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Ecological Aesthetics 生态美学
IF 1.9 3区 心理学 Q1 Agricultural and Biological Sciences Pub Date : 2024-03-29 DOI: 10.1080/10407413.2024.2332760
Julia J. C. Blau
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引用次数: 0
The Aesthetic Dimension of Reading: An Embodied-Ecological Approach 阅读的审美维度:体现生态学方法
IF 1.9 3区 心理学 Q1 Agricultural and Biological Sciences Pub Date : 2024-03-18 DOI: 10.1080/10407413.2024.2329188
Juan Toro, Sarah Bro Trasmundi
This paper aims at integrating insights from ecological psychology, pragmatism, and embodied cognitive science to shed light on the aesthetic dimension underlying daily activities. For this purpose...
本文旨在综合生态心理学、实用主义和具身认知科学的观点,揭示日常活动所蕴含的审美维度。为此...
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引用次数: 0
The Problem of Coordination in Movement and Art 运动与艺术中的协调问题
IF 1.9 3区 心理学 Q1 Agricultural and Biological Sciences Pub Date : 2024-03-13 DOI: 10.1080/10407413.2024.2327351
Nathaniel F. Barrett
In this paper, I explore the possibility that the creation of art involves a version of the coordination problem that lies at the center of the ecological approach to movement. Both movement and ar...
在本文中,我探讨了艺术创作涉及协调问题的可能性,而协调问题正是运动生态学方法的核心。运动和艺术...
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引用次数: 0
The Visual Information Available in Virtual Reality 虚拟现实技术提供的视觉信息
IF 1.9 3区 心理学 Q1 Agricultural and Biological Sciences Pub Date : 2024-03-03 DOI: 10.1080/10407413.2024.2322992
Edward Baggs, Paweł Grabarczyk, Zuzanna Rucińska
Perception in virtual reality is often compared to the perception of pictures. There are, however, important differences. A virtual reality environment, unlike a picture, is interactive and immersi...
虚拟现实中的感知常常被比作对图片的感知。然而,两者之间有着重要的区别。虚拟现实环境与图片不同,它是交互式的、身临其境的。
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引用次数: 0
The Haptic Moving Room 触觉移动室
IF 1.9 3区 心理学 Q1 Agricultural and Biological Sciences Pub Date : 2024-03-03 DOI: 10.1080/10407413.2024.2319351
Carlos de Paz, Nicole S. Carver, Scott G. Fasone, Jorge Ibáñez-Gijón, David M. Jacobs, Paula L. Silva
In the moving room paradigm, visually perceived movements of the walls of a room affect the postural sway of individuals in the room. In this experiment, we used a virtual reality (VR) headset to p...
在移动房间范例中,视觉感知到的房间墙壁的移动会影响房间中人的姿势摇摆。在本实验中,我们使用虚拟现实(VR)头显来对房间墙壁的移动进行...
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引用次数: 0
Multifractal Auditory Stimulation Promotes the Effect of Multifractal Torso Sway on Spatial Perception: Evidence from Distance Perception by Blindwalking 多重分形听觉刺激促进多重分形躯干摇摆对空间感知的影响——来自盲行距离感知的证据
IF 1.9 3区 心理学 Q1 Agricultural and Biological Sciences Pub Date : 2023-11-30 DOI: 10.1080/10407413.2023.2287752
Damian Kelty-Stephen, Oliver Drew Similton, Emma Rabinowitz, Marty Allen
Stimulation and movement interact non-linearly across multiple scales—a point empirically and quantitatively available through multifractal structure. Multifractal movements might implicate multifr...
刺激和运动在多个尺度上非线性地相互作用,这一点可以通过多重分形结构进行经验和定量分析。多重分形运动可能意味着多重……
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引用次数: 0
Attractive Stepping Stones Landscapes: Preference for Stone Height Variation Appears to Be Age Independent 有吸引力的踏脚石景观:对石头高度变化的偏好似乎与年龄无关
IF 1.9 3区 心理学 Q1 Agricultural and Biological Sciences Pub Date : 2023-08-09 DOI: 10.1080/10407413.2023.2235621
A. M. Jeschke, R. Withagen, F. Zaal, S. Caljouw
Abstract An earlier study on the attractiveness of stepping stones configurations revealed that children like variation in stone height better than variation in stone size or gap width. In the present study, we conducted two experiments to examine whether this preference is found also in young and older adults. In Experiment 1, participants stepped freely in a standardized configuration, and three configurations with either height, size or gap width variation. Most interestingly, adults judged playgrounds with variation in stone height as most fun and beautiful, suggesting that the preference for variation in height is indeed age independent. In Experiment 2, we compared the configuration with only height variation with three configurations in which variation in height was combined with variation in stone size or gap width, or both. Although we found no significant differences among the configurations in the older adults, young adults judged the combination of height with size and gap width variation as more fun and esthetically appealing than the configuration with only height variation. The implications of our findings for playground research and designers are discussed.
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引用次数: 0
The Field of Invitations 邀请的领域
IF 1.9 3区 心理学 Q1 Agricultural and Biological Sciences Pub Date : 2023-07-03 DOI: 10.1080/10407413.2023.2230192
R. Withagen
Abstract In my recent book Affective Gibsonian Psychology (2022), I made a relatively sharp distinction between affordances and invitations. I argued that to understand (some of) our behavior, we need to distinguish between the two. In the present paper, I develop the argument for this distinction a little further. It is argued that the concept of affordances aids in capturing the ecological values in the animals’ environments. This helps one to determine the adaptiveness and appropriateness of behavior. However, drawing upon examples from everyday life, it is argued that the concept of affordances does not suffice to account for our behavior. It needs to be complemented by the concept of the field of invitations. We are affective beings—the world always affects us, and it does so in a rich variety of ways. Hence, any psychology attempting to understand our everyday activity needs to capture how we are moved by the environment. I end with detailing the field of invitations.
在我的新书《情感吉布森心理学》(2022)中,我对允诺和邀请做了一个相对清晰的区分。我认为,为了理解我们的(一些)行为,我们需要区分这两者。在本文中,我进一步发展了这种区别的论点。认为可视性的概念有助于捕捉动物环境中的生态价值。这有助于人们确定行为的适应性和适当性。然而,根据日常生活中的例子,有人认为,启示的概念不足以解释我们的行为。它需要得到邀请领域概念的补充。我们是有情感的生物——世界总是以各种各样的方式影响着我们。因此,任何试图理解我们日常活动的心理学都需要捕捉到我们是如何被环境所感动的。最后,我将详细介绍邀请的领域。
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引用次数: 2
Ecological Optics as the Conceptual Basis for the Interpersonal Self and Social Interaction 生态光学:人际自我与社会互动的概念基础
IF 1.9 3区 心理学 Q1 Agricultural and Biological Sciences Pub Date : 2023-04-05 DOI: 10.1080/10407413.2023.2193173
Nam-Gyoon Kim, J. Effken, Ho-Won Lee
Abstract Agency, the ability to negotiate one’s surroundings to bring about changes, is the defining feature of animacy. Because agency is embodied in each individual’s self, inquiry into agency is necessarily an inquiry into selfhood. William James divided selfhood into the self as “I” and the self as “me” with the I self being, in essence, an active agent responsible for thoughts and actions. In Gibson’s ecological paradigm, self plays a central role, being co-perceived with the environment. Neisser (1988), an advocate of Gibson, classified self via 5 different forms of self–knowledge, each portraying a different aspect of self. Of these, the ecological self is an agent that regulates its encounters with the surroundings based on affordances the environment offers, whereas the interpersonal self is an agent that interacts with conspecifics based on the mutual affordances their interactions offer. For interpersonal selves to interact effectively with each other necessitates that their shared environment becomes common knowledge to all participants, based on information determined in accordance with the principle of ecological optics (in particular, information about occluding edges, reversible occlusion, and opaque and non-opaque substances). We suggest that Gibson’s principles of ecological optics be extended to the social domain, as he envisioned.
能动性,即通过与周围环境谈判而带来变化的能力,是生命的决定性特征。因为能动性体现在每个个体的自我中,对能动性的探究必然是对自我的探究。威廉·詹姆斯将自我分为作为“我”的自我和作为“我”的自我,其中“我”本质上是一个负责思想和行为的积极主体。在吉布森的生态范式中,自我扮演着中心角色,与环境共同感知。Neisser(1988)是Gibson的倡导者,他将自我分为五种不同形式的自我认识,每一种形式都描绘了自我的不同方面。其中,生态自我是一个基于环境提供的能力来调节其与周围环境相遇的主体,而人际自我是一个基于相互作用提供的能力与同种个体相互作用的主体。为了使人际自我有效地相互作用,必须使其共享的环境成为所有参与者的共同知识,这是基于根据生态光学原理确定的信息(特别是关于遮挡边缘、可逆遮挡以及不透明和非不透明物质的信息)。我们建议将吉布森的生态光学原理扩展到社会领域,正如他所设想的那样。
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引用次数: 0
Investigating What Variables People Pick Up When Perceiving Other People’s Maximum Vertical One Degree-of-Freedom Reach Heights to Inform the Design of Assistive Robots 研究人们在感知他人最大垂直自由度到达高度时所拾取的变量,为辅助机器人的设计提供信息
IF 1.9 3区 心理学 Q1 Agricultural and Biological Sciences Pub Date : 2023-04-03 DOI: 10.1080/10407413.2023.2192200
Keith S. Jones, Nicholas A. Garcia, Dana Wilder
Abstract We aim to design assistive robots that perceive people’s affordances in ways that are similar to how people perceive other people’s affordances. Toward that end, two experiments investigated what variables people pick up when perceiving actors’ maximum vertical one degree-of-freedom reach heights. In Experiment 1, point-light displays depicted actors who moved, were either tall or short, and had markers placed on either their whole body (head, shoulders, elbows, wrists, hands, hips, knees, & ankles), upper body (head, shoulders, elbows, wrists, & hands), lower body (hips, knees, & ankles), or ankles. Participants instructed the experimenter to adjust an object’s height so that it was just reachable. Experiment 2 was identical except actors moved or were still. In both experiments, judgment error for the Full Body condition was not significantly different from that for the Upper or Lower Body conditions, but was significantly different from that for the Ankles condition. In Experiment 2, that result replicated when actors moved and when they were still. These results suggest participants may have picked up object height in relation to actor height. Implications about how people perceive other people’s maximum vertical one degree-of-freedom reach heights and how that might inform assistive robot design are discussed.
我们的目标是设计辅助机器人,以类似于人们如何感知他人的能力。为此,两个实验调查了人们在感知演员的最大垂直自由度达到高度时选择的变量。在实验1中,点光显示描绘了移动的演员,或高或矮,并在他们的整个身体(头、肩膀、肘部、手腕、手、臀部、膝盖和脚踝)、上半身(头、肩膀、肘部、手腕和手)、下半身(臀部、膝盖和脚踝)或脚踝上放置了标记。参与者指示实验者调整物体的高度,使其刚好够得着。实验二是相同的,除了演员移动或静止。在两个实验中,全身条件下的判断误差与上半身和下半身条件下的判断误差差异不显著,但与脚踝条件下的判断误差差异显著。在实验2中,当演员移动和静止时,结果都是一样的。这些结果表明,参与者可能会注意到物体的高度与演员的高度之间的关系。讨论了人们如何感知他人的最大垂直自由度达到高度以及如何为辅助机器人设计提供信息的含义。
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引用次数: 0
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Ecological Psychology
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