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Some Kicks against the Prick : John Metcalf in his Essays 一些对刺痛的抨击:约翰·梅特卡夫的随笔
Pub Date : 1900-01-01 DOI: 10.3406/ranam.1987.1162
S. Solecki
Le Point sur les Pointes de John Metcalf. Il est possible d’isoler deux sujets essentiels de préoccupation dans Kicking Against the Pricks. Le premier se manifeste dans la position ironique et satirique que Metcalf adopte à l’égard de la société nord-américaine et plus particulièrement canadienne. Littérature, critique et culture expriment des attitudes coloniales et des critères locaux qui en même temps les dominent et dont la fonction dernière est de protéger un produit local de qualité inférieure. L’essai analyse également le second centre d’intérêt de Metcalf -la nouvelle canadienne contemporaine et ses critiques. Si est peut-être justifiée la critique brillante et souvent ambitieuse que Metcalf fait du concept d’une tradition littéraire canadienne, l’essai suggère que son attaque a non seulement pour effet de défaire certaines réputations suspectes mais aussi de remodeler la tradition canadienne de telle sorte que John Metcalf y trouve une place.
约翰·梅特卡夫的观点。在《踢向Pricks》中,我们可以区分出两个主要的关注领域。第一个是梅特卡夫对北美社会,尤其是加拿大社会的讽刺和讽刺态度。文学、批评和文化表达了殖民态度和地方标准,这些态度和标准同时支配着它们,其最终功能是保护低质量的地方产品。这篇文章还分析了梅特卡夫的第二个兴趣点——当代新加拿大人及其批评者。或许是合理的批评是否明亮且常常有雄心壮志,Metcalf表示加拿大文学传统观念的一个试验,表明他攻击的效果不仅打败了加拿大的某些可疑的声誉,而且重塑传统这样约翰Metcalf找到一个位置。
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引用次数: 0
From the universal to the particular : Ludwig Lewisohn's imagined community 从普遍到特殊:路德维希·路易松的想象共同体
Pub Date : 1900-01-01 DOI: 10.3406/ranam.2013.1448
V. Ricard
The American writer Ludwig Lewisohn (1883-1955) was a cosmopolitan man of letters and an outspoken advocate of both Jewish cultural nationalism and sexual freedom. The Island Within (1928) is a family chronicle, tracing the history of the Levy family from Vilna to Prussia, and from Germany to America. Arthur Levy, the first in the family to be born in America, lives in New York and becomes a psychiatrist. As a highly-educated, assimilated Jew, he learns, the hard way, that American cameraderie does not extend, like Whitman’s, to all mankind, or even to all Americans. He comes to understand that to be human one has to be a certain kind of human being, that men are not born as abstract individuals nor as members of the general human family, and he sets out to discover his Jewish past. The Island Within is a critique of intermarriage and assimilation, but also a manifesto in favour of Jewish singularity, and in the final analysis of all singularity.
美国作家路德维希·路易松(1883-1955)是一位世界主义的文学家,直言不讳地倡导犹太文化民族主义和性自由。《内岛》(1928)是一部家族编年史,追溯了利维家族从维尔纳到普鲁士,从德国到美国的历史。亚瑟·利维是家里第一个在美国出生的人,他住在纽约,成为了一名精神病医生。作为一个受过高等教育、被同化的犹太人,他经历了惨痛的教训才明白,美国的摄影精神并没有像惠特曼那样延伸到全人类,甚至没有延伸到所有美国人。他开始明白,要成为人,就必须成为某种人,人不是天生抽象的个体,也不是一般人类家庭的成员,他开始发现自己的犹太过去。《内在之岛》是对异族通婚和同化的批判,但也是支持犹太人独特性的宣言,并且是对所有独特性的最终分析。
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引用次数: 0
British television satire 英国电视讽刺剧
Pub Date : 1900-01-01 DOI: 10.3406/ranam.2003.1703
Jim Bee
Satire is a regular feature of British television, both in fiction and topical comedy. Its contribution to contemporary culture and politics deserves to be taken seriously but it has attracted little academic interest. An exception is Wagg’s analysis of post-war British satirical comedy (1992) where he argues that satire has had a negative effect on political life by encouraging a cynical view of politics. This research discusses satire on contemporary British television, specifically topical news satire in the news quiz. Drawing on literary theory it seeks to illuminate how such satire works as a communicational form and what we might expect of it politically. Extracts are analysed of the news quiz Have I Got News For You? It is argued that topical news satire offers some examples of the traditional version of satire as a moral and pedagogic form identifying vices and urging their correction but it is found to be more likely to involve less conclusive features such as (following Griffin 1994) inquiry, provocation, play and display and to be dedicated to pleasure as much as moral and political persuasion. Whilst contemporary tv satire provides plenty of evidence to support the claim that it abuses politics in general and encourages cynicism, it can equally be argued that it is part of an established tradition of public complaint and mockery which is useful to a healthy democracy.
讽刺是英国电视的常规特色,无论是小说还是时事喜剧。它对当代文化和政治的贡献值得认真对待,但它几乎没有引起学术界的兴趣。一个例外是Wagg对战后英国讽刺喜剧的分析(1992),他认为讽刺作品通过鼓励愤世嫉俗的政治观点对政治生活产生了负面影响。本研究讨论了当代英国电视的讽刺,特别是新闻测验中的时事新闻讽刺。借助文学理论,它试图阐明这种讽刺作为一种交流形式是如何起作用的,以及我们在政治上对它的期望。对新闻测试的节选进行了分析,我有新闻要告诉你吗?有人认为,时事新闻讽刺提供了一些传统版本讽刺的例子,作为一种道德和教育形式,识别恶习并敦促纠正,但人们发现它更有可能涉及较少的决定性特征,如(遵循Griffin 1994)询问,挑衅,游戏和展示,并致力于娱乐,就像道德和政治说服一样。虽然当代电视讽刺剧提供了大量证据来支持它滥用政治、鼓励愤世嫉俗的说法,但同样可以认为,这是公众抱怨和嘲笑的既定传统的一部分,这对健康的民主是有益的。
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引用次数: 0
Le roman trollopien et la famille : une approche littéraire. (D’après The Last Chronicle of Barset) 特罗洛普小说与家庭:一种文学方法。(摘自《巴塞特最后编年史》)
Pub Date : 1900-01-01 DOI: 10.3406/ranam.1975.978
Micheline Triomphe
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引用次数: 0
«The Tuning of Memory» : Alistair MacLeod’s Short Stories 《记忆的调谐》:阿利斯泰尔·麦克劳德短篇小说集
Pub Date : 1900-01-01 DOI: 10.3406/ranam.1987.1169
C. Nicholson
La Mémoire Accordée : les nouvelles d’ Alistair MacLeod. Le mode autobiographique de nombre des nouvelles publiées par Alistair MacLeod et l’insistance avec laquelle elles cherchent à reconfigurer au présent la mémoire affective montrent la pertinence des théories de Paul Ricoeur sur l’identité narrative. A travers l’analyse de plusieurs nouvelles, l’essai montre que MacLeod construit un discours profondément historicisé dans lequel le Moi et l’autre ne cessent de se fondre, de diverger et de se recombiner.
授予的记忆:阿利斯泰尔·麦克劳德的新闻。阿利斯泰尔·麦克劳德(Alistair MacLeod)出版的许多短篇小说的自传体模式,以及它们对当前情感记忆重新配置的坚持,表明了保罗·利科(Paul Ricoeur)叙事身份理论的相关性。通过对几条新闻的分析,本文表明麦克劳德构建了一种深刻的历史化话语,在这种话语中,自我和他者不断融合、分化和重组。
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引用次数: 0
“Outlandish ‘ISMS’ in the city” : how Madame Sorgue contaminated Hull with the virus of direct action “城市中古怪的ISMS”:索格夫人如何用直接行动的病毒污染赫尔
Pub Date : 1900-01-01 DOI: 10.3406/ranam.2003.1710
Yann Béliard
The Great Labour Unrest that shook British society between 1910 and 1914 was remarkable insofar as it developed not in any cities, but mainly in ports. This gave it an international dimension which has too often been reduced to the importation of syndicalist ideas from the USA and France over to Britain by Tom Mann. But whatever influence syndicalism managed to exert in the British Isles was in fact the result of collective efforts to create international networks. The study of Madame Sorgue s visit to Hull in May 1911 provides an interesting case in point. The French activists stay in the city was at the time quite an event, and while many contemporary observers blamed her for poisoning the healthy minds of Hull workers with “outlandish ‘ISMS’”, this article argues that no political contamination would have been possible if the working population of the city had not been ready to adopt the virus in the first place.
1910年至1914年间震动英国社会的劳工大动乱之所以引人注目,是因为它不是在任何城市爆发,而是主要在港口爆发。这给了它一个国际的维度,而这个维度常常被归结为汤姆·曼从美国和法国向英国输入工团主义思想。但是,工团主义在不列颠群岛所产生的任何影响,实际上都是集体努力建立国际网络的结果。对1911年5月索尔格夫人访问赫尔的研究提供了一个有趣的例子。当时,法国激进分子在赫尔市的逗留是一件大事,尽管许多同时代的观察家指责她用“古怪的‘ISMS’”毒害了赫尔工人的健康思想,但本文认为,如果城市的工作人口一开始就没有准备好接受这种病毒,就不可能发生政治污染。
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引用次数: 0
Voyage dans l'espace d'Othello 奥赛罗太空之旅
Pub Date : 1900-01-01 DOI: 10.3406/ranam.1988.1195
Claude Graf
Cet article essaie de montrer que le voyage dans l'espace, le déplacement horizontal du héros de Venise à Chypre est en réalité un voyage d'un autre ordre, une plongée verticale, vertigineuse en lui-même, un retour aux origines par le temps retrouvé. Son parcours est aussi un voyage dans le temps.
这篇文章试图表明,太空旅行,英雄从威尼斯到塞浦路斯的水平移动,实际上是一种不同秩序的旅行,一种垂直的、令人眩晕的自我潜水,一种通过重新发现的时间回到起源的旅程。他的旅程也是一次穿越时间的旅行。
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引用次数: 0
Sottise et folie dans la Satire des trois états 三国讽刺中的愚蠢和疯狂
Pub Date : 1900-01-01 DOI: 10.3406/ranam.1970.1843
Claude Graf
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引用次数: 1
William the Conqueror, Henry III, Richard II et al., or English history recycled by seventeenth-century republican newsbooks 征服者威廉、亨利三世、理查二世等人,或者十七世纪共和党新闻书中循环使用的英国历史
Pub Date : 1900-01-01 DOI: 10.3406/ranam.2014.1472
Laurent Curelly
The material used for this contribution consists of two series of editorials published in two different “republican” newsbooks during the English Revolution : The Moderate, a radical newspaper, and Mercurius Politicus, an official middle-of-the-road publication. This paper looks into the way the authors of many of these editorials recycle English history to beef up their criticism of the Stuart monarchy as well as give weight to their defence of popular sovereignty. Ironically, it seems that not all kings deserve condemnation, and one of the authors distinguishes between legitimate monarchs and usurpers. The reason why some of these English kings were held to be less evil than the others is examined here. This paper finally assesses how far the authors’ recycling and reconstruction of English history helped them to outline a republican historical narrative that was still to be completed when they wrote.
这篇文章所使用的材料包括在英国革命期间发表在两份不同的“共和”报纸上的两篇社论:《温和派》(The Moderate),一份激进的报纸,以及《政治家》(Mercurius Politicus),一份官方的中间道路出版物。本文研究了许多社论的作者如何利用英国历史来加强他们对斯图亚特王朝的批评,同时也强调了他们对人民主权的捍卫。讽刺的是,似乎不是所有的国王都应该受到谴责,一位作者区分了合法君主和篡位者。为什么这些英国国王中的一些被认为比其他国王更邪恶呢?本文最后评估了作者对英国历史的再循环和重建在多大程度上帮助他们勾勒出一种共和主义的历史叙事,而这种叙事在他们写作时仍有待完成。
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引用次数: 0
La construction de l’indécidable dans une nouvelle de Leon Rooke 莱昂·鲁克的短篇小说中不可确定的结构
Pub Date : 1900-01-01 DOI: 10.3406/ranam.1987.1175
P. Spriet
The essay examines the ways in which the construction of Leon Rooke’s stories prevents the reader from reading them referentially. Analyzing «The Birth Control King of the Upper Uolta», it demonstrates the various procedures of «defamiliarization» employed by Rooke : the use of metalogisms, the handling of time, the lability of the character’s identity, the resort to clichés and the ensuing parodie and comic function of speech. Ultimately disorientation, however, is the only prerequisite for re-orientation. Rooke withdraws from the reader the comfortable certainties of the realistic story, only to open to him another world in which dreams and the irrational play a much larger role.
本文考察了利昂·鲁克小说的结构如何阻碍读者参考阅读。通过对《上乌尔塔的节育之王》的分析,展示了鲁克运用的各种“陌生化”手法:元喻的运用、时间的处理、人物身份的不稳定性、陈词滥调的运用以及随之而来的言语模仿和喜剧功能。然而,最终迷失方向是重新定位的唯一先决条件。鲁克从读者身上抽离了现实故事中令人舒适的确定性,只为他打开了另一个世界,在这个世界里,梦想和非理性发挥着更大的作用。
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引用次数: 0
期刊
Recherches anglaises et nord-américaines
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