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Transcultural Utopias: Exploring the Afterlives of Rabindranath Tagore, Visions of Utopia, and Aesthetic Formulations in Cultural Diaspora Practice 跨文化的乌托邦:探索泰戈尔的来世、乌托邦的愿景和文化流散实践中的美学构想
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-07-01 DOI: 10.5325/utopianstudies.33.2.0223
Sangeeta Datta
abstract:This article explores Rabindranath Tagore’s vision of the future, continuously engaged with and drawing from the past, in relation to my own creative practice as theatre and film director, curator, and singer-performer, a practice that continuously engages with the resonances of Tagorean utopia. Through three case studies from the author’s creative engagement with Tagore’s utopia, the article explores (1) the building of transcultural utopias in which Tagore and Leonard Elmhirst participated and how Dartington Hall rapidly became a magnet for artists, writers, philosophers, and musicians; (2) Tagore’s opera Tasher Desh (Land of Cards, 1933), a powerful political satire on fascism/free will; and (3) the author’s feature film Life Goes On and the Tagorean construct of the absent-present mother figure.
摘要:本文探讨了拉宾德拉纳特·泰戈尔对未来的愿景,不断地与过去接触和借鉴,并与我自己作为戏剧和电影导演、策展人和歌手表演者的创作实践相联系,这种实践不断地与泰戈尔乌托邦的共鸣相联系。通过作者对泰戈尔乌托邦的创造性参与的三个案例研究,本文探讨了(1)泰戈尔和伦纳德·埃尔赫斯特参与的跨文化乌托邦的构建,以及达廷顿大厅如何迅速成为吸引艺术家、作家、哲学家和音乐家的磁石;(2) 泰戈尔的歌剧《Tasher Desh》(《纸牌之地》,1933年),是对法西斯主义/自由意志的有力政治讽刺;以及(3)作者的故事片《生命继续》和泰戈尔对缺席的当下母亲形象的建构。
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引用次数: 0
Solarpunk Futures 太阳朋克期货
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-07-01 DOI: 10.5325/utopianstudies.33.2.0342
N. Pohl
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引用次数: 0
Gestures of Refusal: Utopian Longings in Satyajit Ray’s Goopy Gyne Bagha Byne 拒绝的姿态:萨蒂亚吉特·雷的《古比·格温·巴格哈·拜恩》中的乌托邦渴望
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-07-01 DOI: 10.5325/utopianstudies.33.2.0257
Sandeep Banerjee
abstract:This essay examines Satyajit Ray’s children’s film Goopy Gyne Bagha Byne (1969) to interrogate the ways it signals the utopian. Contending that its utopian desire manifests through the trope of wish-fulfillment (in particular, the granting of boons), it illuminates the trope’s centrality in the film’s imagination and articulation of freedom. Moreover, the essay suggests that the film’s utopianism is also anchored in its irrealist aesthetics. Engaging with the film’s figuration of ghosts and its violation of the narrative structure of the real, the essay illuminates how these formal features inform, and are informed by, a utopian desire. Furthermore, the essay notes that despite its inherent utopianism, Goopy Gyne Bagha Byne fails to resolve some of the more obdurate social contradictions in its diegetic world, especially around questions of class, gender, and caste. Arguing that these “failures” are in keeping with its utopian spirit, I suggest they draw our attention to the imperfections of our real conditions of existence and flag the limits of textual utopianism. In so doing, they refer negatively to the social field beyond pointing to the abiding importance of class struggle as the ultimate agent of transformative social change.
本文以萨蒂亚吉特·雷(Satyajit Ray)的儿童电影《Goopy Gyne Bagha Byne》(1969)为研究对象,探讨其乌托邦化的表现方式。它认为乌托邦的欲望通过愿望实现的比喻(特别是给予恩惠)来体现,它阐明了这个比喻在电影的想象和对自由的表达中的中心地位。此外,本文认为影片的乌托邦主义也植根于其非现实主义美学。这篇文章探讨了电影中鬼魂的形象及其对现实叙事结构的违背,阐明了这些形式特征是如何传达并被一种乌托邦式的欲望所传达的。此外,文章还指出,尽管《古比·格恩·巴格哈·拜恩》有着固有的乌托邦主义,但它未能解决叙事世界中一些更为顽固的社会矛盾,尤其是围绕阶级、性别和种姓的问题。我认为,这些“失败”与乌托邦精神是一致的,它们让我们注意到我们真实存在条件的不完善,并标志着文本乌托邦主义的局限性。在这样做的过程中,他们否定了社会领域,而不是指出阶级斗争作为变革社会变革的最终动因的持久重要性。
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引用次数: 0
“A simple post-growth life”: The Green Camp Gallery Project as Lived Ecotopia in Urban South Africa “简单的后成长生活”:绿营画廊项目作为南非城市生态乌托邦
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-07-01 DOI: 10.5325/utopianstudies.33.2.0274
Antje Daniel
abstract:Utopias in Africa is an emerging academic field. While we are witnessing an increasing number of fictional and ideological utopias, little attention is paid to lived utopias. The Green Camp Gallery Project is such a lived utopia, which predominantly strives for realizing desired future imaginations in daily practices. Localized in the urban context of Durban (South Africa), in a derelict house in the industrial area, the Green Camp strives for a “simple post-growth life,” which is closely related to nature and the philosophy of Ubuntu. In so doing, the Green Camp responds to the overlapping crisis of urbanity and offers an alternative future aspiration. The Green Camp is not perfect and it is not able to solve the deep problems of South African society, but it offers an “island” of hope and imagination in a challenging urban environment. At the same time the lived utopia reveals the agency of the urban marginalized and contradicts widespread assumptions concerning environmentalism. Based on a qualitative study, the article takes an unusual perspective by analyzing the imagination of lived utopia in an emerging utopian hotspot—Africa.
摘要:非洲乌托邦是一个新兴的学术领域。当我们看到越来越多的虚构和意识形态乌托邦时,人们很少关注生活中的乌托邦。绿营画廊项目就是这样一个活生生的乌托邦,它主要致力于在日常实践中实现期望的未来想象。绿营位于德班(南非)的城市环境中,位于工业区的一栋废弃房屋中,致力于“简单的后成长生活”,这与自然和Ubuntu的哲学密切相关。通过这样做,绿营应对了城市化的重叠危机,并提供了另一种未来愿望。绿营并不完美,它无法解决南非社会的深层次问题,但它在充满挑战的城市环境中提供了一个充满希望和想象力的“岛屿”。同时,生活乌托邦揭示了城市边缘化者的能动性,并与关于环境主义的普遍假设相矛盾。在定性研究的基础上,本文以一种不同寻常的视角,分析了一个新兴的乌托邦热点——非洲对生活乌托邦的想象。
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引用次数: 0
American Transcendentalism and the Twenty-First Century 美国先验主义与二十一世纪
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-07-01 DOI: 10.5325/utopianstudies.33.2.0291
Brian Wolfel
abstract:American Transcendentalism, as a nineteenth-century intellectual and social movement, can inform both the academic debate surrounding post-liberalism and the social, political, and economic impact of the COVID-19 pandemic. Global capitalism, and globalization more generally, defined the era subsequent to World War II until the onset of the COVID-19 pandemic. The manifestation of global capitalism/globalization took place as a function of the rejection, whether conscious or unconscious, of the values embodied in American Transcendentalism as a modern reincarnation of immaterial and idealist Platonism. For example, American Transcendentalism valued renunciation (of economic consumption, dogmatic theology, and political participation), nature, and spirituality as the means for attaining an ideal personal life while also providing the building blocks for the attainment of a higher form of government and politics at the collective level. As a climactic global modern development, the COVID-19 pandemic provides empirical evidence for the diminishing returns that are inherent to the hegemonic commitment to materialist economy at the expense of corresponding devaluation of commitments to the ideals of transcendentalism. Ralph Waldo Emerson forecast the realization of such diminishing returns, in which he asserted the longevity of the impact of transcendentalism would be greater than that of the materialism in his era. Immediately prior to the onset of the COVID-19 pandemic, American youth as a generation exhibited “transcendentalist” attributes such as decreasing commitments to religious and partisan affiliations and a trajectory of disillusionment with political participation. American Transcendentalism can be considered and applied as a source of inspiration to inform nascent deliberations on post-liberalism that invoke Platonism and the “transcendental.” In the context of the confluence of demographic changes, calls for post-liberalism, and the fallout of the COVID-19 pandemic, transcendentalism and its prospective popular reincarnation in the twenty-first century can be applied to generate a new and heretofore hidden transcendental “end of history” narrative as an alternative to the bipolarity of the “end of history” debate (between materialist liberalism and materialist communism).
摘要:美国先验主义作为一场19世纪的知识分子和社会运动,既可以为围绕后自由主义的学术辩论提供信息,也可以为COVID-19大流行的社会、政治和经济影响提供信息。全球资本主义,以及更广泛的全球化,定义了第二次世界大战之后的时代,直到COVID-19大流行爆发。全球资本主义/全球化的表现形式是有意无意地拒绝美国超验主义所体现的价值观,即非物质和唯心主义柏拉图主义的现代转世。例如,美国先验主义重视放弃(经济消费、教条主义神学和政治参与)、自然和灵性作为实现理想个人生活的手段,同时也为实现更高形式的政府和集体政治提供了基石。作为全球现代发展的高潮,2019冠状病毒病大流行提供了经验证据,证明了对物质主义经济的霸权承诺所固有的收益递减,代价是对先验主义理想的承诺相应贬值。拉尔夫·沃尔多·爱默生预言了这种收益递减的实现,他断言,在他的时代,先验主义的影响将比唯物主义的影响更持久。在COVID-19大流行爆发之前,美国青年作为一代人表现出“先验主义”属性,例如对宗教和党派关系的承诺减少,以及对政治参与的幻灭轨迹。美国的超验主义可以被认为是一种灵感的来源,并被应用于启发柏拉图主义和“超验”的后自由主义的新生审议。在人口结构变化、对后自由主义的呼吁以及COVID-19大流行的影响的汇合背景下,先验主义及其在21世纪的预期流行轮回可以用来产生一种新的、迄今为止隐藏的先验“历史的终结”叙事,作为“历史的终结”辩论(唯物主义自由主义和唯物主义共产主义之间)的两极化的替代方案。
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引用次数: 1
Transcultural Utopian Imagination and the Future: Tagore, Gandhi, Andrews, and India–Britain Entanglements in the Early 1930s 《跨文化乌托邦想象与未来:泰戈尔、甘地、安德鲁斯与20世纪30年代早期印英纠葛》
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-07-01 DOI: 10.5325/utopianstudies.33.2.0206
B. Bagchi
abstract:This article focuses on the transcultural utopian imaginings of futures in early twentieth-century India and Britain, with Indian poet Rabindranath Tagore, anti-colonial politician M. K. Gandhi, and British Christian activist C. F. Andrews at the center. Homing in on two trips made to England by Tagore (1930) and Gandhi (1931), especially their visits to Woodbrooke Quaker College in Birmingham, and on Gandhi’s visit to Lancashire, the article shows how British Christian and Quaker utopians and Indian utopians cooperated with each other. The article excavates the utopian experiments of Corder Catchpool, also a Quaker, in Darwen, Lancashire, where Gandhi stayed. Religion should be accorded an important place in our understanding of utopia, the article argues. A human propensity to create a paradoxical sense of futurity that does not negate the past, one that Tagore highlights in The Religion of Man (1931), is found in all the utopians discussed.
本文以印度诗人泰戈尔、反殖民主义政治家甘地和英国基督教活动家安德鲁斯为中心,探讨了20世纪初印度和英国对未来的跨文化乌托邦想象。本文以泰戈尔(1930年)和甘地(1931年)的两次英国之行,特别是他们对伯明翰伍德布鲁克贵格会学院的访问,以及甘地对兰开夏郡的访问为出发点,展示了英国基督教和贵格会乌托邦与印度乌托邦是如何相互合作的。这篇文章挖掘了科德·卡奇普尔(Corder Catchpool)的乌托邦实验,他也是一名贵格会教徒,住在兰开夏郡的达文(Darwen),甘地住过的地方。文章认为,宗教应该在我们理解乌托邦的过程中占有重要地位。泰戈尔在《人的宗教》(the Religion of Man, 1931)中强调,人类倾向于创造一种矛盾的未来感,而这种未来感并不否定过去,这种倾向在所有讨论过的乌托邦主义者身上都能找到。
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引用次数: 1
Space, Utopia and Indian Decolonization: Literary Pre-figurations of the Postcolony by Sandeep Banerjee (review) 空间、乌托邦与印度的非殖民化:后殖民地的文学预象桑迪普·班纳吉(书评)
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-07-01 DOI: 10.5325/utopianstudies.33.2.0346
B. Bagchi
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引用次数: 1
Science and Technology in Russian Cosmic Utopias from the Beginning of the Twentieth Century: Konstantin Tsiolkovsky and Alexander Bogdanov 20世纪初俄国宇宙乌托邦中的科学与技术:康斯坦丁·齐奥尔科夫斯基与亚历山大·波格丹诺夫
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-03-01 DOI: 10.5325/utopianstudies.33.1.0036
Marcin Pomarański
abstract:The beginning of the twentieth century was a period of an intense development of technological utopia. The advancement of the natural sciences at that time provided scholars and thinkers with a new perspective and a better tool for getting to know the universe. Thanks to this, utopian visions created at that time were more daring and ambitious than their predecessors. It is no coincidence that the first cosmic utopias were created at this time, positioning ideal communities outside the earth. Russian authors Alexander Bogdanov and Konstantin Tsiolkovsky stand out among the creators of such utopias. These two renowned scientists, considered pioneers in their respective areas, presented within the span of slightly more than a decade surprisingly similar visions, one of them taking place on Mars and the other in the cosmic space. What sets the two narratives apart is the role they attribute to science and technology. Regardless of the fact that both utopias are characterized by a high level of scientific development and technological advancement, the scientific-technological factor is a vital determinant of the idealized community in only one of them. The key to understanding this discrepancy may be found in the works of British writer H. G. Wells.
20世纪初是技术乌托邦激烈发展的时期。当时自然科学的发展为学者和思想家们认识宇宙提供了新的视角和更好的工具。正因为如此,当时创造的乌托邦愿景比他们的前辈更加大胆和雄心勃勃。第一个宇宙乌托邦是在这个时候被创造出来的,它将理想的社区定位在地球之外,这并非巧合。俄罗斯作家亚历山大·波格丹诺夫和康斯坦丁·齐奥尔科夫斯基在这些乌托邦的创造者中脱颖而出。这两位著名的科学家被认为是各自领域的先驱,他们在十多年的时间里提出了惊人的相似愿景,其中一个发生在火星上,另一个发生在宇宙空间。这两种说法的不同之处在于,它们把科学和技术所起的作用区分开来。尽管这两个乌托邦都以高度的科学发展和技术进步为特征,但科学技术因素仅在其中一个乌托邦中是理想化社区的重要决定因素。理解这种差异的关键可以在英国作家h.g.威尔斯的作品中找到。
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引用次数: 0
Multispecies Cities: Solarpunk Urban Futures 多物种城市:太阳朋克城市的未来
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-03-01 DOI: 10.5325/utopianstudies.33.1.0162
Heather Alberro
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引用次数: 3
Feminist Antifascism: Counterpublics of the Common 女权主义反法西斯主义:共同的反公众
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-03-01 DOI: 10.5325/utopianstudies.33.1.0179
Tim Waterman
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引用次数: 0
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Utopian Studies
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