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Contemporary Music Review最新文献

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Improvising Myth and Memory Downtown: Music Venues, Race, and the Potential of Place 市中心的即兴神话与记忆:音乐场所、种族和地方的潜力
IF 0.4 2区 艺术学 0 MUSIC Pub Date : 2023-12-08 DOI: 10.1080/07494467.2023.2283274
Amanda Scherbenske
In 2005, composer John Zorn founded a music venue dedicated to ‘the experimental and avant-garde’ on New York’s Lower East Side, an area known for underground arts but long undergoing reinvestment....
2005 年,作曲家约翰-佐恩(John Zorn)在纽约下东区创办了一个专门从事 "实验和前卫 "音乐的场所,该地区以地下艺术著称,但长期以来一直在进行再投资....。
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引用次数: 0
The Cyborg Hand: Gesture, Technology, Disability and Interdisciplinarity in Whatever Weighs You Down 机器手:无论你有多重》中的手势、技术、残疾和跨学科性
IF 0.4 2区 艺术学 0 MUSIC Pub Date : 2023-12-07 DOI: 10.1080/07494467.2023.2279357
Zubin Kanga
This article examines the collaborative genesis of a new work for solo performer co-composed by Neil Luck and the author, Whatever Weighs You Down (2022), with a focus on the use of MiMU sensor glo...
本文探讨了尼尔-勒克与作者共同创作的独奏新作品《无论你有多重》(2022 年)的合作起源,重点是 MiMU 传感球的使用。
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引用次数: 0
Making it Work: Music and Contemporary Art Spaces, Post-2008 让它发挥作用:音乐与当代艺术空间,2008 年后
IF 0.4 2区 艺术学 0 MUSIC Pub Date : 2023-12-06 DOI: 10.1080/07494467.2023.2283819
Published in Contemporary Music Review (Ahead of Print, 2023)
发表于《当代音乐评论》(2023 年提前出版)
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引用次数: 0
Participants, Punters or Perverts? An (Expanded) Relational Understanding of Simon Waters’ Performance Ecosystem 参与者、观众还是变态?西蒙-沃特斯表演生态系统的(扩展)关系理解
IF 0.4 2区 艺术学 0 MUSIC Pub Date : 2023-12-04 DOI: 10.1080/07494467.2023.2283680
Jack Walker
This paper examines an overlap between Simon Waters’ theory of the ‘performance ecosystem’ and Nicolas Bourriaud's ‘relational aesthetics’. Grounded on Tom Davis's prior synthesis of the two ideas,...
本文探讨了西蒙-沃特斯(Simon Waters)的 "表演生态系统 "理论与尼古拉斯-布里亚德(Nicolas Bourriaud)的 "关系美学 "之间的重叠之处。在汤姆-戴维斯(Tom Davis)先前对这两种观点进行综合的基础上,本文探讨了西蒙-沃特斯的 "表演生态系统 "理论与尼古拉斯-布里亚德的 "关系美学 "之间的重叠。
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引用次数: 0
Approaches for Working with the Body in the Design of Electronic Music Performance Systems 在设计电子音乐表演系统时与身体合作的方法
IF 0.4 2区 艺术学 0 MUSIC Pub Date : 2023-12-04 DOI: 10.1080/07494467.2023.2277564
Jenn Kirby
This article outlines a body-centred focus in the design of performance systems for electronic music. Through a movement-led design process, I discuss the interaction of the body, controllers, data...
本文概述了电子音乐表演系统设计中以身体为中心的重点。通过以动作为主导的设计过程,我讨论了身体、控制器、数据和声音之间的互动。
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引用次数: 0
Chaos Bells: Instrument Size and Entangled Music Performance 混沌钟声:乐器尺寸与纠缠音乐表演
IF 0.4 2区 艺术学 0 MUSIC Pub Date : 2023-12-04 DOI: 10.1080/07494467.2023.2277556
Lia Mice, Andrew P. McPherson
There is a current trend in the instrument design industry of scaling down physical dimensions, resulting in smaller and smaller ‘desktop’ instruments, but research conducted with large interfaces ...
仪器设计行业目前的趋势是缩小物理尺寸,从而制造出越来越小的 "桌面 "仪器,但对大型界面进行的研究...
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引用次数: 0
DIY Music and Contemporary Art Spaces: Centre for Contemporary Arts, Transmission and the Art-Music Nexus in Glasgow DIY音乐和当代艺术空间:格拉斯哥当代艺术中心,传播和艺术-音乐联系
IF 0.4 2区 艺术学 0 MUSIC Pub Date : 2023-11-29 DOI: 10.1080/07494467.2023.2283821
Evangelos Chrysagis
This article examines the relationship between contemporary art spaces and ‘Do-It-Yourself’ (DIY) music in Glasgow. It demonstrates the continuity and interconnectedness of DIY music and art practi...
本文探讨了格拉斯哥当代艺术空间与“DIY”音乐之间的关系。它展示了DIY音乐与艺术实践的连续性和关联性。
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引用次数: 0
‘It’s Basically the Same Practice to Organise an Exhibition of Work as it is to Put on a Gig’: Music and Art Sharing DIY Spaces in Scotland 组织作品展和举办演唱会的做法基本相同":苏格兰的音乐和艺术共享 DIY 空间
IF 0.4 2区 艺术学 0 MUSIC Pub Date : 2023-11-29 DOI: 10.1080/07494467.2023.2283273
Timothea Armour
In Scotland, experimental and non-commercial art and music practices have long shared physical space, with a great deal of crossover between who is making visual art and music, as well as fluidity ...
在苏格兰,实验性和非商业性的艺术与音乐实践长期以来一直共享着物理空间,视觉艺术和音乐创作之间存在着大量的交叉,以及流动性......
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引用次数: 0
In Conversation with Jennifer Walshe: Performing with Intelligent Machines 与Jennifer Walshe对话:与智能机器一起表演
IF 0.4 2区 艺术学 0 MUSIC Pub Date : 2023-11-29 DOI: 10.1080/07494467.2023.2276563
Mark Dyer, Zubin Kanga, Jennifer Walshe
In this interview, composer, performer and improviser Jennifer Walshe talks with Mark Dyer and Zubin Kanga about her work performing with machine learning algorithms and other intelligent machines....
在这次采访中,作曲家、表演者和即兴表演者Jennifer Walshe与Mark Dyer和Zubin Kanga谈论了她使用机器学习算法和其他智能机器....的工作
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引用次数: 0
The Role of Smart, Haptic Wearables in the Performance of Mensura 智能触觉可穿戴设备在测量仪性能中的作用
IF 0.4 2区 艺术学 0 MUSIC Pub Date : 2023-11-28 DOI: 10.1080/07494467.2023.2279799
Mark Dyer
This article introduces the concept of ‘wearing-in-performance’, the phenomenon of using digital, wearable technologies in musical performance. The research uses ethnographic methods, analysing int...
本文介绍了“穿戴演出”的概念,即在音乐表演中使用数字、可穿戴技术的现象。该研究使用人种学方法,分析……
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引用次数: 0
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Contemporary Music Review
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