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Tracing One Aspect of the Process(es) of Communal Identity Construction of the Didache through Baptism and Ritual Innovation 从洗礼和仪式创新看十二使徒共同身份建构过程的一个方面
IF 0.2 3区 哲学 Q1 HISTORY Pub Date : 2022-12-01 DOI: 10.1353/earl.2022.0036
Jason N. Yuh
Abstract:One of the ongoing conversations in scholarship on the Didache is how the text should be identified. Is the text an expression of a community or communities that are breaking out of or maintaining their traditions? A promising way forward, inspired by recent trends in ritual studies, is to explore the rituals of the Didache, particularly with the concept of ritual change. My study therefore attempts to trace one part of the process(es) of communal identity construction of the Didache by examining the way it prescribes baptism. More specifically, I will focus on three instances of characteristic diction (the verb βαπτίζω, the εἰς [τὸ] ὄνομα formula, and the preference for ὕδωρ ζῶν in Did. 7.1–4, 9.5) and compare the baptism's ritual structure with similar practices. The results of this research indicate that the Didache's baptism is an example of a ritual innovation. In this particular case, the Didache is not seeking to maintain its traditional roots; instead, its prescription concerning baptism is largely unprecedented except among the writings of Jesus-following groups.
摘要:学术界关于《十二使徒传》的讨论之一是如何识别文本。文本是一个或多个打破或维持传统的群体的表达吗?受最近仪式研究趋势的启发,探索《十二使徒经》的仪式,特别是仪式变化的概念,是一条有希望的前进道路。因此,我的研究试图通过检查它规定洗礼的方式来追踪《十二使徒经》公共身份建构过程的一部分。更具体地说,我将重点关注三个典型的词汇(动词βαπτ ω, ε ι ς [τ ο] νομα公式,以及在Did. 7.1 - 1,9.5中对ς δωρ ζ ζ ν的偏爱),并将洗礼的仪式结构与类似的做法进行比较。研究结果表明,十二使徒的洗礼是仪式创新的一个例子。在这种特殊情况下,《十二使徒经》并没有寻求保持其传统根源;相反,它关于洗礼的规定在很大程度上是前所未有的,除了在跟随耶稣的团体的著作中。
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引用次数: 0
Sheep, Dogs, Wolves, and Demosthenes: Plutarch in the Buzandaran Patmut'iwnk' 绵羊、狗、狼和德摩斯梯尼:布赞达兰的普鲁塔克
IF 0.2 3区 哲学 Q1 HISTORY Pub Date : 2022-12-01 DOI: 10.1353/earl.2022.0040
James C. Wolfe
Abstract:This article reveals what may be a direct reference to Plutarch's Life of Demosthenes in the Buzandaran Patmut'iwnk', or the Epic Histories, a fifth-century Armenian history once attributed to P'awstos Buzand. I suggest that, by referencing the city of the Athenians, the author of the Epic Histories purposefully creates an intertext between his text and that of Plutarch. Previous scholarship has argued that not only did the author of the Epic Histories draw almost exclusively from Iranian epic, but also that the author was so thoroughly steeped in Iranian culture that he was in no way conversant with Greek literature. As a result, this article challenges such readings of the text, proposing that the author may have engaged directly with Plutarch's text in Greek. After first examining this reference to Plutarch, I explore possible intermediary texts that could explain the author's mention of the city of Athens, such as progymnasmata and rhetorical handbooks that were extant in Greek and Armenian at the time of the composition of the Epic Histories. Ultimately, I argue that either a direct or indirect reference to Plutarch's Life of Demosthenes must be regarded as "a latent cultural Hellenism," something that Nina Garsoïan has argued does not exist in the text. Although it is impossible to form conclusions about the entirety of the Epic Histories from one piece of evidence, because scholars have argued that there are no examples of Greek influence in the text, one such example invites a reconsideration of the text and its literary environment.
摘要:本文揭示了普鲁塔克的《德摩斯特尼传》可能直接参考了布赞达兰·帕特穆特(Buzandaran Patmut' iwink)或《史诗史》(Epic Histories)中的内容,这是一部五世纪的亚美尼亚历史,曾被认为是帕托斯托斯·布赞德(P'awstos Buzand)所著。我认为,通过引用雅典人的城市,《史诗历史》的作者有意在他的文本和普鲁塔克的文本之间创造了一种互文。以前的学者认为,《史诗史》的作者不仅几乎完全从伊朗史诗中取材,而且作者对伊朗文化的浸透如此之深,以至于他对希腊文学根本不熟悉。因此,这篇文章挑战了对文本的这种解读,提出作者可能直接参与了普鲁塔克的希腊语文本。在首先检查了普鲁塔克的参考文献之后,我探索了可能的中介文本,可以解释作者提到雅典城,例如在史诗历史的创作时期,希腊语和亚美尼亚语中存在的pro体操和修辞手册。最后,我认为直接或间接引用普鲁塔克的《德摩斯梯尼传》必须被视为“一种潜在的文化希腊主义”,尼娜Garsoïan认为文本中不存在这种文化。虽然不可能从一件证据中得出关于《史诗史》的全部结论,因为学者们认为文本中没有希腊影响的例子,但这样的一个例子会引起对文本及其文学环境的重新思考。
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引用次数: 0
Using Written Records in Liturgical Oratory: Conflicting Views in Late Sixth-and Early Seventh-Century Egypt 在礼拜演讲中使用书面记录:六世纪晚期和七世纪早期埃及的矛盾观点
IF 0.2 3区 哲学 Q1 HISTORY Pub Date : 2022-12-01 DOI: 10.1353/earl.2022.0041
Mary K. Farag
Abstract:I build on insights from performance criticism to model the interface of writing and liturgical oratory in late antique Egypt, with attention to evidence of tension in the relationship. By examining some of the textual remains of late antique oratory, I argue that, in principle, writing served as the invisible, backstage help to oratorical performance. In general, written records supplied memory aids, as a script does to a play. Oratorical performances were recorded in writing, often by stenographers, and published so as to supply scripts for others to produce derivative works by re-performing them. The role of the scriptures and the distinction between orthodoxy and heresy brought this relationship of the invisible backstage guide to the visible performer into question. Two types of writings became more visible, so to speak. For John of Paralos and Pseudo-Cyril of Jerusalem, the written records of heretical orations could not be re-used. In addition, the written records of the scriptures became less malleable on the part of the orator. Pseudo-Evodius of Rome, however, endorsed full discretion on the part of the homilist to produce derivative works of the scriptures.
摘要:本文以表演批评的见解为基础,对古埃及晚期写作和礼仪演讲的界面进行建模,并关注两者关系紧张的证据。通过研究一些晚期古代演讲的文本遗迹,我认为,原则上,写作是演讲表演的无形的后台帮助。一般来说,书面记录有助于记忆,就像剧本对戏剧的作用一样。演讲表演通常由速记员以书面形式记录下来,并出版,以便为其他人提供脚本,通过重新表演来制作衍生作品。经文的作用和正统与异端之间的区别使这种无形的后台向导与可见表演者的关系受到质疑。可以说,两种类型的作品变得更加明显。对于帕拉罗斯的约翰和耶路撒冷的伪西里尔来说,异端演讲的书面记录不能重复使用。此外,经文的书面记录在演说家方面变得不那么可塑了。然而,罗马的伪伊沃迪乌斯(Pseudo-Evodius)赞同讲道家的完全自由裁量权,以产生圣经的衍生作品。
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引用次数: 0
Journal of Early Christian Studies: Journal of the North American Patristics Society 早期基督教研究杂志:北美父权学会杂志
IF 0.2 3区 哲学 Q1 HISTORY Pub Date : 2022-12-01 DOI: 10.1353/earl.2022.0042
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引用次数: 0
Augustine's Use of Status legales in the Anti-Donatist Exegesis of Song of Songs 1.6–7 奥古斯丁在《圣歌》1.6–7的反捐赠注释中对地位legales的使用
IF 0.2 3区 哲学 Q1 HISTORY Pub Date : 2022-12-01 DOI: 10.1353/earl.2022.0037
R. Toczko
Abstract:Answering to the accusation of schism, the Donatists often claimed that they were not schismatics, but a true church. Augustine maintains that one of their more frequent patterns of defense was to base their argument on very few biblical sources, one of which was Song of Songs 1.6–7. The value of this claim has been the subject of a scholarly controversy because the wide use of this passage by his counterparts is not attested by sources other than his own writings. Without resolving this aporia, my paper focuses on the analysis of Augustine's patterns of refutation of the allegedly Donatist exegesis of Song 1.6–7 in his anti-Donatist writings and sermons. The aim of this exercise is to prove that the structure of Augustine's arguments is deeply embedded in the rhetorical theory of status. To be more precise, Augustine closely follows the patterns of argumentation discussed by classical rhetorical handbooks under the headings of status legales. Hence, the main part of this paper is dedicated to presenting the ways in which Cicero's detailed guidelines found in De inventione 2.116–21, concering structuring an argument within one of the status legales, called ambiguity, form the backbone of Augustine's discussions of Song 1.6–7 in his Sermon on Good Shepherds (Sermo 46.35–38).
摘要:在回应分裂的指控时,多纳派经常声称他们不是分裂派,而是一个真正的教会。奥古斯丁坚持认为,他们更频繁的辩护模式之一是将他们的论点建立在极少数圣经来源的基础上,其中之一是《歌1.6-7》。这一说法的价值一直是学术界争论的主题,因为他的同行对这段话的广泛使用除了他自己的著作之外,没有其他来源证明。在没有解决这一问题的情况下,我的论文重点分析了奥古斯丁在其反多纳主义著作和布道中对宋1.6–7的所谓多纳主义注释的反驳模式。本练习的目的是证明奥古斯丁论点的结构深深植根于地位的修辞理论中。更准确地说,奥古斯丁密切遵循了古典修辞学手册在地位法律标题下讨论的论证模式。因此,本文的主要部分致力于介绍西塞罗在《发明论》2.116-21中发现的详细指导方针,即在一种被称为模糊性的地位法律中构建论点,构成奥古斯丁在其《牧羊人宝训》(Sermo 46.35-38)中对歌曲1.6-7的讨论的支柱。
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引用次数: 0
Pragmatic Necessity over Scriptural Guidelines: Basil of Seleucia and the Swearing of Oaths at Later Roman Church Councils 圣经准则之上的语用必要性:塞琉古的巴西尔与后来罗马教会会议的宣誓
IF 0.2 3区 哲学 Q1 HISTORY Pub Date : 2022-12-01 DOI: 10.1353/earl.2022.0039
Michael Wuk
Abstract:This article considers the late antique episcopal prioritization of pragmatism over strict adherence to the rules of Christianity. The need to choose between following the scriptures and bending to more immediate concerns often arose in relation to the practice of oath-swearing, which had been forbidden by Jesus (Matt 5.33–37) but was nonetheless a regular feature of ecclesiastical affairs. To explore this dilemma, this paper focuses on the proceedings of several fifth-century church councils and the actions of Basil, bishop of Seleucia, Isauria. At an ecclesiastical meeting in 449, Basil refused to swear an oath and cited Jesus's proscription in explanation. Not only was this objection highly irregular in the context of church councils, however, but Basil himself later demanded that his episcopal colleagues take oaths at the Council of Chalcedon in 451. A closer examination of Basil's apparent vacillation on the acceptability of oath-swearing suggests that the bishop's initial objection to the practice was motivated by episcopal politics, rather than his religious principles. Even though later Roman bishops were often held up as obedient followers of God's commands, these senior clergymen regularly bowed to the necessity of oath-taking, thereby prioritizing the practical ahead of the scriptural.
摘要:本文探讨了古代晚期的主教优先考虑实用主义,而不是严格遵守基督教的规则。在遵循圣经和屈服于更直接的关注之间做出选择的需要经常出现在与宣誓有关的实践中,这是耶稣所禁止的(马太福音5.33-37),但仍然是教会事务的常规特征。为了探讨这一困境,本文将重点放在五世纪几次教会会议的程序和伊索里亚塞琉西亚主教巴兹尔的行动上。在公元449年的一次教会会议上,巴兹尔拒绝宣誓,并引用耶稣的禁令作为解释。然而,这种反对不仅在教会会议的背景下极不规范,而且巴兹尔本人后来也要求他的主教同事在451年的卡尔西顿会议上宣誓。仔细研究一下巴兹尔对宣誓就职的可接受性的明显摇摆,就会发现主教最初反对这种做法是出于主教的政治动机,而不是他的宗教原则。尽管后来的罗马主教经常被认为是上帝命令的服从者,但这些高级神职人员经常屈服于宣誓的必要性,从而优先考虑实际情况而不是圣经。
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引用次数: 0
Sonorous Desert: What Deep Listening Taught Early Christian Monks—and What It Can Teach Us by Kim Haines-Eitzen (review) 金·海恩斯·艾岑(Kim Haines Eitzen)的《声音沙漠:深度倾听教会了早期基督教僧侣什么——以及它能教会我们什么》(综述)
IF 0.2 3区 哲学 Q1 HISTORY Pub Date : 2022-12-01 DOI: 10.1353/earl.2022.0034
Katie Kleinkopf
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引用次数: 0
Augustine on Memory by Kevin G. Grove (review) 凯文·g·格罗夫《奥古斯丁论记忆》(书评)
IF 0.2 3区 哲学 Q1 HISTORY Pub Date : 2022-12-01 DOI: 10.1353/earl.2022.0033
V. Ogle
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引用次数: 0
Art, Craft, and Theology in Fourth-Century Christian Authors by Morwenna Ludlow (review) 《四世纪基督教作家的艺术、工艺和神学》作者:莫文娜·勒德洛
IF 0.2 3区 哲学 Q1 HISTORY Pub Date : 2022-08-30 DOI: 10.1353/earl.2022.0028
Paul M. Blowers
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引用次数: 0
Melania the Younger: From Rome to Jerusalem by Elizabeth A. Clark (review) 《年轻的梅拉尼娅:从罗马到耶路撒冷》,伊丽莎白·A·克拉克著(评论)
IF 0.2 3区 哲学 Q1 HISTORY Pub Date : 2022-08-30 DOI: 10.1353/earl.2022.0029
Roberto Alciati
they each other and the networks in which they circulated, the pagan authors past and present (e.g., Libanius of Antioch) that they esteemed, or not least the biblical writers (the author of the Song of Songs, the Apostle Paul, etc.) who displayed their own artistry. Ludlow concludes with a strong reminder that the virtuosity of these Christian authors served a deeply theological passion to draw their audiences into the creative and salvific economy of the divine Craftsman. I discern few serious flaws in Ludlow’s convincing account. Some of her chapters duplicate earlier published essays and there is invariably the challenge of providing an even flow between them. Chapter Seven on christological use of prosōpopoeia seemed to break the rhythm of discussing the crafting of speeches for women that began in Chapter Six and was resumed in Chapter Eight. In some instances, furthermore, I would have preferred more nuance in Ludlow’s description of the specific emotions that these early Christian writers/preachers were trying to elicit using ekphrasis and prosōpopoeia. Some of these emotions, after all, were quite context-specific, such as when they sought a very particular quality of Christian mercy (not pity-at-a-distance) in response to the poor. There are some incidental typographical and other minor errors: read “Johan” for “Josef” Leemans (40); “Francine” for “Christine” Cardman (124); and “Council of Constantinople, 381” for “Council of “Chalcedon, 381” (206). But these are very minor things. Ludlow’s monograph is a groundbreaking and far-reaching contribution to the ongoing investigation of the rich and diverse literary (and rhetorical) culture of late ancient Christianity. It exhibits her own virtuosity in integrating the unique perspectives of historical theology and cultural history. Hopefully, in her future work, Ludlow will extend precisely this kind of exploration beyond the Cappadocians and John Chrysostom to other representative early Christian littérateurs. Paul M. Blowers, Milligan University
他们彼此以及他们流通的网络,他们尊敬的过去和现在的异教徒作家(例如安条克的利巴尼乌斯),或者至少是展示自己艺术性的圣经作家(《歌》的作者、使徒保罗等)。勒德洛最后强烈提醒我们,这些基督教作家的精湛技艺激发了深深的神学热情,吸引了他们的观众进入这位神圣工匠的创造性和拯救性经济中。在勒德洛令人信服的叙述中,我几乎看不出什么严重的缺陷。她的一些章节与早期发表的文章重复,在它们之间提供均匀的流动总是一个挑战。第七章关于专业流行词的命名法使用,似乎打破了从第六章开始讨论女性演讲的节奏,并在第八章重新开始。此外,在某些情况下,我更倾向于在勒德洛对这些早期基督教作家/传教士试图使用ekphrasis和prosōpoppopoyme引发的特定情绪的描述中有更多的细微差别。毕竟,其中一些情绪是特定于具体情况的,比如当他们寻求一种非常特殊的基督教怜悯(而不是怜悯)来回应穷人时。有一些偶然的印刷和其他小错误:读“Johan”为“Josef”Leemans(40);“弗兰辛”为“克莉丝汀·卡德曼”(124);和“君士坦丁堡会议,381”为“Chalcedon会议,381(206)”。但这些都是很小的事情。勒德洛的专著对正在进行的对古代晚期基督教丰富多样的文学(和修辞)文化的调查做出了开创性和深远的贡献。它展示了她在融合历史神学和文化史的独特视角方面的精湛技艺。希望在她未来的作品中,勒德洛能将这种探索从卡帕多奇人和约翰·克里索斯托姆扩展到其他具有代表性的早期基督教文学家。Paul M.Blowers,米利根大学
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引用次数: 0
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JOURNAL OF EARLY CHRISTIAN STUDIES
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