British Journal for the History of Science最新文献

This epilogue considers the approach and conception of this collection, highlighting key analytical strands in the essays while also suggesting possible avenues of further research. It spotlights the global nature of their analysis, which offers one structural framework - individual scientific personas and the often transnational networks which they inhabit - as a possible avenue to imagine a so-called global Space Age. The epilogue also investigates possible frames for further analyses, particularly regarding gender and translation. Men dominate the pantheon of space personas, which, I argue, is a function of the way popular discourses about space travel are still dominated not only by patriarchal and often misogynistic tropes, but also by how we define 'technology' itself as essentially a male domain of activity. More broadly, we need further investigation of multiple and gendered erasures involved in the creation of male space personas. Similarly, the kinds of tools, work and strategies the space personas deployed to translate their visions across different social, discursive, cultural and temporal domains require attention. In particular, one can imagine that the afterlife of these personas will be susceptible to change and alteration as their messages, reputations, and principal attachments are continually reshaped by historical change, popular culture, and academic currents.

Arnaldo Tamayo Méndez, the first Cuban, Latin American, and person of African descent to travel to space, has experienced a significant evolution in his persona since his historic flight aboard Soyuz 38 in 1980. This article explores three pivotal phases in this transformation: first, his portrayal in the media as a pioneering Cuban cosmonaut, which positioned him among the socialist elite of the Space Age; second, the controversy regarding the identity of the first Black person in space, which brought renewed attention to Tamayo's achievements; and third, the ongoing reconfiguration of his image through social-media platforms, allowing for broader engagement with diverse audiences. By applying the principles of persona analysis to a multilinguistic set of historical documents and images related to Tamayo, this study illustrates the malleability of his self-fashioning for different audiences and how it has adapted to reflect changing sociopolitical contexts and the evolving landscape of public representation in the digital age.

This article examines the practice of post-mortem examination in the Royal Navy during the French Revolutionary and Napoleonic Wars (1793-1815). The professional medical logbooks kept by ship's surgeons as part of their mandated practice reveal that they turned to pathological anatomy to diagnose their patients - a technique typically associated with French anatomy during this period. I show that these post-mortem dissections blended medicine and surgery together by correlating clinical signs and symptoms of disease with pathological manifestations of disease in the bodies after death. This article also considers the medical culture that existed on these ships that enabled this research, specifically how captains, officers and crew responded to, and interpreted, such medical enquiry on board. By resituating the naval ship as a site of medical experimentation and enquiry, I explore how naval surgeons participated in medical research within the Royal Navy and used the ship space to engage in pathological anatomy before their British civilian counterparts flocked to French hospitals after the wars.

In this paper, we dissect how different regimes of labour were crucial to the success of the British and Brazilian expeditions which observed the 1919 total solar eclipse in Príncipe and Sobral. We connect regimes of labour with degrees of invisibility and discuss plausible justifications for various absences/presences in the written records. We discuss reasons for the inclusion of Cottingham, the artisan-technician expert on clockwork mechanisms, into the teams; the entanglements of forced labour with scientific and technical work in Príncipe; and the various regimes of labour in place at Sobral. We argue that the impact of various regimes of labour in Príncipe and Sobral cannot be confined to the provision of infrastructural support, but include critical location choices, the possibility of scientific success during the observations themselves, and the processing of plates following observations.

In the latter half of the eighteenth century, British civil engineers strove to enhance their status and assert the identity of their developing profession. Alongside associational and visual cultures, one means of achieving a sense of community was through the formation of a shared literary culture. As a profession notorious for what Torrens described as 'papyrophobia', it is perhaps surprising that many engineers, in this period, read widely and wrote extensively. John Smeaton (1724-92), for example, valued good authorship and experimented widely with literary form. James Brindley (1716-72), his contemporary, wrote sparingly, but nevertheless generated a literary strategy in support of his projects. Other engineers, such as John Phillips (fl. 1785-1813), made use of their engineering background and of engineering literature to create alternative careers. By exploring how mid- to late eighteenth-century engineers wrote, in order to persuade and to educate others as well as to publicize, record and defend their professional decisions, this paper will show how their reputations were dependent on literary constructions as much as on physical ones.

East German Sigmund Jähn and West German Ulf Merbold were Germany's first spacefarers. While their rivalry mirrored the superpowers' space race in many ways, it differed in a significant aspect: Jähn and Merbold shared a common cultural and historical background. Going where no German had gone before, therefore, was as much a competition of democracy versus dictatorship, and/or capitalism versus communism, as it was about which state represented the 'better' Germany. Moreover, this rivalry did not end with the Cold War but reappeared with renewed vigour in the country's eventual reunification process after 1990. Drawing on national archival and printed sources from all around the world, this article analyses collective projections and competing performances in the making of Germany's most famous rocket stars, both before and beyond 1990. Discussing individual characteristics, cultural traditions and techno-scientific ambitions, it argues that descent rather than socio-technical prospect proved crucial in designating the progenitor of German space flight.

Of all the many instruments that symbolized scientific endeavour in British India by the end of the nineteenth century, microscopes were among the most iconic, and yet, for both empirical and ideological reasons, their rise to scientific authority was slow and often contested. Moving from recreational use and marginal scientific status in the 1830s, by the 1870s microscopes were becoming integral to colonial education and governance and deployed across a wide scientific spectrum, their expanding use and heightened public presence facilitated by a rich and diverse visual culture. The eventual triumph of the microscope in India cannot be detached from its ongoing entanglement with local issues and agencies, its ascent to medical authority in particular constrained by scepticism about its utility. In this battle of instruments and imaginaries, microscopes - political emblems as well as material objects and scientific tools - pose critical questions about the visibility of science in a colonial context, about evolving techniques of seeing and representation, about the racialization of science and about the individual or collective authority of those who sought empowerment through the lens.