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Participants, Punters or Perverts? An (Expanded) Relational Understanding of Simon Waters’ Performance Ecosystem 参与者、观众还是变态?西蒙-沃特斯表演生态系统的(扩展)关系理解
IF 0.4 2区 艺术学 Q1 Arts and Humanities Pub Date : 2023-12-04 DOI: 10.1080/07494467.2023.2283680
Jack Walker
This paper examines an overlap between Simon Waters’ theory of the ‘performance ecosystem’ and Nicolas Bourriaud's ‘relational aesthetics’. Grounded on Tom Davis's prior synthesis of the two ideas,...
本文探讨了西蒙-沃特斯(Simon Waters)的 "表演生态系统 "理论与尼古拉斯-布里亚德(Nicolas Bourriaud)的 "关系美学 "之间的重叠之处。在汤姆-戴维斯(Tom Davis)先前对这两种观点进行综合的基础上,本文探讨了西蒙-沃特斯的 "表演生态系统 "理论与尼古拉斯-布里亚德的 "关系美学 "之间的重叠。
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引用次数: 0
Approaches for Working with the Body in the Design of Electronic Music Performance Systems 在设计电子音乐表演系统时与身体合作的方法
IF 0.4 2区 艺术学 Q1 Arts and Humanities Pub Date : 2023-12-04 DOI: 10.1080/07494467.2023.2277564
Jenn Kirby
This article outlines a body-centred focus in the design of performance systems for electronic music. Through a movement-led design process, I discuss the interaction of the body, controllers, data...
本文概述了电子音乐表演系统设计中以身体为中心的重点。通过以动作为主导的设计过程,我讨论了身体、控制器、数据和声音之间的互动。
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引用次数: 0
Chaos Bells: Instrument Size and Entangled Music Performance 混沌钟声:乐器尺寸与纠缠音乐表演
IF 0.4 2区 艺术学 Q1 Arts and Humanities Pub Date : 2023-12-04 DOI: 10.1080/07494467.2023.2277556
Lia Mice, Andrew P. McPherson
There is a current trend in the instrument design industry of scaling down physical dimensions, resulting in smaller and smaller ‘desktop’ instruments, but research conducted with large interfaces ...
仪器设计行业目前的趋势是缩小物理尺寸,从而制造出越来越小的 "桌面 "仪器,但对大型界面进行的研究...
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引用次数: 0
‘It’s Basically the Same Practice to Organise an Exhibition of Work as it is to Put on a Gig’: Music and Art Sharing DIY Spaces in Scotland 组织作品展和举办演唱会的做法基本相同":苏格兰的音乐和艺术共享 DIY 空间
IF 0.4 2区 艺术学 Q1 Arts and Humanities Pub Date : 2023-11-29 DOI: 10.1080/07494467.2023.2283273
Timothea Armour
In Scotland, experimental and non-commercial art and music practices have long shared physical space, with a great deal of crossover between who is making visual art and music, as well as fluidity ...
在苏格兰,实验性和非商业性的艺术与音乐实践长期以来一直共享着物理空间,视觉艺术和音乐创作之间存在着大量的交叉,以及流动性......
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引用次数: 0
DIY Music and Contemporary Art Spaces: Centre for Contemporary Arts, Transmission and the Art-Music Nexus in Glasgow DIY音乐和当代艺术空间:格拉斯哥当代艺术中心,传播和艺术-音乐联系
IF 0.4 2区 艺术学 Q1 Arts and Humanities Pub Date : 2023-11-29 DOI: 10.1080/07494467.2023.2283821
Evangelos Chrysagis
This article examines the relationship between contemporary art spaces and ‘Do-It-Yourself’ (DIY) music in Glasgow. It demonstrates the continuity and interconnectedness of DIY music and art practi...
本文探讨了格拉斯哥当代艺术空间与“DIY”音乐之间的关系。它展示了DIY音乐与艺术实践的连续性和关联性。
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引用次数: 0
In Conversation with Jennifer Walshe: Performing with Intelligent Machines 与Jennifer Walshe对话:与智能机器一起表演
IF 0.4 2区 艺术学 Q1 Arts and Humanities Pub Date : 2023-11-29 DOI: 10.1080/07494467.2023.2276563
Mark Dyer, Zubin Kanga, Jennifer Walshe
In this interview, composer, performer and improviser Jennifer Walshe talks with Mark Dyer and Zubin Kanga about her work performing with machine learning algorithms and other intelligent machines....
在这次采访中,作曲家、表演者和即兴表演者Jennifer Walshe与Mark Dyer和Zubin Kanga谈论了她使用机器学习算法和其他智能机器....的工作
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引用次数: 0
The Role of Smart, Haptic Wearables in the Performance of Mensura 智能触觉可穿戴设备在测量仪性能中的作用
IF 0.4 2区 艺术学 Q1 Arts and Humanities Pub Date : 2023-11-28 DOI: 10.1080/07494467.2023.2279799
Mark Dyer
This article introduces the concept of ‘wearing-in-performance’, the phenomenon of using digital, wearable technologies in musical performance. The research uses ethnographic methods, analysing int...
本文介绍了“穿戴演出”的概念,即在音乐表演中使用数字、可穿戴技术的现象。该研究使用人种学方法,分析……
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引用次数: 0
Opera in Portugal in the Last Quarter of the Twentieth Century: A Reflection on the Theatrical and Musical Issues in Creating Music Theatre 20世纪最后25年的葡萄牙歌剧:对音乐剧创作中的戏剧和音乐问题的反思
IF 0.4 2区 艺术学 Q1 Arts and Humanities Pub Date : 2023-11-28 DOI: 10.1080/07494467.2023.2278353
João Paulo Santos
This article proposes a critical perspective on operatic production carried out in Portugal in the last quarter of the twentieth century. Through concrete examples, I examine the issues that arise ...
本文对20世纪最后25年在葡萄牙进行的歌剧创作提出了一个批判的观点。通过具体的例子,我研究了出现的问题……
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引用次数: 0
Ergodynamics of the Open Machine: Material Engagement and Modular Synthesis Performance Practice 开放机器的人体动力学:材料参与和模块化合成性能实践
IF 0.4 2区 艺术学 Q1 Arts and Humanities Pub Date : 2023-11-27 DOI: 10.1080/07494467.2023.2277563
Benjamin Carey
This paper analyses some theoretical and philosophical concerns related to modular synthesis performance practice. Taking an interdisciplinary approach drawing upon concepts from cognitive archaeol...
本文分析了与模块化综合表演实践有关的一些理论和哲学问题。采用跨学科的方法,利用认知考古学的概念……
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引用次数: 0
The Performer as Posthuman Assemblage: Performer-Machine Interactions in Contemporary Music 作为后人类组合的表演者:当代音乐中的表演者与机器的互动
IF 0.4 2区 艺术学 Q1 Arts and Humanities Pub Date : 2023-11-27 DOI: 10.1080/07494467.2023.2277978
Mark Dyer, Zubin Kanga
Published in Contemporary Music Review (Ahead of Print, 2023)
发表于《当代音乐评论》(2023年印刷前)
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引用次数: 0
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Contemporary Music Review
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