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The Skills of Citizenship 公民的技能
3区 历史学 Q2 Arts and Humanities Pub Date : 2023-11-01 DOI: 10.1215/00161071-10713975
Michael A. Kozakowski
Abstract This article analyzes the history of adult vocational training (AVT) programs for Algerian migrants, funded by the French state, between the end of World War II in 1945 and the aftermath of Algerian independence in 1962. These programs responded to the postwar expansion of citizenship and rights of indigenous Algerians, including rights to migrate and to take jobs in metropolitan France. Across changing governments and diverse ministries, French officials were convinced that vocational training was necessary for indigenous Algerians to find stable employment, to mitigate the supposed risks of migration, and to enable migrants to transform themselves into an idealized version of the French citizen. The widespread adoption of AVT for Algerian migrants calls into question the pervasive image of the unskilled, interchangeable migrant. At the same time, the shortcomings of AVT programs shed light on how migrants frequently contributed to postwar economic expansion and economic modernization while enjoying the fruits of economic growth only meagerly and on an individual basis. More broadly, this study reveals the importance of skill, industry, and labor in French postwar conceptions of (social) citizenship.
本文分析了从1945年第二次世界大战结束到1962年阿尔及利亚独立期间,由法国政府资助的阿尔及利亚移民成人职业培训(AVT)项目的历史。这些计划是对战后扩大阿尔及利亚本土公民身份和权利的回应,包括移民和在法国大都市就业的权利。在不断更迭的政府和不同的部门中,法国官员确信,职业培训对于阿尔及利亚原住民找到稳定的工作、减轻所谓的移民风险、并使移民能够将自己转变为理想版的法国公民是必要的。对阿尔及利亚移民的广泛采用AVT使人们对普遍存在的无技能、可互换移民的形象产生了质疑。与此同时,AVT计划的缺陷揭示了移民如何频繁地为战后的经济扩张和经济现代化做出贡献,同时却只能以个人的方式享受微薄的经济增长成果。更广泛地说,这项研究揭示了技能、工业和劳动在法国战后(社会)公民概念中的重要性。
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引用次数: 0
Le réseau d'affaires francophone dans la haute vallée de l'Ohio et le Kentucky entre 1783 et 1815 1783年至1815年间,俄亥俄河谷上游和肯塔基州的法语商业网络
3区 历史学 Q2 Arts and Humanities Pub Date : 2023-11-01 DOI: 10.1215/00161071-10713947
Marcel Deperne
Précis En 1787, l'Ordonnance du Nord-Ouest ouvre à la colonisation les immenses territoires situés à l'ouest des Appalaches. Un même esprit révolutionnaire, inspiré par les Lumières, s'empare au même moment des Etats-Unis et de la France et pousse migrants, exilés, et réfugiés à voir en la jeune république américaine un havre de paix et un pays de cocagne propice à l'accomplissement de leur « rêve américain ». Dans un monde en pleine mutation, ils partent donc, malgré leurs différences de parcours et de personnalité, avec le seul projet commun de « tenter la fortune ». « Français » venus de France ou d'autres pays francophones et réfugiés de Saint-Domingue forment une vaste nébuleuse composée d'individus isolés, anciens membres déçus des sociétés de colonisation, ou de commerçants, spéculateurs ou hommes d'affaires. Connectés aux réseaux des ports atlantiques, ils développent dans la haute vallée de l'Ohio et le Kentucky, région-carrefour et lieu de toutes les mobilités, un grand réseau d'affaires.
1787年,《西北法令》将阿巴拉契亚山脉西部的大片领土开放给殖民。同样一个革命家,启蒙运动所激发,同时席卷美国和法国并促使移民、流亡者和难民见年轻共和国境内美国有利和平的避风港和一个富饶的国家,以完成他们的美国梦«»。在一个不断变化的世界里,尽管他们的背景和个性不同,但他们离开时只有一个共同的项目,那就是“碰运气”。来自法国或其他法语国家的“法国人”和来自圣多明各的难民组成了一个巨大的星云,由孤立的个人、殖民社会的失望的前成员、商人、投机者或商人组成。他们与大西洋港口网络相连,在俄亥俄河谷上游和肯塔基州发展了一个庞大的商业网络,这两个地区是所有交通的十字路口和地方。
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引用次数: 0
Recent Books and Dissertations on French History 最近的法国历史书籍和论文
3区 历史学 Q2 Arts and Humanities Pub Date : 2023-11-01 DOI: 10.1215/00161071-10714017
Sarah Sussman
This bibliography is designed to introduce readers to recent publications on French history, broadly defined. It is organized according to commonly recognized periods, with works that bridge multiple categories listed under “General and Miscellaneous.”
这个参考书目的目的是向读者介绍法国历史上最近的出版物,广泛定义。它是根据公认的时期组织的,作品跨越了多个类别,列在“一般和杂项”下。
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引用次数: 0
A Disputed Inheritance 有争议的遗产
3区 历史学 Q2 Arts and Humanities Pub Date : 2023-11-01 DOI: 10.1215/00161071-10713961
Brianne Dolce
Abstract During the nineteenth century the medieval history of the city of Arras became increasingly important for cultivation of the literary and musical history of the French nation. Modern scholars typically cast the remarkable culture of medieval Arras within the context of France, largely erasing the city's complex geopolitical position during the medieval period. This article argues that the historiography is more complicated, revealing scholars who attempted to claim medieval Arrageois culture for Belgium, as well as scholars whose regionalist approach to cultural history defied contemporary nationalist currents on either side of the Franco-Belgian border. In showing the variety of nineteenth-century approaches to writing the cultural history of this important medieval center, the article argues that Arras and its history provide a useful context for understanding how the nascent Belgian nation curated and understood its past.
在19世纪,阿拉斯市的中世纪历史对法兰西民族的文学和音乐史的培养变得越来越重要。现代学者通常将中世纪阿拉斯非凡的文化置于法国的背景下,在很大程度上抹去了这座城市在中世纪时期复杂的地缘政治地位。本文认为,历史编纂更为复杂,揭示了一些学者试图将中世纪的Arrageois文化宣称为比利时的文化,以及一些学者对文化史采取地域主义方法,无视法比边境两侧的当代民族主义潮流。通过展示19世纪写作这个重要中世纪中心文化史的各种方法,文章认为阿拉斯及其历史为理解新生的比利时国家如何策划和理解其过去提供了一个有用的背景。
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引用次数: 0
Le Premier Congrès des écrivains et artistes noirs (1956) et l'Eglise catholique dans l'empire colonial français 第一次黑人作家和艺术家大会(1956年)和法国殖民帝国的天主教会
3区 历史学 Q2 Arts and Humanities Pub Date : 2023-11-01 DOI: 10.1215/00161071-10713989
Etienne Lock
Les publications connues jusqu'alors sur le Premier Congrès des écrivains et artistes noirs qui s'est tenu à Paris en 1956 ne mettent pas en exergue la religion comme une dimension importante de l'identité culturelle négro-africaine que promouvait cet événement. Pourtant au sortir de la Deuxième Guerre mondiale, la lutte des peuples noirs contre le colonialisme consiste en une remise en cause de ses structures, de ses manifestations et de ses différentes composantes, dont la religion chrétienne dans sa facture occidentale. Et de fait ce congrès, tenu à l'université de la Sorbonne, s'inscrivant dans cette dynamique, n'a par conséquent pas négligé la religion chrétienne. C'est dans cette mesure qu'il est aussi important de mettre en lumière l’écho de cet événement au sein de l'Eglise catholique, pour ce qui est de sa réception, notamment dans l'empire colonial français.
到目前为止,关于1956年在巴黎举行的第一届黑人作家和艺术家大会的出版物并没有强调宗教是该活动所促进的非洲黑人文化身份的一个重要方面。然而,在第二次世界大战结束时,黑人反对殖民主义的斗争包括对其结构、表现和各种组成部分的质疑,其中包括西方结构中的基督教。事实上,在索邦大学举行的这次大会是这种动态的一部分,因此没有忽视基督教。在这方面,强调这一事件在天主教会内的反响也很重要,特别是在法国殖民帝国内的反响。
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引用次数: 0
The Eighteenth-Century Hôtel Particulier 十八世纪Hôtel特别是
3区 历史学 Q2 Arts and Humanities Pub Date : 2023-11-01 DOI: 10.1215/00161071-10713933
Victoria E. Thompson
Abstract This article examines discussions of Parisian hôtels particuliers (townhomes) in eighteenth-century texts on architecture and mœurs (mores). It focuses on how exterior decoration was used to comment on the social order and on the relationship between public and private and shows how both were undergoing transformations in the eighteenth century. Exterior decoration meant to indicate the rank of the inhabitant was increasingly obscured by the practices of the wealthy, regardless of rank. The exterior of the townhome was a visible boundary between public (the street) and private (the home); it was also the entrance to residences that often combined private and public functions. Luxury townhomes housed government officials, some of whom bought their public offices. On the Right Bank, many townhomes were built by financiers, who lent privately held funds to the state. In written texts, multiple concerns about the instability of status and wealth focused on townhomes. These texts played a role in the articulation of a public realm completely differentiated from private ownership.
摘要:本文考察了18世纪建筑和mœurs (mores)文献中关于巴黎hôtels particuliers(联排别墅)的讨论。它着重于外部装饰如何被用来评论社会秩序,以及公共和私人之间的关系,并展示了两者在18世纪是如何经历变革的。旨在表明居民地位的外部装饰越来越被富人的做法所掩盖,无论其地位如何。联排别墅的外部是公共(街道)和私人(住宅)之间的明显边界;它也是住宅的入口,通常结合了私人和公共功能。政府官员住在豪华的联排别墅里,其中一些人还购买了公职。在右岸,许多联排别墅是由金融家建造的,他们把私人持有的资金借给了国家。在书面文本中,对地位和财富不稳定的多重担忧集中在联排别墅上。这些文本在表达一个完全不同于私有制的公共领域方面发挥了作用。
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引用次数: 0
Ways of Seeing, Ways of Being Seen 观看的方式,被观看的方式
IF 0.3 3区 历史学 Q2 Arts and Humanities Pub Date : 2023-08-01 DOI: 10.1215/00161071-10454853
Dantzel Cenatiempo
This article explores how Josephine Baker leveraged post–World War I European primitivism to subvert her mostly white male audience's voyeuristic gaze. Baker's youthful experiences with early twentieth-century American minstrelsy fostered many techniques, from cross-dressing to whiteface, that proved useful for navigating her sudden fame in Jazz Age Paris. In particular, Baker's subversive parody of her rival Mistinguett in La joie de Paris in 1932 demonstrates how skin color, despite becoming both fetish and fashion during the interwar period, still fell into colonial hierarchies. Baker used her body to resist this system, moving away from her two-dimensional public image as a nude banana dancer and closer to the World War II agent and antisegregation activist she would soon become. The theories of Sigmund Freud, Frantz Fanon, Joanne B. Eicher, and Laura Mulvey help elucidate how this 1932 performance, by destabilizing gendered and racialized stereotypes, marks a significant turning point in Baker's political consciousness.
这篇文章探讨了约瑟芬·贝克如何利用一战后的欧洲原始主义来颠覆她的主要是白人男性观众的偷窥目光。贝克年轻时在20世纪早期的美国吟游诗人的经历培养了她许多技巧,从变装到白脸,这些技巧被证明对她在爵士乐时代的巴黎突然成名很有用。特别是,贝克在1932年的《巴黎之夜》中颠覆性地模仿了她的竞争对手米斯廷格特,这表明肤色尽管在两次世界大战期间成为了恋物癖和时尚,但仍然落入了殖民地的等级制度。贝克用她的身体来抵制这种制度,摆脱了她作为一个裸体香蕉舞者的二维公众形象,更接近她即将成为的第二次世界大战特工和反种族隔离活动家。西格蒙德·弗洛伊德、弗朗茨·法农、乔安妮·b·埃歇尔和劳拉·穆尔维的理论有助于阐明1932年的演出是如何通过动摇性别和种族化的刻板印象,标志着贝克政治意识的一个重要转折点的。
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引用次数: 0
Passionate Encounters, Public Healing 激情邂逅,公众疗愈
IF 0.3 3区 历史学 Q2 Arts and Humanities Pub Date : 2023-08-01 DOI: 10.1215/00161071-10454811
E. Wurtzel
This article focuses on the resurgence of urban bathhouses (called estuves in French after the stoves that heated them) between the thirteenth and sixteenth centuries in Paris and other northern French-speaking cities. Popular and widespread institutions, bathhouses contributed to both individual well-being and civic health in cities across the kingdom. Using medical treatises, trial records, literary sources, and archival documentation, the article argues that bathhouses encouraged sociability, brought disparate groups together, and were in fact essential to the circulation and well-being of people in medieval cities as places of emotional community.
这篇文章关注的是13世纪至16世纪期间,巴黎和其他法语北部城市的城市澡堂(法语中称为estuves,以加热它们的炉子命名)的复兴。受欢迎和广泛使用的机构、澡堂为王国各地城市的个人福祉和公民健康做出了贡献。文章利用医学论文、审判记录、文学资料和档案文件,认为澡堂鼓励社交,将不同的群体聚集在一起,事实上,澡堂对中世纪城市作为情感社区的人们的流通和福祉至关重要。
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引用次数: 0
La cité de Dieu des patriotes 爱国者之神之城
IF 0.3 3区 历史学 Q2 Arts and Humanities Pub Date : 2023-08-01 DOI: 10.1215/00161071-10454839
Damien Tricoire
Cet article étudie les origines religieuses de la Révolution, au sens de ce qui a rendu possible l'idée même de révolution. Il suggère que la Révolution a eu des origines religieuses dans un sens bien plus direct que ce que suggèrent les études sur les controverses autour du jansénisme. C'est parce que l'ordre divin était considéré comme supérieur à tout ordre créé par les humains que la rupture avec les coutumes et traditions du royaume a pu être conçue comme légitime. En ce sens, la Révolution française est comparable aux révolutions qui l'ont précédée. Cet article invite à reconsidérer la pensée politique des Lumières françaises, irriguées par la pensée théocratique. La thèse principale est que ce qui change dans la France des Lumières par rapport à celle du XVIIe siècle, c'est une insistance nouvelle sur les lois immuables et éternelles établies par Dieu. Les origines profondes de cette pensée théocratique, qui remontent à la scholastique médiévale, y sont considérées.
本文研究了革命的宗教起源,从什么使革命的概念成为可能的意义上说。他认为,这场革命有着比简森主义争议研究更直接的宗教根源。正是因为神圣秩序被认为优于人类创造的任何秩序,与王国习俗和传统的决裂才被认为是合法的。从这个意义上说,法国大革命与之前的革命相当。本文邀请我们重新考虑法国启蒙运动的政治思想,以神权思想为基础。主要论点是,与17世纪相比,启蒙运动的法国发生了变化,这是对上帝建立的不变和永恒法则的新坚持。这一神权思想的深刻起源可以追溯到中世纪经院哲学。
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引用次数: 0
“The Great Lesson of May '68 Is That Violence Pays” “68年5月的伟大教训是暴力付出代价”
IF 0.3 3区 历史学 Q2 Arts and Humanities Pub Date : 2023-08-01 DOI: 10.1215/00161071-10454867
L. Provenzano
From the après-mai 1968 through the end of the 1970s, successive groups of French radicals legitimized revolutionary violence and developed a militant protest culture that challenged the state's monopoly on violence. Most scholars have presented political violence in 1970s France as bound to the trajectories of organized Maoist and Trotskyist groups and as the product of revolutionary ideology that was overcome by experience. This article traces how a cohort of radicals continued to articulate discourses of self-defense, counterviolence, and violence as revolution of the self well into the 1970s. Activists did so because their experiences of conflict confirmed the salience of violent struggle. The article contributes to the historical study of violent phenomena by tracing an approach that integrates the analysis of understandings of violence and experiences of conflictual politics.
从1968年4月至20世纪70年代末,一批又一批的法国激进分子将革命暴力合法化,并发展出一种激进的抗议文化,挑战国家对暴力的垄断。大多数学者认为,20世纪70年代法国的政治暴力与有组织的毛主义和托洛茨基主义团体的轨迹有关,是被经验所克服的革命意识形态的产物。这篇文章追溯了一批激进分子如何在20世纪70年代继续将自卫、反暴力和暴力作为自我革命的论述。活动人士之所以这么做,是因为他们的冲突经历证实了暴力斗争的重要性。本文通过对暴力理解和冲突政治经历的分析,为暴力现象的历史研究做出了贡献。
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引用次数: 0
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