Pub Date : 2024-05-08DOI: 10.1080/07494467.2024.2348270
François J. Bonnet (translated by Robin Mackay)
In this text, I explore aspects of Éliane Radigue’s electronic works. Based on long standing exchanges and collaboration with Radigue herself, and 20 years of experience and involvement in the fiel...
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Pub Date : 2024-05-07DOI: 10.1080/07494467.2024.2348272
Daniel Silliman
This article explores various aspects of Éliane Radigue's approach to working with her ARP 2500 modular synthesiser, analysing sketches, recordings, and technical information about her instrument t...
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Pub Date : 2024-05-07DOI: 10.1080/07494467.2024.2348275
Nate Wooley
Using Anne Carson’s concepts of ‘cliché’, ‘catastrophe’, ‘silence’, and ‘translation’ as a framework, I will trace the ways in which my collaboration with Éliane Radigue on her composition OCCAM X ...
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Pub Date : 2024-04-15DOI: 10.1080/07494467.2024.2331927
Published in Contemporary Music Review (Ahead of Print, 2024)
发表于《当代音乐评论》(2024 年提前出版)
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Pub Date : 2024-01-24DOI: 10.1080/07494467.2023.2300022
Mariam Rezaei, Adam Denton
In the thick of austerity, small arts communities are tested to the brink. The Arts in the North of England had been hit with staggered funding cuts, almost halving resources available from arts fu...
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Pub Date : 2024-01-11DOI: 10.1080/07494467.2024.2302274
Shantam Goyal
Literary texts often considered difficult or challenging present formidable hindrances to literature classrooms founded on ideas of mastery and understanding. This mastery is facilitated through th...
{"title":"Difficult Women: Joyce, Burns, and the Radical Passivity of Listening","authors":"Shantam Goyal","doi":"10.1080/07494467.2024.2302274","DOIUrl":"https://doi.org/10.1080/07494467.2024.2302274","url":null,"abstract":"Literary texts often considered difficult or challenging present formidable hindrances to literature classrooms founded on ideas of mastery and understanding. This mastery is facilitated through th...","PeriodicalId":44746,"journal":{"name":"Contemporary Music Review","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2024-01-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139459531","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-05DOI: 10.1080/07494467.2023.2295635
Lorena Muñoz-Alonso
‘On the Liberation upon Hearing in the Intermediate State’ is a highly subjective reconstruction of a concert that Éliane Radigue gave in June 2011, when her composition Kyema was played at St. Ste...
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Pub Date : 2023-12-08DOI: 10.1080/07494467.2023.2283274
Amanda Scherbenske
In 2005, composer John Zorn founded a music venue dedicated to ‘the experimental and avant-garde’ on New York’s Lower East Side, an area known for underground arts but long undergoing reinvestment....
{"title":"Improvising Myth and Memory Downtown: Music Venues, Race, and the Potential of Place","authors":"Amanda Scherbenske","doi":"10.1080/07494467.2023.2283274","DOIUrl":"https://doi.org/10.1080/07494467.2023.2283274","url":null,"abstract":"In 2005, composer John Zorn founded a music venue dedicated to ‘the experimental and avant-garde’ on New York’s Lower East Side, an area known for underground arts but long undergoing reinvestment....","PeriodicalId":44746,"journal":{"name":"Contemporary Music Review","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2023-12-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138560930","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-07DOI: 10.1080/07494467.2023.2279357
Zubin Kanga
This article examines the collaborative genesis of a new work for solo performer co-composed by Neil Luck and the author, Whatever Weighs You Down (2022), with a focus on the use of MiMU sensor glo...
{"title":"The Cyborg Hand: Gesture, Technology, Disability and Interdisciplinarity in Whatever Weighs You Down","authors":"Zubin Kanga","doi":"10.1080/07494467.2023.2279357","DOIUrl":"https://doi.org/10.1080/07494467.2023.2279357","url":null,"abstract":"This article examines the collaborative genesis of a new work for solo performer co-composed by Neil Luck and the author, Whatever Weighs You Down (2022), with a focus on the use of MiMU sensor glo...","PeriodicalId":44746,"journal":{"name":"Contemporary Music Review","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2023-12-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138560923","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-06DOI: 10.1080/07494467.2023.2283819
Published in Contemporary Music Review (Ahead of Print, 2023)
发表于《当代音乐评论》(2023 年提前出版)
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