Pub Date : 2022-05-04DOI: 10.1080/10371397.2022.2108778
T. Iles
{"title":"Ghost in the Well: The Hidden History of Horror Films in Japan","authors":"T. Iles","doi":"10.1080/10371397.2022.2108778","DOIUrl":"https://doi.org/10.1080/10371397.2022.2108778","url":null,"abstract":"","PeriodicalId":44839,"journal":{"name":"Japanese Studies","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2022-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44010875","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-04DOI: 10.1080/10371397.2022.2101991
Daryl Jamieson
Abstract Zeami Motokiyo was one of nō’s most important theorists and practitioners, and mugen nō one of his most sophisticated innovations. Using the play Tōru as a model, this article explores how Zeami’s nō utilised waka theory and Buddhist aesthetics that were current in his time. I will particularly focus on his use of utamakura, a poetic device of intertextual allusion via place names. In the second part of the article I will analyse Tōru’s text and music through the lens of Kyoto School philosopher Ueda Shizuteru’s theory of language. In positioning poetic spirits of place on stage, Zeami shows the power of language to manifest something like conventional reality. When watching mugen nō, the music and poetry combine to create a place wherein the audience shares the aesthetic-spiritual experience of the spirit of place manifesting in our communal mind. His staging of the opening up of the hollow expanse is the beauty of Zeami’s art.
{"title":"Spirit of Place: Zeami’s Tōru and the Poetic Manifestation of Mugen","authors":"Daryl Jamieson","doi":"10.1080/10371397.2022.2101991","DOIUrl":"https://doi.org/10.1080/10371397.2022.2101991","url":null,"abstract":"Abstract Zeami Motokiyo was one of nō’s most important theorists and practitioners, and mugen nō one of his most sophisticated innovations. Using the play Tōru as a model, this article explores how Zeami’s nō utilised waka theory and Buddhist aesthetics that were current in his time. I will particularly focus on his use of utamakura, a poetic device of intertextual allusion via place names. In the second part of the article I will analyse Tōru’s text and music through the lens of Kyoto School philosopher Ueda Shizuteru’s theory of language. In positioning poetic spirits of place on stage, Zeami shows the power of language to manifest something like conventional reality. When watching mugen nō, the music and poetry combine to create a place wherein the audience shares the aesthetic-spiritual experience of the spirit of place manifesting in our communal mind. His staging of the opening up of the hollow expanse is the beauty of Zeami’s art.","PeriodicalId":44839,"journal":{"name":"Japanese Studies","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2022-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43410079","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-04DOI: 10.1080/10371397.2022.2096581
Alexander. R. Best, Ian Austin
Abstract As exercised by the recent Tokyo 2020 Olympics and 2020 Paralympics, both delayed until 2021 due to COVID-19 conditions, sports diplomacy is shifting, from emergence as a concept, toward empirical legitimacy. Extant literature has allowed scholars to clearly establish the factors constituting sports diplomacy, which has culminated in the sports diplomacy model proposed by Abdi and colleagues. This study examines the sports diplomacy model through a qualitative investigation of an operational Australian sports diplomacy campaign, AUS+RALLY, within the context of Japan. The evident conformity of the extant sports diplomacy model with the AUS+RALLY campaign represents an important step for sports diplomacy scholarship, and the case utilised provides critical insights into the conduct of sports diplomacy activities and suggests enhancements to the extant sports diplomacy model.
{"title":"International Sports Diplomacy in Action – An Investigation of AUS+RALLY: An Australian Sports Diplomacy Campaign in Japan","authors":"Alexander. R. Best, Ian Austin","doi":"10.1080/10371397.2022.2096581","DOIUrl":"https://doi.org/10.1080/10371397.2022.2096581","url":null,"abstract":"Abstract As exercised by the recent Tokyo 2020 Olympics and 2020 Paralympics, both delayed until 2021 due to COVID-19 conditions, sports diplomacy is shifting, from emergence as a concept, toward empirical legitimacy. Extant literature has allowed scholars to clearly establish the factors constituting sports diplomacy, which has culminated in the sports diplomacy model proposed by Abdi and colleagues. This study examines the sports diplomacy model through a qualitative investigation of an operational Australian sports diplomacy campaign, AUS+RALLY, within the context of Japan. The evident conformity of the extant sports diplomacy model with the AUS+RALLY campaign represents an important step for sports diplomacy scholarship, and the case utilised provides critical insights into the conduct of sports diplomacy activities and suggests enhancements to the extant sports diplomacy model.","PeriodicalId":44839,"journal":{"name":"Japanese Studies","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2022-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41805175","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-04DOI: 10.1080/10371397.2022.2108776
E. Williams
Abstract This article uses qualitative interview data to analyse how young Japanese men with international experience spoke about (un)desirable masculine identities in relation to their sojourns. Specifically, this study investigates how ideas of desire and akogare (longing for something unattainable) were integral in the construction of ethno-national Japanese heterosexual male identities. By analysing intersections of race, ethnicity, gender, language and desire, this study argues that many participants perceived a hierarchy of desire abroad that elevated Western notions of hegemonic masculinity while simultaneously marginalizing heterosexual Asian masculinity. This was further complicated by participants who viewed host community women (who were often described as white native English speakers) as embodying ideal femininity. Japanese men’s subordinate masculinity was viewed as a barrier to romantic access to host community women, although for many participants, this group of women were seen as desirable romantic partners. This study also presents the stories of a small group of men who resisted marginalized masculine identities through criticism of the women in their host communities by assigning them a deviant femininity. This article illustrates how romantic desire can be used as a lens to analyse how Japanese male returned sojourners may replicate and challenge racial and gendered power structures.
{"title":"Desire and the Construction of Masculine Identities Among Young Japanese Men with International Experiences","authors":"E. Williams","doi":"10.1080/10371397.2022.2108776","DOIUrl":"https://doi.org/10.1080/10371397.2022.2108776","url":null,"abstract":"Abstract This article uses qualitative interview data to analyse how young Japanese men with international experience spoke about (un)desirable masculine identities in relation to their sojourns. Specifically, this study investigates how ideas of desire and akogare (longing for something unattainable) were integral in the construction of ethno-national Japanese heterosexual male identities. By analysing intersections of race, ethnicity, gender, language and desire, this study argues that many participants perceived a hierarchy of desire abroad that elevated Western notions of hegemonic masculinity while simultaneously marginalizing heterosexual Asian masculinity. This was further complicated by participants who viewed host community women (who were often described as white native English speakers) as embodying ideal femininity. Japanese men’s subordinate masculinity was viewed as a barrier to romantic access to host community women, although for many participants, this group of women were seen as desirable romantic partners. This study also presents the stories of a small group of men who resisted marginalized masculine identities through criticism of the women in their host communities by assigning them a deviant femininity. This article illustrates how romantic desire can be used as a lens to analyse how Japanese male returned sojourners may replicate and challenge racial and gendered power structures.","PeriodicalId":44839,"journal":{"name":"Japanese Studies","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2022-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46032426","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-04DOI: 10.1080/10371397.2022.2108777
F. Gygi
Abstract The last decade has seen the rise of Japanese methods of decluttering, adding everyday stuff to the increasing number of things that the modern subject must manage to gain a sense of wellbeing. This article examines Danshari by Yamashita Hideko and the Konmari method by Kondō Marie. Using the ‘affective affordances’ of objects as an analytic lens, I will argue that paying attention to everyday practices of decluttering reveals a close connection between material landscapes, gendered subjectivities and competing ethics of personhood. These connections only become visible when we put the decluttering methods in the context of the gendered expectations regarding attachment towards objects and their care in domestic work. Objects serve as an integral part of the affective regulation of everyday life; their careful or wasteful treatment is closely linked with ethical consumption and moral personhood. Attachments to objects and injunctions against wastefulness make ridding a morally fraught task. By contrasting a close reading of the two methods with insights gained from fieldwork on everyday disposal, I will trace the ways in which affect is mobilized in order to get rid of things and put this in the broader context of consumer capitalism in twenty-first century Japan.
{"title":"Falling in and Out of Love with Stuff: Affective Affordance and Horizontal Transcendence in Styles of Decluttering in Japan","authors":"F. Gygi","doi":"10.1080/10371397.2022.2108777","DOIUrl":"https://doi.org/10.1080/10371397.2022.2108777","url":null,"abstract":"Abstract The last decade has seen the rise of Japanese methods of decluttering, adding everyday stuff to the increasing number of things that the modern subject must manage to gain a sense of wellbeing. This article examines Danshari by Yamashita Hideko and the Konmari method by Kondō Marie. Using the ‘affective affordances’ of objects as an analytic lens, I will argue that paying attention to everyday practices of decluttering reveals a close connection between material landscapes, gendered subjectivities and competing ethics of personhood. These connections only become visible when we put the decluttering methods in the context of the gendered expectations regarding attachment towards objects and their care in domestic work. Objects serve as an integral part of the affective regulation of everyday life; their careful or wasteful treatment is closely linked with ethical consumption and moral personhood. Attachments to objects and injunctions against wastefulness make ridding a morally fraught task. By contrasting a close reading of the two methods with insights gained from fieldwork on everyday disposal, I will trace the ways in which affect is mobilized in order to get rid of things and put this in the broader context of consumer capitalism in twenty-first century Japan.","PeriodicalId":44839,"journal":{"name":"Japanese Studies","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2022-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47144490","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-04DOI: 10.1080/10371397.2022.2096582
W. Puck Brecher
{"title":"From Country to Nation: Ethnographic Studies, Kokugaku, and Spirits in Nineteenth-Century Japan","authors":"W. Puck Brecher","doi":"10.1080/10371397.2022.2096582","DOIUrl":"https://doi.org/10.1080/10371397.2022.2096582","url":null,"abstract":"","PeriodicalId":44839,"journal":{"name":"Japanese Studies","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2022-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46645789","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-04DOI: 10.1080/10371397.2022.2092462
Lim Beng Choo, Julie A. Iezzi
Abstract Traditional Japanese theatre is a broad category that usually refers to noh, kyōgen, kabuki and bunraku. These genres formed from the fourteenth through seventeenth centuries, and are still regularly performed. Despite the many significant roles of technologies in these genres today, their increasing presence in the genres and myriad manifestations are seldom discussed. This article is an initial examination of the presence and significance of new technologies and new media in the traditional Japanese theatre ecology, focusing on developments in the past two decades including the staging of a ‘fusion noh’ with holograms as performers, to the later kabuki and bunraku plays performed with vocaloid, as well as Virtual Reality noh. By examining select case studies and focusing on the technological aspects of traditional theatre, we hope to bring focus to a critical development in traditional Japanese theatre and open further discussions about this phenomenon. We also wish to widen discussions regarding the parameters delineating what constitutes ‘traditional’ when speaking of Japanese theatre genres.
{"title":"Techno-Tradition: A Foray into Technology-Integrated Traditional Japanese Theatre","authors":"Lim Beng Choo, Julie A. Iezzi","doi":"10.1080/10371397.2022.2092462","DOIUrl":"https://doi.org/10.1080/10371397.2022.2092462","url":null,"abstract":"Abstract Traditional Japanese theatre is a broad category that usually refers to noh, kyōgen, kabuki and bunraku. These genres formed from the fourteenth through seventeenth centuries, and are still regularly performed. Despite the many significant roles of technologies in these genres today, their increasing presence in the genres and myriad manifestations are seldom discussed. This article is an initial examination of the presence and significance of new technologies and new media in the traditional Japanese theatre ecology, focusing on developments in the past two decades including the staging of a ‘fusion noh’ with holograms as performers, to the later kabuki and bunraku plays performed with vocaloid, as well as Virtual Reality noh. By examining select case studies and focusing on the technological aspects of traditional theatre, we hope to bring focus to a critical development in traditional Japanese theatre and open further discussions about this phenomenon. We also wish to widen discussions regarding the parameters delineating what constitutes ‘traditional’ when speaking of Japanese theatre genres.","PeriodicalId":44839,"journal":{"name":"Japanese Studies","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2022-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44247404","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-04DOI: 10.1080/10371397.2022.2108779
R. Ward
{"title":"Four Years in a Red Coat: The Loveday Internment Camp Diary of Miyakatsu Koike","authors":"R. Ward","doi":"10.1080/10371397.2022.2108779","DOIUrl":"https://doi.org/10.1080/10371397.2022.2108779","url":null,"abstract":"","PeriodicalId":44839,"journal":{"name":"Japanese Studies","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2022-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46206423","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-03DOI: 10.1080/10371397.2022.2072822
Tomoko Seto
{"title":"Isolation and Solidarity: Doing Japanese Studies at an International College in South Korea during the 2020 COVID-19 Outbreak","authors":"Tomoko Seto","doi":"10.1080/10371397.2022.2072822","DOIUrl":"https://doi.org/10.1080/10371397.2022.2072822","url":null,"abstract":"","PeriodicalId":44839,"journal":{"name":"Japanese Studies","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2022-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46348691","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-02DOI: 10.1080/10371397.2021.2020087
W. Robertson
ABSTRACT This article examines how social beliefs about language use and users influence writing-restricted variation in contemporary Japan by analyzing ojisan gokko (‘impersonating middle-aged men’), a practice where young Japanese women playfully message each other as though they were lecherous men. While the production of a stylized ojisan voice during ojisan gokko involves many traditional Japanese indexes (markers) of ‘male’ language, it also relies prominently on particular uses of script, emoji, kaomoji, and punctuation, ultimately creating a form of mocking which is bound to the written mode. Using indexicality as a framework, the article analyses 195 screenshots of ojisan gokko acts shared on Twitter to establish which writing-restrict forms are key to the practice, and examines the multiple social motives and origins behind these forms. Ultimately, ojisan gokko is noted to involve a complex interplay of variants traditionally linked to distinct social groups, with this combined use traced to a series of Japanese social actors observing, imitating, discussing, or parodying how others write. Consequently, ojisan gokko shows that writing-restricted variation can be highly motivated by social concerns, ideologies, and conflicts, including the desire to establish, contest, and modify which identities and forms of language use are appropriate or ‘cool’.
{"title":"‘Ojisan gokko shiyo! [Let’s pretend to be old men!]’: Contested Graphic Ideologies in Japanese Online Language Play","authors":"W. Robertson","doi":"10.1080/10371397.2021.2020087","DOIUrl":"https://doi.org/10.1080/10371397.2021.2020087","url":null,"abstract":"ABSTRACT This article examines how social beliefs about language use and users influence writing-restricted variation in contemporary Japan by analyzing ojisan gokko (‘impersonating middle-aged men’), a practice where young Japanese women playfully message each other as though they were lecherous men. While the production of a stylized ojisan voice during ojisan gokko involves many traditional Japanese indexes (markers) of ‘male’ language, it also relies prominently on particular uses of script, emoji, kaomoji, and punctuation, ultimately creating a form of mocking which is bound to the written mode. Using indexicality as a framework, the article analyses 195 screenshots of ojisan gokko acts shared on Twitter to establish which writing-restrict forms are key to the practice, and examines the multiple social motives and origins behind these forms. Ultimately, ojisan gokko is noted to involve a complex interplay of variants traditionally linked to distinct social groups, with this combined use traced to a series of Japanese social actors observing, imitating, discussing, or parodying how others write. Consequently, ojisan gokko shows that writing-restricted variation can be highly motivated by social concerns, ideologies, and conflicts, including the desire to establish, contest, and modify which identities and forms of language use are appropriate or ‘cool’.","PeriodicalId":44839,"journal":{"name":"Japanese Studies","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44674946","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：