Cet article est né d’un constat : l’utilisation en apparence de plus en plus fréquente aujourd’hui du pronom de seconde personne dans divers genres discursifs. Les genres à l’étude concernent ceux dans lesquels la dyade I/you (destinateur/ destinataire) ne peut être réciproque. L’attention se porte ici sur les discours qui mettent en évidence, à travers l’utilisation du pronom de seconde personne, la présence du lecteur/de l’auditoire, rendant de ce fait une forme d’intersubjectivité particulièrement visible. Le but de cet article est de montrer qu’aussi variés que soient les buts pragmatiques de la communication dans la publicité, les slogans politiques, les tweets ou en fiction par exemple, le pronom de seconde personne tend à générer des effets similaires : adoptant un mode faussement conversationnel, il entraîne un changement de perspective et de focalisation dont le but est d’attirer l’attention et la confiance du destinataire. Cet article montre à la fois la force pragmatique du pronom dont la référence versatile est dûment exploitée dans les divers genres, d’autant plus qu’il semble pouvoir troubler les démarcations génériques habituelles, et le risque encouru par l’utilisation d’une telle stratégie d’implication et de transgression.
{"title":"The Second-person Pronoun Across Genres","authors":"Sandrine Sorlin","doi":"10.3406/ranam.2017.1554","DOIUrl":"https://doi.org/10.3406/ranam.2017.1554","url":null,"abstract":"Cet article est né d’un constat : l’utilisation en apparence de plus en plus fréquente aujourd’hui du pronom de seconde personne dans divers genres discursifs. Les genres à l’étude concernent ceux dans lesquels la dyade I/you (destinateur/ destinataire) ne peut être réciproque. L’attention se porte ici sur les discours qui mettent en évidence, à travers l’utilisation du pronom de seconde personne, la présence du lecteur/de l’auditoire, rendant de ce fait une forme d’intersubjectivité particulièrement visible. Le but de cet article est de montrer qu’aussi variés que soient les buts pragmatiques de la communication dans la publicité, les slogans politiques, les tweets ou en fiction par exemple, le pronom de seconde personne tend à générer des effets similaires : adoptant un mode faussement conversationnel, il entraîne un changement de perspective et de focalisation dont le but est d’attirer l’attention et la confiance du destinataire. Cet article montre à la fois la force pragmatique du pronom dont la référence versatile est dûment exploitée dans les divers genres, d’autant plus qu’il semble pouvoir troubler les démarcations génériques habituelles, et le risque encouru par l’utilisation d’une telle stratégie d’implication et de transgression.","PeriodicalId":440534,"journal":{"name":"Recherches anglaises et nord-américaines","volume":"246 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134025972","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
"Let's Make an Opera" : Benjamin Britten's Children Operas. As an artist who believed his mission was to educate and as well as entertain, Benjamin Britten has always been keen on composing for children and teenagers. This creed was instilled in him by the inventor of British documentary film, John Grierson, his mentor the poet W. H. Auden and his friend Aaron Copland the American composer. This paper examines how Britten set about using the popular forms of entertainment of his time to initiate his young performers and audience to the magic of opera and high-brow culture and to convey his message of self-responsibility and truth to oneself, urging performers and listeners alike to beat their own path.
{"title":"«Faisons un opéra !» Les opéras pour enfants de Benjamin Britten","authors":"G. Couderc","doi":"10.3406/ranam.2006.1766","DOIUrl":"https://doi.org/10.3406/ranam.2006.1766","url":null,"abstract":"\"Let's Make an Opera\" : Benjamin Britten's Children Operas.\u0000 As an artist who believed his mission was to educate and as well as entertain, Benjamin Britten has always been keen on composing for children and teenagers. This creed was instilled in him by the inventor of British documentary film, John Grierson, his mentor the poet W. H. Auden and his friend Aaron Copland the American composer. This paper examines how Britten set about using the popular forms of entertainment of his time to initiate his young performers and audience to the magic of opera and high-brow culture and to convey his message of self-responsibility and truth to oneself, urging performers and listeners alike to beat their own path.","PeriodicalId":440534,"journal":{"name":"Recherches anglaises et nord-américaines","volume":"130 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129405159","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pour ne pas s'aliener leur public, les auteurs de fiction ont ete amenes a edulcorer les revelations que contiennent les Livres Bleus, leur principale source d'inspiration. L'image qu'ils nous livrent des rapports d'autorite dans la vie des ouvriers n'est donc pas un reflet fidele de la realite, mais l'opinion qu'en avaient les lecteurs nous offre celui d'une mentalite collective.
{"title":"Parents-Patrons, Enfants-Ouvriers d’après les livres bleus et les récits de fiction de la première partie de l’époque victorienne","authors":"J. Navailles","doi":"10.3406/ranam.1978.1029","DOIUrl":"https://doi.org/10.3406/ranam.1978.1029","url":null,"abstract":"Pour ne pas s'aliener leur public, les auteurs de fiction ont ete amenes a edulcorer les revelations que contiennent les Livres Bleus, leur principale source d'inspiration. L'image qu'ils nous livrent des rapports d'autorite dans la vie des ouvriers n'est donc pas un reflet fidele de la realite, mais l'opinion qu'en avaient les lecteurs nous offre celui d'une mentalite collective.","PeriodicalId":440534,"journal":{"name":"Recherches anglaises et nord-américaines","volume":"45 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131107367","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Dans cet article, le dialogisme d'Under the Volcano (roman de Malcolm Lowry paru en 1947) est étudié sous l'angle des rapports fructueux qu'il entretien avec les manipulations temporelles programmées par la trame narrative du roman.
在这篇文章中，马尔科姆·劳瑞(Malcolm Lowry)的小说《火山之下》(under the Volcano, 1947)的对话从它与小说叙事框架中编程的时间操纵的富有成效的关系的角度进行了研究。
{"title":"Notes on dialogism and the treatment of time in Under the Volcano","authors":"P. Schaeffer","doi":"10.3406/ranam.1988.1193","DOIUrl":"https://doi.org/10.3406/ranam.1988.1193","url":null,"abstract":"Dans cet article, le dialogisme d'Under the Volcano (roman de Malcolm Lowry paru en 1947) est étudié sous l'angle des rapports fructueux qu'il entretien avec les manipulations temporelles programmées par la trame narrative du roman.","PeriodicalId":440534,"journal":{"name":"Recherches anglaises et nord-américaines","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132939250","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The essay starts from a proposition taken as an axiom : the centre of the practice of language is the dialectic of rule-governed and rule-breaking creativity. The dialectic is introduced at the levels of the sentence, of a natural language, of discourse and of literary genres. It is observed, through a consideration of linguistic change, formulaic language and a number of “grammatical errors.” Lastly, it is explained by recourse to Norbert Elias’s symbol theory.
{"title":"Linguistic Creativity : Rule-Governed or Rule-Breaking ?","authors":"J. Lecercle","doi":"10.3406/ranam.2017.1549","DOIUrl":"https://doi.org/10.3406/ranam.2017.1549","url":null,"abstract":"The essay starts from a proposition taken as an axiom : the centre of the practice of language is the dialectic of rule-governed and rule-breaking creativity. The dialectic is introduced at the levels of the sentence, of a natural language, of discourse and of literary genres. It is observed, through a consideration of linguistic change, formulaic language and a number of “grammatical errors.” Lastly, it is explained by recourse to Norbert Elias’s symbol theory.","PeriodicalId":440534,"journal":{"name":"Recherches anglaises et nord-américaines","volume":"51 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133061863","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Beyond its status as an object of research, the victim is also a meaningful linguistic sign. But what is meaning and what is the meaning of “victim” ? In this paper we first review a few of the main theoretical approaches to meaning. We then propose an illustrated methodology for extracting lexical meaning from machine readable corpora, which is subsequently applied to the sign “victim”. On a semiotic level, this word seems to be a sort of trigger which turns one entity into a victimiser and another one into a victim.
{"title":"Victimes et bourreaux, corpus et sens lexical","authors":"P. Frath","doi":"10.3406/ranam.1999.1606","DOIUrl":"https://doi.org/10.3406/ranam.1999.1606","url":null,"abstract":"Beyond its status as an object of research, the victim is also a meaningful linguistic sign. But what is meaning and what is the meaning of “victim” ? In this paper we first review a few of the main theoretical approaches to meaning. We then propose an illustrated methodology for extracting lexical meaning from machine readable corpora, which is subsequently applied to the sign “victim”. On a semiotic level, this word seems to be a sort of trigger which turns one entity into a victimiser and another one into a victim.","PeriodicalId":440534,"journal":{"name":"Recherches anglaises et nord-américaines","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133509824","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Since it hit the headlines some twenty years ago, football hooliganism has been investigated by various official commissions, police research groups, journalists and social scientists. It has been interpreted in terms of youth culture versus class culture, tribal culture vs. mass culture, proletarianism vs. embourgeoisement, and blamed on, among others, education, alcohool, unemployment, European, football, the police, the media, the National Front. Among this number of interpretation, I have distinguished four major approaches : anthropological, psychological, sociological and historical. It has been my aim to try and assess their relevance, and to account for the «britishness » of football hooliganism.
{"title":"Du supporteur au consommateur: acculturation, déculturation et violence rituelle chez les spectateurs du football britannique","authors":"Christian Civardi","doi":"10.3406/ranam.1985.1855","DOIUrl":"https://doi.org/10.3406/ranam.1985.1855","url":null,"abstract":"Since it hit the headlines some twenty years ago, football hooliganism has been investigated by various official commissions, police research groups, journalists and social scientists. It has been interpreted in terms of youth culture versus class culture, tribal culture vs. mass culture, proletarianism vs. embourgeoisement, and blamed on, among others, education, alcohool, unemployment, European, football, the police, the media, the National Front. Among this number of interpretation, I have distinguished four major approaches : anthropological, psychological, sociological and historical. It has been my aim to try and assess their relevance, and to account for the «britishness » of football hooliganism.","PeriodicalId":440534,"journal":{"name":"Recherches anglaises et nord-américaines","volume":"90 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132096924","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Une etude quantitative et qualitative du style indirect libre dans les romans epistolaires de Richardson.
理查森书信小说中自由间接风格的定量与定性研究。
{"title":"Richardson et le style indirect libre","authors":"G. Strauch","doi":"10.3406/ranam.1993.1272","DOIUrl":"https://doi.org/10.3406/ranam.1993.1272","url":null,"abstract":"Une etude quantitative et qualitative du style indirect libre dans les romans epistolaires de Richardson.","PeriodicalId":440534,"journal":{"name":"Recherches anglaises et nord-américaines","volume":"51 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132568880","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In his dialogues Plato distinguished poetry as ‘inspiration from poetry as ‘technique’. Taking a hint from this archetypal distinction (as well as, inevitably, from the overstaying opposition between ‘idea’ and ‘matter’), the paper explores some of the most momentous phases in the history of criticism, from the earliest documents on poetry to the contemporary aesthetic debate. In so doing, it points to the irremediable and continuing dualism of a critical tradition, which has alternatively emphasised the ideal elements of beauty or the material constituents of art.
{"title":"Art and beauty. Linguistic versus psychological aesthetic theories","authors":"Michele Stanco","doi":"10.3406/ranam.2003.1668","DOIUrl":"https://doi.org/10.3406/ranam.2003.1668","url":null,"abstract":"In his dialogues Plato distinguished poetry as ‘inspiration from poetry as ‘technique’. Taking a hint from this archetypal distinction (as well as, inevitably, from the overstaying opposition between ‘idea’ and ‘matter’), the paper explores some of the most momentous phases in the history of criticism, from the earliest documents on poetry to the contemporary aesthetic debate. In so doing, it points to the irremediable and continuing dualism of a critical tradition, which has alternatively emphasised the ideal elements of beauty or the material constituents of art.","PeriodicalId":440534,"journal":{"name":"Recherches anglaises et nord-américaines","volume":"188 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133259711","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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