This article revisits a famous staple of the Vergilian tradition, Servius's heavily contested scholion on the actress Volumnia Cytheris's theatrical rendition of Vergil's sixth Eclogue. By shifting the focus of inquiry from the strictly historical question ‘did it happen?’ it cuts through, identifies and disentangles a nexus of prejudices which have led to the devaluing of Servius's information. The sidelining or dismissal of this piece of evidence, I argue, has more to teach us about our own culturally entrenched and discipline-inherited assumptions than about what could have happened in late Republican Rome. Scrutiny of the evidence on the stage re-mediation of high poetry suggests it is entirely plausible that Cytheris would have performed a theatricalized version of Vergil's masterpiece. Indeed at the very heart of the story lies the convergence between élite poetry and the world of professional stage artists. Moreover, Cytheris's possible performance of a repertoire that coincides with the mythological core of pantomime dancing in its artistic maturity opens pivotal questions concerning what Plutarch (Mor.748a) aptly calls the “full association and mutual entanglement” between the arts of poetry and dance. Taking Servius seriously gives us the impetus to explore more decisively dimensions of Roman life that have been messily sidelined as a result of the systematic privileging of “texts” in our surveys of Roman intellectual landscapes over the centuries. Even if Servius's extract turned out to be no more than a “myth”, an “anecdote”, as such narratives go, this is an incredibly helpful one, provided we are willing to press it into the service of larger inquiries regarding the “circulation” of cultural energy between élite and popular culture.
{"title":"On Taking our Sources Seriously: Servius and the Theatrical Life of Vergil's Eclogues","authors":"I. Lada-Richards","doi":"10.1525/CA.2019.38.1.91","DOIUrl":"https://doi.org/10.1525/CA.2019.38.1.91","url":null,"abstract":"This article revisits a famous staple of the Vergilian tradition, Servius's heavily contested scholion on the actress Volumnia Cytheris's theatrical rendition of Vergil's sixth Eclogue. By shifting the focus of inquiry from the strictly historical question ‘did it happen?’ it cuts through, identifies and disentangles a nexus of prejudices which have led to the devaluing of Servius's information. The sidelining or dismissal of this piece of evidence, I argue, has more to teach us about our own culturally entrenched and discipline-inherited assumptions than about what could have happened in late Republican Rome. Scrutiny of the evidence on the stage re-mediation of high poetry suggests it is entirely plausible that Cytheris would have performed a theatricalized version of Vergil's masterpiece. Indeed at the very heart of the story lies the convergence between élite poetry and the world of professional stage artists. Moreover, Cytheris's possible performance of a repertoire that coincides with the mythological core of pantomime dancing in its artistic maturity opens pivotal questions concerning what Plutarch (Mor.748a) aptly calls the “full association and mutual entanglement” between the arts of poetry and dance. Taking Servius seriously gives us the impetus to explore more decisively dimensions of Roman life that have been messily sidelined as a result of the systematic privileging of “texts” in our surveys of Roman intellectual landscapes over the centuries. Even if Servius's extract turned out to be no more than a “myth”, an “anecdote”, as such narratives go, this is an incredibly helpful one, provided we are willing to press it into the service of larger inquiries regarding the “circulation” of cultural energy between élite and popular culture.","PeriodicalId":45164,"journal":{"name":"CLASSICAL ANTIQUITY","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1525/CA.2019.38.1.91","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49653681","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-04-01DOI: 10.1525/CA.2019.38.1.141
L. Spielberg
In a new reading of Tacitus's account of the quarrel between Helvidius Priscus and Eprius Marcellus at Hist. 4.6.3–4.10.1, I show that the historian stages a confrontation between panegyrical and Realpolitik rhetoric about the Principate. Helvidius uses the consensus-rhetoric of panegyric to propose that the senate claim the freedom they theoretically possess in the regime of a civilis princeps. Eprius describes the autocratic “reality” of the Principate in terms of contingency, necessity, and power. Helvidius's panegyrical fantasy runs up against practical limits, but Eprius's hardheaded truisms prove equally problematic for senatorial oratory. The failures of both speeches comment on the necessity of a consciously fictive “public transcript” such as Pliny's Panegyric while pointing to historiography as the proper place for Realpolitik truths. The debate sheds new light on Tacitus's praise of Trajan and Nerva at the beginning of the Histories as a locus for collective senatorial self-fashioning.
{"title":"Fairy Tales and Hard Truths in Tacitus's Histories 4.6–10","authors":"L. Spielberg","doi":"10.1525/CA.2019.38.1.141","DOIUrl":"https://doi.org/10.1525/CA.2019.38.1.141","url":null,"abstract":"In a new reading of Tacitus's account of the quarrel between Helvidius Priscus and Eprius Marcellus at Hist. 4.6.3–4.10.1, I show that the historian stages a confrontation between panegyrical and Realpolitik rhetoric about the Principate. Helvidius uses the consensus-rhetoric of panegyric to propose that the senate claim the freedom they theoretically possess in the regime of a civilis princeps. Eprius describes the autocratic “reality” of the Principate in terms of contingency, necessity, and power. Helvidius's panegyrical fantasy runs up against practical limits, but Eprius's hardheaded truisms prove equally problematic for senatorial oratory. The failures of both speeches comment on the necessity of a consciously fictive “public transcript” such as Pliny's Panegyric while pointing to historiography as the proper place for Realpolitik truths. The debate sheds new light on Tacitus's praise of Trajan and Nerva at the beginning of the Histories as a locus for collective senatorial self-fashioning.","PeriodicalId":45164,"journal":{"name":"CLASSICAL ANTIQUITY","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1525/CA.2019.38.1.141","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47157509","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"In Memoriam, Thomas N. Habinek","authors":"","doi":"10.1525/ca.2019.38.1.1","DOIUrl":"https://doi.org/10.1525/ca.2019.38.1.1","url":null,"abstract":"","PeriodicalId":45164,"journal":{"name":"CLASSICAL ANTIQUITY","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49651684","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In Letter 5.8 Pliny shows that in the post-Domitianic era historia has become an impossible genre, both as a vehicle for conventional moral wisdom and because of the authoritative narrative voice it necessitates. The letter's literary strategies of deferral express these problems even as its content appears to argue positively the merits of historia and compare it with those of oratio. Pliny emphasizes the insufficiency of the narrative “I”, suggesting instead the importance of dialogue as the means both toward the ethical reconstruction of post-tyrannical discourse and the literary fame for which Pliny also hopes.
{"title":"Tyranny, Self, and Genre in Pliny's Letter 5.8","authors":"Holly Haynes","doi":"10.1525/CA.2019.38.1.58","DOIUrl":"https://doi.org/10.1525/CA.2019.38.1.58","url":null,"abstract":"In Letter 5.8 Pliny shows that in the post-Domitianic era historia has become an impossible genre, both as a vehicle for conventional moral wisdom and because of the authoritative narrative voice it necessitates. The letter's literary strategies of deferral express these problems even as its content appears to argue positively the merits of historia and compare it with those of oratio. Pliny emphasizes the insufficiency of the narrative “I”, suggesting instead the importance of dialogue as the means both toward the ethical reconstruction of post-tyrannical discourse and the literary fame for which Pliny also hopes.","PeriodicalId":45164,"journal":{"name":"CLASSICAL ANTIQUITY","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1525/CA.2019.38.1.58","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47108007","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-10-01DOI: 10.1525/CA.2018.37.2.351
Sergio Yona
The following study draws evidence from the fragmentary treatises of Philodemus of Gadara in order to explore the moral content of Satires 1.1 with respect to wealth administration. I provide a reading of this poem that underscores Horace's effective synthesis of Greek thought and Roman culture, which is made possible by the influence of contemporary philosophical treatments that were tailored to fit the concerns of wealthy Romans. Furthermore, I offer an alternative to the many references previous scholars have made to Aristotle and the Cynics by elucidating Horace's economic message, which, being totally consistent with the details of Philodemus' economic concerns, is in many ways more Epicurean than anything else.
{"title":"An Epicurean “Measure of Wealth” in Horace, Satires 1.1","authors":"Sergio Yona","doi":"10.1525/CA.2018.37.2.351","DOIUrl":"https://doi.org/10.1525/CA.2018.37.2.351","url":null,"abstract":"The following study draws evidence from the fragmentary treatises of Philodemus of Gadara in order to explore the moral content of Satires 1.1 with respect to wealth administration. I provide a reading of this poem that underscores Horace's effective synthesis of Greek thought and Roman culture, which is made possible by the influence of contemporary philosophical treatments that were tailored to fit the concerns of wealthy Romans. Furthermore, I offer an alternative to the many references previous scholars have made to Aristotle and the Cynics by elucidating Horace's economic message, which, being totally consistent with the details of Philodemus' economic concerns, is in many ways more Epicurean than anything else.","PeriodicalId":45164,"journal":{"name":"CLASSICAL ANTIQUITY","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1525/CA.2018.37.2.351","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48577045","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-10-01DOI: 10.1525/CA.2018.37.2.321
Calloway Scott
This paper compares the cases of female ailments recorded in the Epidaurian Miracles Cures (iamata) with the theory and therapeutics of the Hippocratic gynecological texts as a means of testing the extent of the assumptions shared between temple and Hippocratic medicine. I argue that where temple and Hippocratic practice hold common ground, it is readily explicable through widely circulating and historically rooted cultural presuppositions regarding female physiology and pathology, rather than through scientific borrowings. Rather than representing complementary outlets of medical care in which Asklepios specialized in “hopeless” cases, I suggest that the iamata permit us to observe a process in which parallel medical traditions branched out from a common cultural substratum, and that more nuance is required in framing the relationship between Greek naturalist and religious medicine.
{"title":"Gender in the Temple: Women's Ailments in the Epidaurian Miracle Cures","authors":"Calloway Scott","doi":"10.1525/CA.2018.37.2.321","DOIUrl":"https://doi.org/10.1525/CA.2018.37.2.321","url":null,"abstract":"This paper compares the cases of female ailments recorded in the Epidaurian Miracles Cures (iamata) with the theory and therapeutics of the Hippocratic gynecological texts as a means of testing the extent of the assumptions shared between temple and Hippocratic medicine. I argue that where temple and Hippocratic practice hold common ground, it is readily explicable through widely circulating and historically rooted cultural presuppositions regarding female physiology and pathology, rather than through scientific borrowings. Rather than representing complementary outlets of medical care in which Asklepios specialized in “hopeless” cases, I suggest that the iamata permit us to observe a process in which parallel medical traditions branched out from a common cultural substratum, and that more nuance is required in framing the relationship between Greek naturalist and religious medicine.","PeriodicalId":45164,"journal":{"name":"CLASSICAL ANTIQUITY","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1525/CA.2018.37.2.321","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44657938","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-10-01DOI: 10.1525/CA.2018.37.2.187
B. Gray
This article shows how the public inscriptions of Hellenistic poleis, especially decrees in honor of leading citizens, illuminate Greek ethical thinking, including wider debates about questions of central importance for Greek ethical philosophers. It does so by comparing decrees' rhetoric with the ethical language and doctrines of different ancient philosophical schools. Whereas some scholars identify ethical views comparable to Stoic ideas in Hellenistic decrees, this article argues that there are more significant overlaps, especially in decrees from Asia Minor dating to after 150 BC, with fourth-century BC ethical philosophy, especially Aristotle's, and its Hellenistic continuators. The overlaps between decrees and philosophers' approaches had complex, diverse causes (section 4), probably sometimes including philosophical education and influence. Comparison of philosophy and epigraphy shows that, in the same way as the polis continued to flourish after Chaironeia, critical reflection about the ethical foundations of civic life also remained vibrant, among both philosophers and citizens.
{"title":"A Civic Alternative to Stoicism: The Ethics of Hellenistic Honorary Decrees","authors":"B. Gray","doi":"10.1525/CA.2018.37.2.187","DOIUrl":"https://doi.org/10.1525/CA.2018.37.2.187","url":null,"abstract":"This article shows how the public inscriptions of Hellenistic poleis, especially decrees in honor of leading citizens, illuminate Greek ethical thinking, including wider debates about questions of central importance for Greek ethical philosophers. It does so by comparing decrees' rhetoric with the ethical language and doctrines of different ancient philosophical schools. Whereas some scholars identify ethical views comparable to Stoic ideas in Hellenistic decrees, this article argues that there are more significant overlaps, especially in decrees from Asia Minor dating to after 150 BC, with fourth-century BC ethical philosophy, especially Aristotle's, and its Hellenistic continuators. The overlaps between decrees and philosophers' approaches had complex, diverse causes (section 4), probably sometimes including philosophical education and influence. Comparison of philosophy and epigraphy shows that, in the same way as the polis continued to flourish after Chaironeia, critical reflection about the ethical foundations of civic life also remained vibrant, among both philosophers and citizens.","PeriodicalId":45164,"journal":{"name":"CLASSICAL ANTIQUITY","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1525/CA.2018.37.2.187","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46101995","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-10-01DOI: 10.1525/CA.2018.37.2.236
Peter A. O’Connell
By analyzing the parallels between Sappho's Brothers Song and archaic Greek songs of welcome, especially Archilochus fr. 24 West, this essay offers a new interpretation of the Brothers Song. It clarifies that ἔλθην in the first preserved stanza represents an original aorist indicative. The chatterer repeats over and over a welcome song that begins, “Charaxus arrived with a full ship.” The rest of the song continues to engage with the welcome song tradition, anticipating the welcome song that will celebrate Charaxus' return to Mytilene, when and if that occurs. By pointing beyond itself to other, real or notional, songs about Charaxus, the Brothers Song also demonstrates Sappho's nonlinear method of storytelling that relies on her audiences' imaginations.
{"title":"“Charaxus Arrived with a Full Ship!” The Poetics of Welcome in Sappho's Brothers Song and the Charaxus Song Cycle","authors":"Peter A. O’Connell","doi":"10.1525/CA.2018.37.2.236","DOIUrl":"https://doi.org/10.1525/CA.2018.37.2.236","url":null,"abstract":"By analyzing the parallels between Sappho's Brothers Song and archaic Greek songs of welcome, especially Archilochus fr. 24 West, this essay offers a new interpretation of the Brothers Song. It clarifies that ἔλθην in the first preserved stanza represents an original aorist indicative. The chatterer repeats over and over a welcome song that begins, “Charaxus arrived with a full ship.” The rest of the song continues to engage with the welcome song tradition, anticipating the welcome song that will celebrate Charaxus' return to Mytilene, when and if that occurs. By pointing beyond itself to other, real or notional, songs about Charaxus, the Brothers Song also demonstrates Sappho's nonlinear method of storytelling that relies on her audiences' imaginations.","PeriodicalId":45164,"journal":{"name":"CLASSICAL ANTIQUITY","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1525/CA.2018.37.2.236","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48757193","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Scholars have long recognized that hypothekai , or instructional wisdom sayings, served as building blocks for larger structures of Greek wisdom poetry. Yet the mechanism that gets from saying to poem has never been traced in detail. If the transition involves more than piling sayings on top of each other, what intervenes? Focusing on the archaic hexametrical tradition of Homer and Hesiod, the paper develops a repertory of variations and expansions by which the primary genre, the hypotheke speech-act, is transformed into a secondary genre—the larger-scale wisdom constructions we find in various Homeric speeches and much if not all of the Works and Days . The paper first argues for a precise formal description of the hypotheke saying in the archaic hexameter; it then develops a toolbox of variations on the saying9s basic form. Finally, the toolbox is put to work in order to read a forty-verse excerpt of Hesiod9s Almanac.
{"title":"Hypothêkai: On Wisdom Sayings and Wisdom Poems","authors":"A. Horne","doi":"10.1525/CA.2018.37.1.31","DOIUrl":"https://doi.org/10.1525/CA.2018.37.1.31","url":null,"abstract":"Scholars have long recognized that hypothekai , or instructional wisdom sayings, served as building blocks for larger structures of Greek wisdom poetry. Yet the mechanism that gets from saying to poem has never been traced in detail. If the transition involves more than piling sayings on top of each other, what intervenes? Focusing on the archaic hexametrical tradition of Homer and Hesiod, the paper develops a repertory of variations and expansions by which the primary genre, the hypotheke speech-act, is transformed into a secondary genre—the larger-scale wisdom constructions we find in various Homeric speeches and much if not all of the Works and Days . The paper first argues for a precise formal description of the hypotheke saying in the archaic hexameter; it then develops a toolbox of variations on the saying9s basic form. Finally, the toolbox is put to work in order to read a forty-verse excerpt of Hesiod9s Almanac.","PeriodicalId":45164,"journal":{"name":"CLASSICAL ANTIQUITY","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2018-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1525/CA.2018.37.1.31","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48555853","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Roman writing of the late Republic and early Empire, especially historiography, is filled with exempla , stories of the past meant to serve as models for contemporary and future behavior. This period also witnessed the rise of an encyclopedic mode of composition among Latin authors, which purported to collect and organize the totality of knowledge in a given field. The following essay proposes that exemplarity and encyclopedism were not just literary devices, but deep organizational principles throughout Roman culture. It seeks to show how they were operative in the visual arts in the first century BCE, focusing especially on a frieze depicting the baking process on the tomb of Marcus Vergilius Eurysaces in Rome. By approaching a monument like the frieze of Eurysaces through such principles we may better articulate both visual and thematic relationships across a variety of genres within the broader Roman image world.
{"title":"Exemplarity and Encyclopedism at the Tomb of Eurysaces","authors":"Nathaniel B. Jones","doi":"10.1525/CA.2018.37.1.63","DOIUrl":"https://doi.org/10.1525/CA.2018.37.1.63","url":null,"abstract":"Roman writing of the late Republic and early Empire, especially historiography, is filled with exempla , stories of the past meant to serve as models for contemporary and future behavior. This period also witnessed the rise of an encyclopedic mode of composition among Latin authors, which purported to collect and organize the totality of knowledge in a given field. The following essay proposes that exemplarity and encyclopedism were not just literary devices, but deep organizational principles throughout Roman culture. It seeks to show how they were operative in the visual arts in the first century BCE, focusing especially on a frieze depicting the baking process on the tomb of Marcus Vergilius Eurysaces in Rome. By approaching a monument like the frieze of Eurysaces through such principles we may better articulate both visual and thematic relationships across a variety of genres within the broader Roman image world.","PeriodicalId":45164,"journal":{"name":"CLASSICAL ANTIQUITY","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2018-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1525/CA.2018.37.1.63","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48600495","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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