions of labor and the ways in which gendered representations of affect can be deployed as a justification for limiting women’s participation in the workforce constitute a founda...
{"title":"Earners and spenders, husbands and wives: the affective restraints on women’s labor in high Cold War American sitcoms","authors":"Emily Naser-Hall","doi":"10.1080/17400309.2023.2299199","DOIUrl":"https://doi.org/10.1080/17400309.2023.2299199","url":null,"abstract":"The affective dimensions of labor and the ways in which gendered representations of affect can be deployed as a justification for limiting women’s participation in the workforce constitute a founda...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"14 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015691","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-28DOI: 10.1080/17400309.2023.2298644
Matthew Robinson
Fighting with My Family (2019) details the rags-to-riches story of British professional wrestler Saraya-Jade Bevis (Florence Pugh), who became the youngest winner of the World Wrestling Entertainme...
与我的家人一起战斗》（2019）详细讲述了英国职业摔跤手萨拉亚-杰德-贝维斯（弗洛伦斯-普伊 饰）的发家史，她是世界摔跤娱乐锦标赛（World Wrestling Entertainme...
{"title":"‘This is my house now!’: Fighting with My Family, the female underdog and constructing a public history of WWE","authors":"Matthew Robinson","doi":"10.1080/17400309.2023.2298644","DOIUrl":"https://doi.org/10.1080/17400309.2023.2298644","url":null,"abstract":"Fighting with My Family (2019) details the rags-to-riches story of British professional wrestler Saraya-Jade Bevis (Florence Pugh), who became the youngest winner of the World Wrestling Entertainme...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"4 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015616","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-28DOI: 10.1080/17400309.2024.2310471
Júlia Irion Martins
Published in New Review of Film and Television Studies (Vol. 22, No. 1, 2024)
发表于《电影电视研究新评论》（第 22 卷第 1 期，2024 年）
{"title":"Woman up: invoking feminism in quality television","authors":"Júlia Irion Martins","doi":"10.1080/17400309.2024.2310471","DOIUrl":"https://doi.org/10.1080/17400309.2024.2310471","url":null,"abstract":"Published in New Review of Film and Television Studies (Vol. 22, No. 1, 2024)","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"48 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015626","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-28DOI: 10.1080/17400309.2024.2308462
Emma Radley
Published in New Review of Film and Television Studies (Vol. 22, No. 1, 2024)
发表于《电影电视研究新评论》（第 22 卷第 1 期，2024 年）
{"title":"Screening contemporary Irish fiction and drama","authors":"Emma Radley","doi":"10.1080/17400309.2024.2308462","DOIUrl":"https://doi.org/10.1080/17400309.2024.2308462","url":null,"abstract":"Published in New Review of Film and Television Studies (Vol. 22, No. 1, 2024)","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"46 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015640","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-04DOI: 10.1080/17400309.2023.2287973
Jonathan Stubbs, Marko Kiessel
This article examines the temporality of recent science fiction films, specifically the ways in which architectural histories are used to imagine and characterise dystopias of the future. Drawing o...
本文探讨了近期科幻电影的时间性，特别是如何利用建筑历史来想象和描绘未来的乌托邦。文章借鉴了...
{"title":"Futures past and present: history, architecture and dystopia in Brazil (1985) and the Hunger Games series (2012-15)","authors":"Jonathan Stubbs, Marko Kiessel","doi":"10.1080/17400309.2023.2287973","DOIUrl":"https://doi.org/10.1080/17400309.2023.2287973","url":null,"abstract":"This article examines the temporality of recent science fiction films, specifically the ways in which architectural histories are used to imagine and characterise dystopias of the future. Drawing o...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"2 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-01-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139110307","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-08DOI: 10.1080/17400309.2023.2275890
Ezra Winton
{"title":"How documentaries went mainstream: a history, 1960–2022 <b>How documentaries went mainstream: a history, 1960–2022</b> , by Nora Stone, Oxford, Oxford University Press, 2023, 240 pp., $34.95 (paperback), ISBN 9780197557303","authors":"Ezra Winton","doi":"10.1080/17400309.2023.2275890","DOIUrl":"https://doi.org/10.1080/17400309.2023.2275890","url":null,"abstract":"","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"145 1‐2","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135392762","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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