Pub Date : 2023-12-08DOI: 10.1080/07494467.2023.2283274
Amanda Scherbenske
In 2005, composer John Zorn founded a music venue dedicated to ‘the experimental and avant-garde’ on New York’s Lower East Side, an area known for underground arts but long undergoing reinvestment....
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Pub Date : 2023-12-07DOI: 10.1080/07494467.2023.2279357
Zubin Kanga
This article examines the collaborative genesis of a new work for solo performer co-composed by Neil Luck and the author, Whatever Weighs You Down (2022), with a focus on the use of MiMU sensor glo...
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Pub Date : 2023-12-06DOI: 10.1080/07494467.2023.2283819
Published in Contemporary Music Review (Ahead of Print, 2023)
发表于《当代音乐评论》(2023 年提前出版)
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Pub Date : 2023-12-04DOI: 10.1080/07494467.2023.2283680
Jack Walker
This paper examines an overlap between Simon Waters’ theory of the ‘performance ecosystem’ and Nicolas Bourriaud's ‘relational aesthetics’. Grounded on Tom Davis's prior synthesis of the two ideas,...
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Pub Date : 2023-12-04DOI: 10.1080/07494467.2023.2277564
Jenn Kirby
This article outlines a body-centred focus in the design of performance systems for electronic music. Through a movement-led design process, I discuss the interaction of the body, controllers, data...
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Pub Date : 2023-12-04DOI: 10.1080/07494467.2023.2277556
Lia Mice, Andrew P. McPherson
There is a current trend in the instrument design industry of scaling down physical dimensions, resulting in smaller and smaller ‘desktop’ instruments, but research conducted with large interfaces ...
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Pub Date : 2023-11-29DOI: 10.1080/07494467.2023.2283821
Evangelos Chrysagis
This article examines the relationship between contemporary art spaces and ‘Do-It-Yourself’ (DIY) music in Glasgow. It demonstrates the continuity and interconnectedness of DIY music and art practi...
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Pub Date : 2023-11-29DOI: 10.1080/07494467.2023.2283273
Timothea Armour
In Scotland, experimental and non-commercial art and music practices have long shared physical space, with a great deal of crossover between who is making visual art and music, as well as fluidity ...
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Pub Date : 2023-11-29DOI: 10.1080/07494467.2023.2276563
Mark Dyer, Zubin Kanga, Jennifer Walshe
In this interview, composer, performer and improviser Jennifer Walshe talks with Mark Dyer and Zubin Kanga about her work performing with machine learning algorithms and other intelligent machines....
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Pub Date : 2023-11-28DOI: 10.1080/07494467.2023.2279799
Mark Dyer
This article introduces the concept of ‘wearing-in-performance’, the phenomenon of using digital, wearable technologies in musical performance. The research uses ethnographic methods, analysing int...
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