Pub Date : 2023-04-01DOI: 10.5406/15351882.136.540.25
Other| April 01 2023 Information About Contributors Journal of American Folklore (2023) 136 (540): 245–246. https://doi.org/10.5406/15351882.136.540.25 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn Email Permissions Search Site Citation Information About Contributors. Journal of American Folklore 1 April 2023; 136 (540): 245–246. doi: https://doi.org/10.5406/15351882.136.540.25 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectiveUniversity of Illinois PressJournal of American Folklore Search Advanced Search Aylin Demir is an independent scholar, writer, and musician. Her PhD research was on live music events by musicians from the region known as Dersim between 2013 and 2019. She has also conducted research on Alevi institutions in Germany.Tim Frandy is an Assistant Professor of Nordic Studies at the University of British Columbia, whose Indigenous-centered collaborative research includes decolonization, public folklore, and the medical and environmental humanities. Frandy's recent translation of Inari Sami Folklore: Stories from Aanaar (2019) is the first polyvocal anthology of Sámi oral tradition published in English. Culture Work: Folklore for the Public Good (2022), a coedited volume with B. Marcus Cederström, explores public folklore praxis as an agent of social justice and cultural equity. Frandy is currently authoring a book on Sámi environmental traditions.Jon Kay is Director of Traditional Arts Indiana and Associate Professor of Folklore at Indiana University. He is the author of... You do not currently have access to this content.
{"title":"Information About Contributors","authors":"","doi":"10.5406/15351882.136.540.25","DOIUrl":"https://doi.org/10.5406/15351882.136.540.25","url":null,"abstract":"Other| April 01 2023 Information About Contributors Journal of American Folklore (2023) 136 (540): 245–246. https://doi.org/10.5406/15351882.136.540.25 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn Email Permissions Search Site Citation Information About Contributors. Journal of American Folklore 1 April 2023; 136 (540): 245–246. doi: https://doi.org/10.5406/15351882.136.540.25 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectiveUniversity of Illinois PressJournal of American Folklore Search Advanced Search Aylin Demir is an independent scholar, writer, and musician. Her PhD research was on live music events by musicians from the region known as Dersim between 2013 and 2019. She has also conducted research on Alevi institutions in Germany.Tim Frandy is an Assistant Professor of Nordic Studies at the University of British Columbia, whose Indigenous-centered collaborative research includes decolonization, public folklore, and the medical and environmental humanities. Frandy's recent translation of Inari Sami Folklore: Stories from Aanaar (2019) is the first polyvocal anthology of Sámi oral tradition published in English. Culture Work: Folklore for the Public Good (2022), a coedited volume with B. Marcus Cederström, explores public folklore praxis as an agent of social justice and cultural equity. Frandy is currently authoring a book on Sámi environmental traditions.Jon Kay is Director of Traditional Arts Indiana and Associate Professor of Folklore at Indiana University. He is the author of... You do not currently have access to this content.","PeriodicalId":46681,"journal":{"name":"JOURNAL OF AMERICAN FOLKLORE","volume":"326 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135673400","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-01DOI: 10.5406/15351882.136.540.23
Katy Clune
What role can traditional culture play in making a home out of a prison or in gaining a sense of self strong enough to guide one through life's most difficult circumstances? The quiet documentary Out of State offers a memorable exploration of these questions and prompts its viewers to consider how cultural expression fits into the hierarchy of needs we each require to live well.Out of State1 was conceived and directed by Native Hawaiian filmmaker Ciara Lacy in 2017. Lacy received the Sundance Institute's inaugural Merata Mita Fellowship (named in honor of the late Māori filmmaker), designed to support women-identifying Indigenous filmmakers in directing a feature-length film. The production team and budget were small. Lacy's cousin Beau Bassett—previously a deputy public defender—served as co-producer. Because of prison restrictions, recording equipment was largely limited to one camera and one lens, deftly managed by cinematographer Chapin Hall. As a result, Out of State provides a surprisingly intimate portrait of David and Hale (pronounced Hahl-eh), two individuals imprisoned at Saguaro Correctional Facility in Eloy, Arizona, as they navigate the transition from incarceration to independence.We are introduced to David and Hale as they sweat alongside 20 or 30 other imprisoned individuals in Saguaro's open yard, with a chain link and barbed wire fence as their backdrop. They are practicing ‘ai ha'a, a hula step with bended knees and bombastic chanting—a dance of power and respect performed as part of Makahiki (New Year) celebrations. The men have shed their khaki uniforms, revealing tattoos on bare chests above exercise shorts or malo (loincloths). They sweat under the desert sun, moving together with strength in a collective shedding of their temporary prison identities. Without an audience, they dance for themselves and for each other. Stomping and chanting in sync, losing themselves in the motion, provides momentary escape, a sense of self that ties them to home. “Every dance I do with these guys and every time I come to this place, it takes me away,” explains Kalani. The cultural knowledge learned inside Saguaro is precious, perhaps most visibly so when we see Kalani, an alaka'i (teacher, guide) who is serving a life sentence, flipping through his notebook full of rows and rows of hand-drawn figures spelling out choreography.Prisons in Hawaii are overcrowded, and Native Hawaiians make up the majority of the prison population, despite being only 24 percent of the population of the islands. This figure is from “The Disparate Treatment of Native Hawaiians in the Criminal Justice System,” a report commissioned by the Office of Hawaiian Affairs in 2010, which also states that the number of people incarcerated has grown by 900 percent since 1977. Much of this increase is because of mandatory minimum sentencing for crystal methamphetamine (meth) offenses. Hawaii is among the states hardest hit by the drug; in the early 2000s, it had the highest pe
对于那些不熟悉夏威夷监狱系统的人来说，它有效地激发了观众的好奇心，让他们更多地了解为什么这些人要在亚利桑那州的沙漠里服刑——15年和16年的刑期。然而，包括一些关于夏威夷原住民如何受到刑事司法系统不成比例影响的框架数据，将使不熟悉情况的观众更加强大。在我们的采访中，莱西解释说，她是在看到亚利桑那州当地的一个新闻片段，里面有被监禁的人练习传统舞蹈，之后才被感动去讲述萨瓜罗的故事。“那个视频真正开启了这段旅程，”莱西分享道。“对我来说，知道他们在这样一个不太可能的环境中找到自己的文化和社区，这是私人的。”她开始让夏威夷同胞成为她的主要听众，想让他们了解亚利桑那州的另一个夏威夷，并提出有关恢复传统文化的治愈力量的问题。“作为一个土生土长的夏威夷人，我们在监狱里的文化习俗的隐喻立即压倒了我们，引发了对我们人民殖民化后果的深刻怨恨，”莱西在2017年10月接受夏威夷事务办公室(Office of Hawaiian Affairs)出版物Ka Wai Ola采访时分享道。“到目前为止，我们在我们自己的土地上许多社会经济因素的最底层挣扎，包括在当地和遥远的监狱中关押的我国人民数量惊人地过多. . . .在这个监狱空间里，吸引我的是人与人之间的人性和联系”(Ka Wai Ola staff 2017)。在Saguaro监狱可以获得时间、空间和材料，比如夏威夷语教科书或舞蹈服装，因为在监狱里从事宗教活动是一项公民权利。民俗学家和其他文化工作者可以发挥作用，扩大我们对文化权利的理解，扩大官方对宗教的理解，使其包括土著精神及其实践，并增加被监禁者接触传统文化的机会。监禁的经历被设计成剥夺权力和去人格化;“爱哈”舞是对体制的解毒剂。创新的监狱项目能让犯人重拾使命感和自豪感——比如园艺——被证明能降低再犯率。甚至有证据表明，监狱里的传统艺术项目有更广泛的积极影响。例如，加州传统艺术联盟(Alliance For California Traditional Arts)在2013年推出了以文化传统为重点的“惩戒艺术”(Arts in Corrections)项目，该项目网站(https://www.actaonline.org/program/arts-in-corrections/)称，该项目服务的18个机构中的囚犯通过参与，找到了“一种解脱、安全、归属感和治愈的感觉”。相应地，对于David和Hale来说，学习和体现夏威夷土著文化给了他们一种自豪感和希望，一旦他们获得自由，他们的生活将会不同。大卫描述了他的身份是如何与药物滥用和犯罪联系在一起的;通过将自己扎根于萨瓜罗的夏威夷文化中，他现在可以想象新的可能性，过上正义的生活。但是，如果有适当的制度鼓励这种文化参与在年轻的时候呢?这会如何改变这些人的生活轨迹呢?对于那些几代人以来文化身份被压制、挪用和商业化的社区，我们欠他们什么?《走出国家》邀请读者将文化认同的力量视为生存的必要条件，特别是对遭受殖民主义影响的社区而言。“你需要了解你自己的文化，才能知道你到底是谁，”大卫在电影的开场说道。“在我入狱之前，我对夏威夷语一无所知。我在监狱里学会了一切。”殖民主义和强制文化的遗留问题——例如，在1896年至1978年间，教授夏威夷语是非法的——继续影响着夏威夷原住民的社会经济地位，以及他们个人和社区学习和实践传统文化的能力。双鱼座为夏威夷文化提供的接触和支持是一种被动的文化修复，具有强大的潜力。《外州》并没有深入研究这场运动是如何开始的，也没有深入研究它目前是如何组织的，但我们见证了同伴之间的学习，并听到了来自夏威夷的教师和社区领袖的访问。在我们的采访中，莱西向我解释说，这个项目是有机发展起来的，是由被监禁的男人的兴趣推动的，由于他们离家很远，这种兴趣更强烈。两个必不可少的“天使”(用她的话来说)是它的基础和核心。这些热心的志愿者——kaiana Haili和Kini Burke，都是夏威夷土著社区的成员——自费多次访问Saguaro，向他们介绍文化产品，分享传统知识，并捐赠他们执行文化礼仪所需的材料。
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Pub Date : 2023-04-01DOI: 10.5406/15351882.136.540.01
A. Demir
Abstract:Significant numbers of ethnographic studies from different parts of the world emphasize lament as a women’s genre, with cross-cultural analyses indicating that women predominate among the genre’s performers. These performances are often signified by ritual wailing, but researchers typically overlook how the genre is given ritual form through mundane activities in everyday life. Everyday experience and ritual experience are often cast as contradictory. Everyday speech and poetic discourse have been mainly separated in the literature. Rather than positing two distinct selves opposed to each other in everyday speech and in performance, it makes more sense to argue that the poetic self may contain contradictory statements. Focusing on the women’s performance practices in Dersim, a region in eastern Turkey, where Zazaki- and Kurdish-speaking Alevis live, I consider how classification of genres relates to gender and power. Rather than associating the possibility of raising one’s voice with resisting the social order, I attempt to explore the genre’s contextualization process and its connections to women’s agency.
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Pub Date : 2023-04-01DOI: 10.5406/15351882.136.540.04
Juwen Zhang
Abstract:The establishment of the American Folklore Society (AFS) and the Journal of American Folklore (JAF) in the 1880s was in the midst of a series of federal laws excluding Chinese people from entering the United States, along with a wave of scientific racism that was also pervasive in American society. While Asian Americans and their folklore were not included in the goals of AFS, there was a voice to consider the Chinese American customs as part of American folklore even in 1890. The fact, however, is that in the first 60 years of JAF, there was no publication by an Asian American folklorist in today’s sense. So, where were and are Asian American folklorists? How do we understand the invisibility, untellability, and absence of Asian American folklorists in American folklore studies? This essay addresses these questions by revisiting some publications in the first decade of JAF and engaging with some current discourse on folkloristic reconstruction.
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Pub Date : 2023-04-01DOI: 10.5406/15351882.136.540.19
Elizabeth Tucker
{"title":"What the Children Said: Child Lore of South Louisiana by Jeanne Pitre Soileau (review)","authors":"Elizabeth Tucker","doi":"10.5406/15351882.136.540.19","DOIUrl":"https://doi.org/10.5406/15351882.136.540.19","url":null,"abstract":"","PeriodicalId":46681,"journal":{"name":"JOURNAL OF AMERICAN FOLKLORE","volume":"136 1","pages":"233 - 234"},"PeriodicalIF":0.7,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45018626","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-01DOI: 10.5406/15351882.136.540.10
M. Jacobson
{"title":"Made in Louisiana: The Story of the Acadian Accordion by Marc Savoy (review)","authors":"M. Jacobson","doi":"10.5406/15351882.136.540.10","DOIUrl":"https://doi.org/10.5406/15351882.136.540.10","url":null,"abstract":"","PeriodicalId":46681,"journal":{"name":"JOURNAL OF AMERICAN FOLKLORE","volume":"136 1","pages":"220 - 222"},"PeriodicalIF":0.7,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48469169","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-01DOI: 10.5406/15351882.136.540.17
Kim D. Stryker
{"title":"Turner Family Stories: From Enslavement in Virginia to Freedom in VermontThe Most Costly Journey: Stories of Migrant Farmworkers in Vermont, Drawn by New England Cartoonists","authors":"Kim D. Stryker","doi":"10.5406/15351882.136.540.17","DOIUrl":"https://doi.org/10.5406/15351882.136.540.17","url":null,"abstract":"","PeriodicalId":46681,"journal":{"name":"JOURNAL OF AMERICAN FOLKLORE","volume":" ","pages":""},"PeriodicalIF":0.7,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49416921","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-01DOI: 10.5406/15351882.136.540.05
N. Groce, Stephen D. Winick
{"title":"Mick Moloney (1944–2022)","authors":"N. Groce, Stephen D. Winick","doi":"10.5406/15351882.136.540.05","DOIUrl":"https://doi.org/10.5406/15351882.136.540.05","url":null,"abstract":"","PeriodicalId":46681,"journal":{"name":"JOURNAL OF AMERICAN FOLKLORE","volume":"136 1","pages":"212 - 214"},"PeriodicalIF":0.7,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44003484","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-01DOI: 10.5406/15351882.136.540.16
S. Merrell
{"title":"Santa Claus Worldwide: A History of St. Nicholas and Other Holiday Gift-Bringers by Tom A. Jerman (review)","authors":"S. Merrell","doi":"10.5406/15351882.136.540.16","DOIUrl":"https://doi.org/10.5406/15351882.136.540.16","url":null,"abstract":"","PeriodicalId":46681,"journal":{"name":"JOURNAL OF AMERICAN FOLKLORE","volume":"136 1","pages":"229 - 231"},"PeriodicalIF":0.7,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48415375","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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