Pub Date : 2023-09-13DOI: 10.1215/00029831-10950753
Anna Muenchrath
Abstract This essay explores the possibilities of thinking about the production, circulation, and reception of books through the form of the network. Using archival material of the Council of Books in Wartime, the essay reassembles some of the many attachments that formed the Armed Services Editions during World War II, one of the largest enterprises in the history of publishing. The essay traces the selections of the council, the networks of soldier-readers created by the books themselves, and the acts of reading constrained and made possible by these attachments across front lines and through bureaucratic memos. This assembly provides the backdrop for a consideration of the text of Thomas Mann’s “Mario and the Magician,” a short story published in the Armed Services Editions in 1944, whose plot not only mirrors the tension between authority and free will manifested in the geopolitical conflict of World War II, but also elucidates the dialectic of power and agency modeled by the form of the network as articulated in the council’s reader-producing experiment itself. What is ultimately at stake in positing an uneven network of actors who negotiate, maintain, extend, and possibly even subvert vectors of cultural power is a reconsideration of the agency attributed to readers in sociological studies of literature.
摘要本文探讨了通过网络的形式思考图书的生产、流通和接受的可能性。本文利用战时图书委员会的档案材料，重新组装了二战期间形成武装部队版的许多附件中的一些，这是出版史上最大的企业之一。这篇文章追溯了委员会的选择，书籍本身创造的士兵读者网络，以及这些跨越前线和官僚备忘录的附件限制和使阅读行为成为可能。这个集会为托马斯·曼(Thomas Mann)的《马里奥与魔术师》(Mario and the Magician)的文本提供了思考的背景，这是1944年发表在《武装部队版》(Armed Services Editions)上的一篇短篇小说，其情节不仅反映了二战地缘政治冲突中权威与自由意志之间的紧张关系，还阐明了权力与代理的辩证法，这种辩证法是由委员会的读者产生实验本身所阐述的网络形式所塑造的。在文学社会学研究中，假设一个不平衡的行动者网络来协商、维护、扩展，甚至可能颠覆文化权力的载体，最终的利害关系是重新考虑读者的代理。
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Pub Date : 2023-09-13DOI: 10.1215/00029831-10950727
Bradley Dubos
Abstract This article traces a long trajectory of hymnic placemaking within the Brothertown Indian Nation from the late eighteenth century to the present day. Since their tribe’s inception, Brothertown people have repurposed the forms and rituals of Christian hymnody in order to maintain connections to ancestral homelands, navigate and interpret unfamiliar terrain, and construct and shape tribal spaces. Samson Occom’s (Mohegan/Brothertown) A Choice Collection of Hymns and Spiritual Songs; Intended for the Edification of Sincere Christians, of all Denominations (1774) cultivated this distinctive mode of placemaking within the Native community that formed at Brothertown, New York. Opening up several key moments in the hymnal’s nearly two-hundred-and-fifty-year history, this article reads the Collection’s figures of place in relation to the embodied engagements it has prompted over time, from the daily travel it motivated across the eighteenth-century town to the hollow square formation Brothertown Indians used in 2018 when performing hymns at Yale. By foregrounding the bodily orientations toward place that are promoted by sung hymn-texts and develop alongside their sustained use, the article demonstrates how sonic expressions continue to supply materials for Indigenous placemaking among Brothertown singers today. This hymn-singing tradition, tied to specific homelands and yet remarkably portable, illuminates the situatedness of Indigenous poetic practice under the conditions of settler colonialism.
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Pub Date : 2023-04-28DOI: 10.1215/00029831-10679209
Sylvie Boulette
This article follows the transsensory pathways opened by peyote, a mood-altering entheogen, as it diffused among Native peoples living under and along the edges of colonial occupation around the turn of the twentieth century. It traces that movement through the pulsions of temporal and sensorial animacy created in the episodic narration of The Autobiography of a Winnebago Indian (1920), the life story of a Ho-Chunk man named Sam Blowsnake. Apprehended by settler governance as a “craze,” anti-assimilationist currents of the Peyote movement met with intensifying attempts to constrain the biochemical flux of “intoxication” through Native bodies. Modern campaigns against “peyote worship” mounted by government agents, progressive reformers, and sensationalist press in the early twentieth century exploited scripts of revulsion and prurient fascination to target the border-crossing “mind poison” for prohibition. Just beneath the scenes of psychotoxicity and sexual disorder projected by the antinarcotic imaginary of the craze, this article posits, there ran an ongoing struggle over the restrictive capacitation of property and personhood within the settler-capitalist regime of allotment. Against the norms enforced by that policy, in peyote meetings the alteration of sentience could unbind the day-to-day reproduction of property-bearing personhood. Lines of collective transport opening from the passage of ecstasy thus composed a historical moment in refusal of allotment drives for schizochronic individuation.
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Pub Date : 2023-04-28DOI: 10.1215/00029831-10679307
{"title":"Washington Irving and the Fantasy of Masculinity: Escaping the Woman Within","authors":"","doi":"10.1215/00029831-10679307","DOIUrl":"https://doi.org/10.1215/00029831-10679307","url":null,"abstract":"","PeriodicalId":45756,"journal":{"name":"AMERICAN LITERATURE","volume":" ","pages":""},"PeriodicalIF":0.5,"publicationDate":"2023-04-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45012790","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-28DOI: 10.1215/00029831-10679237
Sunhay You
“The Sweetness of Race” examines the sensorial effects of lexical-gustatory synesthesia in Monique Truong’s Bitter in the Mouth (2010). In this documentation of how words taste, whiteness becomes associated with the taste of sugar and its addictive properties. Throughout the novel, whiteness becomes legible as an object of addiction that defends against the failed ideals of self-possessed human personhood—a cornerstone to white supremacy. The novel then reveals opportunities to reorganize the senses and ideas of personhood as a means to disrupt particularly harmful appetites for racial intimacies.
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Pub Date : 2023-04-28DOI: 10.1215/00029831-10679223
Clare Mullaney
Nineteenth-century Spiritualism championed women with chronic illnesses as the ideal conduits for mediumship due to their assumed sensitivity. Positioning the movement’s many historical iterations of automatic writing as central to disability history, this article turns to two twentieth-century practitioners of automatic writing, Gertrude Stein and Lucille Clifton, whose centering of extrasensory perceptions in the compositional scene upend the privileging of the rational male subject who dominates accounts of authorship in literary studies. By modeling collaborative forms of writing that exceed consciousness, Stein and Clifton make way for embracing disabled authorship in our past and present.
{"title":"Extra Consciousness, Extra Fingers: Automatic Writing and Disabled Authorship","authors":"Clare Mullaney","doi":"10.1215/00029831-10679223","DOIUrl":"https://doi.org/10.1215/00029831-10679223","url":null,"abstract":"\u0000 Nineteenth-century Spiritualism championed women with chronic illnesses as the ideal conduits for mediumship due to their assumed sensitivity. Positioning the movement’s many historical iterations of automatic writing as central to disability history, this article turns to two twentieth-century practitioners of automatic writing, Gertrude Stein and Lucille Clifton, whose centering of extrasensory perceptions in the compositional scene upend the privileging of the rational male subject who dominates accounts of authorship in literary studies. By modeling collaborative forms of writing that exceed consciousness, Stein and Clifton make way for embracing disabled authorship in our past and present.","PeriodicalId":45756,"journal":{"name":"AMERICAN LITERATURE","volume":" ","pages":""},"PeriodicalIF":0.5,"publicationDate":"2023-04-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42905615","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-28DOI: 10.1215/00029831-10679251
D. Pham
Water has held a privileged place in theorizations of Vietnamese refugee being. Drawing from Ocean Vuong’s chapbook Burnings (2010) and novel On Earth We’re Briefly Gorgeous (2019) along with Tuan Andrew Nguyen’s film The Boat People (2020), this article traces an alternative genealogy of Vietnamese diasporic aesthetics based on the element of fire. Theorizing fire as another critical site of refugee passages, these works evince a pyric refugee onto-epistemology, one that conceives of fire and ash as explicit matter-metaphors of living and beauty that refuse the sensory diminution of racialized subjects as a result of US imperial and militaristic violence. Fire carries with it a destructive valence, and ash is taken as evidence of ruin and disaster. However, the explorations of fire and ash in both artists’ work not only attest to the various onto-epistemological unravelings signified by fire and ash but also conceive of the possibilities and openings for a refugee poiesis that emerges in the aftermath of destruction. Both Vuong and Nguyen stage haptic encounters with ash that wrestle with questions of sensation and subjectivity in the narration of personal and collective trauma. Paradoxically, these texts espouse the notion that any possibility of refugee futurity happens through contact with the subjunctive power of that which is insensible, ash.
水在越南难民存在的理论中占有特殊地位。本文借鉴了Ocean Vuong的小说《燃烧》(2010)和小说《地球上我们短暂地美丽》(2019)，以及Tuan Andrew Nguyen的电影《船民》(2020)，以火元素为基础，追溯了越南流散美学的另一种谱系。将火作为难民通道的另一个重要地点理论化，这些作品证明了一种pyric难民的认识论，一种将火和灰烬视为生活和美的明确物质隐喻，拒绝因美帝国主义和军国主义暴力而导致的种族化主体的感官减少。火带有毁灭的意味，灰烬则被视为毁灭和灾难的证据。然而，两位艺术家作品中对火和灰的探索不仅证明了火和灰所代表的各种本体-认识论的解开，而且还构想了在毁灭之后出现的难民政治的可能性和开放。Vuong和Nguyen在叙述个人和集体创伤的过程中，都与灰烬进行了触觉接触，并与感觉和主观性问题进行了斗争。矛盾的是，这些文本支持这样一种观念，即任何难民未来的可能性都是通过与无意识的灰烬的虚拟力量接触而发生的。
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Pub Date : 2023-04-28DOI: 10.1215/00029831-10679265
Sho Tanaka
This article examines how literary imaginaries of the haptic in Black speculative fiction attend to the racial politics of the Anthropocene and the centrality of sensory praxis to ecological thought. Reading Alexis Pauline Gumbs’s M Archive and N. K. Jemisin’s Broken Earth trilogy, the article considers how ecological touch—or what Erin Robinsong calls geohaptics—emerges as a central literary trope that imagines new forms of sensory wayfinding and worldmaking that unearth and contest the Anthropocene’s racial ecologies of power. Expanding the concept’s uses and forms, what the article terms Gumbs’s and Jemisin’s Black feminist geohaptics crafts new political forms of sensory dwelling and planetary futures of environmental liberation for Black life. Sense, these works show, makes legible and transforms the Anthropocene’s geographies of power, unearthing how the categories of the human, inhuman, and more than human are generated and mobilized within the matrix of domination. Their works articulate the production of Black women’s geographies within and against the racial, patriarchal, and colonial Anthropocene, orienting sense and touch as central political figurations for anticolonial and abolitionist ecological thought.
{"title":"Black Feminist Geohaptics and the Broken Earth","authors":"Sho Tanaka","doi":"10.1215/00029831-10679265","DOIUrl":"https://doi.org/10.1215/00029831-10679265","url":null,"abstract":"\u0000 This article examines how literary imaginaries of the haptic in Black speculative fiction attend to the racial politics of the Anthropocene and the centrality of sensory praxis to ecological thought. Reading Alexis Pauline Gumbs’s M Archive and N. K. Jemisin’s Broken Earth trilogy, the article considers how ecological touch—or what Erin Robinsong calls geohaptics—emerges as a central literary trope that imagines new forms of sensory wayfinding and worldmaking that unearth and contest the Anthropocene’s racial ecologies of power. Expanding the concept’s uses and forms, what the article terms Gumbs’s and Jemisin’s Black feminist geohaptics crafts new political forms of sensory dwelling and planetary futures of environmental liberation for Black life. Sense, these works show, makes legible and transforms the Anthropocene’s geographies of power, unearthing how the categories of the human, inhuman, and more than human are generated and mobilized within the matrix of domination. Their works articulate the production of Black women’s geographies within and against the racial, patriarchal, and colonial Anthropocene, orienting sense and touch as central political figurations for anticolonial and abolitionist ecological thought.","PeriodicalId":45756,"journal":{"name":"AMERICAN LITERATURE","volume":"1 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2023-04-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66660252","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-28DOI: 10.1215/00029831-10679195
Erica Fretwell, Hsuan L. Hsu
{"title":"Redistributions of the Sensible: An Introduction to “Senses with/out Subjects”","authors":"Erica Fretwell, Hsuan L. Hsu","doi":"10.1215/00029831-10679195","DOIUrl":"https://doi.org/10.1215/00029831-10679195","url":null,"abstract":"","PeriodicalId":45756,"journal":{"name":"AMERICAN LITERATURE","volume":" ","pages":""},"PeriodicalIF":0.5,"publicationDate":"2023-04-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47969923","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-28DOI: 10.1215/00029831-10679279
D. Tomkins
{"title":"In and Out of Sight: Modernist Writing and the Photographic UnseenWhat Was Literary Impressionism?","authors":"D. Tomkins","doi":"10.1215/00029831-10679279","DOIUrl":"https://doi.org/10.1215/00029831-10679279","url":null,"abstract":"","PeriodicalId":45756,"journal":{"name":"AMERICAN LITERATURE","volume":" ","pages":""},"PeriodicalIF":0.5,"publicationDate":"2023-04-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48105510","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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