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Shaping and Reshaping the Global Monetary Order during the Interwar Period and Beyond: Local Actors in-between the International Institutions ed. by Catherine P. Brégianni and Roser Cussó (review) 战时及战后塑造和重塑全球货币秩序》:Catherine P. Brégianni 和 Roser Cussó编著的《国际机构之间的地方行动者》(评论)
IF 0.4 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2024-04-30 DOI: 10.1353/mgs.2024.a925802
Jay K. Rosengard
<span><span>In lieu of</span> an abstract, here is a brief excerpt of the content:</span><p> <span>Reviewed by:</span> <ul> <li><!-- html_title --> <em>Shaping and Reshaping the Global Monetary Order during the Interwar Period and Beyond: Local Actors in-between the International Institutions</em> ed. by Catherine P. Brégianni and Roser Cussó <!-- /html_title --></li> <li> Jay K. Rosengard (bio) </li> </ul> Catherine P. Brégianni and Roser Cussó, editors, <em>Shaping and Reshaping the Global Monetary Order during the Interwar Period and Beyond: Local Actors in-between the International Institutions</em>. History and Historical Theory 3. Athens: Alfeios Editions and TransMonEA Project, Academy of Athens–HFRI, 2023. Pp. 323. Non-commercial publication. <p>This publication is a multifaceted analysis of the global monetary regime's evolution, from the disintegrating impacts of the Great Depression during the interwar period to the often inequitable and destabilizing adaptations of the postwar era. This transformation is investigated via what the authors call a "financial engineering process" generated by interactions between governments and global financial institutions within the context of national and international political economies. The volume is the result of a research project supported by the Hellenic Foundation for Research and Innovation and comprises contributions by an extremely diverse and somewhat esoteric group of young Greek scholars, many affiliated with the Hellenic Open University and drawn from the fields of history, philosophy, economics, politics, and demography.</p> <p>The book is a very ambitious endeavor, creative in concept and earnest in execution. It is especially noteworthy that it is a Greek publication written for an international audience, a daring venture into a domain usually dominated by English-speaking academic communities. It has the usual problems of compilations in maintaining coherence of vision and narrative, as well as consistency in level of detail and focus. It is also replete with numerous long, tedious, and often excruciating explanations of research methodologies that divert rather than illuminate. Nevertheless, it provides new perspectives on topics extensively covered by others, including post–World War II debt and currency crises (chapters 8–10) and the impact of the Great Depression in the Weimar Republic from the vantage point of all three levels of government—national, state, and local (chapter 5). It also includes an original exploration of new topics such as both the benign and potentially exploitative impacts of international agency assistance in building national statistical expertise. Examples of such assistance covered in the book are the League of Nations Economic and Financial Section in Turkey (chapter 2), the League of Nations Economic and Financial Organization globally (chapter 4), and the International Agrarian Bureau in Eastern Europe (chapter 3). Another strength of this volume li
以下是内容的简要摘录,以代替摘要:评论者 Shaping and Reshaping the Global Monetary Order during the Interwar Period and Beyond:Catherine P. Brégianni 和 Roser Cussó 编著,《塑造和重塑战时及其后的全球货币秩序:夹在国际机构之间的地方行动者》,Jay K. Rosengard (bio) Catherine P. Brégianni 和 Roser Cussó 编辑:国际机构之间的地方行动者》。历史与历史理论 3》。雅典:Alfeios Editions and TransMonEA Project, Academy of Athens-HFRI, 2023.Pp.323.非商业出版物。本出版物对全球货币体系的演变进行了多方面的分析,从战时大萧条的解体影响到战后往往不公平和不稳定的调整。作者通过各国政府与全球金融机构在国家和国际政治经济背景下的互动所产生的 "金融工程过程 "来研究这一转变。这本书是希腊研究与创新基金会支持的一个研究项目的成果,由一群极其多样且有些神秘的希腊年轻学者撰写,其中许多人隶属于希腊开放大学,来自历史、哲学、经济学、政治学和人口学等领域。该书是一项雄心勃勃的工作,构思新颖,执行认真。尤其值得一提的是,这是一本面向国际读者的希腊语出版物,是对通常由英语学术界主导的领域的一次大胆尝试。该书在保持视野和叙事的连贯性,以及细节和重点的一致性方面,存在着汇编通常会遇到的问题。此外,书中还充斥着大量冗长、乏味,而且往往是令人痛苦的研究方法解释,这些解释只会转移视线,而不会起到启发作用。尽管如此,该书还是对其他著作广泛涉及的主题提供了新的视角,包括二战后的债务和货币危机(第 8-10 章),以及从国家、州和地方三级政府的视角来看大萧条对魏玛共和国的影响(第 5 章)。书中还对一些新课题进行了独创性的探讨,如国际机构援助对国家统计专业知识建设的良性影响和潜在的剥削性影响。书中涉及的此类援助实例包括国际联盟驻土耳其经济和金融科(第 2 章)、国际联盟全球经济和金融组织(第 4 章)以及东欧国际农业局(第 3 章)。本卷的另一个优势在于作者提供了大量数据来支持他们的叙述,所有章节都有详尽的记录和注释。最有趣的章节是以希腊为重点的章节。Lefteris Tsoulfidis 撰写的第 6 章对作者所称的 "战时大萧条"(1920-1939 年)提出了长周期的观点,而不是仅仅讨论大萧条的低谷(1929-1932 年)。报告还超越了美国和其他全球经济大国的范围,详细描述了大萧条向希腊等其他国家的传播,并追溯了随后的国家影响,包括财政(公共债务增加、无力偿还债务、违约、紧缩)、货币(贬值、紧缩)、政治(去全球化、孤立主义、贸易战、民族主义、政变、专制政府)和社会(收入和财富不平等加剧、贫困增加)。在希腊的特殊情况下,本章揭示了国际传播的一个新方面,即希腊通过采取硬德拉克马货币政策加剧了经济萧条--这种政策的基础是,在一个由适得其反的孤立主义和自欺欺人的国家自给自足的追求所主导的全球环境中,对外来援助的期望无法实现。安东尼斯-A-安东尼奥(Antonis A. Antoniou)所著的第 7 章可作为第 6 章的前言来阅读,该章追溯了战时大萧条的前兆,以及希腊金融部门在面临国家违约和全球冲突时的系统性弱点。安东尼奥将重点放在 1897-1912 年期间,全面分析了希腊的宏观经济和财政趋势,包括按部门划分的国内生产总值构成、按来源划分的收入构成、按部门划分的支出分配以及主权债务的结构和流动。本章通过研究潜在的系统性弱点和由此产生的脆弱性,将随后的宏观经济困难置于非常有启发性的历史背景中。本卷的...
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引用次数: 0
Greek Weird Wave: A Cinema of Biopolitics by Dimitris Papanikolaou (review) 希腊怪浪:Dimitris Papanikolaou 著的《生物政治电影》(评论)
IF 0.4 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2024-04-30 DOI: 10.1353/mgs.2024.a925804
Lydia Papadimitriou
<span><span>In lieu of</span> an abstract, here is a brief excerpt of the content:</span><p> <span>Reviewed by:</span> <ul> <li><!-- html_title --> <em>Greek Weird Wave: A Cinema of Biopolitics</em> by Dimitris Papanikolaou <!-- /html_title --></li> <li> Lydia Papadimitriou (bio) </li> </ul> Dimitris Papanikolaou, <em>Greek Weird Wave: A Cinema of Biopolitics</em>. Edinburgh: Edinburgh University Press. 2021. Pp. xvi + 268. 27 illustrations., Hardback and E-book £90.00, Paperback £19.99. <p>Toward the end of his introduction, Dimitris Papanikolaou writes that "this is a very personal, very idiosyncratic, very weird history of the Weird Wave" (24). The book is indeed personal: the author explicitly places (his own) affect center stage, writes about how the films "touch" him, and positions "biopolitical realism"—the key concept that structures the book—as a "survival tactic" (23). The book is idiosyncratic for the very same reasons, as well as for the ways in which its author inflects, adjusts, and expands otherwise familiar concepts such as allegory in new directions—most crucially, here, by introducing the notion of <em>metonymic</em> allegory. And it is weird insofar as it combines a certain degree of playfulness (evident at a glance in some of its subheadings) with intense theoretical engagement while also implicitly acknowledging—just as the Greek Weird Wave filmmakers have done through their films—the "unease" of articulating fixed and authoritative interpretations, opting instead to "reclaim … weirdness … as an analytical position" (11).</p> <p>None of the above qualities makes the book problematic; if anything, they signal its methodological and heuristic strengths. Far from being a formalist genre study, <em>Greek Weird Wave: A Cinema of Biopolitics</em> seeks to find connections among form, content, context, and affect within the otherwise rather disparate group of Greek films that emerged in the late 2000s and thrived in the second decade of the twenty-first century. This was a period overdetermined by the Greek financial crisis, which affected not only the conditions of the films' production (if not initially, then certainly by the time the term "Greek Weird Wave" was coined by British journalist Steve Rose in 2011) but also the interpretative frames projected onto them—frames that encouraged traditional (i.e., metaphor-based) allegorical readings of the nation in crisis.</p> <p>Triggered by his own emotive and bodily response to the films, Papanikolaou offers an analysis that goes beyond such approaches. He argues that the films' potency lies in their ability to convey "weirdness" as a "structure of feeling" (12) for the conditions of life in the early twenty-first century as experienced—not only, but with particular intensity—in Greece. Borrowing Foucault's notion of biopolitics, understood as the "social and political practices that focus on 'disciplining the living being'" and ultimately subjugating "'corporeal life into systems of
以下是内容的简要摘录,以代替摘要:评论者: 希腊怪浪:Lydia Papadimitriou(简历) Dimitris Papanikolaou,《希腊怪浪:生物政治的电影》:生物政治学电影》。爱丁堡:爱丁堡大学出版社。2021.Pp.精装本和电子书 90.00 英镑,平装本 19.99 英镑。Dimitris Papanikolaou 在序言末尾写道:"这是一部非常个人化、非常特立独行、非常怪异的怪浪历史"(24)。这本书的确是个人化的:作者明确地将(他自己的)影响置于中心位置,写下了电影如何 "触动 "了他,并将 "生物政治现实主义"--本书的关键概念--定位为一种 "生存策略"(23)。这本书之所以特立独行,原因也在于此,还在于作者对寓言等人们熟悉的概念进行了新的诠释、调整和扩展--最关键的是,在此引入了隐喻寓言的概念。该书的怪异之处还在于,它将一定程度的游戏性(在一些小标题中一目了然)与强烈的理论参与性相结合,同时也含蓄地承认--正如希腊 "怪异浪潮 "电影制作人通过他们的电影所做的那样--阐述固定和权威解释的 "不安",而是选择 "回收......怪异......作为一种分析立场"(11)。上述特质都不会使本书产生问题;如果说有什么问题的话,那就是本书在方法论和启发式方面的优势。希腊怪浪》绝非形式主义的流派研究:希腊怪异浪潮:生物政治电影》试图在 2000 年代后期出现并在 21 世纪第二个十年蓬勃发展的希腊电影群体中找到形式、内容、背景和影响之间的联系。这一时期的希腊金融危机影响过大,不仅影响了电影的制作条件(如果不是一开始,那么肯定是在英国记者史蒂夫-罗斯(Steve Rose)于 2011 年创造 "希腊怪浪 "一词的时候),还影响了电影的诠释框架--鼓励对危机中的国家进行传统的(即基于隐喻的)寓言式解读的框架。帕潘尼科拉乌对这些影片的情感和身体反应触发了他的灵感,他的分析超越了这些方法。他认为,这些电影的魅力在于它们能够将 "怪异 "作为一种 "情感结构"(12)来传达 21 世纪初希腊人的生活状况,这种生活状况不仅在希腊经历过,而且特别强烈。帕帕尼科拉乌借用福柯的生物政治学概念,将其理解为 "专注于'约束生命'的社会和政治实践",并最终征服"'将肉体生命纳入有效的经济控制体系'"(15),创造了生物政治现实主义一词。在构成这个新词的两个词中--严格地说,这个词并不新鲜,但以前的用法却大不相同 [完 第 130 页](见第 130-132 页)--可以说 "现实主义 "是最有争议的。我们所讨论的这些影片的生物政治维度要明显得多,在某些情况下,例如在约里奥斯-兰斯莫斯的《狗牙》(2009 年)中,生物政治维度非常明显。然而,现实主义却并非如此--即使对于那些熟悉电影中现实主义这一难以穷尽的复杂话题的人来说也是如此。帕潘尼科拉乌意识到将 "现实主义 "与这些电影联系在一起显然是不协调的(甚至可能是怪异的),因此他在第四章中专门解释了他的现实主义版本。他指出,"新浪潮 "电影有意破坏人们对电影现实主义的理解,同时寻求 "以不同的方式参与'我们生活的世界'"(113)。因此,我们应该在这里寻找的现实主义是一种概念上的现实主义,而不是电影上的现实主义。鉴于现实主义并非取决于外部特征,而是取决于对理解和表现现实的可能方式的重新定义,这种现实主义的概念化并非直截了当。其根本原因在于我们现实不断变化的性质,以及它日益--如果不是已经完全--屈从于生物政治权力结构。帕帕尼古拉乌在这里引用了马克-费舍尔(Mark Fisher)的 "资本主义现实主义 "概念--即新自由主义资本主义如此普遍,以至于一切都被归入其中,以至于决定了人们对现实的看法--作为他自己的概念的先驱(126-131)。帕帕尼科拉乌写道:"生物政治现实主义","正是那种资本主义现实主义...
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引用次数: 0
Currency as an Imprint of the Nation-State: Monetary Conditions in the Ottoman Empire at the Beginning of the Nineteenth Century and the Transition from Ottoman Currencies to the Phoenix of the Hellenic State (1828) 货币作为民族国家的印记:19世纪初奥斯曼帝国的货币状况和从奥斯曼货币到希腊国家凤凰的过渡(1828年)
4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-10-01 DOI: 10.1353/mgs.2023.a908558
Catherine Brégianni
Abstract: The economic decline of the Ottoman Empire was fundamental in various ways to the outbreak and progress of the Greek Revolution. The first attempts to create a national currency during the Greek Revolution reflect efforts to craft a modern state, and the eventual introduction of the phoenix by the first governor of the Hellenic State, Ioannis Capodistrias, underscores the shift to a newborn nation-state. The contradictions of Capodistrias’s monetary policy, however, reflected social antagonisms within Greece.
摘要:奥斯曼帝国的经济衰落在各个方面都是希腊革命爆发和发展的根本原因。在希腊革命期间,首次尝试创造一种国家货币,反映了建立一个现代国家的努力,而希腊国家的第一任州长约阿尼斯·卡波迪斯特里亚斯(Ioannis Capodistrias)最终引入凤凰,突显了向新生民族国家的转变。然而,卡波迪斯特里亚斯货币政策的矛盾反映了希腊内部的社会对立。
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引用次数: 0
The Fate of the Properties of the Executed/Escaped Greek Cypriots of July 1821 according to Ottoman Documents 根据奥斯曼文献,1821年7月被处决/逃脱的希族塞人财产的命运
4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-10-01 DOI: 10.1353/mgs.2023.a908560
Güven Dinç
Abstract: Within a short time, the Greek Revolt of 1821 deeply affected the island of Cyprus. Unlike in the other islands, the rebellion on Cyprus was over before it started owing to the severe measures taken against the rebels by Governor Mehmed Agha, who requested an edict from the sultan listing the names of prominent Greeks to execute. Many Greeks left the island for fear of execution, but some could not. According to Ottoman documents, there were 98 proscribed Cypriots, of whom 75 were executed; the other 23 escaped. In accordance with Ottoman law, the properties of the executed or escaped were first confiscated and then auctioned, with the proceeds transferred to the Public Treasury. But most of the executed or escaped Greeks were not wealthy, and claims by European consuls on the proceeds from the confiscated goods continued for many years.
摘要:1821年希腊起义在短时间内深刻影响了塞浦路斯岛。与其他岛屿不同,塞浦路斯的叛乱在开始之前就结束了,这是由于总督穆罕默德·阿加对叛乱分子采取了严厉措施,他要求苏丹颁布一项法令,列出要处决的著名希腊人的名字。许多希腊人因为害怕被处决而离开了该岛,但有些人却不能。根据奥斯曼文件,有98名被禁的塞浦路斯人,其中75人被处决;其余23人逃脱。根据奥斯曼法律,被处决者或逃亡者的财产首先被没收,然后被拍卖,所得款项转入国库。但大多数被处决或逃脱的希腊人并不富裕,欧洲执政官对没收物品收益的要求持续了很多年。
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引用次数: 0
Voices of the Lost Children of Greece: Oral Histories of Cold War International Adoption ed. by Mary Cardaras (review) 《希腊失散儿童的声音:冷战时期国际收养的口述历史》,玛丽·卡达拉斯主编(书评)
4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-10-01 DOI: 10.1353/mgs.2023.a908565
Alexander Kitroeff
Reviewed by: Voices of the Lost Children of Greece: Oral Histories of Cold War International Adoption ed. by Mary Cardaras Alexander Kitroeff (bio) Mary Cardaras, editor, Voices of the Lost Children of Greece: Oral Histories of Cold War International Adoption. London and New York: Anthem Press, 2023. Pp. xvi + 192. Hardback $110.00, Paper $35.00, and E-book $35.00. Now that the overall facts of their experience have been established, writes Gonda Van Steen in the introduction to this volume of fourteen short essays, it is time for the voices of the adoptees themselves to be heard. It is Van Steen herself who, in her meticulously researched book-length study Adoption, Memory, and Cold War Greece: Kid pro quo? (2019), uncovered how 3,200 young Greek children were adopted by families in the United States between 1950 and 1962. The story Van Steen tells is one of well-meaning humanitarian motives which were overtaken by practices ranging from mere irregularities to brazenly illegal acts that profited unscrupulous middlemen. When those practices began to be uncovered, several hundred Greek children were already in the process of being adopted. Abetting those underhand practices in the 1950s were Greek government authorities, Greek orphanage officials, and unprepared childless couples in the United States. In several cases, some or all of these participants in the adoption process enabled the middlemen to cut corners. And while it is important to note that many of these adoptions had happy outcomes, others were harmful for the children involved because they were denied knowledge of who their biological parents were and the circumstances of their adoption, making for traumatic discoveries when they tried to retrieve the truth. It is these children who tell their personal stories in this volume. Naturally, the publication of Van Steen’s study sent shock waves among the many adoptees, some of whom were already searching for their biological parents and the truth about their backgrounds. One of these, who decided to take up the cause of her fellow adoptees, was Mary Cardaras, a communications professor at California State University, East Bay. Cardaras proved to be the ideal person to fulfill Van Steen’s wish that the adoptees would follow up her book by telling their own stories. Cardaras and Van Steen appeared together at several book presentations, including those for the Greek translation of Van Steen’s book that was published by the Athens-based Potamos Publishers in 2021. In that same year, Cardaras herself published Ripped at the Root: An Adoption Story, an account of how Dena Poulias was taken as a child from her Greek biological parents in 1958 and found her way back to their village after many years. The book traces how Poulias’s discovery of her origins affected everyone involved—the two families on either side of the Atlantic, the Greek village community, and of course Poulias herself and her loved ones. This new book is [End Page 308] both an
《希腊失散儿童之声:冷战时期国际收养的口述历史》编辑:玛丽·卡达拉斯。伦敦和纽约:Anthem Press, 2023。第16 + 192页。精装本$110.00,纸质$35.00,电子书$35.00。冈达·范·斯蒂恩在这本由14篇短文组成的书的前言中写道,既然他们经历的全部事实已经确立,现在是时候让人们听到被收养者自己的声音了。正是范·斯蒂恩本人,在她精心研究的书籍长度的研究中,收养、记忆和冷战时期的希腊:孩子的交换条件?(2019),揭示了3200名希腊儿童是如何在1950年至1962年间被美国家庭收养的。范·斯蒂恩讲述的故事是一个善意的人道主义动机,但却被从纯粹的违规行为到肆无忌惮的不法行为所取代,这些行为使不择手段的中间人获利。当这些做法开始被揭露时,数百名希腊儿童已经在被收养的过程中。在20世纪50年代,希腊政府当局、希腊孤儿院官员和美国没有准备的无子女夫妇教唆了这些不正当的做法。在一些情况下,收养过程中的部分或全部参与者使中间商偷工减料。值得注意的是,许多这样的收养都有幸福的结果,但也有一些收养对孩子是有害的,因为他们不知道自己的亲生父母是谁,也不知道收养的情况,当他们试图找回真相时,他们会发现创伤。正是这些孩子在这本书中讲述了他们的个人故事。自然,范·斯蒂恩的研究成果的发表在许多被收养者中引起了冲击波,其中一些人已经在寻找他们的亲生父母和他们的真实背景了。加州州立大学东湾分校(California State University, East Bay)的传播学教授玛丽·卡达拉斯(Mary Cardaras)就是其中之一,她决定为其他被收养者的事业做贡献。事实证明,卡达拉斯是实现范·斯蒂恩愿望的理想人选,她希望被收养的孩子们能在她的书之后讲述自己的故事。Cardaras和Van Steen一起出现在几次图书发布会上,包括2021年由雅典Potamos出版社出版的Van Steen的书的希腊语翻译。同一年,卡达拉斯自己出版了《连根拔起:一个收养的故事》,讲述了1958年,还是个孩子的迪娜·波利亚斯如何从她的希腊亲生父母身边被带走,并在多年后找到了回到他们村庄的路。这本书追溯了普丽亚斯发现自己的起源是如何影响到每一个相关的人的——大西洋两岸的两个家庭,希腊村庄社区,当然还有普丽亚斯自己和她所爱的人。这本新书既是Poulias的故事的产物,正如Cardaras所指出的那样,正是这个故事激发了她出版这本被收养者(包括她自己)的故事集,从某种意义上说,也是Van Steen在20世纪50年代对收养的学术研究的伙伴。在这里无法总结所有感人的描述,这些描述揭示了每个被收养者所经历的全部经历。然而,这些描述的本质在安德鲁·莫辛(Andrew Mossin)的前言中得到了很好的总结。莫辛是一位在费城天普大学(Temple University)任教的作家,他自己也是一位被收养的希腊人。(书中也使用了他的原名安东尼奥·萨卡斯(antonio Sakkas)。)莫辛已经在一本名为《山子》的书中讲述了自己的故事,书中详细描述了他在冷战时期从希腊被收养的经历以及随后的童年。在这本新文集的前言中,莫辛提供了一些作者描述的经历的小插曲,其中许多是情感上的痛苦,很难读懂。莫辛写道,每一个故事都是一种挥之不去的后记忆,通过被收养者找到的文件和其他数据构建而成,并试图从……
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引用次数: 0
Jerusalem, the Holy Land, and Greekness in Ouranis, Kazantzakis, Sikelianos, and Seferis during the Period of the British Mandate for Palestine 英国托管巴勒斯坦时期的耶路撒冷、圣地和希腊在乌拉尼斯、卡赞扎基斯、锡克利亚诺斯和塞费里斯
4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-10-01 DOI: 10.1353/mgs.2023.a908556
Ariadne Konstantinou
Abstract: Representations of Jerusalem and the Holy Land during the time of the British Mandate in Palestine (1918–1948) appear in the works of four modern Greek authors of the interwar period: Ouranis, Kazantzakis, Sikelianos, and Seferis. Their works encompass different genres—travel writing (Ouranis and Kazantzakis), diaries (Sikelianos and Seferis), and poetry (Seferis)—and foreground questions about religion and religiosity, identity, class struggle, and modernization. The landscape of the Holy Land turns out to be different, foreign, sometimes even completely desolate, and this realization initiates a process of remembering which ultimately takes the Greek authors back to the familiar places they apparently call home: the Aegean Sea and the Acropolis.
摘要:英国在巴勒斯坦托管时期(1918-1948)对耶路撒冷和圣地的描述出现在两次世界大战之间时期的四位现代希腊作家:Ouranis、Kazantzakis、Sikelianos和Seferis的作品中。他们的作品涵盖了不同的流派——旅行写作(乌拉尼斯和卡赞扎基斯)、日记(斯克里亚诺斯和塞费里斯)和诗歌(塞费里斯)——以及关于宗教和宗教虔诚、身份、阶级斗争和现代化的前景问题。圣地的风景变得不同,陌生,有时甚至完全荒凉,这种认识引发了一种记忆的过程,最终将希腊作家带回到他们熟悉的地方,他们显然称之为家:爱琴海和卫城。
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引用次数: 0
Venizelos: The Making of a Greek Statesman, 1864–1914 by Michael Llewellyn-Smith (review) 韦尼泽洛斯:一个希腊政治家的形成,1864-1914,作者:迈克尔·卢埃林-史密斯(书评)
4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-10-01 DOI: 10.1353/mgs.2023.a908564
Spyridon G. Ploumidis
Reviewed by: Venizelos: The Making of a Greek Statesman, 1864–1914 by Michael Llewellyn-Smith Spyridon G. Ploumidis (bio) Michael Llewellyn-Smith, Venizelos: The Making of a Greek Statesman, 1864– 1914. London: Hurst, 2021. Pp. xx + 516. 50 illustrations, 4 maps. Cloth £30.00. Eleftherios Venizelos (1864–1936) was the outstanding Greek statesman of the first half of the twentieth century. Born in Crete and summoned to Athens in 1910 by a group of military officers, Venizelos dominated the Greek political scene and led his country through a turbulent period of reforms and wars that doubled Greece’s territory and population. During the years of the First World War, however, Venizelos’s political career was overshadowed by a showdown with King Constantine, a political polarization known as the National Schism, and self-exile to Paris. After 1915 Venizelos became, for all his charisma, a contested figure and anathema to his monarchist fellow countrymen. Well versed in the teachings of the founders of the French Third Republic (1870–1940) and a profound admirer of French radical leaders Léon Gambetta and Georges Clemenceau, Venizelos attempted to reform Greek politics along the lines of French radicalism and republicanism. His uncompromising patriotism and fervent nationalism bore spectacular results in the Treaty of Sèvres (1920), which brought an end to the Ottoman Empire and shaped his glorified memory. [End Page 304] Sir Michael Llewellyn-Smith, a former British Ambassador in Athens, examines Venizelos’s early years in Cretan politics, his entry onto the center stage of Greek politics, and his gradual development into a renowned statesman. As Llewellyn-Smith notes in the introduction (2–3), his special interest in Venizelos dates back to the late 1960s, when he wrote his widely cited study of Greece’s military campaign and debacle in Asia Minor (1919–1922) (Llewellyn Smith 1998). Llewellyn-Smith’s voluminous biography of Venizelos is well researched, relying on a wide range of primary and secondary sources, and complements existing accounts of the life of the Greek statesman (e.g., Stefanou 1977; Papadakis 2017). The author highlights and offers valuable insights into Venizelos’s charisma and elevated standing on Europe’s political scene. Venizelos was not by any means an ordinary man. As Llewellyn-Smith stresses (6), he pushed Greece’s boat “up against the currents of history” and “without him Greece would be different” and very much worse off. To make this point, the book thoroughly illuminates Venizelos’s political thought and mastery and traces his fateful friendship with David Lloyd George, which stimulated his ambitious foreign policies. A second volume will complete his story with the Great War, the postwar peace settlement, Greece’s Asia Minor campaign, and Venizelos’s later years in the office of prime minister. The book is divided into three parts and forty-three chapters. Part 1 provides the historical background to Venizelos’s early ca
《韦尼泽洛斯:一个希腊政治家的形成,1864 - 1914》,作者:迈克尔·卢埃林-史密斯。伦敦:赫斯特,2021。Pp. xx + 516。50张插图,4张地图。布£30.00。埃莱夫塞里奥斯·韦尼泽洛斯(1864-1936)是二十世纪上半叶杰出的希腊政治家。韦尼泽洛斯出生于克里特岛,1910年被一群军官召集到雅典,他统治了希腊的政治舞台,带领他的国家度过了改革和战争的动荡时期,希腊的领土和人口翻了一番。然而,在第一次世界大战期间,韦尼泽洛斯的政治生涯因与君士坦丁国王的对决、被称为国家分裂的政治两极分化以及自我流放到巴黎而蒙上了阴影。1915年之后,尽管维尼泽洛斯魅力非凡,但他成为了一个有争议的人物,成为了他的君主主义同胞们的诅咒。韦尼泽洛斯深谙法兰西第三共和国(1870-1940)创始人的教义,也是法国激进领袖甘贝塔(lsamon Gambetta)和克莱门梭(Georges Clemenceau)的深刻崇拜者,他试图按照法国激进主义和共和主义的路线改革希腊政治。他毫不妥协的爱国主义和狂热的民族主义在1920年签订的《苏尔特弗尔条约》(Treaty of s vres)中取得了惊人的成果,终结了奥斯曼帝国,塑造了他的光辉记忆。迈克尔·卢埃林-史密斯爵士,前英国驻雅典大使,考察了韦尼泽洛斯早年在克里特岛的政治生涯,他进入希腊政治的中心舞台,以及他逐渐发展成为一位著名的政治家。正如Llewellyn-Smith在引言(2-3)中指出的那样,他对韦尼泽洛斯的特殊兴趣可以追溯到20世纪60年代末,当时他撰写了被广泛引用的关于希腊在小亚细亚的军事行动和溃败(1919-1922)的研究(Llewellyn Smith 1998)。卢埃林-史密斯(Llewellyn-Smith)的韦尼泽洛斯(Venizelos)大部头传记研究得很好,依赖于广泛的第一手和第二手资料,并补充了对这位希腊政治家生活的现有描述(例如,Stefanou 1977;Papadakis 2017)。作者对韦尼泽洛斯的个人魅力和他在欧洲政治舞台上的崇高地位进行了强调,并提供了宝贵的见解。韦尼泽洛斯绝不是一个普通人。正如卢埃林-史密斯所强调的(6),他推动希腊的船“逆历史潮流而上”,“没有他,希腊将会是另一个样子”,而且情况会糟糕得多。为了说明这一点,这本书彻底地阐明了韦尼泽洛斯的政治思想和掌握能力,并追溯了他与大卫·劳埃德·乔治(David Lloyd George)的重要友谊,正是这种友谊激发了他雄心勃勃的外交政策。第二卷将从第一次世界大战、战后和平协议、希腊的小亚细亚战役以及维尼泽洛斯担任总理的晚年等方面完成他的故事。全书分为三部分,共四十三章。第一部分提供了韦尼泽洛斯早期在克里特岛政治生涯的历史背景。韦尼泽洛斯的家族史、在雅典大学的学习、在法律和新闻领域的学徒经历、爱情生活和婚姻是他参与家乡岛屿政治事务的背景。1898年,在希腊乔治王子(Prince George of Greece)的统治下,该岛成为自治岛屿。民族主义政治和伊诺西斯(克里特岛与希腊的联盟)运动是韦尼泽洛斯建立公众形象和政治使命的主要手段。他参与了1897年和1905年的阿克罗蒂里和特里索斯起义,这使他成为了一流的民族英雄和所有希腊人的捍卫者。除了与奥斯曼帝国的暴力对抗外,韦尼泽洛斯的名声也因他坚持不懈的反君主主义而大大增强。作者指出,特里索斯的“革命”不仅是对王子“专制”的打击,而且是一项外交成就,因为它将克里特岛的保护权与促进与希腊联合的进程联系在一起(161页)。1906年9月,乔治王子被逐出克里特岛,这是威尼斯激进政策的又一次胜利。正如卢埃林-史密斯所指出的,“(韦尼泽洛斯)正在成为年轻激进分子的英雄,相应地,他也成为了王室及其追随者的恐惧对象”(163页)。他与希腊王室的一个重要成员(乔治一世国王的次子)的不和预示着……
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引用次数: 0
ReFocus: The Films of Antoinetta Angelidi ed. by Penny Bouska and Sotiris Petridis (review) 《重新聚焦:安托瓦内塔·安吉丽迪的电影》,潘妮·博斯卡和索提里斯·彼得里迪斯主编(评论)
4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-10-01 DOI: 10.1353/mgs.2023.a908566
Marios Psaras
Reviewed by: ReFocus: The Films of Antoinetta Angelidi ed. by Penny Bouska and Sotiris Petridis Marios Psaras (bio) Penny Bouska and Sotiris Petridis, editors, ReFocus: The Films of Antoinetta Angelidi. Edinburgh: Edinburgh University Press, 2023. Pp. xiii + 238. 25 B&W images. Hardback £90.00. Penny Bouska and Sotiris Petridis’s edited volume The Films of Antoinetta Angelidi is the latest addition to the esteemed ReFocus: The International Directors Series from Edinburgh University Press. The series is dedicated to both renowned and overlooked film directors from world cinema, and its subjects range from Andrei Tarkovsky to Xavier Dolan, François Ozon, and Lucrecia Martel. Antoinetta Angelidi’s work has been discussed and examined in a number of substantial Greek works, including her own essays and interviews and the eponymous publication accompanying a retrospective of her work at the 46th Thessaloniki Film Festival (Theodoraki 2005). The present volume is, however, the first book-length study in English of Angelidi’s oeuvre, and it aims at establishing her within an illustrious lineup of international auteurs while also filling a gap in English-language literature on Greek cinema, which in recent years has mainly focused on the so-called Greek Weird Wave and its main representatives (e.g., Psaras 2016; Papanikolaou 2020; Falvey 2022). Through a fascinating anthology of meditative analyses and interpretations that bring a range of methodological and theoretical approaches to bear on Angelidi’s filmic—and other—work, the volume casts a spotlight on Greek cinema’s perhaps most idiosyncratic voice, one that has, in fact, largely influenced the subversive themes and forms of the Weird Wave. Such attention is only fair, given the rare complexity of the formal experimentation and thematic preoccupations found in Angelidi’s body of work. The book begins with a “Prolegomenon” by Penny Bouska, whose title alone anticipates the collection’s predilection for a deep dive into the theoretical and philosophical underpinnings of Angelidi’s oeuvre. In this concise yet dense introduction, Bouska collects rich biographical information from private conversations, interviews, and the filmmaker’s personal archives, shedding light on the events and people who influenced Angelidi to become a pioneer of political avant-garde cinema and visual arts in Greece. From her politically [End Page 310] engaged parents, to the turbulent sociopolitical context of her student years, to her self-exile—to avoid arrest by the Greek junta regime—to France, where she was able to study alongside Christian Metz and Thierry Kuntzel, Angelidi’s formative years were characterized by an amalgam of theoretical, political, and artistic influences which established her as a unique artist and intellectual. Bouska pays attention to Angelidi’s theoretical work insofar as it illuminates the concepts that underlie her artistic output, especially her preoccupations with the formalist mechanism of de
评论:重新聚焦:安托瓦内塔·安杰丽迪的电影,由潘妮·博斯卡和索蒂里斯·彼得里迪斯编辑。(传记)潘妮·博斯卡和索蒂里斯·彼得里迪斯编辑,重新聚焦:安托瓦内塔·安杰丽迪的电影。爱丁堡:爱丁堡大学出版社,2023。第xiii + 238页。25张黑白图像。精装£90.00。Penny Bouska和Sotiris Petridis编辑的《Antoinetta Angelidi的电影》是爱丁堡大学出版社备受尊敬的《重新聚焦:国际导演系列》的最新成员。该系列致力于世界电影中著名和被忽视的电影导演,其主题范围从安德烈·塔可夫斯基到泽维尔·多兰,弗朗索瓦·奥宗和卢克雷西亚·马特尔。安托瓦内塔·安杰里迪的作品在许多希腊作品中被讨论和审视,包括她自己的散文和访谈,以及在第46届塞萨洛尼基电影节(Theodoraki 2005)上出版的同名作品回顾展。然而,本卷是安吉莉迪全部作品的第一本英文书,旨在将她建立在杰出的国际导演阵容中,同时也填补了希腊电影英语文学的空白,近年来主要关注所谓的希腊怪异浪潮及其主要代表(例如,Psaras 2016;Papanikolaou 2020;"科技2022)。通过一本引人入胜的沉思分析和诠释选集,它为安吉莉迪的电影和其他作品带来了一系列方法论和理论方法,这本书将希腊电影最独特的声音置于聚光灯下,事实上,这种声音在很大程度上影响了怪异浪潮的颠覆性主题和形式。这种关注是公平的,因为在安吉利迪的作品中发现了形式实验和主题关注的罕见复杂性。这本书以潘妮·博斯卡(Penny Bouska)的《导论》(prolegomena)开篇,单从书名就可以看出,这本书对安吉利迪作品的理论和哲学基础进行了深入研究。在这本简洁而密集的介绍中,博斯卡从私人谈话、采访和电影制作人的个人档案中收集了丰富的传记信息,揭示了影响安吉莉迪成为希腊政治前卫电影和视觉艺术先驱的事件和人物。从她从事政治活动的父母,到她学生时代动荡的社会政治环境,再到她为了避免被希腊军政府政权逮捕而自我流放到法国,在那里她能够与克里斯蒂安·梅茨和蒂埃里·昆策尔一起学习,安吉莉迪的成长岁月以理论、政治和艺术的影响为特征,这些影响使她成为一名独特的艺术家和知识分子。boouska关注Angelidi的理论工作,因为它阐明了她艺术作品背后的概念,特别是她对陌生化的形式主义机制的关注,神秘的心理机制,以及弗洛伊德对梦的精神分析解经。编辑们根据主题和方法,将书的九章分为三个主要部分——“女权主义与先锋”、“概念与诠释”和“手段与媒介”。第一部分主要关注安杰丽迪作品产生和发展的两个关键理论和美学运动——即后结构女权主义和前卫主义——并探讨两者在她的实践和意识形态中的相互关系。在第一章“怪异的母亲:安托瓦内塔·安杰里迪的《Topos》中的女性主义怪诞”中,安杰里迪的女儿和长期合作伙伴雷亚·瓦尔登(Rea Wallden)认为,怪诞的前卫实践对安杰里迪的女权主义政治具有战略意义。瓦尔登认为,安格利迪的第二部故事片《Topos》(1985)是她将怪诞作为女权主义先锋派策略的典范,该片关注的是怪诞母亲的形象,以及它对女性主体性和代表性的时空方面提出质疑和重构的方式。在第二章“‘电影中的每一个元素都在叙事’:《伊德·萨伊姆斯》中的复杂的异质性语言:作为先锋电影史中方法论分类实践的(女权主义)批判”中,菲尔·伊罗普洛斯(Fil Ieropoulos)确定了安杰丽迪第一部故事片中的异质前卫实践和对立传统,并且实验电影制作人通过并并、综合和……
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引用次数: 0
Redirecting Ethnic Singularity: Italian Americans and Greek Americans in Conversation ed. by Yiorgos Anagnostou, Yiorgos Kalogeras and Theodora Patrona (review) 重新定位种族独特性:对话中的意大利裔美国人和希腊裔美国人,作者:Yiorgos anagnostoou, Yiorgos Kalogeras和Theodora Patrona(评论)
4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-10-01 DOI: 10.1353/mgs.2023.a908568
Carla A. Simonini
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引用次数: 0
The Improbable Heroine: Lela Karayanni and the British Secret Services in World War II Greece by Stylianos Perrakis (review) 《不可思议的女主角:莱拉·卡拉亚尼和二战时期希腊的英国特工》作者:斯蒂利亚诺斯·佩拉基斯
4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-10-01 DOI: 10.1353/mgs.2023.a908563
Stathis N. Kalyvas
Reviewed by: The Improbable Heroine: Lela Karayanni and the British Secret Services in World War II Greece by Stylianos Perrakis Stathis N. Kalyvas (bio) Stylianos Perrakis, The Improbable Heroine: Lela Karayanni and the British Secret Services in World War II Greece. Munich: De Gruyter Oldenbourg, 2022. Pp. xix + 368. 17 illustrations. Hardcover €99.95. Perhaps the single greatest general misperception about the Greek resistance against the Axis occupation between 1941 and 1944 (and it is a scholarly misperception as well) is that it came in a single form, namely guerrilla war in the countryside—the Andartiko. Indeed, the expression “going up the mountain” has become a synonym for joining the resistance. Moreover, in popular and media discourse, and increasingly in collective memory as well, the wartime resistance is equated with the communist-controlled Greek Popular Liberation Army, or ELAS, and with its bearded leaders, the kapetanii. Of course, ELAS was the biggest guerrilla group, but it was just one among several. More importantly, however, resistance activity went beyond guerrilla warfare in the countryside in at least two ways. First, an initially spontaneous, unarmed, mass urban social movement sprang up, primarily in Athens. Although extremely important, it has now taken a back seat to the rural guerrillas. Second, a significant number of small groups emerged, acting in close liaison with British secret services in the Middle East and their Greek agents. Their activity was clandestine, their political orientation was either non-communist or anti-communist, their size was small, and their effect was out of proportion to their size. Today, these groups are all but forgotten—which is why Stylianos Perrakis’s biography of Lela Karayanni is so critical and timely. But who was Lela Karayanni? Here is the most striking fact about her: there was no way to tell, prior to the occupation, that this 43-year-old solidly middle-class wife of a successful Athenian pharmaceuticals and cosmetics merchant, mother of seven children with ages between four and twenty-four, would transform herself into the fearless leader of a spy network, willing to put her life, and that of her family, on the line. Perrakis ventures a plausible explanation for this astonishing transformation, but obviously there is no way to be totally certain about what caused it. Once Karayanni was engaged in the resistance, however, there was no turning back. She began by sheltering straggling British soldiers who were left behind during the hurried evacuation of the British army in April–May 1941 and helping them escape to the Middle East—the feat for which she is chiefly known today. As Perrakis documents, however, this was far from her main achievement. Nor was her main achievement her work, which stemmed from her experience with the British fugitives, in helping Greek Jews escape arrest and deportation—even though, thanks to Perrakis’s research and efforts, Karayanni is now recogni
作者:斯蒂利亚诺斯·佩拉基斯,《不可能的女主角:莱拉·卡拉亚尼和二战希腊的英国特务》作者:斯蒂利亚诺斯·佩拉基斯,《不可能的女主角:莱拉·卡拉亚尼和二战希腊的英国特务》慕尼黑:De Gruyter Oldenbourg, 2022。第19页+ 368页。17的插图。精装€99.95。事实上,“上山”已经成为加入抵抗运动的同义词。此外,在大众和媒体的话语中,以及越来越多的集体记忆中,战时抵抗运动与共产党控制的希腊人民解放军(ELAS)及其大胡子领导人kapetanii等同起来。当然,ELAS是最大的游击队,但它只是几个游击队中的一个。然而,更重要的是,农村的抵抗活动至少在两个方面超越了游击战。首先,一场自发的、非武装的大规模城市社会运动兴起,主要发生在雅典。它虽然极其重要,但现在已经让位于农村游击队。其次,出现了数量可观的小团体,它们与英国在中东的秘密机构及其希腊特工保持密切联系。他们的活动是秘密的,他们的政治倾向不是共产主义就是反共,他们的规模很小,他们的影响与他们的规模不成比例。今天,这些群体几乎都被遗忘了——这就是为什么斯蒂利亚诺斯·佩拉基斯的莱拉·卡拉亚尼传记如此关键和及时。但莱拉·卡拉亚尼是谁?关于她最惊人的事实是:在占领之前,没有人能预料到,这位43岁的中产阶级妻子,一位成功的雅典制药和化妆品商人的妻子,七个年龄在4岁到24岁之间的孩子的母亲,会把自己变成一个无所畏惧的间谍网络的领导者,愿意把自己和家人的生命置于危险之中。对于这种惊人的转变,Perrakis大胆地给出了一个合理的解释,但显然没有办法完全确定是什么导致了这种转变。然而,一旦卡拉亚尼参与抵抗,就没有回头路了。1941年4月至5月间,英军匆忙撤离时,她为被遗弃的英国士兵提供庇护,并帮助他们逃到中东,这一壮举至今仍为她所熟知。然而,正如佩拉基斯所记载的那样,这远远不是她的主要成就。她的主要成就也不是她的工作,她的工作源于她与英国逃亡者的经历,帮助希腊犹太人逃脱逮捕和驱逐——尽管由于佩拉基斯的研究和努力,卡拉亚尼现在被以色列犹太大屠杀机构(Yad Vashem)认可为“国际正义”之一,因为她为受迫害的希腊犹太人所做的努力。真正让卡拉亚尼与众不同的是她作为Bouboulina组织的创始人和领导人的工作,Bouboulina以希腊独立战争中最杰出的女性领导人命名。正如这本书详细记载的那样,Bouboulina是一个秘密的间谍网,为盟军提供了宝贵的情报和其他具有相当军事价值的援助。她最雄心勃勃的计划是潜入希腊通敌组织和德国反间谍机构,这也导致了她的垮台。不用说,这是一项严格而危险的工作,需要不屈不挠的专注和无私的奉献,展示了卡拉亚尼鼓舞和激励他人的技能,以及她在一项与她以前的生活完全无关的努力中取得成功的能力。值得注意的是,Bouboulina是作为一个家族经营的。事实上,卡拉亚尼最信任的合作者是她的丈夫和孩子们,但这并没有阻止她在1944年9月8日,也就是希腊解放前几周,在经历了数周的残酷审讯后,遭到谴责、逮捕和枪杀。然而,即使在她被捕后,她也成功地没有指控任何她的合作者。《不可思议的女主角》读起来就像一部间谍惊悚片,充满了……
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