Music education students frequently encounter high-pressure situations that significantly impact their performance and development. These scenarios, which range from public recitals to evaluative sessions, present both challenges and opportunities for growth. This paper examines the nature of these high-pressure environments and explores their effects on music students. We offer practical strategies and evidence-based techniques specifically designed for music educators. Our objective is to provide a comprehensive resource that equips educators with effective tools to support their students in excelling under pressure.
{"title":"High-pressure in music education: Understanding the phenomenon and empowering students","authors":"Oksana Komarenko, Gerardo Ramirez, Kristie Speirs Neumeister","doi":"10.1177/02557614241265907","DOIUrl":"https://doi.org/10.1177/02557614241265907","url":null,"abstract":"Music education students frequently encounter high-pressure situations that significantly impact their performance and development. These scenarios, which range from public recitals to evaluative sessions, present both challenges and opportunities for growth. This paper examines the nature of these high-pressure environments and explores their effects on music students. We offer practical strategies and evidence-based techniques specifically designed for music educators. Our objective is to provide a comprehensive resource that equips educators with effective tools to support their students in excelling under pressure.","PeriodicalId":46623,"journal":{"name":"International Journal of Music Education","volume":null,"pages":null},"PeriodicalIF":1.8,"publicationDate":"2024-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141794907","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"教育学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-07-27DOI: 10.1177/02557614241266626
Rui Zhou, Jiel Choi, Hyejin So
Music education is important for students’ development, and thus music teachers play a key role. However, there is a scarcity of research on music teachers’ experiences of teaching in rural schools in China. This study explores the in-depth experiences of rural music teachers in China. Nine music teachers in rural schools were interviewed, and interview data were analyzed using a phenomenological research method. Two themes and six categories emerged: (1) navigating barriers in rural music education (undervaluing music education, difficulties in teaching based on curriculum standards, heavy workload, dissatisfaction with teacher training); and (2) empowering through music: enhancing skills and well-being (improving musical capacity, promoting psychological changes). Results show that rural music teachers in China faced practical difficulties regarding the perception of music education, teaching required content, and lack of professional development. However, the outcomes of music education for students were positive, in that they improved their musical competencies and experienced psychological changes. Study findings will contribute to the development of rural music teachers and provide insights for educational administrators in China.
{"title":"Career experiences of rural music teachers in Jilin Province, China","authors":"Rui Zhou, Jiel Choi, Hyejin So","doi":"10.1177/02557614241266626","DOIUrl":"https://doi.org/10.1177/02557614241266626","url":null,"abstract":"Music education is important for students’ development, and thus music teachers play a key role. However, there is a scarcity of research on music teachers’ experiences of teaching in rural schools in China. This study explores the in-depth experiences of rural music teachers in China. Nine music teachers in rural schools were interviewed, and interview data were analyzed using a phenomenological research method. Two themes and six categories emerged: (1) navigating barriers in rural music education (undervaluing music education, difficulties in teaching based on curriculum standards, heavy workload, dissatisfaction with teacher training); and (2) empowering through music: enhancing skills and well-being (improving musical capacity, promoting psychological changes). Results show that rural music teachers in China faced practical difficulties regarding the perception of music education, teaching required content, and lack of professional development. However, the outcomes of music education for students were positive, in that they improved their musical competencies and experienced psychological changes. Study findings will contribute to the development of rural music teachers and provide insights for educational administrators in China.","PeriodicalId":46623,"journal":{"name":"International Journal of Music Education","volume":null,"pages":null},"PeriodicalIF":1.3,"publicationDate":"2024-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141798558","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"教育学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-07-27DOI: 10.1177/02557614241265369
Gülnihal Gül, Melike Çakan Uzunkavak, Doruk Engür
Performance anxiety is a significant factor that hinders musicians from showcasing their potential. Students receiving professional music education may experience negative effects in both their education and professional lives due to this anxiety. It is important to identify the factors that contribute to performance anxiety in order to overcome it. With this perspective, the research measured the anxiety levels of music students in Fine Arts High Schools using the Music Performance Anxiety Inventory and examined the scores in terms of major instrument, gender, GPA, stage experience, and age. This study was conducted with 337 students from 11 fine arts high schools in Turkey. It was observed that anxiety varies depending on the instrument, with higher anxiety found particularly among bowed string instrument players. Female students were found to have higher levels of anxiety. Students with more stage experience had lower levels of anxiety. However, age did not have a significant effect.
{"title":"Exploring music performance anxiety among fine arts high school music department students in Turkey","authors":"Gülnihal Gül, Melike Çakan Uzunkavak, Doruk Engür","doi":"10.1177/02557614241265369","DOIUrl":"https://doi.org/10.1177/02557614241265369","url":null,"abstract":"Performance anxiety is a significant factor that hinders musicians from showcasing their potential. Students receiving professional music education may experience negative effects in both their education and professional lives due to this anxiety. It is important to identify the factors that contribute to performance anxiety in order to overcome it. With this perspective, the research measured the anxiety levels of music students in Fine Arts High Schools using the Music Performance Anxiety Inventory and examined the scores in terms of major instrument, gender, GPA, stage experience, and age. This study was conducted with 337 students from 11 fine arts high schools in Turkey. It was observed that anxiety varies depending on the instrument, with higher anxiety found particularly among bowed string instrument players. Female students were found to have higher levels of anxiety. Students with more stage experience had lower levels of anxiety. However, age did not have a significant effect.","PeriodicalId":46623,"journal":{"name":"International Journal of Music Education","volume":null,"pages":null},"PeriodicalIF":1.8,"publicationDate":"2024-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141794905","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"教育学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-06-21DOI: 10.1177/02557614241262458
Melissa Baughman, Darrell J Jordan
We examined the perspectives and experiences of collegiate voice instructors regarding methods used to address wellness in the collegiate voice studio. Collegiate voice instructors ( N = 835) from 13 states were invited to participate in a researcher-designed survey. A total of 74 respondents completed the survey. All respondents strongly agreed that students’ wellness impacts their performance abilities, which strengthens the case for addressing wellness in the voice studio. There seemed to be a concern with the lack of training in specific techniques, though, so it may be useful to create accessible training sessions and resources related to wellness that are tailored specifically to voice instructors. Respondents seemed to use, value, and were most familiar with breathing exercises and stretching, so future researchers may consider examining the contextual use and effectiveness of these methods as they relate to wellness. While voice instructors believed that it is important to address the whole singer through wellness, they were also careful to guard their own boundaries and be mindful of their own limitations and comfort levels.
{"title":"Teaching the whole singer: An examination of methods used to address student wellness in the collegiate voice studio","authors":"Melissa Baughman, Darrell J Jordan","doi":"10.1177/02557614241262458","DOIUrl":"https://doi.org/10.1177/02557614241262458","url":null,"abstract":"We examined the perspectives and experiences of collegiate voice instructors regarding methods used to address wellness in the collegiate voice studio. Collegiate voice instructors ( N = 835) from 13 states were invited to participate in a researcher-designed survey. A total of 74 respondents completed the survey. All respondents strongly agreed that students’ wellness impacts their performance abilities, which strengthens the case for addressing wellness in the voice studio. There seemed to be a concern with the lack of training in specific techniques, though, so it may be useful to create accessible training sessions and resources related to wellness that are tailored specifically to voice instructors. Respondents seemed to use, value, and were most familiar with breathing exercises and stretching, so future researchers may consider examining the contextual use and effectiveness of these methods as they relate to wellness. While voice instructors believed that it is important to address the whole singer through wellness, they were also careful to guard their own boundaries and be mindful of their own limitations and comfort levels.","PeriodicalId":46623,"journal":{"name":"International Journal of Music Education","volume":null,"pages":null},"PeriodicalIF":1.8,"publicationDate":"2024-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141448658","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"教育学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-06-05DOI: 10.1177/02557614241257634
John O’Flynn, Donal Fullam
This article reports on a case study involving 44 adults based in Belfast, Northern Ireland for the research project Bridging Musical Knowledge. Data were gathered via project website creation and an online survey carried out during early stages of the COVID-19 pandemic. Developing an interdisciplinary epistemic framework that draws on theory from music education, ethnomusicology and musicology in conjunction with the analysis of qualitative data, it finds two major tendencies across multiple perceptions/experiences of musical knowledge as reported by participants: first, to value formal and practical aspects in the attainment of musical knowledge, and second, to consider familial, communal and other sociocultural contexts as central to musical knowledge development. Interpreting a dialectical tension between reified and experiential accounts as reflective of historically embedded distinctions, the authors propose a relational model of musical knowledge, encompassing comparative conceptions of music theory and discourse.
{"title":"Towards a relational model of musical knowledge: Findings from a Belfast-based case study","authors":"John O’Flynn, Donal Fullam","doi":"10.1177/02557614241257634","DOIUrl":"https://doi.org/10.1177/02557614241257634","url":null,"abstract":"This article reports on a case study involving 44 adults based in Belfast, Northern Ireland for the research project Bridging Musical Knowledge. Data were gathered via project website creation and an online survey carried out during early stages of the COVID-19 pandemic. Developing an interdisciplinary epistemic framework that draws on theory from music education, ethnomusicology and musicology in conjunction with the analysis of qualitative data, it finds two major tendencies across multiple perceptions/experiences of musical knowledge as reported by participants: first, to value formal and practical aspects in the attainment of musical knowledge, and second, to consider familial, communal and other sociocultural contexts as central to musical knowledge development. Interpreting a dialectical tension between reified and experiential accounts as reflective of historically embedded distinctions, the authors propose a relational model of musical knowledge, encompassing comparative conceptions of music theory and discourse.","PeriodicalId":46623,"journal":{"name":"International Journal of Music Education","volume":null,"pages":null},"PeriodicalIF":1.8,"publicationDate":"2024-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141385993","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"教育学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Previous research has shown that classroom activities in music composition, involve the use of composition strategies during the creative process. This implies that teaching composition strategies may be beneficial to improve compositions in regards to their craftsmanship and their originality. Practical guides on composing for experienced musicians suggest using composition strategies as a way to create variety and novelty. This study aimed to investigate how the use of composition strategies might influence melodic idea generation from the perspective of experienced musicians. Five participants were given two short composition activities. In the first activity, participants composed freely with or without using composition strategies. In the second activity, participants were to include a choice of five composition strategies that were provided. They were subsequently interviewed about their composition process, their experience of the activities and how they viewed the strategies in relation to generating ideas. Results showed that all the participants perceived the as being an external phenomena that sometimes encroached on their more subconscious approach to idea generation and selection. This result has implications for how to assist idea generation during creative musical activities. Instructional sequencing could benefit from including idea generation as a precursor to learning new information.
{"title":"How composition strategies influence melodic idea generation","authors":"Ashleigh Southam, Alistair Macaulay, Jamie Costley","doi":"10.1177/02557614241256675","DOIUrl":"https://doi.org/10.1177/02557614241256675","url":null,"abstract":"Previous research has shown that classroom activities in music composition, involve the use of composition strategies during the creative process. This implies that teaching composition strategies may be beneficial to improve compositions in regards to their craftsmanship and their originality. Practical guides on composing for experienced musicians suggest using composition strategies as a way to create variety and novelty. This study aimed to investigate how the use of composition strategies might influence melodic idea generation from the perspective of experienced musicians. Five participants were given two short composition activities. In the first activity, participants composed freely with or without using composition strategies. In the second activity, participants were to include a choice of five composition strategies that were provided. They were subsequently interviewed about their composition process, their experience of the activities and how they viewed the strategies in relation to generating ideas. Results showed that all the participants perceived the as being an external phenomena that sometimes encroached on their more subconscious approach to idea generation and selection. This result has implications for how to assist idea generation during creative musical activities. Instructional sequencing could benefit from including idea generation as a precursor to learning new information.","PeriodicalId":46623,"journal":{"name":"International Journal of Music Education","volume":null,"pages":null},"PeriodicalIF":1.8,"publicationDate":"2024-05-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141159444","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"教育学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-17DOI: 10.1177/02557614241254406
Tao Guan, Ning Luo, Koji Matsunobu
This longitudinal case study aimed to explore changes in ethnic minority students’ motivations to pursue higher music education during the transition from high school to university. The participants were recruited from the Yi, Mongolian and Tibetan ethnic groups in a remote mountainous region of southwest China. Data were collected through participant observation and semi-structured interviews. The findings of the study indicated that the ethnic minority students were driven both by intrinsic motivations, including a love of and interest and persistence in music, positive musical experiences and musical ability, and by extrinsic motivations, including the desire to earn a university degree by way of studying music, meet the expectations of their local music teachers and family members and repay their hometowns by serving as local music teachers. However, most of the participating ethnic minority students exhibited a shift in their motivations to study music after 2 years of university education. This shift was attributable to various elements, including peer competition, employment pressure, mentor support and the university environment. Based on these findings, we suggest ways to support ethnic minority students transitioning smoothly from high school to university and continuing their music studies.
{"title":"Understanding ethnic minority students’ motivations to pursue higher music education over time","authors":"Tao Guan, Ning Luo, Koji Matsunobu","doi":"10.1177/02557614241254406","DOIUrl":"https://doi.org/10.1177/02557614241254406","url":null,"abstract":"This longitudinal case study aimed to explore changes in ethnic minority students’ motivations to pursue higher music education during the transition from high school to university. The participants were recruited from the Yi, Mongolian and Tibetan ethnic groups in a remote mountainous region of southwest China. Data were collected through participant observation and semi-structured interviews. The findings of the study indicated that the ethnic minority students were driven both by intrinsic motivations, including a love of and interest and persistence in music, positive musical experiences and musical ability, and by extrinsic motivations, including the desire to earn a university degree by way of studying music, meet the expectations of their local music teachers and family members and repay their hometowns by serving as local music teachers. However, most of the participating ethnic minority students exhibited a shift in their motivations to study music after 2 years of university education. This shift was attributable to various elements, including peer competition, employment pressure, mentor support and the university environment. Based on these findings, we suggest ways to support ethnic minority students transitioning smoothly from high school to university and continuing their music studies.","PeriodicalId":46623,"journal":{"name":"International Journal of Music Education","volume":null,"pages":null},"PeriodicalIF":1.8,"publicationDate":"2024-05-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141126525","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"教育学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-14DOI: 10.1177/02557614241250035
Gaute Storsve
Using a deductive approach, this article explores how synthesizing existing theoretical frameworks—UNESCO’s domains of education encompassing formal, informal, and nonformal learning, Folkestad’s dimensions of learning (the situation, learning style, ownership, and intentionality), and Green’s characterizations of informal learning—can enhance our understanding of students’ experiences of music-making across diverse contexts. It explores previous theoretical perspectives and empirical research on music education across these domains, incorporating a global perspective and discussing the varied interpretations of “non-formal” learning. The article highlights how a continuum between formal and informal learning is challenged by more fluid and nuanced understandings presented here. Drawing on empirical material from an ongoing study in Norwegian upper secondary schools, this work demonstrates the practical implications of a nuanced approach to understanding music learning contexts. Observations and interviews from collaborative learning settings offer insights into the interconnectedness of formal, informal, and non-formal learning domains. By offering a critical examination and synthesis of existing theoretical perspectives, this article contributes to broadening the discourse on music education. It underscores the need for a comprehensive approach to research and education practices that fully acknowledges the complexity of learning experiences across various contexts.
{"title":"Formal, informal, and non-formal learning as analytic categories for research in music education","authors":"Gaute Storsve","doi":"10.1177/02557614241250035","DOIUrl":"https://doi.org/10.1177/02557614241250035","url":null,"abstract":"Using a deductive approach, this article explores how synthesizing existing theoretical frameworks—UNESCO’s domains of education encompassing formal, informal, and nonformal learning, Folkestad’s dimensions of learning (the situation, learning style, ownership, and intentionality), and Green’s characterizations of informal learning—can enhance our understanding of students’ experiences of music-making across diverse contexts. It explores previous theoretical perspectives and empirical research on music education across these domains, incorporating a global perspective and discussing the varied interpretations of “non-formal” learning. The article highlights how a continuum between formal and informal learning is challenged by more fluid and nuanced understandings presented here. Drawing on empirical material from an ongoing study in Norwegian upper secondary schools, this work demonstrates the practical implications of a nuanced approach to understanding music learning contexts. Observations and interviews from collaborative learning settings offer insights into the interconnectedness of formal, informal, and non-formal learning domains. By offering a critical examination and synthesis of existing theoretical perspectives, this article contributes to broadening the discourse on music education. It underscores the need for a comprehensive approach to research and education practices that fully acknowledges the complexity of learning experiences across various contexts.","PeriodicalId":46623,"journal":{"name":"International Journal of Music Education","volume":null,"pages":null},"PeriodicalIF":1.8,"publicationDate":"2024-05-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140942990","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"教育学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-08DOI: 10.1177/02557614241249163
Patrick K Cooper
This study explored the potential of artificial intelligence (ChatGPT) to generate lesson plans for music classes that were indistinguishable from music lesson plans created by humans, with current music teachers as assessors. Fifty-six assessors made a total of 410 ratings across eight lesson plans, assigning a quality score to each lesson plan and labeling if they believed each lesson plan was created by a human or generated by AI. Despite the human-made lesson plans being rated higher in quality as a group ( p < .01, d = 0.44), assessors were unable to accurately label if a lesson plan was created by a human or generated by AI (55% accurate overall). Labeling accuracy was positively predicted by quality scores on human-made lesson plans and previous personal use of AI, while accuracy was negatively predicted by quality scores on AI-generated lesson plans and perception of how useful AI will be in the future. Open-ended responses from 42 teachers suggested assessors used three factors when making evaluations: specific details, evidence of classroom knowledge, and wording. Implications provide suggestions for how music teachers can use prompt engineering with a GPT model to create a virtual assistant or Intelligent Tutor System (ITS) for their classroom.
{"title":"Music teachers’ labeling accuracy and quality ratings of lesson plans by artificial intelligence (AI) and humans","authors":"Patrick K Cooper","doi":"10.1177/02557614241249163","DOIUrl":"https://doi.org/10.1177/02557614241249163","url":null,"abstract":"This study explored the potential of artificial intelligence (ChatGPT) to generate lesson plans for music classes that were indistinguishable from music lesson plans created by humans, with current music teachers as assessors. Fifty-six assessors made a total of 410 ratings across eight lesson plans, assigning a quality score to each lesson plan and labeling if they believed each lesson plan was created by a human or generated by AI. Despite the human-made lesson plans being rated higher in quality as a group ( p < .01, d = 0.44), assessors were unable to accurately label if a lesson plan was created by a human or generated by AI (55% accurate overall). Labeling accuracy was positively predicted by quality scores on human-made lesson plans and previous personal use of AI, while accuracy was negatively predicted by quality scores on AI-generated lesson plans and perception of how useful AI will be in the future. Open-ended responses from 42 teachers suggested assessors used three factors when making evaluations: specific details, evidence of classroom knowledge, and wording. Implications provide suggestions for how music teachers can use prompt engineering with a GPT model to create a virtual assistant or Intelligent Tutor System (ITS) for their classroom.","PeriodicalId":46623,"journal":{"name":"International Journal of Music Education","volume":null,"pages":null},"PeriodicalIF":1.8,"publicationDate":"2024-05-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140895721","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"教育学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The limited number of STEAM educational experiences in Spain was the motivation behind this study, whose goal was to identify the contributions and essential components of integrated STEAM teaching, specifically the approach that relates the arts (music) to science subjects (mathematics). To this end, a multiple case study was carried out in primary classrooms at three schools. The interviews carried out with teachers, students, and management teams, and the observation of the application of different activities provided a comprehensive vision of the keys to integrated STEAM teaching (co-teaching, coordination, and an interdisciplinary relationship between subjects). The data also brought to light the benefits of STEAM educational practice (procedural mimesis between subjects, student motivation, links between teachers, and professional growth) and also the difficulties encountered. All this, contrasted with the ideas expounded in the literature, enables us to propose lines of work that the educational community should find suggestive and inspiring since the combination of science with the arts, creativity, integration, and innovation has the potential to promote the necessary aptitudes for students in the 21st century.
{"title":"Music and mathematics: Key components and contributions of an integrated STEAM teaching approach","authors":"Cristina González-Martín, Montserrat Prat Moratonas, Judith Forcada Royo","doi":"10.1177/02557614241248267","DOIUrl":"https://doi.org/10.1177/02557614241248267","url":null,"abstract":"The limited number of STEAM educational experiences in Spain was the motivation behind this study, whose goal was to identify the contributions and essential components of integrated STEAM teaching, specifically the approach that relates the arts (music) to science subjects (mathematics). To this end, a multiple case study was carried out in primary classrooms at three schools. The interviews carried out with teachers, students, and management teams, and the observation of the application of different activities provided a comprehensive vision of the keys to integrated STEAM teaching (co-teaching, coordination, and an interdisciplinary relationship between subjects). The data also brought to light the benefits of STEAM educational practice (procedural mimesis between subjects, student motivation, links between teachers, and professional growth) and also the difficulties encountered. All this, contrasted with the ideas expounded in the literature, enables us to propose lines of work that the educational community should find suggestive and inspiring since the combination of science with the arts, creativity, integration, and innovation has the potential to promote the necessary aptitudes for students in the 21st century.","PeriodicalId":46623,"journal":{"name":"International Journal of Music Education","volume":null,"pages":null},"PeriodicalIF":1.8,"publicationDate":"2024-05-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140826398","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"教育学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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