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“I want to be good:” morality, faith, and female spectatorial pleasure during World War I "我想做好人:"第一次世界大战期间的道德、信仰和女性的观赏快感
IF 0.8 2区 艺术学 0 FILM, RADIO, TELEVISION Pub Date : 2024-02-28 DOI: 10.1080/17400309.2023.2298645
Diana W. Anselmo
In this article, I draw on a handful of personal fan collections created in the first decade of the star system to examine how schoolgirls of faith engaged Hollywood cinema as a visual vernacular t...
在这篇文章中,我从明星制最初十年间创作的一些个人影迷作品集中,研究了有信仰的女学生如何将好莱坞电影作为一种视觉语言来使用。
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引用次数: 0
Roundtable on women’s authorship and adaptation in contemporary television 关于当代电视中女性创作和改编的圆桌会议
IF 0.8 2区 艺术学 0 FILM, RADIO, TELEVISION Pub Date : 2024-02-28 DOI: 10.1080/17400309.2023.2263691
Stefania Marghitu, Sarah Louise Smyth
This roundtable took place in summer 2023 and sought to capture current thinking on women’s authorship and adaptation in contemporary television. The roundtable brought together emerging and more e...
此次圆桌会议于 2023 年夏季举行,旨在了解当前关于当代电视中女性作者和改编的思考。圆桌会议汇集了新出现的和较为成熟的女性作家。
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引用次数: 0
List of Reviewers 2020–2023 2020-2023 年审查员名单
IF 0.8 2区 艺术学 0 FILM, RADIO, TELEVISION Pub Date : 2024-02-28 DOI: 10.1080/17400309.2024.2320791
Published in New Review of Film and Television Studies (Vol. 22, No. 1, 2024)
发表于《电影电视研究新评论》(第 22 卷第 1 期,2024 年)
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引用次数: 0
Adaptation, authorship and the critical conversations of Little Fires Everywhere 小火遍地》的改编、作者身份和批评对话
IF 0.8 2区 艺术学 0 FILM, RADIO, TELEVISION Pub Date : 2024-02-28 DOI: 10.1080/17400309.2023.2264711
Shelley Cobb
This article argues for an understanding of contemporary women’s television as a twenty-first century iteration of Lauren Berlant’s concept of the ‘intimate public’ of femininity, by analysing how ...
本文通过分析当代女性电视如何成为劳伦-贝兰特(Lauren Berlant)"亲密公众 "女性概念的 21 世纪迭代,论证了对当代女性电视的理解。
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引用次数: 0
Girls gone wild: animality, female teenagers, and disidentification in contemporary European cinema 狂野的女孩:当代欧洲电影中的灵性、女性青少年和身份分离
IF 0.8 2区 艺术学 0 FILM, RADIO, TELEVISION Pub Date : 2024-02-28 DOI: 10.1080/17400309.2024.2304604
Cristina Ruiz-Poveda Vera
Contemporary European cinema insistently depicts female teenagers in association with non-human animals. This article focuses on a group of films in which the teenage protagonists approach animalit...
当代欧洲电影坚持描绘女性青少年与非人类动物的关系。本文将重点讨论一组影片,在这些影片中,青少年主角与动物亲密接触。
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引用次数: 0
Introduction: women’s authorship and adaptation in contemporary television 导言:当代电视中的女性创作和改编
IF 0.8 2区 艺术学 0 FILM, RADIO, TELEVISION Pub Date : 2024-02-28 DOI: 10.1080/17400309.2023.2263692
Sarah Louise Smyth, Stefania Marghitu
This special dossier examines issues in women’s authorship and adaptation in contemporary television. Recently, in the television streaming era, there have been a number of significant television s...
本特别档案探讨当代电视中的女性作者和改编问题。最近,在电视流媒体时代,出现了许多重要的电视节目。
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引用次数: 0
Cityscapes, trance states, and women walking: embodied practices of walking in experimental film and video 城市景观、恍惚状态和行走的女人:实验电影和视频中行走的具身实践
IF 0.8 2区 艺术学 0 FILM, RADIO, TELEVISION Pub Date : 2024-02-28 DOI: 10.1080/17400309.2023.2261349
Kornelia Boczkowska
Commonly associated with the cinema of Béla Tarr and Gus Van Sant, walking on screen has received relatively little attention from researchers despite the ongoing popularity of wayfaring films and ...
银幕上的行走通常与贝拉-塔尔(Béla Tarr)和格斯-范-桑特(Gus Van Sant)的电影联系在一起,但研究人员对它的关注却相对较少,尽管行走类电影和...
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引用次数: 0
“The mother is a child, too”: neoliberal segmentarity, reproductive futurism, and relationality in Enlightened "母亲也是孩子":《启蒙》中的新自由主义分割、生殖未来主义和关系性
IF 0.8 2区 艺术学 0 FILM, RADIO, TELEVISION Pub Date : 2024-02-28 DOI: 10.1080/17400309.2023.2257859
Karim Townsend
This article examines Mike White and Laura Dern’s HBO series Enlightened (2011–13) in relation to questions of segmentarity, motherhood, feminism, reproductive futurism, and neoliberal capitalism. ...
本文探讨了迈克-怀特(Mike White)和劳拉-邓恩(Laura Dern)主演的 HBO 剧集《启蒙》(2011-13 年)与分段、母性、女权主义、生殖未来主义和新自由资本主义等问题的关系。...
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引用次数: 0
Female Convict Scorpion: production context, gender politics, and cinematic excesses in a Japanese women-in-prison film series 女囚天蝎》:日本女囚电影系列中的制作背景、性别政治和电影过激行为
IF 0.8 2区 艺术学 0 FILM, RADIO, TELEVISION Pub Date : 2024-02-28 DOI: 10.1080/17400309.2023.2299190
Leung Wing-Fai
This article focuses on Female Convict Scorpion, a Japanese women-in-prison film series (1972–1973), which exemplifies studio-produced exploitation cinema. The series is influenced by the contempor...
本文主要介绍日本女囚电影系列《女囚蝎子》(1972-1973 年),这部电影是制片厂制作的剥削电影的典范。该系列电影受到了当代...
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引用次数: 0
Othered form and insectile subjectile: Under the Skin 别样的形式和昆虫般的主题:皮囊之下
IF 0.8 2区 艺术学 0 FILM, RADIO, TELEVISION Pub Date : 2024-02-28 DOI: 10.1080/17400309.2024.2304601
Fabienne Collignon
This article investigates Jonathan Glazer’s 2013 film Under the Skin as it pertains to the ‘insectile’ or, in other words, to an entomological imagination. The insectile, I argue, is structured acc...
本文研究了乔纳森-格拉泽(Jonathan Glazer)2013 年的电影《皮囊之下》(Under the Skin),因为这部电影与 "昆虫 "有关,或者换句话说,与昆虫学的想象力有关。我认为,"昆虫学 "的结构是...
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引用次数: 0
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New Review of Film and Television Studies
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