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The Census “Crisis Episode” and the Chronicler’s Mythic Agenda in 1 Chronicles 21 《历代志上》第21章人口普查“危机事件”与编年史家的神话议程
IF 0.2 3区 哲学 Q1 Arts and Humanities Pub Date : 2022-09-28 DOI: 10.1163/15685330-bja10108
M. Leuchter
The census narrative in 1 Chr 21 draws from the earlier version of the episode preserved in 2 Sam 24, which followed a mythological pattern we encounter in “crisis episodes” deriving from the monarchic era. The Chronicler introduces changes that not only depart from his source material on the literary level; they also break with the older mythological patterns found in earlier crisis episodes. These departures result from the influence of Persian imperial mythology on the Chronicler’s writing, with implications for the Chronicler’s own mythological agenda within his rendition of the census narrative and the chapters surrounding it.
历代志上21章的人口普查叙述取材于《撒母孙记下》第24章的早期版本,它遵循了我们在君主制时代的“危机事件”中遇到的神话模式。编年史者引入的变化不仅在文学层面上偏离了他的原始材料;它们也打破了在早期危机事件中发现的旧神话模式。这些偏离是由于波斯帝国神话对编年史者写作的影响,对编年史者自己的神话议程的影响,在他对人口普查叙述和周围章节的演绎中。
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引用次数: 0
The Truncated Oath of Innocence and the Adjudicatory Challenge to God: Three Examples (Job 31:5–6; Ps 44:21–22; Josh 22:23) 被截断的无罪誓言和对上帝审判的挑战:三个例子(约伯记31:5-6;Ps 44:21-22;Josh 22:23)
IF 0.2 3区 哲学 Q1 Arts and Humanities Pub Date : 2022-09-28 DOI: 10.1163/15685330-bja10111
S. E. Holtz
Many previous interpretations of Job 31:5–6; Ps 44:21–22; and Josh 22:23 have mistaken these texts as simple conditionals or as fully-articulated oaths. These earlier readings misconstrue verbs of adjudicatory procedure as punishments serving as self-curses in oaths. Context and semantic content favor identifying truncated oaths of innocence followed by separate adjudicatory challenges to God.
之前对约伯记31:5-6的许多解释;Ps 44:21-22;和约书亚记22:23都把这些经文误认为是简单的条件句或完全清晰的誓言。这些早期的解读误解了审判程序的动词,将其视为在誓言中充当自我诅咒的惩罚。上下文和语义内容倾向于识别截断的无罪誓言,然后是对上帝的单独裁决挑战。
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引用次数: 0
Artemidorus Interprets the Dream of Mordecai (Additions to Esther A and F) 阿特米多罗斯解读末底改的梦(补充以斯帖记A和F)
IF 0.2 3区 哲学 Q1 Arts and Humanities Pub Date : 2022-09-28 DOI: 10.1163/15685330-bja10112
Tyler Smith
The Alpha Text (AT) and Old Greek (OG) versions of Esther include six chapter-length passages—the “Additions”—not paralleled in the Hebrew Masoretic Text (MT) of Esther. In Addition A, Mordecai sees a dream marked by battle cries, confusion, thunder, earthquake, chaos, a pair of dragons, preparations for war, darkness and gloom, affliction and anguish, and an outcry to God from a frightened nation of righteous people. A small spring emerges from the outcry and turns into a mighty river, which consumes those held in esteem. Addition F offers a limited interpretation of several elements of this dream but leaves much of the dream uninterpreted. This paper offers a fresh perspective on the Addition A dream and its relationship to the plot of both AT- and OG-Esther in light of Artemidorus’s Oneirocritica, a second-century CE handbook of dream interpretation.
《以斯帖记》的阿尔法文本(AT)和古希腊文本(OG)版本包括六章长度的段落——“补充”——与希伯来文《以斯帖记》的马所拉文本(MT)不同。另外,末底改看到了一个梦,梦里有战斗的呼喊,混乱,雷声,地震,混乱,一对龙,战争的准备,黑暗和忧郁,苦难和痛苦,以及一个惊恐的正义民族向上帝发出的呼号。一股小泉水从呼喊中涌出,变成一条大河,吞噬那些受人尊敬的人。附加项F对这个梦的几个元素提供了有限的解释,但留下了很多未解释的梦。本文结合公元2世纪阿特米多罗斯的《梦的批判》一书,从一个全新的视角来审视《加法a梦》及其与AT和OG-Esther的情节关系。
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引用次数: 0
Gates and Entrances in Ezekiel 40–48: The Social Utopia of the Temple Vision 《以西结书》第40-48章的大门和入口:圣殿异象的社会乌托邦
IF 0.2 3区 哲学 Q1 Arts and Humanities Pub Date : 2022-09-28 DOI: 10.1163/15685330-bja10109
Julia Rhyder
The temple vision of Ezek 40–48 devotes considerable attention to measuring and describing the various gates and entrances of the temple compound. Previous studies have tended to focus on the defensive function of the gates. However, these structures not only bar entry but also facilitate access to the temple under certain ritualized conditions. Offering a close reading of the references to the gates in Ezek 40–48, in which particular roles and activities are associated with specific entrances, this article shows how these architectural features of the temple map a differential system in which social hierarchies are organized according to the level, direction, and timing of access ascribed to different groups and individuals within the temple compound. The article concludes by exploring the significance of the gates for how we understand the literary genre of the temple vision of Ezek 40–48, and in particular its nature as a social utopia.
以西结书40-48章的圣殿异象相当重视测量和描述圣殿大院的各种大门和入口。以前的研究倾向于关注门的防御功能。然而,这些结构不仅阻碍进入,而且在某些仪式化的条件下方便进入寺庙。通过仔细阅读《以西结书》40-48章中关于大门的参考文献,其中特定的角色和活动与特定的入口相关联,本文展示了寺庙的这些建筑特征如何映射出一个不同的系统,在这个系统中,社会等级是根据寺庙内不同群体和个人的进入水平、方向和时间来组织的。文章最后探讨了大门对于我们如何理解《以西结书》40-48章中圣殿愿景的文学类型的意义,特别是它作为社会乌托邦的本质。
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引用次数: 0
“I Have Made an Engraving of You …” (Isa 49:16a): An Echo of an ANE Adoption Practice in Deutero-Isaiah “我为你雕刻了…”(以赛亚书49:16a):《申命记-以赛亚书》中关于领养的回应
IF 0.2 3区 哲学 Q1 Arts and Humanities Pub Date : 2022-07-20 DOI: 10.1163/15685330-bja10105
Ekaterina E. Kozlova
This essay considers Isa 49:16, where the image of Zion appears to be inscribed on YHWH’s hands. Since the formulation על־כפים חקתיך is missing the suffix “my” on כפים in the MT and given the specifics of Zion’s lament in v. 14 (i.e., YHWH, Zion’s parent, abandons her in infancy), it will be suggested that the word כפים could refer not to the palms of YHWH’s hands but to the soles of Zion’s feet (with the unusual form כפים underscoring Zion’s age—i.e., she is a young child still crawling on “its fours”; cf. Lev 11:27). Read as “around the soles [of your, namely Zion’s, feet], I have made an engraving of you,” v. 16 echoes a symbolic ANE gesture: that is, the foot-printing of foundlings for adoption. Thus, Isa 49:16 models YHWH’s reestablishment of Zion as daughter on ANE adoption contracts, which in turn is part of Deutero-Isaiah’s wider theology of restoration after the exile.
这篇文章考虑以赛亚书49:16,在那里锡安的形象似乎刻在耶和华的手上。由于在MT中,“永永相传”的表述“永永相传”缺少了后缀“我的”,并且考虑到第14节锡安哀歌的具体内容(即,耶和华,锡安的父母,在婴儿期抛弃了她),人们会认为“永永相传”这个词可能不是指耶和华的手掌,而是指锡安的脚底(用不寻常的形式“永永相传”强调了锡安的年龄,即。在美国,她是一个还在“四肢着地”爬行的小孩子;参利未记11:27)。读作“在[你的脚,即锡安的脚]的脚底周围,我已经雕刻了你”,第16节呼应了一个象征性的手势:即弃儿的脚印。因此,以赛亚书49:16将耶和华重建锡安作为女儿作为典范,这是申命记-以赛亚在被掳后重建的更广泛神学的一部分。
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引用次数: 0
Understanding Imitatio Dei in the Holiness Source 在神圣源头中理解模仿上帝
IF 0.2 3区 哲学 Q1 Arts and Humanities Pub Date : 2022-07-20 DOI: 10.1163/15685330-bja10106
Paul K. Hosle
This essay concerns the vexed question of imitatio Dei in the Holiness Code (Lev 17–26) and, to a minor degree, other Holiness (H) traditions in the Pentateuch. I argue that H possesses a robust theology of imitatio Dei, but that the specific form that this imitation takes requires further clarification. Conceptually, I distinguish between the imitandum (i.e., that which is to be imitated) and the imitatio (i.e., the act of imitating). I argue that the imitandum is holiness understood as a quality proper to the deity that is irreducible to a code of conduct, but that this does not vitiate the applicability of the concept of imitatio Dei. On the level of the imitatio, I emphasize the irreducibly social nature of the imitatio, as well as its theocentric logic of justification. Within a typology of imitational structures, H represents an interesting case where both the imitandum and imitatio are heteronomously determined by the external demand of the deity and where the impulse of private, subjective moral growth plays a negligible role.
这篇文章关注的是神圣法典(利未记17-26)中模仿上帝的棘手问题,以及在较小程度上,五经中其他神圣(H)传统。我认为H拥有强大的上帝模仿神学,但这种模仿的具体形式需要进一步澄清。在概念上,我区分了限度(即被模仿的东西)和模仿(即模仿的行为)。我认为,极限是神圣性,被理解为神的固有品质,不可简化为行为准则,但这并没有削弱模仿上帝概念的适用性。在模仿的层面上,我强调了模仿的不可约的社会性质,以及其以神为中心的辩护逻辑。在模仿结构的类型学中,H代表了一个有趣的例子,在这个例子中,极限和模仿都是由神的外部需求自主地决定的,而私人的、主观的道德成长的冲动起着微不足道的作用。
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引用次数: 0
“Bel Crouches; Nebo Travails”: Reading Birth Imagery in Isaiah 46:1–4 “贝尔蹲;尼波的阵痛”:阅读以赛亚书46:1-4中的出生意象
IF 0.2 3区 哲学 Q1 Arts and Humanities Pub Date : 2022-07-20 DOI: 10.1163/15685330-bja10099
Zachary Schoening
The traditional reading of Isa 46:1–4 understands the Babylonian gods as falling or toppling. Interpretation of the nature of their actions depends upon how one reads the verbiage applied to the deities, which hinges upon the translation of a series of either difficult or semantically diverse Hebrew terms. This essay analyzes these terms in light of comparative Semitic evidence. It also considers the passage in light of broader ancient Near Eastern ideological and mythological patterns. Finally, it explores some prominent motifs in the traditions of the Akītu festival, which constitutes the immediate frame of reference for the oracle’s imagery and against which Deutero-Isaiah was framing his rhetoric. Birth imagery, this essay contends, constitutes the primary rhetorical vehicle by which the prophet ridicules the Babylonian gods, portraying them as crouching in labor, and depicting them as inferior to Yahweh.
以赛亚书46:1-4的传统解读将巴比伦的神理解为坠落或倾覆。对他们行为本质的解释取决于一个人如何解读神的措辞,这取决于对一系列困难或语义多样的希伯来语术语的翻译。本文根据比较闪米特的证据来分析这些术语。它还根据更广泛的古代近东意识形态和神话模式来考虑这段经文。最后,它探讨了akurtu节日传统中的一些突出主题,这些主题构成了神谕意象的直接参考框架,而申命记-以赛亚正在构建他的修辞。这篇文章认为,出生意象构成了先知嘲笑巴比伦众神的主要修辞工具,将他们描绘成蜷缩在劳动中的人,并将他们描绘成不如耶和华的人。
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引用次数: 0
A Legal Allusion: The Correlation of Law and History in Ezekiel 20 法律典故:《以西结书》中法律与历史的关联
IF 0.2 3区 哲学 Q1 Arts and Humanities Pub Date : 2022-07-20 DOI: 10.1163/15685330-bja10107
Eric X. Jarrard
This article expands the well-established relationship between Ezek 20 and the Holiness Code (H), developed by, among others, Michael Lyons. I argue that Ezekiel articulates the relationship between the exodus event and the legal material using an extensive intertextual allusion to H. These connections enable us to appreciate more thoroughly Ezekiel’s historiographical project, as well as exposing possible Deuteronomic redaction of the chapter that assumes and utilizes the established time patterning of the surrounding verses. The article concludes with a reflection on the mnemonic activity in Ezek 20 regarding how the chapter uses (proto-) Lev 18–20 to advocate for the preeminence of legal material and especially H in patterning time and conceptions of the exodus for future generations.
这篇文章扩展了《以西结书》第20章和神圣法典(H)之间的既定关系,该法典是由迈克尔·莱昂斯等人开发的。我认为以西结书通过对h的广泛的互文典故,阐明了出埃及记事件和法律材料之间的关系,这些联系使我们能够更彻底地欣赏以西结的历史编纂工程,也揭示了可能的申命记对这一章的修订,这一章假设并利用了周围经文的既定时间模式。文章最后反思了《以西结书》第20章的助记活动,关于这一章如何使用(原型)《利未记》第18-20章来提倡法律材料的优越性,特别是在为后代塑造出埃及的时间和概念方面。
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引用次数: 0
Benjamin and the Anonymous Ten Tribes of Israel: A Holistic Approach to Tribal Confusions 《便雅悯与无名的以色列十支派:部落困惑的整体研究》
IF 0.2 3区 哲学 Q1 Arts and Humanities Pub Date : 2022-07-20 DOI: 10.1163/15685330-bja10104
Andrew Tobolowsky
This article weighs in on new debates about the affiliation of the tribe of Benjamin between Israel and Judah in the early monarchy. It points to two underappreciated aspects of the Hebrew Bible’s account of tribal realities in the books of Kings: the anonymity of the ten tribes attributed to Israel in 1 Kgs 11–12, and how unusual the absence of a complete and detailed account of tribal arrangements in Kings is in the context of a Primary History as a whole. It argues that both of these realities reflect a deliberate effort to obscure Benjamin’s northern origins and that, in fact, it is impossible to come up with a plausible list of ten Israelite tribes without Benjamin.
这篇文章的重量在新的争论本杰明部落之间的隶属关系,以色列和犹大在早期君主制。它指出了希伯来圣经在列王纪中对部落现实的描述中被低估的两个方面:在列王纪上11-12章中被认为是以色列人的十个部落的匿名性,以及在《列王纪》中对部落安排的完整和详细的描述是多么不寻常,在整个《原初史》的背景下。它认为,这两个事实都反映了一种刻意掩盖便雅悯北方起源的努力,事实上,如果没有便雅悯,就不可能列出一个合理的十个以色列部落的名单。
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引用次数: 0
Song of Songs 1:1—Text and Paratext 雅歌1:1 -文本与旁文
IF 0.2 3区 哲学 Q1 Arts and Humanities Pub Date : 2022-07-20 DOI: 10.1163/15685330-00001150
Simeon Chavel
The argument draws upon literary theory to revisit the two clauses that, traditionally, make up Song 1:1. (1) The title evaluates the work as the song-most of songs. I argue that the evaluation refers to the work’s manifold form of simulation—a literary work representing the speech of a dreamer, who speaks from both inside and outside the dream. (2) The scoring in MT, the rubric in LXX (Sinaiticus, Alexandrinus), ancient interpreters and modern all take the first words of the Song of Songs to be a heading, comprising title (שִׁיר הַשִּׁירִים) and attribution (אֲשֶׁר לִשְׁלֹמֹה). I argue that the clause marked and understood as an attribution may be the beginning of the character’s speech.
这一论点借鉴了文学理论,重新审视了传统上构成《歌》1:1的两句话。(1)标题将作品评价为歌曲中的歌曲。我认为这种评价指的是作品的多种模拟形式——一部代表做梦者讲话的文学作品,他在梦中和梦中都在说话。(2) MT中的记分,LXX中的标题(西奈抄本,亚历山大抄本),古代和现代的解释者都把《雅歌》的第一个字作为标题,包括标题()。我认为标记和理解为归属的从句可能是角色讲话的开始。
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引用次数: 0
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VETUS TESTAMENTUM
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