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"O My Poor Arse, My Arse Can Best Tell": Surgeons, Ordinary Witnesses, and the Sodomitical Body in Georgian Britain “哦,我可怜的纵火犯,我的纵火犯最能说明问题”:外科医生、普通目击者和格鲁吉亚式英国的鸡奸尸体
IF 0.6 2区 历史学 Q1 HISTORY Pub Date : 2022-05-01 DOI: 10.7560/jhs31201
S. LeJacq
A r e p o r t p u b l i s h e d i n 1 7 4 3 informed readers about a recent sodomy trial in Kingston upon Thames.1 One night early that summer, a London waterman had received a tip from a woman selling gingerbread that two “mollies” had just sneaked into Pepper Alley, in Southwark. Mollies were members of an underground queer subculture, mostly workingand lower-middle-class men notorious for their effeminacy and predilection for that “worst of crimes,” sodomy. The waterman understood what the woman was suggesting, and he followed the tip. He stalked the two until they entered a house of office, a lavatory. He spied on them as they whispered together and “talk’d in a very ludicrous manner.” Soon, “he was very well assured, they were Sodomites.” The door could not shut fully with them inside, and through the gap that remained he saw that “they were b——g one another.” In the criminal law, “buggering” had a precise meaning: phallic penetration of the anus. It was a grievous offense, carrying a mandatory capital penalty. But there was no doubt: he “saw them in the very Fact.” The waterman was not satisfied merely with visual inspection. He went to investigate manually but found that the two “were so close that he could not put his Hand between them.” Only “with Difficulty” did he force it in. He grasped the penis and drew it from the other’s anus. (The report renders this action as taking “Hunt’s —— out of the other’s ——.”) In court, the waterman told what he had found. The offending phallus “was wet, and wet his Hand very much.” Some courts and jurists believed that evidence of ejaculation inside the body was necessary to prove this felony.
年夏天早些时候的一个晚上,一个伦敦水工从一个卖姜饼的女人那里得到消息,说有两只“鼹鼠”刚刚溜进了南华克的胡椒巷。mollie是一种地下酷儿亚文化的成员,主要是工人和中下层阶级的男性,他们以娘娘腔和偏爱“最恶劣的罪行”鸡奸而臭名昭著。船夫明白那个女人的意思,他就照她说的做了。他跟踪这两个人,直到他们进入一间办公室,一间厕所。当他们在一起窃窃私语时,他暗中监视着他们,并“以一种非常可笑的方式交谈”。很快,“他确信他们是所多玛人。”他们在里面,门关不上,他从剩下的缝隙里看到“他们在一起。”在刑法中,“buggering”有一个确切的含义:阴茎插入肛门。这是一项严重的罪行,必须判处死刑。但毫无疑问,他“亲眼看到了他们”。船夫并不仅仅满足于目测。他伸手去调查,却发现两人“靠得太近了,他无法把手放在他们中间”。他只是“好不容易”才勉强把它塞进去。他抓住阴茎,把它从对方的肛门里拔出来。(报道将这一行为描述为“亨特的——从别人的——”)在法庭上,船夫讲述了他的发现。那个讨厌的阳具“是湿的,而且弄湿了他的手。”一些法庭和法学家认为,在体内射精的证据是证明这一重罪的必要条件。
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引用次数: 0
Book Reviews 书评
IF 0.6 2区 历史学 Q1 HISTORY Pub Date : 2022-05-01 DOI: 10.7560/jhs31205
L. Bently
The 'politics of art' is an openended subject which might admit consideration of any of a number of difficult and exciting issues, from the role of politics in the construction of art to the role of art as a political tool in the construction of the individual or nation, from the possibilities of art as a mechanism of political resistance or social change, to questions of international relations concerning cultural colonisation or the exploitation and appropriation of cultural products. At a more mundane level, there are political questions of whether the arts are to be encouraged by national governments, and if so to what extent and by what mechanisms the arts can and should be promoted. In Art, Culture and Enterprise, Lewis is concerned primarily with these latter questions of arts funding policy in the United Kingdom, and while the issues are somewhat parochial, they are certainly no less complex than the broader socio-
“艺术政治”是一个开放的主题,可以考虑许多困难和令人兴奋的问题中的任何一个,从政治在艺术建设中的作用到艺术在个人或国家建设中作为政治工具的作用,从艺术作为政治抵抗或社会变革机制的可能性,涉及文化殖民或文化产品的开发和挪用的国际关系问题。在更普通的层面上,存在着国家政府是否鼓励艺术的政治问题,如果鼓励,在多大程度上以及通过什么机制可以和应该促进艺术。在《艺术、文化和企业》一书中,Lewis主要关注英国艺术资助政策的后一个问题,尽管这些问题有些狭隘,但其复杂性肯定不亚于更广泛的社会-
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引用次数: 0
Sexual Violence under Occupation during World War II: Soviet Women's Experiences inside a German Military Brothel and Beyond 第二次世界大战期间占领下的性暴力:苏联妇女在德国军事妓院内外的经历
IF 0.6 2区 历史学 Q1 HISTORY Pub Date : 2022-01-01 DOI: 10.7560/jhs31101
Maris Rowe-McCulloch
O n C h r i s t m a s E v E 1942 , in the Russian city of Rostov-on-Don, a soldiers’ brothel opened its doors for business.1 Set up and run by the occupying German army (the Wehrmacht), this establishment provided military men a place to pay for a brief sexual encounter with a local woman. These women were Soviet civilians who had been living under German control since the summer of 1942, when the Wehrmacht occupied Southern Russia on its way to the oil fields of the Caucasus and the city of Stalingrad. Prior to this, Rostov residents had also lived through a brief, failed German occupation, which lasted less than ten days in late November 1941. The second, more substantial occupation of the city began in late July 1942 and continued until early February 1943. From the moment the German occupiers returned to Rostov-on-Don, women were exposed to a particular, gendered threat. They were attacked indiscriminately on the street or in their homes throughout the duration of the occupation, forced to perform unwanted sexual acts. Women were also
1942年,在俄罗斯顿河畔罗斯托夫市,一家士兵妓院开门营业。1这家妓院由占领的德国军队(国防军)建立和经营,为军人提供了一个与当地妇女短暂性接触的场所。这些妇女是苏联平民,自1942年夏天以来一直生活在德国的控制下,当时德国国防军在前往高加索油田和斯大林格勒市的途中占领了俄罗斯南部。在此之前,罗斯托夫居民也经历了短暂的、失败的德国占领,1941年11月下旬,占领持续了不到十天。对该市的第二次大规模占领始于1942年7月下旬,一直持续到1943年2月初。从德国占领者返回顿河畔罗斯托夫的那一刻起,妇女就面临着一种特殊的性别威胁。在占领期间,他们在街上或家中遭到不分青红皂白的袭击,被迫进行不必要的性行为。妇女也是
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引用次数: 0
"We Lived as Do Spouses": AIDS, Neoliberalism, and Family-Based Apartment Succession Rights in 1980s New York City “我们和配偶一样生活”:艾滋病、新自由主义和1980年代纽约市以家庭为基础的公寓继承权
IF 0.6 2区 历史学 Q1 HISTORY Pub Date : 2022-01-01 DOI: 10.7560/jhs31103
René Esparza
O n 31 O c t O b e r 1989 , members of the Housing Committee of the AIDS Coalition to Unleash Power/New York (ACT UP/NY), dressed as witches and ghouls, led a Halloween-themed protest in front of the Trump Tower. In addition to candy and condoms, the protesters offered a message for the City of New York: Do not give Donald Trump a forty-year tax abatement to develop the Grand Hyatt while thousands of people with HIV/AIDS sleep on the streets. The protesters explained that a previous tax abatement to build the Trump Tower cost the city $6,208,773—money that could have rehabilitated approximately 1,200 city-owned apartments (fig. 1). “Instead,” a flyer explained, “the apartments remain vacant. And sick people [with AIDS] remain on the streets.” At the time, the city offered a mere forty-four beds through an institution called Bailey House for “people who [were] too sick for the shelters but too healthy for a hospital.” The small fortune the city kicked back to Trump, AIDS activists insisted, should be, in their words, going to “housing for people with AIDS, not condos for people with maids.”1 In that year alone, ACT UP and the Partnership for the Homeless estimated, there were more than ten thousand people with HIV/AIDS who were unhoused in New York City.2 Scholarship on the AIDS epidemic routinely focuses on very public grassroots activism—like that in front of the Trump Tower—and often frames it in opposition to the state. The battle for housing rights and care that erupted in 1980s New York City, however, defies these assumptions. The Halloween protest of 1989 garnered headlines for a day, but AIDS
1989年10月31日,纽约释放权力艾滋病联盟住房委员会(ACT UP/NY)的成员打扮成女巫和食尸鬼,在特朗普大厦前领导了一场万圣节主题的抗议活动。除了糖果和避孕套,抗议者还向纽约市传达了一个信息:当成千上万的艾滋病毒/艾滋病患者露宿街头时,不要给唐纳德·特朗普40年的减税来开发君悦酒店。抗议者解释说,之前为建造特朗普大厦而减免的税收花费了该市6208773美元,这笔钱本可以修复约1200套城市所有的公寓(图1)。“相反,”一张传单解释道,“公寓仍然空置。(感染艾滋病的)病人仍然流落街头。”当时,该市通过一家名为贝利之家的机构只为“病得太重,不适合收容所,但又太健康,不适合医院的人”提供了四十四张床位,用他们的话说,去“为艾滋病患者提供住房,而不是为有女佣的人提供公寓。”1仅在那一年,ACT UP和无家可归者伙伴关系估计,在纽约市,有一万多名艾滋病毒/艾滋病患者没有接种疫苗。2关于艾滋病流行的奖学金通常侧重于非常公开的草根活动,比如在特朗普大厦前的活动,并经常将其框定为反对该州。然而,20世纪80年代纽约市爆发的住房权和住房保障之争却违背了这些假设。1989年的万圣节抗议活动一度成为头条新闻,但艾滋病
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引用次数: 0
The Price of the Ride in New York City: Sex, Taxis, and Entrepreneurial Resilience in the Dry Season of 1919 纽约市的乘车价格:1919年旱季的性、出租车和创业韧性
IF 0.6 2区 历史学 Q1 HISTORY Pub Date : 2022-01-01 DOI: 10.7560/jhs31104
Austin Gallas
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引用次数: 0
"Inseparables": Tobacco Workers in Seville and Female Homoeroticism at the End of the Nineteenth Century “不可分割”:塞维利亚的烟草工人与19世纪末的女性同性恋
IF 0.6 2区 历史学 Q1 HISTORY Pub Date : 2022-01-01 DOI: 10.7560/jhs31102
Francisco Vázquez García, R. Cleminson
H a v e l o c k e l l i s ’ s S e x u a l I n v e r S I o n , published for the first time in German in 1896 and later reissued in English in 1897, 1901, and 1915, was one of the most renowned and cited monographic discussions on sexuality of its time.1 The volume’s focus on homosexuality in general and female homoeroticism in particular captured the attention of the scientific and lay public in equal measure.2 Despite the fact that Ellis was accused of basing his analysis of lesbianism on very few actual cases—presented as part of the section on female sexual inversion—what is certain is that in successive editions of the work, Ellis added extensively to his repertoire. In this sense, he followed the tradition of German authors such as Krafft-Ebing who constantly augmented the number of case studies on a range of subjects germane to their books. In the 1901 English edition, Ellis described,
他的《性》一书于1896年首次以德语出版,后来于1897年、1901年和1915年以英语再版,是当时最著名、最被引用的关于性的专题讨论之一该卷的重点是一般的同性恋和女性同性恋,特别是在同样的措施俘获了科学和公众的注意尽管埃利斯被指责将他对女同性恋的分析建立在很少的实际案例上——作为女性性反转部分的一部分——但可以肯定的是,在这部作品的后续版本中,埃利斯广泛地增加了他的曲目。从这个意义上说,他遵循了德国作家的传统,如克拉夫特-埃宾,他们不断增加与他们的书有关的一系列主题的案例研究的数量。在1901年的英文版中,埃利斯写道,
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引用次数: 0
"Be Nice to My Shadow": Queer Negotiation of Privacy and Visibility in Kentucky “善待我的影子”:肯塔基州隐私和可见性的酷儿谈判
IF 0.6 2区 历史学 Q1 HISTORY Pub Date : 2021-09-01 DOI: 10.7560/jhs30302
C. Parks
L e x L a w s o n ’ s m o t h e r wa s w o r r i e d about what other people thought about her child growing up in Berea, Kentucky, in the 1980s. Lex, who is genderqueer, recalls their mother encouraging them to publicly conform to the feminine gender norms that aligned with Lawson’s assigned sex at birth to avoid discrimination from their community when Lex was a teen. Lawson resisted, continuing to wear the clothes that fit their punk aesthetic and their gender identity, eventually moving to Louisville and then to California, which, they note, their mother appreciated because “the grapevine is a lot further” from Louisville or California to Berea, minimizing the amount of information about Lawson that could get back to Berea.1 While Lawson’s story is not an uncommon example of queer teenage rebellion, it demonstrates how they remember negotiating the boundaries of visibility while keeping their sexuality and gender identity private to ensure their personal well-being and to comply with their mother’s desire to fit into their small town. Though everyone—straight or otherwise— must find a balance of privacy and visibility in their lives as Lawson did, that balance has been especially crucial for queer people, whose lives and livelihoods could (and still can) be endangered by unwanted disclosure of private information. In this article, I examine how some queer people and organizations in Kentucky balanced the desire to publicly share their sexuality or gender
L e x L a w s o n的m o t h e r wa s w o r i e d讲述了其他人对她20世纪80年代在肯塔基州贝利亚长大的孩子的看法。Lex是一名性别酷儿,她回忆说,当Lex十几岁时,他们的母亲鼓励他们公开遵守与Lawson出生时指定的性别一致的女性性别规范,以避免受到社区的歧视。劳森拒绝了,继续穿着符合他们朋克审美和性别认同的衣服,最终搬到了路易斯维尔,然后搬到了加利福尼亚,他们指出,他们的母亲很欣赏这一点,因为从路易斯维尔或加利福尼亚到贝雷亚,“小道消息要远得多”,尽量减少可能回到贝利亚的关于劳森的信息量。1虽然劳森的故事是青少年同性恋反叛的一个常见例子,它展示了他们是如何记得在协商可见性的边界的同时,将自己的性取向和性别认同保密,以确保自己的个人幸福,并满足母亲融入小镇的愿望。尽管每个人——无论是异性恋还是异性恋——都必须像劳森那样在生活中找到隐私和可见性的平衡,但这种平衡对同性恋者来说尤其重要,他们的生活和生计可能(现在仍然可能)因不必要的私人信息泄露而受到威胁。在这篇文章中,我研究了肯塔基州的一些酷儿和组织是如何平衡公开分享自己性取向或性别的愿望的
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引用次数: 0
Sexual Identity at the Limits of German Liberalism: Law and Science in the Work of Karl Heinrich Ulrichs (1825–1895) 德国自由主义极限下的性别认同:卡尔·海因里希·乌尔里希作品中的法律与科学(1825-1895)
IF 0.6 2区 历史学 Q1 HISTORY Pub Date : 2021-09-01 DOI: 10.7560/jhs30303
P. Singy
I n h I s a u t h o r I t a t I v e Psychopathia Sexualis (1886), the forensic psychiatrist Richard von Krafft-Ebing (1840–1902) stressed that the nosology in his book was a classification not of sexual acts but of diseases that could only be diagnosed by paying attention to “the whole personality” (Gesammtpersönlichkeit) of each patient.1 Similar statements became common at the end of the nineteenth century, when Krafft-Ebing and his contemporaries created a new conceptual space for organizing sex. “Sexuality,” as it came to be called in the second half of the nineteenth century, was defined as a feature of one’s identity—an internal attribute that could be visible through but never reducible to individual characteristics such as conduct, personal and family history, body shape, gestures, clothing, and fantasies or dreams. The focus was now on who one is rather than on what one does. For the most part, historians of sexuality have found this distinction between acts and identities to be methodologically useful. They have used it as a yardstick to separate sexuality from other types of sexual organization: where there is sexual identity, there is sexuality. Most famously and influentially, Michel Foucault contrasted the premodern sodomite, who was “nothing more than the juridical subject of ” forbidden acts, with the nineteenth-century homosexual, who “became a personage, a past, a case history, and a childhood, in addition to being a type of life, a life form, and a morphology, with an indiscreet anatomy and possibly a mysterious physiology.”2 Foucault’s passage has often been interpreted as claiming not only that homosexuality is a type of identity but also that, unlike the act of sodomy, it did not exist before the nineteenth century.3
《性精神病》(1886),法医精神病学家Richard von Krafft Ebing(1840–1902)强调,他的书中的疾病学不是对性行为的分类,而是对只有关注每个患者的“整个人格”(Gesammtpersönlichkeit)才能诊断的疾病的分类。1类似的说法在19世纪末变得很常见,克拉夫特·埃宾和他的同时代人创造了一个新的性组织概念空间。19世纪下半叶,人们称之为“性”,它被定义为一个人身份的一个特征——一种内在属性,可以通过行为、个人和家族史、体型、手势、服装以及幻想或梦境等个人特征来观察,但永远无法还原。现在的焦点是一个人是谁,而不是一个人做什么。在大多数情况下,性历史学家发现行为和身份之间的区别在方法上是有用的。他们将其作为将性行为与其他类型的性组织区分开来的标准:有性身份的地方就有性行为。最著名和最有影响力的是,米歇尔·福柯将前现代的鸡奸与19世纪的同性恋进行了对比,前者“只不过是”被禁止行为的司法主体,后者“除了是一种生活类型、一种生活形式和一种形态外,还成为了一个人物、一段过去、一段案件历史和一个童年,具有不谨慎的解剖结构,可能还有一种神秘的生理学。“2福柯的文章经常被解读为不仅声称同性恋是一种身份,而且与鸡奸行为不同,它在19世纪之前并不存在。3
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引用次数: 1
The Man Who Loved Children: Lewis Carroll Studies' Evidence Problem 爱孩子的人:刘易斯·卡罗尔研究的证据问题
IF 0.6 2区 历史学 Q1 HISTORY Pub Date : 2021-09-01 DOI: 10.7560/jhs30301
Katherine Wakely-Mulroney
T h e y e a r 2 0 2 1 m a r k s T h e sesquicentenary of Lewis Carroll’s Through the Looking-Glass, and What Alice Found There, a work that, like its forerunner, Alice’s Adventures in Wonderland (1865), has never gone out of print.1 While it would be difficult to overstate the importance of Carroll’s conceptualization of childhood to modern culture, discussions concerning the nature of his feelings toward Alice Liddell, his muse, and his fascination with female children and adolescents more broadly have lasted almost as long as the books themselves. This subject attracted critical attention as early as 1898, when Stewart Dodgson Collingwood dedicated the final two chapters of his eleven-chapter biography to “that beautiful side of [his uncle’s] character which afterwards was to be, next to his fame as an author, the one for which he was best known—his attitude towards children, and the strong attraction they had for him.” Reflecting on this attraction, Collingwood proposed that the “one comprehensive word wide enough to explain this tendency of his nature” would be “Love” and that it is only in light of this love “that we can properly understand him.”2 Throughout the twentieth and twenty-first centuries, literary critics, biographers, and historians of childhood, sexuality, and art have drawn on the tremendous range of primary source materials that constitute Carroll’s archive (including fiction, correspondence, diaries, photography, and sketches) to approach the vexed question of what it might mean to love a child in a period governed by different social and sexual codes from the present. The author’s enduring popularity means that this topic will continue to be studied against the backdrop of changing cultural discourses. Attitudes toward the sexual preferences of prominent men have shifted dramatically in recent years, with many formerly beloved figures scrutinized
刘易斯·卡罗尔(Lewis Carroll)的《透过镜子》(Through the Looking Glass)和《爱丽丝在那里发现了什么》(What Alice Found There)问世一百周年,这部作品与它的前身《爱丽丝梦游仙境》(Alice’s Adventures in Wonderland,1865)一样,从未绝版,关于他对缪斯女神爱丽丝·利德尔感情的本质,以及他对女性儿童和青少年的迷恋的讨论,持续的时间几乎与书籍本身一样长。早在1898年,斯图尔特·道奇森·科林伍德(Stewart Dodgson Collingwood。“反思这种吸引力,科林伍德提出,“一个足够广泛的词来解释他天性中的这种倾向”应该是“爱”,只有在这种爱的背景下,我们才能正确地理解他。”2在整个二十世纪和二十一世纪,文学评论家、传记作家和儿童、性、,和艺术利用卡罗尔档案中的大量原始材料(包括小说、信件、日记、摄影和素描)来解决一个棘手的问题,即在一个与现在不同的社会和性规范所统治的时代,爱一个孩子意味着什么。作者的持续受欢迎意味着这一主题将在不断变化的文化话语背景下继续被研究。近年来,人们对知名男性性偏好的态度发生了巨大变化,许多以前备受喜爱的人物都受到了仔细审视
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引用次数: 0
"I Know One Day a Miracle Will Happen": Bruno Balz and the Position of the Gay Artist in Nazi Germany “我知道有一天奇迹会发生”:布鲁诺·巴尔茨和纳粹德国同性恋艺术家的地位
IF 0.6 2区 历史学 Q1 HISTORY Pub Date : 2021-09-01 DOI: 10.7560/jhs30304
Jeffrey C. Blutinger
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引用次数: 0
期刊
Journal of the History of Sexuality
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