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Isaiah 2:6b and the Bible of Justin Martyr 以赛亚书2:6b和殉道者犹斯丁的圣经
IF 0.2 3区 哲学 Q1 Arts and Humanities Pub Date : 2023-08-16 DOI: 10.1163/15685330-bja10141
M. Yurovitskaya
It has long been recognized that the syntactically incorrect phrase in the MT of Isa 2:6b (כִּי מָלְאוּ מִקֶּדֶם וְעֹנְנִים כַּפְּלִשְׁתִּים “for they are full from the east and soothsayers like the Philistines”) suffers from a textual error involving the omission of a word. According to the commonly accepted conjecture, a derivative of the root קסם must be reconstructed, which, being graphically similar to מִקֶּדֶם, may have been dropped out due to haplography. Contrary to previous research that viewed Justin’s version of the verse (ὅτι ἐπλήσθη ἡ χώρα αὐτῶν, ὡς τὸ ἀπ’ ἀρχῆς, µαντειῶν καὶ κληδονισµῶν, Dial. 135.6.5) as a reflection of inner-Greek development, I argue that it may provide support for the emendation, being the only surviving witness to the original Hebrew text of Isa 2:6b.
人们早就认识到,在以赛亚书2:6b的MT中,语法错误的短语(“因为他们从东方满了,像非利士人那样作占卜的”)是由于文本错误而造成的。根据普遍接受的猜想,根的导数קסם必须重建,这是图形相似מִקֶּדֶם,可能是由于haplography辍学。与先前的研究相反,该研究认为犹斯丁的诗句版本(ντ ι ν πλ σθη ς χώρα α ι τι ν, τ ς τ ν π′ρχ τ ς,µαντει ν κα ν κ κληδονισ μ ν, Dial. 135.6.5)是希腊内部发展的反映,我认为它可能为修订提供支持,因为它是伊萨书2:6b希伯来原文的唯一幸存的见证。
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引用次数: 0
Passover and the Festival of Unleavened Bread as a Single Ritual Complex 逾越节和除酵节作为一个单一的仪式综合体
IF 0.2 3区 哲学 Q1 Arts and Humanities Pub Date : 2023-08-16 DOI: 10.1163/15685330-bja10139
John Tracy Thames
Discussions of the prehistory of the rituals Passover and the Festival of Unleavened Bread have frequently held that they stem from distinct origins and purposes. In part, this claim corresponds with the biblical presentation of the rituals as distinct and separable. But in an academic tradition reaching back to the early 19th century, scholarly reconstructions have additionally assumed that the rituals suggest sociological details about the putatively distinct populations that observed them—that Passover was a rite associated with nomadic pastoralists and Unleavened Bread served an agrarian populace. This article challenges such notions based on ritual texts from Emar. Emar’s ritual writings—especially those detailing the zukru festival—demonstrate that Passover and the Festival of Unleavened Bread share a structure for equinoctial ritualizing that suggests a history of those rites as integral to one another and refutes notions of their separability based on equation with social lifestyles.
关于逾越节和除酵节仪式的史前讨论经常认为它们有不同的起源和目的。在某种程度上,这一说法与圣经中仪式的不同和可分离的说法相一致。但在一个可以追溯到19世纪早期的学术传统中,学者们的重建还假设,这些仪式暗示了关于遵守它们的假定的不同人群的社会学细节——逾越节是与游牧牧民有关的仪式,无酵饼是为农业人口服务的。这篇文章基于Emar的仪式文本挑战了这些观念。Emar关于仪式的著作——尤其是那些详细描述zukru节的著作——表明逾越节和除酵节在春分仪式上有着共同的结构,这表明这些仪式的历史是彼此不可分割的,并驳斥了基于社会生活方式方程的可分离性观念。
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引用次数: 0
Identifying Alphabetic Compositions in the Hebrew Bible 识别希伯来圣经中的字母组合
IF 0.2 3区 哲学 Q1 Arts and Humanities Pub Date : 2023-08-16 DOI: 10.1163/15685330-bja10142
Joseph L. Justiss
Alphabetic acrostics (AA s) are a known phenomenon in the Hebrew Bible (HB). Recently, scholars have argued that other poems in the HB evidence “alphabetic thinking”, or some kind of consciousness of alphabet in their composition. Peter C. W. Ho has argued for what he calls alphabetic compositions (AC s), i.e., poems that are not proper acrostics but share common poetic devices with acrostics. In this article, I attempt to refine Ho’s list of common features of AA s and regroup them into macro-level and micro-level alphabet-imitating devices. With a clear understanding of these devices I test whether certain poems attempt to imitate the alphabet in their overall shape at macro-level as well as in their choice of words at micro-level. I argue that only when clear alphabet-imitating devices are present in both the form and the linguistic content of a poem can it be reliably identified as an AC. Finally, I problematize the use of AC s as a set of cross-referring poems designed to carry Psalter motifs by dealing with the possible presence of reworked and repurposed alphabetic poems in the Psalter.
字母离合(AA s)是希伯来圣经(HB)中一个已知的现象。最近,学者们认为HB中的其他诗歌证明了“字母思维”,或者在他们的创作中有某种字母意识。Peter c.w. Ho主张他所谓的字母组合(AC s),即不是真正的离合诗,但与离合诗有共同的诗歌手法。在本文中,我试图完善Ho列出的AA的共同特征,并将它们重新分组为宏观级和微观级的字母模仿设备。有了对这些手段的清晰理解,我测试了某些诗歌是否试图在宏观层面上模仿字母表的整体形状,以及在微观层面上模仿单词的选择。我认为,只有当一首诗的形式和语言内容中都有明显的字母模仿手段时,它才能被可靠地识别为AC。最后,我对AC作为一组交叉引用的诗歌的使用提出了问题,这些诗歌旨在通过处理《诗篇》中可能存在的重新加工和重新利用的字母诗歌来承载《诗篇》的主题。
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引用次数: 0
“The Yoke Before the Oil” (Isa 10:27d) in the Light of Neo-Assyrian Covenant-Making Rituals “油前的轭”(赛10:27d)在新亚述立约仪式的光照下
IF 0.2 3区 哲学 Q1 Arts and Humanities Pub Date : 2023-08-16 DOI: 10.1163/15685330-bja10143
Fabrizio Marcello
Following a study by Robertson (1885), Old Testament scholars have attempted to resolve the difficult reference to oil in Isa 10:27d by means of emendations, generally of a geographical nature. In this way, the verse becomes the opening line of the following war oracle (10:28–32). The study of royal inscriptions from the Neo-Assyrian period reveals instead the existence of covenant-making rituals in which oil was employed, especially as an image of the curse associated with covenant transgressions. Since in Assyrian propaganda, the yoke was an image of the king’s lordship over the conquered peoples, with the prophecy that “the yoke before the oil will be destroyed,” the prophet alludes to the termination of the treaty obligations stipulated through the ritual, as well as any form of curse associated with it.
在罗伯逊(1885)的研究之后,旧约学者试图通过修订的方式来解决以赛亚书10:27d中提到油的困难,通常是地理性质的。以这种方式,这节经文成为接下来的战争神谕的开场白(10:28-32)。对新亚述时期王室铭文的研究表明,在立约仪式中使用了石油,尤其是作为违背契约的诅咒的形象。由于在亚述人的宣传中,轭是国王对被征服人民的统治形象,预言“油前的轭将被摧毁”,先知暗指通过仪式规定的条约义务的终止,以及与之相关的任何形式的诅咒。
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引用次数: 0
The Meaning(lessness) of qubbâ and the Original Text of Numbers 25:8 qubb<e:1>的意义(无意义)和民数记25:8的原文
IF 0.2 3区 哲学 Q1 Arts and Humanities Pub Date : 2023-06-15 DOI: 10.1163/15685330-bja10133
Or Liber, Ariel Seri-Levi
The hapax legomenon קֻבָּה, which seems to appear out of context in the account of Phinehas killing an Israelite man and a Midianite woman in Num 25:8, has long puzzled commentators, scholars, and translators. This paper presents a new, text-critical explanation, suggesting that the original text read ויבא אחר איש ישראל וידקר את שניהם את איש ישראל אל הקבה ואת האשה אל קבתה, not including קֻבָּה at all: Phinehas pierced the man אֶל הַקֵּבָה, “through the belly,” and the woman אֶל קֳבָתָהּ, “through her belly.” The corruption occurred when the words אל הקבה were moved six words back in the text due to homoioteleuton and a partially successful correction. This unintentionally created the extant sentence ויבא אחר איש ישראל אל הקבה, in which קבה must denote a location, not an organ. Rather than קֵבָה, it was therefore read as קֻבָּה.
在民数记25:8中,非尼哈杀死一名以色列男子和一名米甸女子的故事中,似乎脱离了上下文,这个偶然的传说一直困扰着评论家、学者和翻译家。本文提出了一种新的,text-critical解释,说明原文读ויבאאחראישישראלוידקראתשניהםאתאישישראלאלהקבהואתהאשהאלקבתה,不包括קֻבָּה:非穿男人אֶלהַקֵּבָה,“肚子,”妇人אֶלקֳבָתָהּ,“通过她的肚”。腐败发生在单词אלהקבה都被感动了六个字在文本由于homoioteleuton和部分成功回调。这无意中创造了现在的句子“twtwtwl”,其中“twtwl”必须表示一个位置,而不是一个器官。因此,它不应被读为“vah -”。
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引用次数: 0
Qohelet as Divine Hedonist 神圣的享乐主义者
IF 0.2 3区 哲学 Q1 Arts and Humanities Pub Date : 2023-06-15 DOI: 10.1163/15685330-bja10131
Mark Sneed
This paper will demonstrate that the best descriptor of Qohelet is divine hedonist, not absurdist, skeptic, pessimist, realist, nihilist or “Preacher of Joy.” This will be done by examining the relationship between Qohelet’s hebel-judgments and his carpe diem ethic and comparing Qohelet’s strategy with that of philosopher David Hume. Qohelet’s hebel-judgments serve to deconstruct the traditional formulation of the Tun-Ergehen-Zusammenhang, opening space for legitimating his preferred ethic: the carpe diem. In other words, Qohelet rhetorically paints a dark and dreary world in order to buttress his main ethic, the carpe diem, an ethic that is both hedonistic (using philosophical classification) in seeking pleasure and avoiding pain (reflected in his God-fearing motif), and divine in that this ethic must align with God’s mysterious decrees.
本文将证明,对柯舍勒最好的描述是神圣的享乐主义者,而不是荒诞主义者、怀疑主义者、悲观主义者、现实主义者、虚无主义者或“快乐的传教士”。这将通过考察科赫莱的道德判断与他的及时行乐伦理之间的关系,并将科赫莱的策略与哲学家大卫·休谟的策略进行比较来完成。奥赫莱的“道德判断”有助于解构“tunergehen - zusammenhang”的传统公式,为他偏爱的“及时行乐”(carpe diem)伦理合法化开辟了空间。换句话说,Qohelet用修辞手法描绘了一个黑暗而沉闷的世界,以支持他的主要伦理,即及时行乐,一种寻求快乐和避免痛苦的享乐主义伦理(用哲学分类)(反映在他敬畏上帝的主题上),以及神圣的伦理,这种伦理必须与上帝的神秘命令保持一致。
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引用次数: 0
A New Look at Abigail’s Wisdom 《阿比盖尔的智慧
IF 0.2 3区 哲学 Q1 Arts and Humanities Pub Date : 2023-06-15 DOI: 10.1163/15685330-bja10138
Sarah Schwartz
This paper offers a new look at the design of Abigail’s character as a wise woman in 1 Sam 25, based on an analysis of the argumentative component of Abigail’s speech and the connections between her speech and the book of Proverbs. According to this analysis, Abigail is not only portrayed as a rescuer, but is also designed in the image of the wise educator in the book of Proverbs, who teaches David a fundamental theological principle about relying on God instead of on his own strength—despite the essential legitimacy to harm Nabal. This message is relevant to David’s status as an anointed king de jure, but as a refugee de facto. David’s adherence to Abigail’s message designs his character as a wise person who is willing to learn, indicating that the narrative justifies David’s monarchy through his encounter with Abigail.
本文通过分析《撒母耳记上》第25章中阿比盖尔演讲中的辩论成分以及她的演讲与《箴言》之间的联系,对阿比盖尔作为一个聪明女人的角色设计进行了新的审视。根据这种分析,亚比该不仅被描绘成一个拯救者,而且还被设计成《箴言》中睿智的教育家的形象,他教导大卫一个基本的神学原则,即依靠上帝而不是依靠自己的力量——尽管伤害拿八是合法的。这个信息与大卫在法律上是受膏的王,但实际上是一个难民的身份有关。大卫对阿比盖尔信息的坚持,将他的角色塑造成了一个愿意学习的智者,这表明叙事通过大卫与阿比盖尔的相遇来证明大卫的君主制是正确的。
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引用次数: 0
Seshat and Lady Wisdom Seshat和Lady Wisdom
IF 0.2 3区 哲学 Q1 Arts and Humanities Pub Date : 2023-06-15 DOI: 10.1163/15685330-bja10134
Maximilian Rechholz
The Demotic Book of Thoth has received surprisingly little attention in exegetical research, although it was a well-known text in Late Period Egypt. Since the Book of Thoth and Prov 1–9 are closely related in terms of dating, cultural background, and genre, a comparison of these two texts is overdue. To address this oversight, this article examines and compares the main female figures of both works: the goddess Seshat and Lady Wisdom. Previous research has pointed to Maat and Isis as archetypes of Lady Wisdom, but this article argues that Seshat must be considered as another goddess who exerted influence on the figure of Lady Wisdom.
令人惊讶的是,在训诂学研究中,《透特民书》受到的关注很少,尽管它在埃及晚期是一部著名的文本。由于《透特书》和《箴言》1-9在年代、文化背景和体裁方面密切相关,对这两个文本进行比较是迟来的。为了解决这一疏忽,本文研究并比较了两部作品中的主要女性形象:女神Seshat和智慧女神。先前的研究指出Maat和Isis是智慧女神的原型,但本文认为Seshat必须被认为是另一个对智慧女神的形象产生影响的女神。
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引用次数: 0
The Etymology of Šadday Šadday的词源
IF 0.2 3区 哲学 Q1 Arts and Humanities Pub Date : 2023-06-15 DOI: 10.1163/15685330-bja10132
Heath D. Dewrell
Despite many proposals for the etymology of “Šadday/Shaddai,” the form of the name as we have it requires deriving it from √šdd “to destroy.” It thus originally meant “Destroyer.”
尽管有许多关于“Šadday/Shaddai”的词源的建议,但我们所知道的这个名字的形式需要从√šdd“毁灭”派生出来。因此,它最初的意思是“毁灭者”。
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引用次数: 0
“Remember!” “记得!”
IF 0.2 3区 哲学 Q1 Arts and Humanities Pub Date : 2023-06-15 DOI: 10.1163/15685330-bja10135
Arnim Janssen-Wnorowska
By discussing some text-critical findings, this article poses the question of how the concept of emotivity can inform our understanding of the transmission processes which shaped Lam 1. An introduction establishes the theoretical and methodological basis for a comparative analysis of the Masoretic text, the Qumran manuscript of 4QLam, and Targum Lamentations. In various ways, the textual witnesses intensify and emotionalize Lam 1. Moreover, they focus on specific emotion words and make their meaning explicit for readers and listeners. Finally, the textual witnesses use different means to allow recipients to identify with the emotional descriptions.
通过讨论一些文本批判性的发现,本文提出了一个问题,即情感的概念如何影响我们对塑造Lam 1的传播过程的理解。引言为马所拉文本、Qumran 4QLam手稿和Targum哀歌的比较分析建立了理论和方法基础。通过各种方式,文本见证强化和情绪化了Lam 1。此外,他们注重特定的情感词汇,并使其含义对读者和听众都很明确。最后,文本目击者运用不同的手段让接受者认同情感描述。
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引用次数: 0
期刊
VETUS TESTAMENTUM
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