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On how to live while being thrown away: Black people who use drugs and the politics of anti-disposability, North Philadelphia, circa 2007 to 2010 关于如何在被丢弃的情况下生活:吸毒的黑人和反对一次性的政治,北费城,大约2007年到2010年
IF 0.7 Q3 ANTHROPOLOGY Pub Date : 2023-09-13 DOI: 10.1111/ciso.12464
Nadja Eisenberg-Guyot

Drawing on 3 years of fieldwork (2007–2010) in North Central Philadelphia with homeless and transiently-housed Black people who use drugs, this article explores the politics of mutual aid and community survival during a period of city-sponsored redevelopment. Drawing on Black feminist theory, I show how this community responded to and resisted their marginalization from urban space and Philadelphia history through developing a theory and practice of collective care. Resisting narratives that would position them as “worthless throwaways,” my informants responded to and reworked dominant narratives about what being a Black person who uses drugs means. As redevelopment threatened their neighborhood with increasing velocity, I reflect on how policing and incarceration disrupted my informants'—and my—relationship to history and urban space. I argue that in the shooting galleries, I learned the politics of anti-disposability: the right to live (and not just die) a junky.

通过对费城中北部吸毒的无家可归和临时居住的黑人长达3年的田野调查(2007-2010),本文探讨了在城市资助的重建时期互助和社区生存的政治。根据黑人女权主义理论,我展示了这个社区如何通过发展集体关怀的理论和实践来应对和抵制他们在城市空间和费城历史上的边缘化。我的线人拒绝将他们定位为“毫无价值的一次性物品”的叙述,他们回应并改写了关于吸毒的黑人意味着什么的主流叙述。随着再开发以越来越快的速度威胁着他们的社区,我反思了警察和监禁是如何扰乱了我的线人——以及我自己——与历史和城市空间的关系。我认为,在射击场,我学到了反对一次性使用的政治:作为垃圾生活(而不仅仅是死亡)的权利。
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引用次数: 0
Afterword: Moving Along 后记:前行
IF 0.7 Q3 ANTHROPOLOGY Pub Date : 2023-07-17 DOI: 10.1111/ciso.12462
Rashmi Sadana
<p>In Kevin Lynch's (1960) classic formulation of the image of the city, he asks us to think about urban environments as a series of topographic registers on the landscape, from monuments to mountains, paths to edges, nodes, and junctions. There is a human element to this vision, with its concentrations and convergences in social space; think of the hangout value of a street corner or how the cut of a railway marks off a cultural district. However, these registers can also seem static. The city is laid out (Lynch was an urban planner after all) and people move within its gridlines. The authors of the articles in this special section—Samprati Pani, Annemiek Prins, Catherine Earl, and Nikolaos Olma—posit a different imagining of the city: diverse forms of mobility, understood sensorially. These are ethnographies attuned to the movement of bodies through space, where the image of the city is the movement itself. This sensorial approach highlights a particular relationship between city and society by focusing on daily practices of mobility and their repetition through urban space—practices that are individual and begin in the body but have social, political, and cultural resonances and ultimately forms. These are mobility practices that make grooves in the urban landscape and shape people's lives. I think of this experiential and sensorial approach as key to “the moving city,” an idea developed in my own research about how Delhi's new metro rail system reorders that city's landscape (Sadana, <span>2022</span>). The reordering is not only due to the physical imposition of new lines and stations but also because of the new itineraries being forged and followed by millions of riders. Similarly, in this special section, readers are treated to a range of ethnographic engagements with mobility practices and how they cultivate social and cultural pathways.</p><p>Each author begins by showcasing a particular form of mobility—walking, cycle-rickshaw driving, experiencing traffic, and taxi driving—as historically and materially situated in an urban and Asian context. “Asia” here is a place and continent more than an area, concept, or geopolitical monolith. There is nothing cohesive about Asia but there are shared characteristics across its urban public spaces. The four articles span Central, South, and Southeast Asia, across the cities of Tashkent, Delhi, Dhaka, and Ho Chi Minh City, and are located in the nation-states of Uzbekistan, India, Bangladesh, and Vietnam, respectively. These are places with different population densities and climates, though they are all imbued with colonial and imperial histories, postcolonial built environments, and more recent economic liberalizations, resulting in rising middle classes, persistent and entrenched inequalities, and new or changing mobilities. The cities’ infrastructures reflect these new “mobility regimes” composed of “norms and rules that shape movement, space, behavior, and conduct” (Sheller, <span>2018</span>,
在凯文·林奇(Kevin Lynch,1960)对城市形象的经典表述中,他要求我们将城市环境视为景观上的一系列地形记录,从纪念碑到山脉,从小路到边缘,从节点到交叉点。这一愿景有一种人的因素,它在社会空间中的集中和融合;想想街角的闲逛价值,或者铁路的切割如何标志着一个文化区。然而,这些寄存器也可能看起来是静态的。这座城市已经布局好了(林奇毕竟是一名城市规划师),人们在它的网格线内移动。本专栏文章的作者Samprati Pani、Annemiek Prins、Catherine Earl和Nikolaos Olma对这座城市提出了不同的想象:从感官上理解的不同形式的流动。这些是与身体在空间中的运动相适应的民族志,在空间中,城市的形象就是运动本身。这种感官方法通过关注日常的流动实践及其在城市空间中的重复,突出了城市和社会之间的特殊关系——这些实践是个体的,始于身体,但具有社会、政治和文化共鸣,并最终形成。这些流动性实践在城市景观中形成了凹槽,并塑造了人们的生活。我认为这种体验和感官的方法是“移动的城市”的关键,这是我自己在研究德里新的地铁系统如何重新安排城市景观时提出的想法(Sadana,2022)。重新排序不仅是因为新线路和车站的实际实施,还因为数百万乘客正在伪造和遵循新的路线。同样,在这一特别部分中,读者将了解一系列与流动实践有关的民族志活动,以及他们如何培养社会和文化途径。每一位作者都首先展示了一种特殊的流动形式——步行、人力车驾驶、体验交通和出租车驾驶——在历史和物质上都处于城市和亚洲的背景下。这里的“亚洲”是一个地方和大陆,而不是一个地区、概念或地缘政治的庞然大物。亚洲没有什么凝聚力,但其城市公共空间有着共同的特点。这四篇文章横跨中亚、南亚和东南亚,横跨塔什干、德里、达卡和胡志明市,分别位于乌兹别克斯坦、印度、孟加拉国和越南等民族国家。这些地方的人口密度和气候各不相同,尽管它们都充满了殖民地和帝国历史、后殖民时代的建筑环境以及最近的经济自由化,导致中产阶级的崛起、持续和根深蒂固的不平等,以及新的或不断变化的流动性。城市的基础设施反映了这些新的“流动制度”,这些制度由“塑造运动、空间、行为和行为的规范和规则”组成(Sheller,2018,95),然而,在规范和规则的空隙中,也有更多的东西在发生。Samprati Pani关于德里历史悠久的Nizamuddin社区的集市女性的文章,以当地户外购物的普通城市实践,为低收入穆斯林女性如何用脚创造公共空间提供了一个令人信服的理由。他们不仅去集市,还以一种重复的方式在集市上走来走去,与店主、贸易商和其他购物者互动。正如帕尼所描述的,集市是家庭制作活动的延伸,在这里,女性有目的,有东西可以为家人购买,但它也是一个偶然发现、社区和城市制作的地方,“一条弯路会刺激其他弯路”。帕尼提醒我们“城市”和“公民”之间的语言联系,而不涉及公民的宏大叙事。这种联系在这些女性走上街头的方式上更为轻松和相关。与她交谈的那些去集市的女性并不是在等待她们的男性关系(她们通常掌握着钱包),也不是在等待国家告诉她们去哪里。在他们的堡垒(低收入社区),这毕竟是他们自己的集市,这正是他们的看法。帕尼看到的是他们日常生活的创造性和政治性。帕尼描述的集市与德里地铁的跨阶层空间相交,该空间连接了包括尼扎穆丁在内的全市许多集市。地铁还为性别流动提供了空间,尤其是在每列列车上指定的女性专用车厢内。但德里地铁是一个更加全球化的空间,因为它连接了整个城市的多个地方,并在超现代的政府制造的基础设施中运送人们。帕尼的集市不仅更具地方特色,而且可以被视为这些妇女之家的延伸。有时妇女甚至会在不能去的日子里在家门口看集市。帕尼展示了这种接近的想法是如何解放的。 你不必穿越太多的城市空间,它就能带来变革。集市也有一种亲密感,拒绝公开或私人的区别对待,尤其是限制女性。没有人太关注或关心这些女性在堡垒里的漫步,在那里,“休闲和必要之间的界限被模糊了”。Annemiek Prins在她关于达卡自行车人力车司机的文章中谈到了全市范围内的流动性实践。与许多亚洲城市一样,在达卡,人力车不仅处于交通等级的低端,而且被规划者和精英们认为是一种过时和倒退的交通形式,它堵塞了街道,让人联想到一个人拉另一个人的不人道形象。普林斯强调了自行车人力车司机对自己劳动的看法,以及他们为什么这样做:在获得城市流动性的同时,“即时现金”管理农村生活(汇款家庭)的必要性。这种准入要求他们进入交通等级的底层,这是城乡连续体的残酷逻辑。这是一个城市的形象——普林斯告诉我们,人力三轮车在达卡如此普遍,人们无法想象这个城市没有人力三轮车和交通的时空景观,一个不间断且总是移动的城市,即使在交通堵塞时也是如此。达卡和德里一样,很快将拥有自己的地铁系统,我想知道这对该市的自行车人力车司机意味着什么。在德里的交通等级制度中,自行车人力车司机同样被认为是反现代的,直到德里地铁出现了数百个车站。通勤者前所未有地需要最后一英里的连接,而自行车人力车似乎完全符合要求,因为它们可以在车站周围排队。与达卡一样,仍有压力要求逐步淘汰它们。如果地铁标志着这座城市是超现代和全球化的,那么自行车人力车在旁边拥挤意味着什么?在德里,我认为这个问题是关于这个城市是如何想象的,是由谁想象的。地铁的真正价值不仅仅是作为一个闪闪发光的独立物体,而是作为一套综合交通方案的一部分。然而,这两种截然不同的愿景往往并存,对城市规划等都有影响。现在,印度其他所有大城市都在争相拥有地铁系统,而价格便宜得多的快速公交系统的支持要少得多。在某些情况下,城市正在围绕昂贵的地铁系统进行重新规划,这些系统的规模不足以保证其费用。在离地面更近的地方,新型电动人力车取代了自行车人力车的部分但不是全部位置。无论是在德里还是达卡,这种特殊的流动制度都表明了自行车人力车司机的生活和生计的不稳定。Catherine Earl的文章详细介绍了整个交通景观,她在考虑胡志明市时对交通的体验成分进行了独特的分析。厄尔借鉴了前卫的音乐概念,以一种不同的方式来看待混乱无序的全球南部城市的比喻,“这是概念化超大城市流动性的另一种模式”,合作形式并不总是通过城市规划或基础设施来实施,而是通过试错来实施。这种在车流中穿行的方法可能不会产生野蛮的速度或轻快的步伐,而是以一种仍然能让你到达你想去的地方的节奏前进。在这里,流动性是指适应,这可能会导致不和谐,但也可能导致重新融入社会——想想马拉松选手和街头舞者。从外面看混乱有其自身的节奏。通过在声音和运动之间进行类比,厄尔描绘了一幅流动性的画像,其中包括刺耳的声音,而不是将其视为一种失常或分心。这种感觉人类学加深了我们对社会环境的认识,并使我们对它的描述更加丰富,但在这种情况下,它也做得更多。厄尔的“韵律分析”方法使我们了解交通和拥堵是如何构成的。正是这种前卫的创作形式“挑战了结构”,“破坏了普遍性”。因此,它不仅仅是看到甚至听到,而是在身体上吸收另类运动。厄尔阐述了我们(经常沉浸在这种交通中的人)都知道的一件事:它可能看起来很混乱,但不知何故,“这个系统”起了作用,它有自己的和谐,即使它违反了规范,或者可能是因为它这样做。它通过“街头演员之间的谈判、协调、协作、合作和相互尊重”来做到这一点
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引用次数: 0
Neither dead nor alive: Participatory slum governance as a zombie program 既不是死的也不是活的:作为僵尸计划的参与式贫民窟治理
IF 0.7 Q3 ANTHROPOLOGY Pub Date : 2023-07-03 DOI: 10.1111/ciso.12457
Sven da Silva, Martijn Koster, Pieter de Vries

This article focuses on PREZEIS, an internationally acclaimed participatory slum governance program in Recife, Brazil. PREZEIS was implemented in 1987 and emerged out of a strong popular movement that resisted forced evictions of squatter settlements under the military regime (1964–1985). To date, however, its main objectives—upgrading slums and regularizing land rights—have not been achieved, and its executive powers have been dismantled over the years. We argue that this institutionalization of a popular movement gave birth to a “zombie program” that lives off the past and refuses to die. We advance the zombie metaphor through the Lacanian notion of “fetishistic disavowal,” of knowing PREZEIS is “dead” but still believing it can be revived through ritualistic, fetishistic activities. We argue that the challenge is to accept its death, opening up the possibility for something truly new to arise. In the conclusion, we also explore how this factors into broader debates on urban post-politics.

本文关注PREZEIS,这是一个国际知名的参与式贫民窟治理项目,位于巴西累西腓。PREZEIS于1987年实施,源于一场强烈的民众运动,该运动抵制军事政权下(1964–1985年)强行驱逐棚户区。然而,到目前为止,其主要目标——改造贫民窟和规范土地权利——尚未实现,多年来其行政权力也被废除。我们认为,这种大众运动的制度化催生了一个“僵尸计划”,它以过去为生,拒绝死亡。我们通过拉康式的“恋物否认”概念来推进僵尸隐喻,即知道PREZEIS“死了”,但仍然相信它可以通过仪式性的恋物活动复活。我们认为,挑战在于接受它的死亡,为出现真正新的事物开辟可能性。在结论中,我们还探讨了这是如何影响关于城市后政治的更广泛辩论的。
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引用次数: 0
City Rhythms: Urban Mobility Relations in Ho Chi Minh City 城市节奏:胡志明市的城市流动关系
IF 0.7 Q3 ANTHROPOLOGY Pub Date : 2023-07-03 DOI: 10.1111/ciso.12459
Catherine Earl

Moving beyond a rhythmanalysis approach to banal mobilities and diurnal journey making – commuting, visiting, shopping, leisure – this paper explores how place-dependent forms of transport shape the feel and flow of the city. Theorizing the city as polyrhythmic reveals multiple traces of local/global and past/present in the socio-historically situatedness of urban mobilities. Based on 20 months of ethnographic fieldwork in Ho Chi Minh City, I reconsider the dis/orderliness of different movements in the mega-urban postcolonial Global South. The paper's main arguments are arranged around the thick description of a scene in HCMC's everyday traffic flows as experienced from the curbside of one of the city's busy streets. I draw on concepts from avant guard musical composition to rethink the de-synchronization and disharmony of congested roads as polyrhythmic relations. Firstly, I deploy the concept of aleatory to offer an alternative explanation for unpredictable elements in metropolitan traffic flow. Secondly, I apply the concept of phasing, or syncing, to sensory experiences of roads to explore co-production of polyrhythmic relations. Thirdly, I reflect on isorhythmia and stochastic processes to analyze influences of models of digitization on repetition and randomness in mobilities.

本文超越了对平庸的流动性和日常旅行(通勤、参观、购物、休闲)的韵律分析方法,探讨了依赖地点的交通形式如何塑造城市的感觉和流动。将城市理论化为多节奏城市,揭示了城市流动性的社会历史情境中的地方/全球和过去/现在的多重痕迹。基于20 在胡志明市进行了数月的民族志田野调查后,我重新考虑了后殖民时代全球南方大城市中不同运动的无序性。这篇论文的主要论点是围绕着对胡志明市一条繁忙街道路边的日常交通流场景的粗略描述展开的。我借鉴前卫音乐作品中的概念,将拥堵道路的不同步和不和谐重新思考为多节奏关系。首先,我运用了aleorial的概念,为大都市交通流中不可预测的因素提供了另一种解释。其次,我将阶段性或同步性的概念应用于道路的感官体验,以探索多节奏关系的共同生产。第三,我反思了等节奏和随机过程,分析了数字化模型对迁移率重复性和随机性的影响。
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引用次数: 0
Making paths and doing bazaar: Rhythms and techniques of walking-as-dwelling 走小路做集市:作为居所的节奏和技巧
IF 0.7 Q3 ANTHROPOLOGY Pub Date : 2023-06-30 DOI: 10.1111/ciso.12458
Samprati Pani

This article posits the concept of “walking-as-dwelling” as a critical analytical frame to counter the dominant Western conceptualization of walking as an event or novel experience that is set apart from ordinary life. Walking-as-dwelling refers to how walking is bound with routines of work, domesticity, and leisure, through which people inhabit and make places. Drawing attention to the situatedness of walking in particular places and subjectivities, the article follows the walking practices of women in the Monday bazaar of Nizamuddin Basti, a low-income neighborhood in Delhi. It examines how women's walking itineraries, rhythms, and techniques co-constitute the bazaar as a dynamic spacetime configuration, making and remaking the public and social character of the bazaar. It draws attention to the creative and political potential of ordinary practices of walking through which the Basti's women negotiate constraints of gender and class and, in the process, forge affective ties with the bazaar, perform modes of sociality, and articulate freedom and mobility.

本文将“作为住所行走”的概念作为一个批判性的分析框架,以对抗西方将行走视为一种与日常生活不同的事件或小说体验的主流概念。步行作为住宅是指步行如何与工作、家庭生活和休闲的日常生活联系在一起,人们通过这些日常生活来居住和创造场所。为了引起人们对在特定地方行走的情境性和主观性的关注,这篇文章跟踪了德里低收入社区Nizamuddin Basti周一集市上女性的行走实践。它考察了女性的行走路线、节奏和技术如何将集市作为一个动态的时空配置,塑造和重塑集市的公共和社会特征。它提请人们注意普通行走实践的创造性和政治潜力,巴斯蒂的女性在这些实践中协商性别和阶级的约束,并在这个过程中与集市建立情感联系,表演社会模式,表达自由和流动性。
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引用次数: 0
Navigating precarity in everyday (sub)urban space in Helsinki, Finland 芬兰赫尔辛基日常(亚)城市空间中的不稳定性导航
IF 0.7 Q3 ANTHROPOLOGY Pub Date : 2023-06-26 DOI: 10.1111/ciso.12461
Mia Jaatsi, Päivi Kymäläinen

This article addresses the everyday forms of urban precarity, which is under-studied in the context of Finnish cities. We examine how urban precarity becomes lived, practiced, and resisted in the case of a suburban open-air shopping center in Helsinki, Finland. Referring to precarity as a socio-spatial condition that reveals the precariousness of urban people and places, this study discovered everyday forms of urban precarity in detailed materialities and tactics; in housing, food, and addiction struggles; and in movements and networks. These mundane manifestations revealed that precarity could be approached in more relative terms that are not linked with certain neighborhoods but that emerge as spaces with intersecting nodes of services, networks, mobilities, and sociality. We conclude that particular places across urban spaces, where these aspects intersect, can be central to the ways precarity is navigated in the city and to increasing understandings of the mechanisms through which spaces of precarity are constructed in the city. The methodological choices used in this article—volunteer ethnography and vignettes—present profound accounts of the microscale lived experience, and bring humanness to a context that often exhibits stereotypes and marginality.

这篇文章讨论了城市不稳定的日常形式,这是在芬兰城市的背景下进行的研究。我们以芬兰赫尔辛基郊区的露天购物中心为例,研究了城市不稳定是如何被生活、实践和抵制的。将不稳定作为一种社会空间条件,揭示了城市人和地方的不稳定,本研究在详细的物质和策略中发现了城市不稳定的日常形式;在住房、食物和成瘾斗争方面;以及在运动和网络方面。这些平凡的表现表明,不稳定可以用更相对的术语来处理,这些术语与某些社区无关,而是作为具有服务、网络、流动性和社会性交叉节点的空间出现。我们得出的结论是,城市空间中这些方面交叉的特定地方,可能是城市中驾驭不稳定的方式的核心,也是对城市中构建不稳定空间的机制的进一步理解的核心。本文中使用的方法选择——志愿者民族志和小插曲——对微观生活体验进行了深刻的描述,并将人性带到了一个经常表现出刻板印象和边缘化的背景中。
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引用次数: 3
The Migrant's Paradox: Street livelihoods and Marginal Citizenship in Britain By M Suzanne. Hall, Minneapolis: University of Minnesota Press, 2021, pp.  232 《移民的悖论:英国街头生计与边缘公民身份》,M Suzanne著。霍尔,明尼阿波利斯:明尼苏达大学出版社,2021年,第232页
IF 0.7 Q3 ANTHROPOLOGY Pub Date : 2023-06-26 DOI: 10.1111/ciso.12460
Claire Bullen
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引用次数: 0
Fast Futures and Everyday Endurance: Mobility, Temporality, and Cycle-Rickshaws in Dhaka 快速的未来和日常耐力:达卡的机动性、临时性和自行三轮车
IF 0.7 Q3 ANTHROPOLOGY Pub Date : 2023-04-10 DOI: 10.1111/ciso.12452
Annemiek Prins

This article takes the cycle-rickshaw industry in Dhaka, Bangladesh, as a point of departure for examining the discrepancy between the everyday rhythms and embodied realities of Dhaka traffic and the idealized image of mobility that drives imaginations of the urban future. The cycle-rickshaw is often excluded from such imaginations, as the vehicle is not only blamed for obstructing the flow of traffic but also for impeding trajectories of urban change. I argue that such exclusionary notions of the urban future, which build on linear and epochal notions of urban change, obscure the many ways in which everyday mobilities gesture to temporal experiences of endurance rather than transformation. I employ the notion of endurance to capture both the physical effort of navigating Dhaka traffic and the distinct temporality of rickshaw labor. I show that rickshaw labor, although arduous, allows drivers to keep on going amidst the various needs of the present by providing them with “instant cash.” Rickshaw mobilities thus highlight the friction between epochal notions of urban change and the durability and contingency of the imperfect safety nets and practices that people rely on for the time being.

本文以孟加拉国达卡的人力车行业为出发点,研究达卡交通的日常节奏和具体现实与推动城市未来想象的理想化流动形象之间的差异。人力车经常被排除在这种想象之外,因为它不仅被指责阻碍了交通,而且阻碍了城市变化的轨迹。我认为,这种建立在城市变化的线性和划时代概念基础上的对城市未来的排斥性概念,掩盖了日常流动性在许多方面表现出持久而非转变的时间体验。我运用耐力的概念来捕捉达卡交通中的体力劳动和人力车劳动的独特时间性。我表明,人力车劳动虽然艰巨,但通过为司机提供“即时现金”,他们可以在当前的各种需求中继续前行。因此,人力车的流动性突显了划时代的城市变革理念与人们暂时依赖的不完善的安全网和做法的持久性和偶然性之间的摩擦。
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引用次数: 1
The Collective Image of the City: Informal Taxis and the Production of Vernacular Toponyms in Tashkent, Uzbekistan 城市的集体形象:乌兹别克斯坦塔什干的非正式出租车和白话地名的产生
IF 0.7 Q3 ANTHROPOLOGY Pub Date : 2023-04-10 DOI: 10.1111/ciso.12451
Nikolaos Olma

Decades of politically motivated place renaming have prompted the population of Tashkent, the capital of Uzbekistan, to adopt a bottom-up vernacular toponymic register, wherein locations are indicated in relation to points of reference known as orientiry. Orientiry take cues from the built environment and are generated through the population's affective pluritemporal engagements with the city. Accordingly, they can take different material forms, but they can also be dropped or discursively replaced by new ones situated temporally or physically closer to the population's everyday experiences. This article argues that orientiry are kept more or less coherent by the need for Tashkent dwellers to indicate locations to their fellow residents and especially to Tashkent's informal taxi drivers. Orientiry are proliferated and standardized by the exchange of environmental information that occurs between driver and passenger as they find their way through various places and temporalities. The article demonstrates how a combination of cognition, affect, and social stimuli shapes wayfinding in Tashkent, revealing the city's orientiry as a representation of a collective image of the city—an assemblage of individual mental maps that overlap, interfere, contradict, and exclude one another and yet remain functional by similar habitual use of the city.

几十年来,出于政治动机的地名更名促使乌兹别克斯坦首都塔什干的居民采用自下而上的本地地名登记册,其中根据被称为oriendiry的参考点来指示位置。Orientiry从建筑环境中获得线索,并通过人口与城市的情感多时间接触而产生。因此,它们可以采取不同的物质形式,但也可以被丢弃,或者被时间上或物理上更接近人群日常体验的新形式所取代。这篇文章认为,由于塔什干居民需要向其他居民,特别是向塔什干的非正式出租车司机指示位置,因此定向或多或少保持了一致性。当驾驶员和乘客在不同的地点和时间找到自己的路时,他们之间发生的环境信息交换使定向激增并标准化。这篇文章展示了认知、情感和社会刺激的结合是如何塑造塔什干的寻路方式的,揭示了城市的定向是城市集体形象的代表——一组相互重叠、干扰、矛盾和排斥的个人心理地图,但通过对城市的类似习惯使用仍能发挥作用。
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引用次数: 0
Enforcing Trust: Race, gender, and the policing of citizenship in Rio de Janeiro 强制执行信任:里约热内卢的种族、性别和公民治安
IF 0.7 Q3 ANTHROPOLOGY Pub Date : 2023-04-10 DOI: 10.1111/ciso.12447
Marta-Laura Haynes

Policing in Rio de Janeiro is notorious for its brutality. For Unidades da Policía Pacificadora (UPP), a proximity policing program marked by less overt violence, the forging of trust became a strategy for reshaping the image of police and favelas. Yet, this policing model reproduced racial and gender bias that was persistent in broader Brazilian society where trust is coded as white and female while danger is coded as Black and male. In UPP, these ideologies manifested in using lighter-skinned and female officers to produce trust through whiteness and gender. For residents, pacification underscored a longstanding racial encoding of citizenship and trust as performances of whiteness and belonging. Based on fieldwork conducted between 2010 and 2015 among the military police and in favelas, I examine in this article how Brazilian ideologies of race and gender intersect with local notions about trustworthiness and class. For the UPPs, enforcing trust was attached to the expectation of submission and uniformity—ultimately strengthening white supremacy. Through intimate ethnographic accounts of commanders' and residents' experiences, I show the nuanced ways trust intersects with local ideas about race and gender and how it served both as a vehicle for pacification and as a mode of citizenship.

里约热内卢的警察因其残暴而臭名昭著。对于太平洋警察联合会(UPP)来说,建立信任成为重塑警察和贫民窟形象的一种策略。然而,这种警务模式再现了在更广泛的巴西社会中持续存在的种族和性别偏见,在巴西社会中,信任被编码为白人和女性,而危险被编码为黑人和男性。在UPP中,这些意识形态表现在利用肤色较浅的女性军官通过白人和性别来产生信任。对居民来说,安抚强调了长期以来的种族编码,即公民身份和信任是白人和归属感的表现。基于2010年至2015年在宪兵和贫民窟进行的实地调查,我在这篇文章中研究了巴西的种族和性别意识形态如何与当地关于可信度和阶级的观念相交叉。对UPP来说,强制执行信任与顺从和统一的期望相联系,最终加强了白人至上主义。通过对指挥官和居民经历的深入民族志描述,我展示了信任与当地种族和性别观念的微妙交叉方式,以及它如何既是安抚的工具,又是公民身份的一种模式。
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