Pub Date : 2023-10-01DOI: 10.1353/mgs.2023.a908562
Artemis Leontis
Reviewed by: Contested Antiquity: Archaeological Heritage and Social Conflict in Modern Greece and Cyprus. ed. by Esther Solomon Artemis Leontis (bio) Esther Solomon, editor, Contested Antiquity: Archaeological Heritage and Social Conflict in Modern Greece and Cyprus. New Anthropologies of Europe series. Bloomington: Indiana University Press, 2021. Pp. xii + 330. 43 illustrations, 3 tables. Cloth $105.00, Paper $48.00, and E-book $47.00. A standout feature of this book on the social life of antiquities in Greece and, in one case, Cyprus is the range of subjects, issues, approaches, and disciplines covered under the rubric of “contested antiquity.” Artifact displays in Athens, excavated objects from Asine, the landscape of Dodona, and the Stoa of Attalos are all received as “antiquity,” which is understood as the record of past human activities. But what are antiquity’s connections with Greece’s Cold War international politics, Thessaloniki’s memory wars, or a former prison site? Contested Antiquity: Archaeological Heritage and Social Conflict in Modern Greece and Cyprus, carefully edited by Esther Solomon, brings together ten articles by anthropologists, archaeologists, museologists, geographers, and heritage practitioners whose work represents the current state of the interdisciplinary critical discussion about archaeological heritage in Greece. It is an exciting, demanding book and should be read by anyone in any discipline interested in the entanglements of ancient materials with people, power, and sociopolitical conflicts in the present era. About these entanglements, Solomon makes a sweeping claim: “Since the nineteenth century, almost all conflicts characterizing social reality in Greece and Cyprus have been linked to the use, and more generally the perception, of the two countries’ ancient material culture” (35). Solomon’s introduction (1–49) sets the stage while demonstrating impressive control of an extensive bibliography. She opens with a wide frame, reminding readers of the simultaneous global and local positions of Greek antiquity that have made archaeology “one of the most symbolically loaded disciplines” in the modern Greek nation-state (3). Western powers, foreign antiquarians and, later, archaeologists, the Greek state, and heritage institutions have all been involved in mobilizing archaeology’s symbolic capital. In different ways, each of these has made archaeology “an important agent that united modernity [End Page 293] with nation-building, colonialism, and territorial establishments” (4). Later, in the last two decades of the twentieth century, scholarship informed by post- processual, poststructuralist, and postcolonial approaches turned attention to the ideological uses of archaeology. Critiques came from archaeology (Shanks and Tilley 1992; Trigger 1989; Hamilakis and Yalouri 1996), history and meta-history (Lowenthal 1988; Brown and Hamilakis 2003), anthropology (Herzfeld 1982, 1988, 2002), and literary criticism (Tziovas
评审:有争议的古代:现代希腊和塞浦路斯的考古遗产和社会冲突。埃斯特·所罗门主编，《有争议的古代:现代希腊和塞浦路斯的考古遗产和社会冲突》。《新欧洲人类学》系列。布卢明顿:印第安纳大学出版社，2021年。Pp. xii + 330。43张插图，3张表格。布$105.00，纸$48.00，电子书$47.00。这本书的一个突出的特点是在希腊的社会生活的文物，在一个情况下，塞浦路斯是主题的范围，问题，方法，和学科涵盖了“有争议的古代”的标题。在雅典展出的人工制品、从亚洲出土的文物、多多纳的景观、阿塔洛斯的石碑都被认为是“古代”，被理解为过去人类活动的记录。但是，古物与希腊冷战时期的国际政治、塞萨洛尼基的记忆之战或一座前监狱遗址有什么联系呢?有争议的古代:现代希腊和塞浦路斯的考古遗产和社会冲突，由Esther Solomon精心编辑，汇集了人类学家，考古学家，博物馆学家，地理学家和遗产实践者的十篇文章，他们的工作代表了关于希腊考古遗产的跨学科批判性讨论的现状。这是一本令人兴奋的、要求很高的书，任何对古代材料与当今时代的人、权力和社会政治冲突的纠葛感兴趣的人都应该读这本书。关于这些纠缠，所罗门提出了一个全面的主张:“自19世纪以来，希腊和塞浦路斯社会现实中几乎所有的冲突都与两国古代物质文化的使用有关，更广泛地说，与两国古代物质文化的认知有关”(35)。所罗门的引言(1-49)奠定了基础，同时展示了对广泛参考书目的令人印象深刻的控制。她以一个广阔的框架开始，提醒读者希腊古代同时具有全球和地方的地位，这使得考古学成为现代希腊民族国家中“最具象征意义的学科之一”(3)。西方列强、外国古物学家，以及后来的考古学家、希腊国家和遗产机构都参与了动员考古学的象征资本。以不同的方式，这些都使考古学成为“将现代性与国家建设、殖民主义和领土建立结合起来的重要媒介”(4)。后来，在20世纪的最后20年，受后过程主义、后结构主义和后殖民主义方法影响的学术将注意力转向考古学的意识形态用途。批评来自考古学(Shanks and Tilley 1992;触发1989;Hamilakis and Yalouri 1996)，历史和元历史(Lowenthal 1988;Brown and Hamilakis 2003)、人类学(Herzfeld 1982、1988、2002)和文学批评(Tziovas 1989;Leontis 1995;Gourgouris 1996)。尤其重要的是古代遗产研究中的民族志转向(Herzfeld 1991,1997;Yalouri 2001;Hamilakis 2007;Hamilakis and Anagnostopoulos 2009;Stroulia和Buck Sutton, 2010)，这引起了人们对物体在人类社会中的动态作用的关注，以及当今社区如何参与过去政治的问题。从视觉文化的角度来看，重要的工作紧随其后(Damaskos和Plantzos 2008)。所罗门本人是考古对话的一员，这是一个在雅典成立的多学科集体，旨在开展“当代社会中关于文物和考古学的批判性和反思性对话”(考古对话2015)。她主持的“考古学与记忆之战”小组讨论——考古学不仅在创造官方公共记忆方面可能发挥的作用，而且在揭露“不和谐的”、“困难的”、“黑暗的”和“各种有争议的”遗产方面可能发挥的作用(2)——为本书奠定了基础。接下来的文章都是经过充分研究的案例研究，它们建立在对希腊考古学及其更广泛的影响的了解之上，每篇文章都对一些与当代社会或政治现实有关的有争议的问题进行了精心的论证。在学术期刊上，每一章都可以单独存在，但有用的交叉参考揭示了它们之间许多微妙的相互联系。这本书的组织分为三个部分，吸引了人们对三个冲突轴的关注，每个轴的特征是参与其中的代理人之间的权力差异。第一部分，“在民族主义、殖民主义和神秘殖民主义之间:历史视角和当前影响”，包含四篇文章，通过古希腊与外国利益之间的紧张关系进行研究。在第一章“你好，我的爱人……”
{"title":"Contested Antiquity: Archaeological Heritage and Social Conflict in Modern Greece and Cyprus . ed. by Esther Solomon (review)","authors":"Artemis Leontis","doi":"10.1353/mgs.2023.a908562","DOIUrl":"https://doi.org/10.1353/mgs.2023.a908562","url":null,"abstract":"Reviewed by: Contested Antiquity: Archaeological Heritage and Social Conflict in Modern Greece and Cyprus. ed. by Esther Solomon Artemis Leontis (bio) Esther Solomon, editor, Contested Antiquity: Archaeological Heritage and Social Conflict in Modern Greece and Cyprus. New Anthropologies of Europe series. Bloomington: Indiana University Press, 2021. Pp. xii + 330. 43 illustrations, 3 tables. Cloth $105.00, Paper $48.00, and E-book $47.00. A standout feature of this book on the social life of antiquities in Greece and, in one case, Cyprus is the range of subjects, issues, approaches, and disciplines covered under the rubric of “contested antiquity.” Artifact displays in Athens, excavated objects from Asine, the landscape of Dodona, and the Stoa of Attalos are all received as “antiquity,” which is understood as the record of past human activities. But what are antiquity’s connections with Greece’s Cold War international politics, Thessaloniki’s memory wars, or a former prison site? Contested Antiquity: Archaeological Heritage and Social Conflict in Modern Greece and Cyprus, carefully edited by Esther Solomon, brings together ten articles by anthropologists, archaeologists, museologists, geographers, and heritage practitioners whose work represents the current state of the interdisciplinary critical discussion about archaeological heritage in Greece. It is an exciting, demanding book and should be read by anyone in any discipline interested in the entanglements of ancient materials with people, power, and sociopolitical conflicts in the present era. About these entanglements, Solomon makes a sweeping claim: “Since the nineteenth century, almost all conflicts characterizing social reality in Greece and Cyprus have been linked to the use, and more generally the perception, of the two countries’ ancient material culture” (35). Solomon’s introduction (1–49) sets the stage while demonstrating impressive control of an extensive bibliography. She opens with a wide frame, reminding readers of the simultaneous global and local positions of Greek antiquity that have made archaeology “one of the most symbolically loaded disciplines” in the modern Greek nation-state (3). Western powers, foreign antiquarians and, later, archaeologists, the Greek state, and heritage institutions have all been involved in mobilizing archaeology’s symbolic capital. In different ways, each of these has made archaeology “an important agent that united modernity [End Page 293] with nation-building, colonialism, and territorial establishments” (4). Later, in the last two decades of the twentieth century, scholarship informed by post- processual, poststructuralist, and postcolonial approaches turned attention to the ideological uses of archaeology. Critiques came from archaeology (Shanks and Tilley 1992; Trigger 1989; Hamilakis and Yalouri 1996), history and meta-history (Lowenthal 1988; Brown and Hamilakis 2003), anthropology (Herzfeld 1982, 1988, 2002), and literary criticism (Tziovas ","PeriodicalId":43810,"journal":{"name":"JOURNAL OF MODERN GREEK STUDIES","volume":"144 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134933717","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-01DOI: 10.1353/mgs.2023.a908557
Aimilia (Emilia) Salvanou
Abstract: The Lambrakis Youth Movement in early 1960s Greece, although grounded in the nation’s post-Civil War political and social framework and oriented toward the future—trying to create a society of freedom, national independence, and social justice—nevertheless made memory and memory work an important aspect of its activism. More specifically, the Youth Movement cultivated a new memory and historical culture, and it was only through this process that the imagining of an alternative political and social future became possible. Memory is important not only for its symbolic content but for its relationship to the emergence of new identities.
{"title":"Z : Memory Politics in Youth Activism in the Greek 1960s","authors":"Aimilia (Emilia) Salvanou","doi":"10.1353/mgs.2023.a908557","DOIUrl":"https://doi.org/10.1353/mgs.2023.a908557","url":null,"abstract":"Abstract: The Lambrakis Youth Movement in early 1960s Greece, although grounded in the nation’s post-Civil War political and social framework and oriented toward the future—trying to create a society of freedom, national independence, and social justice—nevertheless made memory and memory work an important aspect of its activism. More specifically, the Youth Movement cultivated a new memory and historical culture, and it was only through this process that the imagining of an alternative political and social future became possible. Memory is important not only for its symbolic content but for its relationship to the emergence of new identities.","PeriodicalId":43810,"journal":{"name":"JOURNAL OF MODERN GREEK STUDIES","volume":"123 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134935205","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-01DOI: 10.1353/mgs.2023.a908559
Juan Carmona-Zabala
Abstract: The Co-operative Union of Tobacco Producers of Greece (SEKE) made a series of key contributions to the reconstruction, and development, of Greek tobacco production and exports in the postwar period. Its strategies allowed tobacco growers to retain a larger part of the value that they produced. A historical analysis of SEKE’s emergence and early trajectory allows a complex narrative of the postwar economic reconstruction to emerge, one in which we can appreciate the role of sub-state actors more clearly than has been the case thus far. By influencing the institutional framework regulating the tobacco sector, opening up new export markets, and investing in human capital, SEKE partially actualized the agrarian political program of the interwar period. As a large trading firm owned by agricultural cooperatives, SEKE’s history forces us to revise the limited, often cynical view of Greek agrarian cooperativism as a mere mechanism for the enforcement of redistributive state policy and the management of credit from the Agricultural Bank.
{"title":"Cooperativism in a Dirigiste State: SEKE and the Reconstruction of Greece’s Tobacco Sector (1947–1967)","authors":"Juan Carmona-Zabala","doi":"10.1353/mgs.2023.a908559","DOIUrl":"https://doi.org/10.1353/mgs.2023.a908559","url":null,"abstract":"Abstract: The Co-operative Union of Tobacco Producers of Greece (SEKE) made a series of key contributions to the reconstruction, and development, of Greek tobacco production and exports in the postwar period. Its strategies allowed tobacco growers to retain a larger part of the value that they produced. A historical analysis of SEKE’s emergence and early trajectory allows a complex narrative of the postwar economic reconstruction to emerge, one in which we can appreciate the role of sub-state actors more clearly than has been the case thus far. By influencing the institutional framework regulating the tobacco sector, opening up new export markets, and investing in human capital, SEKE partially actualized the agrarian political program of the interwar period. As a large trading firm owned by agricultural cooperatives, SEKE’s history forces us to revise the limited, often cynical view of Greek agrarian cooperativism as a mere mechanism for the enforcement of redistributive state policy and the management of credit from the Agricultural Bank.","PeriodicalId":43810,"journal":{"name":"JOURNAL OF MODERN GREEK STUDIES","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134935192","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-01DOI: 10.1353/mgs.2023.a908567
Katia Savrami
Reviewed by: Υπό τη σκιά του Παρθενώνα: Χορός στο Φεστιβάλ Αθηνών στην περίοδο του Ψυχρού Πολέμου (1955–1966) by Steriani Tsintziloni (Στεριανή Τσιντζιλώνη) Katia Savrami (bio) Steriani Tsintziloni (Στεριανή Τσιντζιλώνη), Υπό τη σκιά του Παρθενώνα: Χορός στο Φεστιβάλ Αθηνών στην περίοδο του Ψυχρού Πολέμου (1955–1966) [Under the shadow of the Parthenon: Dance at the Athens Festival during the Cold War (1955–1966)]. Athens: Kapa, 2023. Pp. 236. Paper €19.09. In her recently published book, Steriani Tsintziloni explores the role of dance in “cultural diplomacy,” a term largely associated with international communication outside of traditional diplomatic channels. Tsintziloni applies phenomenological qualitative methods and draws on archival sources to analyze a series of ballet performances presented at the Athens Festival in the 1950s and 1960s. These performances formed part of cultural and educational exchange programs, organized by the USA and the USSR, that included tours of their ballet companies to both Western and non-Western countries. It can be said that, for the political leaders of the two superpowers, dance served as a diplomatic tool for maintaining global peace and preventing the use of nuclear weapons. The book consists of a prologue by Stacey Prickett (honorary senior research fellow in Dance Studies at Roehampton University, London); an introduction; five chapters devoted to political, social, and artistic issues surrounding Cold War diplomacy in Greece; an epilogue; and a bibliography in Greek and English. It is also supplemented by two indexes that include the names of dancers and choreographers, as well as the titles of the ballets, for the American, Soviet, British, Balkan, and French companies that performed, during the period under discussion, at the Odeon of Herodes Atticus. This iconic Roman theater, it turns out, hosted some of the world’s leading ballet names during the Athens Festival’s first decade of existence. The introduction begins with Rudolf Nureyev’s legendary defection to the West in 1961. This historical and political episode provides Tsintziloni with an ideal vantage point from which to reflect on how dance served as a powerful cultural and diplomatic tool in the context of the Cold War conflicts discussed here in interdisciplinary terms. The author stresses the necessity of examining the Athens Festival ballet performances during this period, noting that they constitute an under-researched area in the history of dance in Greece, and she situates her book’s conceptual framework at the intersection of three fields: Cold War and cultural diplomacy, the history of dance, and the Greek reception of the dance performances under consideration. Chapter 1 explores in detail the history of the Athens Festival and its significance for the modernization of the performing arts in postwar Greece, a topic that has not received adequate attention in performance studies. The founding of the Festival by the Greek state was fra
{"title":"Υπό τη σκιά του Παρθενώνα: Χορός στο Φεστιβάλ Αθηνών στην περίοδο του Ψυχρού Πολέμου (1955–1966) by Steriani Tsintziloni (Στεριανή Τσιντζιλώνη) (review)","authors":"Katia Savrami","doi":"10.1353/mgs.2023.a908567","DOIUrl":"https://doi.org/10.1353/mgs.2023.a908567","url":null,"abstract":"Reviewed by: Υπό τη σκιά του Παρθενώνα: Χορός στο Φεστιβάλ Αθηνών στην περίοδο του Ψυχρού Πολέμου (1955–1966) by Steriani Tsintziloni (Στεριανή Τσιντζιλώνη) Katia Savrami (bio) Steriani Tsintziloni (Στεριανή Τσιντζιλώνη), Υπό τη σκιά του Παρθενώνα: Χορός στο Φεστιβάλ Αθηνών στην περίοδο του Ψυχρού Πολέμου (1955–1966) [Under the shadow of the Parthenon: Dance at the Athens Festival during the Cold War (1955–1966)]. Athens: Kapa, 2023. Pp. 236. Paper €19.09. In her recently published book, Steriani Tsintziloni explores the role of dance in “cultural diplomacy,” a term largely associated with international communication outside of traditional diplomatic channels. Tsintziloni applies phenomenological qualitative methods and draws on archival sources to analyze a series of ballet performances presented at the Athens Festival in the 1950s and 1960s. These performances formed part of cultural and educational exchange programs, organized by the USA and the USSR, that included tours of their ballet companies to both Western and non-Western countries. It can be said that, for the political leaders of the two superpowers, dance served as a diplomatic tool for maintaining global peace and preventing the use of nuclear weapons. The book consists of a prologue by Stacey Prickett (honorary senior research fellow in Dance Studies at Roehampton University, London); an introduction; five chapters devoted to political, social, and artistic issues surrounding Cold War diplomacy in Greece; an epilogue; and a bibliography in Greek and English. It is also supplemented by two indexes that include the names of dancers and choreographers, as well as the titles of the ballets, for the American, Soviet, British, Balkan, and French companies that performed, during the period under discussion, at the Odeon of Herodes Atticus. This iconic Roman theater, it turns out, hosted some of the world’s leading ballet names during the Athens Festival’s first decade of existence. The introduction begins with Rudolf Nureyev’s legendary defection to the West in 1961. This historical and political episode provides Tsintziloni with an ideal vantage point from which to reflect on how dance served as a powerful cultural and diplomatic tool in the context of the Cold War conflicts discussed here in interdisciplinary terms. The author stresses the necessity of examining the Athens Festival ballet performances during this period, noting that they constitute an under-researched area in the history of dance in Greece, and she situates her book’s conceptual framework at the intersection of three fields: Cold War and cultural diplomacy, the history of dance, and the Greek reception of the dance performances under consideration. Chapter 1 explores in detail the history of the Athens Festival and its significance for the modernization of the performing arts in postwar Greece, a topic that has not received adequate attention in performance studies. The founding of the Festival by the Greek state was fra","PeriodicalId":43810,"journal":{"name":"JOURNAL OF MODERN GREEK STUDIES","volume":"64 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134935232","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-01DOI: 10.1353/mgs.2023.a908561
Vangelis Calotychos
Reviewed by: Greece from Junta to Crisis: Modernization, Transition and Diversity by Dimitris Tziovas Vangelis Calotychos (bio) Dimitris Tziovas, Greece from Junta to Crisis: Modernization, Transition and Diversity. London: I. B. Tauris, 2021. Pp. vii + 309. Hardback $108.00, Cloth $35.95, and E-book (PDF) $28.76. Literary critics no longer content themselves with completing literary histories. Instead, they pursue not the diachrony of primarily literary texts but the synchrony of an entire cultural system. Such a shift is arguably discernible in the long and prodigious output of Dimitris Tziovas, professor emeritus of Modern Greek Studies at the University of Birmingham. His numerous monographs and edited volumes in English and in Greek fit schematically into just such a first and second phase. In his first phase, his primarily textual lens progressively widens from “the nationism of the demoticists” (Tziovas 1986) to a long-due evaluation of Greek modernism (Tziovas 1997), and thence to the conditions of the self and society as revealed through an appraisal of Greek fiction (Tziovas 2003b). His second phase draws from a series of topical conferences, presciently organized at the University of Birmingham by Tziovas himself, that highlighted contexts: the Balkans (Tziovas 2003a), the Greek diaspora (Tziovas 2009), antiquity (Tziovas 2014), and austerity and crisis (Tziovas 2017). These in turn spawned collected volumes under his editorship, many of them reviewed in this journal. Tziovas’s reorientation toward contexts also coincided with his stint as a regular columnist in the culture sections of the Greek press, when he occasionally found himself a reluctant combatant in the culture wars. Meanwhile, in the field of Modern Greek Studies, Tziovas often gamely defended critical theory to his colleagues in Greece or was caught in the crossfire of Anglo-American critical disputes. In various ways, these tributary streams all flow into the present rich volume on Greece “from junta to crisis,” a volume that marks the synthesis of so much important earlier work and is a fitting monument to a long and illustrious career. Greece from Junta to Crisis positions culture at the center of the period in question, the metapolitefsi. This decision should not be understood solely as the natural disciplinary inclination of a cultural critic weary of structural political [End Page 287] analysis, even if Tziovas does write that “we do not need yet another book about [the metapolitefsi’s] politics” (1). Instead, it springs from his contention that the collapse of the dictatorship’s centralized and authoritarian rule released diverse constituencies within Greek society from a longstanding chokehold. In a society marked by the weakness of intermediary and associational forms of power that might have nurtured better forms of social differentiation (Tsoukalas 1981, 295)—beyond party politics and top down hierarchies—the new openness produced fragmentary cultural understan
{"title":"Greece from Junta to Crisis: Modernization, Transition and Diversity by Dimitris Tziovas (review)","authors":"Vangelis Calotychos","doi":"10.1353/mgs.2023.a908561","DOIUrl":"https://doi.org/10.1353/mgs.2023.a908561","url":null,"abstract":"Reviewed by: Greece from Junta to Crisis: Modernization, Transition and Diversity by Dimitris Tziovas Vangelis Calotychos (bio) Dimitris Tziovas, Greece from Junta to Crisis: Modernization, Transition and Diversity. London: I. B. Tauris, 2021. Pp. vii + 309. Hardback $108.00, Cloth $35.95, and E-book (PDF) $28.76. Literary critics no longer content themselves with completing literary histories. Instead, they pursue not the diachrony of primarily literary texts but the synchrony of an entire cultural system. Such a shift is arguably discernible in the long and prodigious output of Dimitris Tziovas, professor emeritus of Modern Greek Studies at the University of Birmingham. His numerous monographs and edited volumes in English and in Greek fit schematically into just such a first and second phase. In his first phase, his primarily textual lens progressively widens from “the nationism of the demoticists” (Tziovas 1986) to a long-due evaluation of Greek modernism (Tziovas 1997), and thence to the conditions of the self and society as revealed through an appraisal of Greek fiction (Tziovas 2003b). His second phase draws from a series of topical conferences, presciently organized at the University of Birmingham by Tziovas himself, that highlighted contexts: the Balkans (Tziovas 2003a), the Greek diaspora (Tziovas 2009), antiquity (Tziovas 2014), and austerity and crisis (Tziovas 2017). These in turn spawned collected volumes under his editorship, many of them reviewed in this journal. Tziovas’s reorientation toward contexts also coincided with his stint as a regular columnist in the culture sections of the Greek press, when he occasionally found himself a reluctant combatant in the culture wars. Meanwhile, in the field of Modern Greek Studies, Tziovas often gamely defended critical theory to his colleagues in Greece or was caught in the crossfire of Anglo-American critical disputes. In various ways, these tributary streams all flow into the present rich volume on Greece “from junta to crisis,” a volume that marks the synthesis of so much important earlier work and is a fitting monument to a long and illustrious career. Greece from Junta to Crisis positions culture at the center of the period in question, the metapolitefsi. This decision should not be understood solely as the natural disciplinary inclination of a cultural critic weary of structural political [End Page 287] analysis, even if Tziovas does write that “we do not need yet another book about [the metapolitefsi’s] politics” (1). Instead, it springs from his contention that the collapse of the dictatorship’s centralized and authoritarian rule released diverse constituencies within Greek society from a longstanding chokehold. In a society marked by the weakness of intermediary and associational forms of power that might have nurtured better forms of social differentiation (Tsoukalas 1981, 295)—beyond party politics and top down hierarchies—the new openness produced fragmentary cultural understan","PeriodicalId":43810,"journal":{"name":"JOURNAL OF MODERN GREEK STUDIES","volume":"59 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134933776","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-01DOI: 10.1353/mgs.2023.a908569
{"title":"Contributors","authors":"","doi":"10.1353/mgs.2023.a908569","DOIUrl":"https://doi.org/10.1353/mgs.2023.a908569","url":null,"abstract":"","PeriodicalId":43810,"journal":{"name":"JOURNAL OF MODERN GREEK STUDIES","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134935199","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Modern Odysseys: Cavafy, Woolf, Césaire, and a Poetics of Indirection by Michelle Zerba","authors":"V. Kolocotroni","doi":"10.1353/mgs.2023.0010","DOIUrl":"https://doi.org/10.1353/mgs.2023.0010","url":null,"abstract":"","PeriodicalId":43810,"journal":{"name":"JOURNAL OF MODERN GREEK STUDIES","volume":"1 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45411731","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Reviewed by: The Greek Connection: The Life of Elias Demetracopoulos and the Untold Story of Watergate by James H. Barron, and: Ένα σκοτεινό δωμάτιο, 1967–1974: Ο Ιωαννίδης και η παγίδα της Κύπρου—Τα πετρέλαια στο Αιγαίο—Ο ρόλος των Αμερικανών [A dark room, 1967–1974: Ioannidis and the Cyprus trap—Aegean oil—The role of the Americans]. by Alexis Papahelas (Αλέξης Παπαχελάς) Konstantina E. Botsiou (bio) James H. Barron, The Greek Connection: The Life of Elias Demetracopoulos and the Untold Story of Watergate. New York: Melville House. 2020. Pp. xiii + 482. 21 illustrations. Hardcover $31.67. Alexis Papahelas (Αλέξης Παπαχελάς), Ένα σκοτεινό δωμάτιο, 1967–1974: Ο Ιωαννίδης και η παγίδα της Κύπρου—Τα πετρέλαια στο Αιγαίο—Ο ρόλος των Αμερικανών[A dark room, 1967–1974: Ioannidis and the Cyprus trap—Aegean oil—The role of the Americans]. Athens: Metechmio, 2021. Pp. 630. Cloth €18.90. Due to a scarcity of archival sources and the aversion of historians, the foreign and defense policies of the seven-year Greek military dictatorship (1967–1974) have not been systematically researched. Although more widely explored than most of the dictatorship’s foreign connections, Greek-American relations during this period are no exception to the rule. Ideologically driven interpretations or “what ifs” hardly substitute for structured analyses of alliances, animosities, and political decisions. As a matter of fact, they strengthen the superficial perception of the junta as a tragic parenthesis in the history of postwar Greece. This tendency is changing, however, and two recent publications are especially noteworthy. James H. Barron and Alexis Papahelas both present detailed accounts of the dictators’ worldviews and actions. They also offer thorough overviews of the Greek political ecosystem in the 1950s and 1960s, where the future dictators thrived. Various continuities and discontinuities with the earlier period place the dictatorship in a historical context driven by anticommunism—and its local version, εθνικοφροσύνη (ethnikofrosyni)—which the colonels took up as their mission when Greek politicians loosened their grip in the era of international détente. Committed to the zeitgeist of bipolarity, the colonels baptized personal competitors as enemies of the state. Barron’s story of Elias Demetracopoulos’s multiple persecutions by Greek and American officials before and during the dictatorship captivates the reader. Demetracopoulos suffered the various types of character assassination that an [End Page 137] assertive journalist posing inconvenient questions would undergo. A prominent example of his research concerned the stationing of nuclear missiles on Greek soil as a result of the “Sputnik effect.” Demetracopoulos maintained many doubts about the Greek government’s denial of any participation in the US program of intercontinental ballistic missiles (ICBMs), which had involved Italy and Turkey before the Cuban Missile Crisis of October 1962. He believed that Greek p
评论者：希腊人的关系：詹姆斯-H-巴伦（James H. Barron）所著的《埃利亚斯-德米特拉科普洛斯的一生和水门事件中不为人知的故事》（The Life of Elias Demetracopoulos and the Untold Story of Watergate）：Ένα σκοτεινό δωμάτιο, 1967-1974: Ο Ιωαννίδης και η παγίδα της Κύπρου-Τα πετρέλαια στο Αιγαίο-Ο ρόλος των Αμερικανών [A dark room, 1967-1974：伊奥尼迪斯与塞浦路斯陷阱-爱琴海石油-美国人的角色]。作者：Alexis Papahelas (Αλέξης Παπαχελάς) Konstantina E. Botsiou (bio) James H. Barron, The Greek Connection：埃利亚斯-德米特拉科普洛斯的一生和水门事件的不为人知的故事》。纽约：Melville House.2020.第 xiii + 482 页。21 幅插图。精装 31.67 美元。Alexis Papahelas (Αλέξης Παπαχελάς), Ένα σκοτεινό δωμάτιο, 1967-1974：Ο Ιωανίδης και η παγίδα της Κύπρου-Τα πετρέλαια στο Αιγαίο-Ο ρόλος των Αμερικανών [A dark room, 1967-1974: Ioannidis and the Cyprus trap-Aegean oil-The role of the Americans].雅典：Metechmio，2021 年。Pp.630.Cloth €18.90.由于档案资料的匮乏和历史学家的厌恶，对希腊七年军事独裁统治（1967-1974 年）期间的外交和国防政策尚未进行系统研究。虽然与独裁政权的大多数对外关系相比，希腊与美国在这一时期的关系得到了更广泛的探讨，但也不例外。意识形态驱动的解释或 "如果 "很难取代对联盟、敌意和政治决策的结构性分析。事实上，它们强化了人们对军政府的肤浅看法，将其视为战后希腊历史上一个悲剧性的插曲。不过，这种趋势正在改变，最近出版的两本书尤其值得注意。James H. Barron 和 Alexis Papahelas 都详细介绍了独裁者的世界观和行动。他们还全面概述了 20 世纪 50 年代和 60 年代希腊的政治生态系统，未来的独裁者们正是在这一时期茁壮成长的。与早期的各种连续性和不连续性将独裁政权置于反共产主义及其地方版本εθνικοφροσύνη (ethnikofrosyni)所推动的历史背景中，当希腊政治家在国际缓和时代放松对独裁政权的控制时，上校们将其作为自己的使命。在两极分化的时代背景下，上校们将个人竞争对手视为国家的敌人。巴伦讲述了埃利亚斯-德米特拉科普洛斯在独裁统治前和独裁统治期间多次受到希腊和美国官员迫害的故事，深深吸引了读者。德米特拉库普洛斯遭受了各种类型的人格暗杀，而这正是一个敢于提出不便提问的记者所要经历的。他研究的一个突出例子涉及 "斯普特尼克效应 "在希腊领土上部署核导弹的问题。德米特拉科普洛斯对希腊政府否认参与美国洲际弹道导弹（ICBM）计划持有许多疑虑，在 1962 年 10 月古巴导弹危机之前，意大利和土耳其也参与了该计划。他认为，在苏联发射了世界上第一颗人造卫星斯普特尼克 1 号之后，希腊参与洲际弹道导弹计划对于缓解西方的技术自卑感至关重要，这表明美国本土在苏联的潜在攻击面前变得脆弱不堪（105-110）。拒绝接受希腊政府的否认严重损害了德米特拉科普洛斯与希腊总理康斯坦丁诺斯-卡拉曼利斯（1955-1963 年）的关系。德米特拉库普洛斯在美国也遇到了类似的困难。他与美国高层公众人物的密切关系经常遭到冷酷无情的冷战分子的破坏，这些人认为德米特拉库普洛斯是对法律和秩序主流叙事的威胁。这些矛盾凸显了个性在任何特定历史环境中的不同作用。巴伦全面描绘了德米特拉科普洛斯的形象，他是一名忠实的记者，少年时代在轴心国占领期间就获得了卓越的抵抗资格。后来，他在希腊和美国机构及个人的责难和庇护之间度过了自己的成年生活，这些机构和个人包括忠实的朋友和熟人，以及康斯坦丁诺斯-卡拉曼利斯、乔治-帕潘德里欧和特德-肯尼迪等政界要人。20 世纪 50 年代，德米特拉科普洛斯在希腊媒体和美国驻希腊社区之间建立了值得信赖的联络人的声誉。军事独裁统治建立后不久，他通过丹麦前往美国避难，因为他有理由担心暗杀企图将不再局限于他的个人。巴伦在书中向美国读者强调了水门事件丑闻中的希腊因素。命运在军政府和尼克松政府的历史上都为德米特拉科普洛斯保留了一个至关重要的角色，因为正是他揭露了尼克松政府的 "希腊关系"。根据他在...
{"title":"The Greek Connection: The Life of Elias Demetracopoulos and the Untold Story of Watergate by James H. Barron, and: Ένα σκοτεινό δωμάτιο, 1967–1974: Ο Ιωαννίδης και η παγίδα της Κύπρου—Τα πετρέλαια στο Αιγαίο—Ο ρόλος των Αμερικανών [A dark room, 1967–1974: Ioannidis and the Cyprus trap—Aegean oil—The role of the Americans]. by Alexis Papahelas (Αλέξης Παπαχελάς)","authors":"Konstantina E. Botsiou","doi":"10.1353/mgs.2023.0005","DOIUrl":"https://doi.org/10.1353/mgs.2023.0005","url":null,"abstract":"Reviewed by: The Greek Connection: The Life of Elias Demetracopoulos and the Untold Story of Watergate by James H. Barron, and: Ένα σκοτεινό δωμάτιο, 1967–1974: Ο Ιωαννίδης και η παγίδα της Κύπρου—Τα πετρέλαια στο Αιγαίο—Ο ρόλος των Αμερικανών [A dark room, 1967–1974: Ioannidis and the Cyprus trap—Aegean oil—The role of the Americans]. by Alexis Papahelas (Αλέξης Παπαχελάς) Konstantina E. Botsiou (bio) James H. Barron, The Greek Connection: The Life of Elias Demetracopoulos and the Untold Story of Watergate. New York: Melville House. 2020. Pp. xiii + 482. 21 illustrations. Hardcover $31.67. Alexis Papahelas (Αλέξης Παπαχελάς), Ένα σκοτεινό δωμάτιο, 1967–1974: Ο Ιωαννίδης και η παγίδα της Κύπρου—Τα πετρέλαια στο Αιγαίο—Ο ρόλος των Αμερικανών[A dark room, 1967–1974: Ioannidis and the Cyprus trap—Aegean oil—The role of the Americans]. Athens: Metechmio, 2021. Pp. 630. Cloth €18.90. Due to a scarcity of archival sources and the aversion of historians, the foreign and defense policies of the seven-year Greek military dictatorship (1967–1974) have not been systematically researched. Although more widely explored than most of the dictatorship’s foreign connections, Greek-American relations during this period are no exception to the rule. Ideologically driven interpretations or “what ifs” hardly substitute for structured analyses of alliances, animosities, and political decisions. As a matter of fact, they strengthen the superficial perception of the junta as a tragic parenthesis in the history of postwar Greece. This tendency is changing, however, and two recent publications are especially noteworthy. James H. Barron and Alexis Papahelas both present detailed accounts of the dictators’ worldviews and actions. They also offer thorough overviews of the Greek political ecosystem in the 1950s and 1960s, where the future dictators thrived. Various continuities and discontinuities with the earlier period place the dictatorship in a historical context driven by anticommunism—and its local version, εθνικοφροσύνη (ethnikofrosyni)—which the colonels took up as their mission when Greek politicians loosened their grip in the era of international détente. Committed to the zeitgeist of bipolarity, the colonels baptized personal competitors as enemies of the state. Barron’s story of Elias Demetracopoulos’s multiple persecutions by Greek and American officials before and during the dictatorship captivates the reader. Demetracopoulos suffered the various types of character assassination that an [End Page 137] assertive journalist posing inconvenient questions would undergo. A prominent example of his research concerned the stationing of nuclear missiles on Greek soil as a result of the “Sputnik effect.” Demetracopoulos maintained many doubts about the Greek government’s denial of any participation in the US program of intercontinental ballistic missiles (ICBMs), which had involved Italy and Turkey before the Cuban Missile Crisis of October 1962. He believed that Greek p","PeriodicalId":43810,"journal":{"name":"JOURNAL OF MODERN GREEK STUDIES","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136048805","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Contributors","authors":"","doi":"10.1353/mgs.2023.0011","DOIUrl":"https://doi.org/10.1353/mgs.2023.0011","url":null,"abstract":"","PeriodicalId":43810,"journal":{"name":"JOURNAL OF MODERN GREEK STUDIES","volume":"125 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136048834","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:The Greek Orthodox Community was uprooted from Cappadocia with the signing of the Convention of the Exchange of Populations between Turkey and Greece at Lausanne on 30 January 1923. Until then Potámia had been one of the prosperous villages of the area, thanks to financial contributions of Potámian migrants in foreign lands. In the late nineteenth and early twentieth centuries the village had stone houses, a new church, and a school. The villagers had neighborly relations with the Turks of surrounding villages, with a degree of competition at the communal level which was reflected in their narratives, myths, and songs. These narratives are revealing of their senses and perceptions of their neighbors in the last decades of their existence in their homeland, and they are meaningful in allowing researchers to detect the cohabitation practices of two religious communities at the time.
{"title":"Senses and Perceptions: The Last Decades of Greek Orthodox Existence in Potámia in Cappadocia","authors":"Gülen Göktürk Baltas","doi":"10.1353/mgs.2023.0001","DOIUrl":"https://doi.org/10.1353/mgs.2023.0001","url":null,"abstract":"Abstract:The Greek Orthodox Community was uprooted from Cappadocia with the signing of the Convention of the Exchange of Populations between Turkey and Greece at Lausanne on 30 January 1923. Until then Potámia had been one of the prosperous villages of the area, thanks to financial contributions of Potámian migrants in foreign lands. In the late nineteenth and early twentieth centuries the village had stone houses, a new church, and a school. The villagers had neighborly relations with the Turks of surrounding villages, with a degree of competition at the communal level which was reflected in their narratives, myths, and songs. These narratives are revealing of their senses and perceptions of their neighbors in the last decades of their existence in their homeland, and they are meaningful in allowing researchers to detect the cohabitation practices of two religious communities at the time.","PeriodicalId":43810,"journal":{"name":"JOURNAL OF MODERN GREEK STUDIES","volume":"41 1","pages":"25 - 53"},"PeriodicalIF":0.4,"publicationDate":"2023-04-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42667955","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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