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Re-Membering Music Worlds: Exhibiting the Rebel Women of Manchester’s Suffragette City 重新记忆音乐世界:展出曼彻斯特女权运动之城的反叛女性
IF 0.5 3区 艺术学 0 MUSIC Pub Date : 2024-04-04 DOI: 10.1080/03007766.2024.2327746
Susan O’Shea, Alison Surtees
This paper addresses a lack of scholarly focus on intersections of memory, gender, and the popular music archive. To challenge the underrepresentation of women, reparative actions must be collabora...
本文论述了学术界对记忆、性别和流行音乐档案的交叉缺乏关注的问题。为了挑战女性代表性不足的问题,必须与其他机构合作开展补偿行动。
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引用次数: 0
R. Serge Denisoff Award R.塞尔日-丹尼索夫奖
IF 0.5 3区 艺术学 0 MUSIC Pub Date : 2024-04-03 DOI: 10.1080/03007766.2024.2333132
Published in Popular Music and Society (Ahead of Print, 2024)
发表于《流行音乐与社会》(2024 年提前出版)
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引用次数: 0
“I Felt Like a Normal Human Being”: Professional DJs’ Experiences of the COVID-19 Lockdowns "我觉得自己是个正常人":专业 DJ 在 COVID-19 封锁事件中的经历
IF 0.5 3区 艺术学 0 MUSIC Pub Date : 2024-04-02 DOI: 10.1080/03007766.2024.2334136
Lee Marshall, Martha Whitfield
The social restrictions prompted by COVID-19 disproportionately impacted creative industries that rely upon live performance as a main source of revenue, including the (electronic) music industry, ...
COVID-19 引发的社会限制对依赖现场表演作为主要收入来源的创意产业造成了极大的影响,包括(电子)音乐产业、...
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引用次数: 0
Beatlemania in America: Fan Culture from Below 美国的披头士狂热自下而上的歌迷文化
IF 0.5 3区 艺术学 0 MUSIC Pub Date : 2024-04-02 DOI: 10.1080/03007766.2024.2332044
Martin Cloonan
Published in Popular Music and Society (Ahead of Print, 2024)
发表于《流行音乐与社会》(2024 年提前出版)
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引用次数: 0
“I’ll Also With My Poverty, Buy All Your Sadness”: Tataloo and the Tatality Fanbase in Iran "我也要用我的贫穷,买下你所有的悲伤":伊朗的塔塔鲁和塔塔鲁粉丝团
IF 0.5 3区 艺术学 0 MUSIC Pub Date : 2024-03-25 DOI: 10.1080/03007766.2024.2327019
Behrang Nikaeen
This article explores the emergence of Tataloo and his fans, the Tatality subculture. I ask how the strong and incontestable relationship was constructed between them through social media, particul...
本文探讨了塔塔鲁和他的粉丝--Tatality 亚文化--的出现。我的问题是,他们之间是如何通过社交媒体构建起牢固且无可争议的关系的,尤其是在社交媒体上,他们是如何通过......
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引用次数: 0
Introduction: Gender and Popular Music Knowledge 导言:性别与流行音乐知识
IF 0.5 3区 艺术学 0 MUSIC Pub Date : 2024-03-18 DOI: 10.1080/03007766.2024.2320552
Mimi Haddon, Bethany Klein
This special issue of Popular Music and Society on gender and popular music knowledge considers feminized ways of listening to and knowing about popular music that have occupied the margins of medi...
本期《流行音乐与社会》特刊的主题是 "性别与流行音乐知识",探讨了女性化的聆听和了解流行音乐的方式,这些方式占据了媒体的边缘。
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引用次数: 0
Small Venues: Precarity, Vibrancy and Live Music 小型场所:魅力、活力和现场音乐
IF 0.5 3区 艺术学 0 MUSIC Pub Date : 2024-03-13 DOI: 10.1080/03007766.2024.2327866
Christine Rose Cooling
Published in Popular Music and Society (Ahead of Print, 2024)
发表于《流行音乐与社会》(2024 年提前出版)
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引用次数: 0
Segue-me à Capela: Inclusion and Resilience Strategies in Traditional Portuguese Music Segue-me à Capela:葡萄牙传统音乐中的包容与复原策略
IF 0.5 3区 艺术学 0 MUSIC Pub Date : 2024-03-06 DOI: 10.1080/03007766.2024.2320586
Luísa Fernanda Ochoa Márquez
Although traditional polyphonic singing has been practiced assiduously by many groups of women in Portugal, the cultural policies implemented during the New State (1933–1974) did not give it visibi...
尽管葡萄牙的许多妇女团体一直坚持传统的复调歌唱,但新国家时期(1933-1974 年)实施的文化政策并没有使其得到明显的发展。
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引用次数: 0
Out on the Floor: Exploring the London Lesbian Club Scene of the 1980s and 1990s Out on the Floor:探索二十世纪八九十年代的伦敦女同性恋俱乐部场景
IF 0.5 3区 艺术学 0 MUSIC Pub Date : 2024-03-06 DOI: 10.1080/03007766.2024.2320578
Katherine Griffiths
This article sets out to counter dominant depictions of DJs and clubbing that privilege white male DJs and their scenes, and that erase nightclubbing’s Black queer origins. Using queer oral history...
这篇文章旨在反驳对 DJ 和夜总会的主流描述,这些描述赋予白人男性 DJ 及其场景以特权,并抹杀了夜总会的黑人同性恋起源。文章采用同性恋口述历史的方式,对夜总会的黑人同性恋起源进行了分析。
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引用次数: 0
Make It Funky for Me: Black British Women’s Explorations of Britishness, Womanhood, and Artistry Through 2000s Music 为我而时髦英国黑人女性通过 2000 年代音乐对英国气质、女性身份和艺术性的探索
IF 0.5 3区 艺术学 0 MUSIC Pub Date : 2024-03-06 DOI: 10.1080/03007766.2024.2320584
Monique Charles
2000s Britain was an interesting and expansive time musically for Black Britain (Bradley 2013), as underground music gained traction in mainstream spaces. This article examines the context in which...
对于英国黑人来说,2000 年代的英国是一个有趣而广阔的音乐时期(Bradley,2013 年),因为地下音乐在主流空间获得了发展。本文探讨了英国地下音乐的发展背景。
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引用次数: 0
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POPULAR MUSIC AND SOCIETY
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