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The Diffusion of the Codex 手抄本的传播
IF 0.5 2区 历史学 0 CLASSICS Pub Date : 2017-10-01 DOI: 10.1525/CA.2017.36.2.183
Benjamin Harnett
The adoption of the codex for literature in the Roman world was one of the most significant developments in the history of the book, yet remains poorly understood. Physical evidence seems to contradict literary evidence from Martial9s epigrams. Near-total adoption of the codex for early Christian works, even as the book roll dominated non-Christian book forms in the first centuries of our era, has led to endless speculation about possible ideological motives for adoption. What has been unquestioned is the importance of Christian scribes in the surge of adoption from 300 C.E. onward. This article reexamines the foundation of many theories, the timeline for non-Christian adoption sketched by Roberts and Skeat in their study, The Birth of the Codex, and reevaluates it through the lens of “diffusion of innovations theory” in order to reconcile the evidence and elevate practical considerations once and for all over ideological motives.
在罗马世界,采用抄本作为文学作品是书籍历史上最重要的发展之一,但人们对它的理解仍然很少。物理证据似乎与《武侠》警句中的文学证据相矛盾。早期基督教作品几乎完全采用了手抄本,即使在我们这个时代的最初几个世纪里,卷书主导了非基督教书籍的形式,这导致了对采用手抄本可能的意识形态动机的无休止的猜测。毋庸置疑的是,公元300年以来,基督教文士在大量接受基督教的过程中发挥了重要作用。本文重新审视了许多理论的基础,罗伯茨和斯基特在他们的研究《抄本的诞生》中概述的非基督教收养的时间表,并通过“创新扩散理论”的镜头重新评估它,以便调和证据并一劳永逸地提升实际考虑,而不是意识形态动机。
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引用次数: 17
Greek-Anatolian Language Contact and the Settlement of Pamphylia 希腊安纳托利亚语言接触与潘菲利亚的定居
IF 0.5 2区 历史学 0 CLASSICS Pub Date : 2017-04-01 DOI: 10.1525/CA.2017.36.1.104
C. Skelton
The Ancient Greek dialect of Pamphylia shows extensive influence from the nearby Anatolian languages. Evidence from the linguistics of Greek and Anatolian, sociolinguistics, and the historical and archaeological record suggest that this influence is due to Anatolian speakers learning Greek as a second language as adults in such large numbers that aspects of their L2 Greek became fixed as a part of the main Pamphylian dialect. For this linguistic development to occur and persist, Pamphylia must initially have been settled by a small number of Greeks, and remained isolated from the broader Greek-speaking community while prevailing cultural attitudes favored a combined Greek-Anatolian culture.
潘菲利亚的古希腊方言受到附近安纳托利亚语言的广泛影响。来自希腊语和安纳托利亚语语言学、社会语言学以及历史和考古记录的证据表明,这种影响是由于安纳托利亚人成年后大量学习希腊语作为第二语言,以至于他们的第二语言希腊语的方面被固定为主要的潘菲方言的一部分。为了使这种语言发展得以发生和持续,潘菲利亚最初必须由少数希腊人定居,并与更广泛的希腊语社区保持隔离,而主流的文化态度则倾向于希腊-安纳托利亚文化的融合。
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引用次数: 2
Death and Birth in the Urban Landscape: Strabo on Troy and Rome 城市景观中的死亡与诞生:特洛伊与罗马的斯特拉博
IF 0.5 2区 历史学 0 CLASSICS Pub Date : 2017-04-01 DOI: 10.1525/ca.2017.36.1.33
Laura Pfuntner
Although Strabo provides lengthy accounts of Troy and Rome in the Geography , the role of these cities in his geographical thinking has received little attention from scholars. This article argues that for Strabo, Rome and Troy serve as exemplars of the progression of human civilization from Homeric prehistory to the Augustan present. They are paradigmatic “rising” and “fallen” cities, through which the lifecycles of all cities in the oikoumenē can be understood. Moreover, in his treatment of the fall of Troy and the rise of Rome, Strabo departs from his Augustan-era contemporaries by illustrating the historical interactions of each city with its respective region, rather than Rome’s purported Trojan origins. In describing Rome’s expansion into Latium (Book Five) and the post-Trojan War history of the Troad (Book Thirteen), Strabo emphasizes the mutability of urban landscapes through the destruction of existing cities and the creation of new ones – two processes in which Rome has played a significant role, and which continue to shape human settlement across the oikoumenē .
尽管斯特拉博在《地理学》中对特洛伊和罗马进行了冗长的描述,但这些城市在他的地理思想中的作用却很少受到学者的关注。本文认为,对于斯特拉博来说,罗马和特洛伊是人类文明从荷马史前到奥古斯都时代发展的典范。它们是“崛起”和“衰落”城市的典范,通过它们可以理解《大库门》中所有城市的生命周期。此外,斯特拉博在处理特洛伊的衰落和罗马的崛起时,通过说明每个城市与其各自地区的历史互动,而不是罗马传说中的特洛伊起源,与奥古斯都时代的同时代人不同。在描述罗马向拉丁美洲的扩张(第五册)和特洛伊战争后的特洛伊历史(第十三册)时,斯特拉博强调了城市景观的可变性,通过破坏现有城市和创建新城市——罗马在这两个过程中发挥了重要作用,并继续塑造着整个oikoumenu的人类住区。
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引用次数: 0
Stability and violence in classical Greek democracies and oligarchies 古典希腊民主与寡头政治中的稳定与暴力
IF 0.5 2区 历史学 0 CLASSICS Pub Date : 2017-04-01 DOI: 10.1525/CA.2017.36.1.52
Matthew Simonton
Existing attempts to understand the relationship between violence and stability within Classical Athens are undermined by their failure to compare democracies with oligarchies. The exclusionary policies of oligarchies created a fragile political equilibrium that required considerable regulation if oligarchic regimes were to survive. By contrast, the inclusiveness of democracies largely defused the danger that disputes would lead to regime collapse. Citizens of democracies faced fewer incentives to police their behavior, resulting in higher levels of public disorder and violence; this violence, however, was at the same time less likely to escalate into deadly force and stasis . The distinctive cultures of democracies and oligarchies were determined in part by considerations of basic political order.
由于未能将民主政体与寡头政体进行比较,理解古典雅典内部暴力与稳定之间关系的现有尝试受到了破坏。寡头政治的排他性政策创造了一种脆弱的政治平衡,如果寡头政权要生存下去,就需要相当大的监管。相比之下,民主国家的包容性在很大程度上化解了争议导致政权崩溃的危险。民主国家的公民缺乏监督自己行为的动机,导致公共秩序混乱和暴力程度更高;然而,与此同时,这种暴力不太可能升级为致命的武力和停滞。民主政体和寡头政体的独特文化在一定程度上是由对基本政治秩序的考虑所决定的。
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引用次数: 18
The Fantastic Phaeacians: Dance and Disruption in the Odyssey 神奇的费阿契斯人:奥德赛中的舞蹈与破坏
IF 0.5 2区 历史学 0 CLASSICS Pub Date : 2017-04-01 DOI: 10.1525/CA.2017.36.1.1
Sarah Olsen
This article analyzes the descriptions of both choral and individualized dance in Odyssey 8, focusing on the unique and disruptive qualities of the virtuosic paired performance of the Phaeacian princes Halius and Laodamas. I explore how this dance is particularly emblematic of Phaeacian culture, and show how the description of dance and movement operates as a means by which Odysseus and Alcinous competitively negotiate their relative positions of status and authority within the poem. I further argue that the Homeric poet uses dance to foreground generic exploration and expansion in a manner consistent with recent understandings of the Odyssey ’s flexible and improvisatory poetics.
本文分析了《奥德赛8》中对合唱和个人舞蹈的描述,重点分析了费阿契亚王子哈利乌斯和老达玛斯的精彩配对表演的独特和破坏性。我探讨了这种舞蹈是如何成为菲厄西亚文化的象征,并展示了舞蹈和动作的描述是如何作为奥德修斯和阿尔奇诺斯在诗歌中竞争性地协商他们的相对地位和权威的一种手段。我进一步认为,荷马诗人用舞蹈来突出一般的探索和扩展,这种方式与最近对奥德赛灵活和即兴诗学的理解是一致的。
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引用次数: 3
From Hades to the Stars: Empedocles on the Cosmic Habitats of Soul 从冥府到星辰:恩培多克勒斯论灵魂的宇宙栖息地
IF 0.5 2区 历史学 0 CLASSICS Pub Date : 2017-04-01 DOI: 10.1525/CA.2017.36.1.130
S. Trépanier
καὶ πῶς τις ἀνάξeι αὐτοὺς eἰς φῶς, ὥσπeρἐξ Ἅιδου λέγονται δή τινeς eἰς θeοὺς ἀνeλθeῖν;Plato Republic 521c This study reconstructs Empedocles’ eschatology and cosmology, arguing that they presuppose one another. Part one surveys body and soul in Empedocles and argues that the transmigrating daimon is a long-lived compound made of the elements air and fire. Part two shows that Empedocles situates our current life in Hades, then considers the testimonies concerning different cosmic levels in Empedocles and compares them with the afterlife schemes in Pindar’s Second Olympian Ode and Plato’s Phaedo myth. Part three offers a new edition of section d lines 5–10 of the Strasbourg papyrus of Empedocles that reinforces the connection between transmigration and different cosmic locations for souls. Part four reconstructs Empedocles’ cosmology, identifies three different levels or habitats of soul, and, more tentatively, suggests that Empedoclean “long-lived gods” are best understood as stars.
καὶπῶςτιςἀνάξeιαὐτοὺςeἰςφῶς,ὥσeπρἐξἍιδουλέγονταιδήτινeςeἰςθeοὺςἀνeλθeῖν;柏拉图共和国521 c本研究建构恩培多克勒的末世论和宇宙学,认为他们假定。第一部分考察了恩培多克勒斯的身体和灵魂,并论证了轮回的恶魔是由空气和火元素组成的长寿化合物。第二部分,恩培多克勒斯将我们现在的生活置于冥界,然后考虑恩培多克勒斯关于不同宇宙层次的证词,并将其与品达的《第二奥林匹斯颂》和柏拉图的《斐多神话》中的来世计划进行比较。第三部分提供了恩培多克勒斯斯特拉斯堡莎草纸d部分5-10行的新版本,加强了灵魂的轮回和不同宇宙位置之间的联系。第四部分重建了恩培多克勒斯的宇宙论,确定了灵魂的三个不同层次或栖息地,并且更试探性地提出,恩培多克勒斯的“长寿之神”最好被理解为恒星。
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引用次数: 41
Cold Comfort: Empathy and Memory in an Archaic Funerary Monument from Akraiphia 冰冷的安慰:阿克雷菲亚古代丧葬纪念碑中的移情和记忆
IF 0.5 2区 历史学 0 CLASSICS Pub Date : 2016-10-01 DOI: 10.1525/CA.2016.35.2.189
S. Estrin
Focusing on a single funerary monument of the late archaic period, this paper shows how such a monument could be used by a bereaved individual to externalize and communalize the cognitive, perceptual, and emotional effects of loss. Through a close examination of the monument’s sculpted relief and inscribed epigram, I identify a structural framework underlying both that is built around a disjunction between perception and cognition embedded in the self-identified function of the monument as a mnema or memory-object. Through the analysis of other epigrams and literary passages, this disjunctive framework is shown to be derived, in turn, from broader conceptualizations in archaic Greece about how both mental images, including memories, and works of art allowed continued visual, but not cognitive-affective, access to the deceased. From this perspective, the monument’s relief opens up to us the experience of the bereaved individual who is only able to connect with the deceased through a remembered mental image.
本文以古代晚期的一座丧葬纪念碑为研究对象,展示了丧亲个体如何利用这样一座纪念碑将丧亲带来的认知、知觉和情感影响外化和公共化。通过对纪念碑雕刻浮雕和铭刻警句的仔细研究,我确定了一个结构框架,它围绕着感知和认知之间的脱节而建立,这种脱节嵌入在纪念碑作为记忆或记忆对象的自我认同功能中。通过对其他警句和文学段落的分析,这种分离的框架被证明是从古希腊更广泛的概念中衍生出来的,即包括记忆在内的心理图像和艺术作品如何允许持续的视觉,但不是认知情感,接近死者。从这个角度来看,纪念碑的浮雕向我们展示了失去亲人的人的经历,他们只能通过记忆中的精神形象与死者建立联系。
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引用次数: 3
Catullan Myths: Gender, Mourning, and the Death of a Brother 卡图兰神话:性别、哀悼和兄弟之死
IF 0.5 2区 历史学 0 CLASSICS Pub Date : 2016-10-01 DOI: 10.1525/CA.2016.35.2.279
A. Seider
This article considers Catullus’ reaction to his brother’s death and argues that the poet, having found the masculine vocabulary of grief inadequate, turns to the more expansive emotions and prolonged dedication offered by mythological examples of feminine mourning. I begin by showing how Catullus complicates his graveside speech to his brother in poem 101 by invoking poems 65, 68a, and 68b. In these compositions, Catullus likens himself to figures such as Procne and Laodamia, and their feminine modes of grief become associated with the poet. While these women’s grief brings them to a dreadful end, in my second reading of poem 101 I show how Catullus incorporates their emotional intensity and devoted attention into a masculine performance of mourning. Connecting his voyage to his brother’s grave with Odysseus’ journey, Catullus valorizes his single-minded remembrance of his sibling, even as he acknowledges that he will never overcome the distance between them.
这篇文章考虑了卡图卢斯对他兄弟之死的反应,并认为诗人发现男性悲伤的词汇不足,转而求助于女性哀悼的神话例子所提供的更广泛的情感和持久的奉献。我首先展示了卡图卢斯是如何在第101首诗中,通过引用第65 68a和68b首诗,使他对他兄弟的墓地演讲变得复杂的。在这些作品中,卡图卢斯把自己比作普鲁丝尼和劳达米亚等人物,他们的女性悲伤模式与诗人联系在一起。当这些女人的悲伤带给她们可怕的结局时,在我第二次读诗101时,我展示了卡图卢斯如何将她们的情感强度和专注融入到男性哀悼的表演中。卡图卢斯将自己前往哥哥坟墓的旅程与奥德修斯的旅程联系在一起,表达了他对兄弟的一心一意的怀念,尽管他承认自己永远无法克服他们之间的距离。
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引用次数: 2
Carpento certe: Conveying Gender in Roman Transportation 木匠:在罗马交通中传达性别
IF 0.5 2区 历史学 0 CLASSICS Pub Date : 2016-10-01 DOI: 10.1525/CA.2016.35.2.215
Jared Hudson
This article analyzes the prominent role played by a particular vehicle, the matronly carriage ( carpentum ), in the construction of Roman gender. Its focus is on the conveyance’s two most significant appearances in literary representation. First, I examine the various accounts of the vehicle’s best-known and most dramatic tableau, Tullia’s use of a carpentum to drive over her dead father king Servius Tullius’ body, arguing that the conveyance functions to articulate the cultural anxiety surrounding the passage from daughter to wife. I suggest that the story of Tullia’s carpentum , as a quasi-mythic exemplum of “feminine transportation,” looms as a dangerous threat in need of accommodation. Next, I examine the story of the Roman matrons’ demonstration in favor of the repeal of the lex Oppia , which had prohibited, among other things, their right to ride in carpenta . I argue that the accounts of Livy and others seek to offer a solution to the challenge posed by the physically protesting women by redefining their vehicular mobility as state-authorized, and as directly tied to their reproductive function. Thus, while Latin literature often articulates urban traffic as a familiarly frustrating system of obstacles, my analysis uncovers a contrasting Roman discourse, one that identifies traffic with the fertility of the city and its ability to reproduce Roman citizens.
本文分析了一种特殊的交通工具,即妇女马车(carpentum)在罗马性别建构中所起的突出作用。它的重点是传递在文学表现中的两个最重要的表现。首先,我研究了关于这辆车最著名、最具戏剧性的画面的各种说法,图利亚用一辆大木车从她死去的父亲国王瑟维乌斯·图利乌斯的尸体上驶过,认为这种运输方式的功能是表达围绕着从女儿到妻子的过渡的文化焦虑。我认为,图利亚的木匠的故事,作为“女性交通工具”的准神话范例,是一种需要住宿的危险威胁。接下来,我将考察罗马妇女游行示威的故事,以支持废除《奥皮亚法》(lex Oppia),该法律禁止妇女乘坐卡彭塔(carpenta)的权利。我认为Livy和其他人的描述试图提供一个解决方案,通过重新定义她们的车辆流动性,使其成为国家授权的,并直接与她们的生殖功能联系在一起,来解决身体抗议女性所带来的挑战。因此,虽然拉丁文学经常将城市交通表述为一个熟悉的令人沮丧的障碍系统,但我的分析揭示了一种对比鲜明的罗马话语,一种将交通与城市的丰富性及其繁殖罗马公民的能力联系起来的话语。
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引用次数: 3
Mapping Tartaros: Observation, Inference, and Belief in Ancient Greek and Roman Accounts of Karst Terrain 绘制塔罗牌:古希腊和古罗马喀斯特地形的观察、推断和信仰
IF 0.5 2区 历史学 0 CLASSICS Pub Date : 2016-10-01 DOI: 10.1525/CA.2016.35.2.147
C. Connors, Cindy Clendenon
This interdisciplinary article argues that ancient Greek and Roman representations of Okeanos, Tartaros, and the underworld demonstrate an observational awareness of the hollow underground spaces that characterize the geomorphology of karst terrains in the Mediterranean world. We review the scientific facts that underlie Greek and Roman accounts of karstic terrain in observation-based discourse and in myths, and we demonstrate that the Greek words barathron (pit), limnē (lake), koilos (hollow), and dinē (whirling current) are used with precision in observational accounts of karst terrain. Ancient accounts of the dynamic limnē and barathrum systems characteristic of much karst terrain offer a complex matrix of observation-based and belief-based discourse: at the edge of the barathrum, the imaginative or spiritual realm of the underworld has a material plausibility and the closely observed material world has a plausible potential to connect to a world we cannot see.
这篇跨学科的文章认为,古希腊和古罗马对奥基诺斯、塔塔罗斯和地下世界的描绘表明了对中空地下空间的观察意识,这些地下空间是地中海世界喀斯特地形地貌的特征。我们回顾了希腊和罗马在基于观察的话语和神话中对喀斯特地形的描述所依据的科学事实,并证明了希腊词语barathron(坑)、limni(湖)、koilos(空心)和dini(漩涡)在喀斯特地形的观察描述中被精确地使用。许多喀斯特地形特征的动态limnim和barathrum系统的古代描述提供了基于观察和基于信仰的话语的复杂矩阵:在barathrum的边缘,地下世界的想象或精神领域具有物质上的可信性,而密切观察的物质世界具有与我们看不到的世界联系在一起的似是而非的潜力。
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引用次数: 4
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