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TWO BURIALS AT MALLE, A LATE IRON AGE SETTLEMENT IN THE BANKEVELD IN THE NORTH-WEST PROVINCE 在马勒的两个墓葬,马勒是一个铁器时代晚期的定居点,位于西北部省份的班克维尔
IF 0.9 3区 历史学 Q2 Arts and Humanities Pub Date : 2002-12-01 DOI: 10.2307/3888856
J. Pistorius, M. Steyn, W. Nienaber
The graves of a middle-aged male individual and a juvenile (possibly female) were excavated at Malle, a Late Iron Age stone-walled site near Marikana in the North- West Province. The features of the graves at Malle correspond with burial practices recordedfor a stone-walled site near Brits (Site ZKOOI) and those recorded for a site close to Malle, namely Makgope (Site NTGOO1). At these three sites, all associated with Sotho-Tswana farming communities, men were buried in flexed, upright sitting positions in cattle kraal enclosures. Some of these burials featured funerary goods including (deliberately) broken pots and the remains of domestic stock such as cattle andpossibly sheep or goats. The possibly female juvenile from Malle was buried in a similarfashion, but this grave was located outside the cattle kraal. Individuals buried in a horizontal, flexed position were also excavated at Olifantspoort, a Sotho-Tswana settlement close to the Bankeveld sites. Both horizontal and vertical burial postures amongst the Sotho-Tswana have been described and illustrated in ethnographic accounts.
一个中年男性个体和一个少年(可能是女性)的坟墓在Malle出土,Malle是一个铁器时代晚期的石墙遗址,靠近西北省的Marikana。Malle的坟墓特征与不列颠附近的石墙遗址(遗址ZKOOI)和Malle附近的makope遗址(遗址NTGOO1)的埋葬习惯相一致。在这三个地点,都与索托-茨瓦纳农业社区有关,男性以弯曲、直立的坐姿被埋葬在牛栏围栏中。其中一些葬礼的陪葬品包括(故意)破碎的罐子和家畜的遗骸,如牛,可能还有绵羊或山羊。来自Malle的可能是雌性幼崽,以类似的方式被埋葬,但这个坟墓位于牛kraal之外。在靠近Bankeveld遗址的索托-茨瓦纳定居点olifantsport,也发现了以水平、弯曲姿势埋葬的个体。索托-茨瓦纳人的水平和垂直埋葬姿势在民族志中都有描述和说明。
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引用次数: 9
Therianthropes in San rock art 古罗马人在San岩石艺术
IF 0.9 3区 历史学 Q2 Arts and Humanities Pub Date : 2002-12-01 DOI: 10.2307/3888859
P. Jolly
San paintings of therianthropes, beings that combine human and non-human features, are described and analysed in order to formulate a theory concerning the meaning of these paintings for the people who made and viewed them. The range of therianthrope paintings is described Four explanations, or theories, concerning the therianthropes are discussed and evaluated in relation to San religious rites and beliefs and the physical forms taken by therianthropes in the art. These explanations or theories focus respectively on animal-masked/costumed shamans, shamans transformed into animals or other creatures while in altered states, the spirits of dead shamans and the human-animal beings of San myths. Physical as well as deeper, structural, conceptual correspondences between these classes of beings in San religious thought indicate that they are all related and relevant to the way in which we should interpret the therianthropes. The kingdoms are artificial constructions designed by human beings in an effort to cope with the tremendous diversity of the living world. They are not rules of nature. (Keeton 1972: 703)
三幅人猿的画作,结合了人类和非人类的特征,被描述和分析,以形成一个理论,关于这些画的意义的人谁制作和观看他们。人猿绘画的范围被描述了四种解释,或理论,关于人猿的讨论和评估与San宗教仪式和信仰以及人猿在艺术中采取的物理形式有关。这些解释或理论分别侧重于动物-蒙面/服装萨满,萨满在改变状态下变成动物或其他生物,死亡萨满的灵魂和San神话中的人类-动物。在San宗教思想中,这些生物类别之间的物质上的,以及更深层次的,结构上的,概念上的对应关系表明,它们都是相关的,并且与我们应该解释的方式相关。王国是人类为了适应生物世界的巨大多样性而设计的人工建筑。它们不是自然规律。(Keeton 1972: 703)
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引用次数: 54
Theoretical perspectives in Rock art research 岩石艺术研究的理论视角
IF 0.9 3区 历史学 Q2 Arts and Humanities Pub Date : 2002-12-01 DOI: 10.2307/3888861
I. Domingo, Claire Smith, K. Helskog
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引用次数: 12
Archaeology in the Service of the Community: Repatriation of the Remains of Nontetha Bungu 为社区服务的考古学:归还Nontetha Bungu的遗骸
IF 0.9 3区 历史学 Q2 Arts and Humanities Pub Date : 2002-12-01 DOI: 10.2307/3888858
W. Nienaber, M. Steyn
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引用次数: 6
PATTERNS IN STONE: THE LITHIC ASSEMBLAGE FROM DUNEFIELD MIDDEN, WESTERN CAPE, SOUTH AFRICA 石头的图案:来自南非西开普的杜内菲尔德米登的岩屑组合
IF 0.9 3区 历史学 Q2 Arts and Humanities Pub Date : 2002-06-01 DOI: 10.2307/3889104
J. Orton
Dunefield Midden is a Later Stone Age hunter-gatherer campsite displaying a series of short occupations between c. 900 BP and c. 600 BP that post-dates afar earlier one. The lithic assemblage can be split into two chronologically distinct components: (I) an almost exclusively quartz scatter that is highly expedient in manufacture and completely dominated by backed pieces and bipolar cores; (2) an older, much smaller, wind-abraded scatter comprising a wider variety of both raw materials and tool classes that indicates a more formalized industry. The former displays discrete stoneworking areas while the latter has no clear spatial structure. In keeping with the expedience of the flaked assemblage, a high degree of re-use is evident on the hammerstones, anvils and grindstones. All results have been examined via a density-based spatial analysis. The possibility of not recovering cultural remains or spatial patterning in small excavations of large shell middens is considered.
Dunefield Midden是一个石器时代晚期的狩猎采集者营地,显示了公元前900年到公元前600年之间的一系列短期职业,这比更早的一个要晚得多。岩屑组合可以分为两个不同的年代组成部分:(I)几乎完全是石英分散,在制造上非常方便,完全由背片和双极岩芯主导;(2)一个古老的、小得多的、被风刮得支离破碎的工厂,包括各种各样的原材料和工具,这表明一个更正式的工业。前者展示了离散的石工区域,而后者没有明确的空间结构。为了与片状组合的权宜之计保持一致,锤石、铁砧和磨石上明显存在高度的重复使用。所有结果都通过基于密度的空间分析进行了检验。考虑到在大型贝壳丘的小型发掘中无法恢复文化遗迹或空间模式的可能性。
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引用次数: 36
Another Spouted Ostrich Eggshell Container from the Northern Cape 另一个来自北开普省的喷水鸵鸟蛋壳容器
IF 0.9 3区 历史学 Q2 Arts and Humanities Pub Date : 2002-06-01 DOI: 10.2307/3889106
D. Morris
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引用次数: 4
A Dated Cache of Ostrich-Eggshell Flasks from Thomas' Farm, Northern Cape Province, South Africa 来自南非北开普省托马斯农场的一个年代久远的鸵鸟蛋壳烧瓶
IF 0.9 3区 历史学 Q2 Arts and Humanities Pub Date : 2002-06-01 DOI: 10.2307/3889105
Zoë Henderson
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引用次数: 15
Ochre in the Middle Stone Age of Southern Africa: Ritualised Display or Hide Preservative? 非洲南部石器时代中期的赭石:仪式化展示还是隐藏防腐剂?
IF 0.9 3区 历史学 Q2 Arts and Humanities Pub Date : 2002-06-01 DOI: 10.2307/3889102
Ian Watts
Symbolic and utilitarian interpretations have been proposedfor red ochre use in the African Middle Stone Age, but these have rarely been developed. . This paper reviews the hypotheses, recasts them in more explicit form and addresses the need for basic data for quantifying and describing ochre assemblages andfor synthesizing observations across a range of sites. Percentages of utilized material, by geological form and streak, from Late Pleistocene shelter sequences in southern Africa are used to investigate past selective preferences. Materials with saturated red streaks are disproportionately represented among utilized pieces, particularly among crayons. The findings are most consistent with use as pigment in a costly signalling strategy involving ritualized display. Theoretical and substantive grounds are given for inferring that the context for such display was probably collective ritual.
人们对非洲中石器时代红赭石的使用提出了象征性和实用主义的解释,但这些解释很少得到发展。本文回顾了这些假设,以更明确的形式对其进行了重新定义,并解决了对定量和描述赭石组合以及综合一系列地点观测结果的基本数据的需求。利用非洲南部晚更新世遮蔽序列中按地质形态和条纹划分的物质百分比来调查过去的选择偏好。具有饱和红色条纹的材料在使用的作品中不成比例地代表,特别是在蜡笔中。这一发现与将其作为色素用于包括仪式化展示在内的昂贵的信号策略最为一致。从理论上和实质性的理由可以推断,这种展示的背景可能是集体仪式。
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引用次数: 161
THE ROCK ART OF BONGANI MOUNTAIN LODGE AND ITS ENVIRONS, MPUMALANGA PROVINCE, SOUTH AFRICA: AN INTRODUCTION TO PROBLEMS OF SOUTHERN AFRICAN ROCK-ART REGIONS 南非普马兰加省邦加尼山小屋及其周边地区的岩石艺术:介绍非洲南部岩石艺术地区的问题
IF 0.9 3区 历史学 Q2 Arts and Humanities Pub Date : 2002-06-01 DOI: 10.2307/3889103
J. Hampson, W. Challis, G. Blundell, Conraad De Rosner
Little is known about the rock art of regions outside the more famous ones such as the Drakensberg and Cederberg. Mpumalanga Province in eastern South Africa is a case in point. While preliminary work has been undertaken in the southern Kruger National Park, very little of this material has been published. Recently, over 100 sites in and around
除了德拉肯斯堡(Drakensberg)和塞德堡(Cederberg)等更著名的地区外,人们对这些地区的岩石艺术知之甚少。南非东部的普马兰加省就是一个很好的例子。虽然在克鲁格国家公园南部进行了初步工作,但这些材料很少发表。最近,附近有超过100个站点
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引用次数: 28
FAUNAL REMAINS IN THE TRANSITION FROM HUNTING TO HERDING IN SOUTHEASTERN BOTSWANA 博茨瓦纳东南部的动物遗骸正在从狩猎向放牧过渡
IF 0.9 3区 历史学 Q2 Arts and Humanities Pub Date : 2001-12-01 DOI: 10.2307/3889030
K. Sadr, I. Plug
Because foragers became pastoralists so late in southern Africa, their well-preserved remains can help us better understand the original herders of this world. The dominant thinking is that becoming herders is hard. Hunters share meat, herders keep it to themselves. Perhaps only a few hunters ever bridged this gap: the socially important habit of sharing meat may have held the rest back. Following this line of thinking, herding must have reached the southern tip of Africa with migrating herders because, otherwise, too many hunters would have had to bridge the gap for sheep to arrive by diffusion. This paper explores the opposite view: that becoming herders may not have been so hard. Faunal remains from two rockshelters in southeastern Botswana suggest that hunters could have first treated domestic stock as socially unimportant meat, not subject to rules of sharing. Continued hunting and sharing of large and medium game could have fulfilled social obligations, while privately owned domestic stock
由于觅食者在非洲南部成为牧民的时间很晚,他们保存完好的遗骸可以帮助我们更好地了解这个世界上最初的牧民。主流的想法是成为牧民很难。猎人分享猎物,牧人独享猎物。也许只有少数猎人跨越了这个鸿沟:分享肉的社会重要习惯可能阻碍了其他人。按照这一思路,畜牧一定是随着迁徙的牧民到达非洲南端的,否则,太多的猎人将不得不填补缺口,以便羊群通过传播到达。本文探讨了相反的观点:成为牧民可能没有那么难。在博茨瓦纳东南部的两个岩石掩体中发现的动物遗骸表明,狩猎者可能首先将家畜视为不受社会重视的肉类,不受分享规则的约束。继续狩猎和分享大中型猎物可以履行社会义务,而私人拥有国内股票
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引用次数: 33
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SOUTH AFRICAN ARCHAEOLOGICAL BULLETIN
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