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Emotion Space and Society最新文献

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Hidden emotional costs of home accommodation. The lived experiences of Ukrainian refugees in Polish homes 家庭住宿的隐性情感成本。乌克兰难民在波兰家庭中的生活经历
IF 1.9 2区 社会学 Q2 GEOGRAPHY Pub Date : 2024-10-11 DOI: 10.1016/j.emospa.2024.101047
Kamil Luczaj , Iwona Leonowicz-Bukała , Olha Krasko
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引用次数: 0
The spatiality of Collective Autoethnography: Praxis of care and (co)becoming 集体自述的空间性:关怀与(共同)成为的实践
IF 1.9 2区 社会学 Q2 GEOGRAPHY Pub Date : 2024-10-07 DOI: 10.1016/j.emospa.2024.101043
Maria Teresa Braga Bizarria, Marcela Palomino-Schalscha, Isabella Sánchez Bolívar
The increased use of autoethnography in geography has proved to be a valuable methodology to ground theory in practice. This approach provides the researcher-participant with resources to place their personal experiences in broader socio-spatial dynamics. As a group of three Latinas, we engaged with Collective Autoethnography (CAE) to explore our experiences with racial exclusion in Te Whanganui-a-Tara Wellington, Aotearoa New Zealand. By sharing our counter-stories, CAE helped us to engage in an ongoing process of (co) becoming, without essentialising our experiences. Taking the feminist ethics of care lens, we explore the politics embedded in implementing this methodology and its transformative potential. We start reflecting about the impact of our positionalities in our decision-making. Then, we discuss how the purposeful weaving of CAE with critical frameworks helped us unpack the nuances of our experiences and amplify our voices as ethnic minority migrants in Aotearoa. Finally, we explore how CAE, as a participatory approach, can inform the multiscalarity of embodied practices and inspire structural changes, which are particularly relevant when dealing with race and ethnicity. As we co-created a ‘care-full’ space throughout the research development, we suggest that CAE can also be a ‘place’ of solidarity and transformation.
事实证明,在地理学中越来越多地使用自我民族志是一种将理论扎根于实践的宝贵方法。这种方法为研究者和参与者提供了将个人经历置于更广泛的社会空间动态中的资源。作为一个由三位拉丁裔女性组成的小组,我们参与了集体自述(CAE),以探索我们在新西兰奥特亚罗瓦的 Te Whanganuia-Tara Wellington 遭受种族排斥的经历。通过分享我们的反面故事,CAE 帮助我们参与到(共同)成为的持续过程中,而不会将我们的经历本质化。从女权主义关怀伦理的角度出发,我们探讨了实施这种方法所蕴含的政治及其变革潜力。我们首先反思我们的立场对决策的影响。然后,我们讨论了如何将 CAE 与批判性框架有目的地结合在一起,帮助我们了解自身经历的细微差别,并放大我们作为奥特亚罗亚少数民族移民的声音。最后,我们探讨了 CAE 作为一种参与式方法,如何为体现性实践的多元性提供信息,并激发结构性变革,这在处理种族和民族问题时尤为重要。在整个研究发展过程中,我们共同创造了一个 "充满关爱 "的空间,因此我们认为 CAE 也可以成为一个团结和变革的 "地方"。
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引用次数: 0
Dialectics of perception and imagination: Embodied politics of atmosphere in Xiqiao Road, Nanjing 感知与想象的辩证法:南京西桥路的氛围政治
IF 1.9 2区 社会学 Q2 GEOGRAPHY Pub Date : 2024-10-05 DOI: 10.1016/j.emospa.2024.101044
Weitao Wang , Min Zhang , Peipei Chen , Xiaoxu Chen
In the social media era, scholars tend to reduce the online digital images of cities to readable visual-centric texts dominated by ideologies such as platform capitalism and symbolic consumerism, treating symbols and affects as antagonistic. This study attempts to deconstruct this dichotomy and explain the visual-centric paradigm in digital images from the perspective of affective atmospheres based on an ethnography of 20 participants on Nanjing's Xiqiao Road. Built on atmosphere theory and material imagination theory, we suggest that an embodied politics of atmosphere is constituted by perception and imagination. Perceptions foster a holistic understanding of place among participants through peripheral visions, which is potentially consistent with the logic of online dissemination of digital images. In contrast, material imagination represents the creative pole of the body and establishes a new surface aesthetics of digital images. Faced with visual-centric notions of place in contemporary digital images, illustrating the embodied politics of the affective atmosphere can help motivate people to transcend existing paradigms and experience place through a more creative vision.
在社交媒体时代,学者们倾向于将城市的在线数字图像还原为可读的视觉中心文本,这些文本由平台资本主义和符号消费主义等意识形态主导,将符号和情感视为对立的。本研究基于对南京西桥路 20 名参与者的民族志调查,试图解构这种二分法,并从情感氛围的角度解释数字图像中以视觉为中心的范式。在氛围理论和物质想象力理论的基础上,我们认为氛围的具身政治是由感知和想象力构成的。感知通过外围视觉促进参与者对地点的整体理解,这可能与数字图像的在线传播逻辑相一致。与此相反,物质想象力代表了身体的创造力,为数字图像建立了新的表面美学。面对当代数字图像中以视觉为中心的地点概念,说明情感氛围的体现政治有助于激励人们超越现有范式,通过更具创造性的视角体验地点。
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引用次数: 0
Esports events & hegemonic masculinity: Reflections on participant-observation at Evolution Championship Series 2019 电竞赛事与霸权男性气质:对 2019 年进化锦标赛系列赛参与者观察的思考
IF 1.9 2区 社会学 Q2 GEOGRAPHY Pub Date : 2024-10-05 DOI: 10.1016/j.emospa.2024.101048
Ever Josue Figueroa
Using critical theory and self-embodiment, as well as Bourdieu's concept of habitus and the social field, this ethnographic project documents the various ways that hegemonic masculinity manifested at the 2019 Evolution Championship Series (EVO), the largest fighting video game tournament in the world. Participant-observation was utilized to analyze the embodied experience of attending and participating in the tournament. The findings suggest that EVO's hyper-competitive culture reifies hegemonic masculinity and marginalizes femininity. The findings suggest that esports competitions reclaim masculinity through cyber-rituals and sexual objectification of women's real and digital bodies, in lieu of the absence of physical real-world male athletic bodies.
本人种学项目运用批判理论和自我体现,以及布尔迪厄的惯性和社会场概念,记录了霸权男性在 2019 年全球最大的格斗视频游戏锦标赛--进化冠军系列赛(EVO)上的各种表现形式。该项目利用参与观察法分析了参加和参与赛事的体现性体验。研究结果表明,EVO 的超级竞技文化重塑了霸权的男性气质,边缘化了女性气质。研究结果表明,电竞比赛通过网络仪式和对女性真实和数字身体的性物化来重塑男性气质,以取代现实世界中男性运动员身体的缺失。
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引用次数: 0
Digital atmospheres of mental health apps: A new materialist exploration of the experience of managing mental (ill)health using an app 心理健康应用程序的数字氛围:对使用应用程序管理心理(不良)健康体验的新唯物主义探索
IF 1.9 2区 社会学 Q2 GEOGRAPHY Pub Date : 2024-10-04 DOI: 10.1016/j.emospa.2024.101046
Harriet Simpson, Ian Tucker
Apps are an increasingly commonplace source of support and authority for managing mental (ill)health symptoms. This article analyses their increasingly agential role in support practices through their capacity to reconfigure individual and collective understandings of mental health. New materialist research acknowledges the agency of both human and non-human actors and considers the on-going relations of bodies and technology within social contexts. We apply the concept of digital atmosphere to trace the material-affective forces constituting the experience of using a mental health app. Our findings demonstrate the multiplicity of ways people improvise with their use, situated within their own unique contexts and environments, and the influence of relationships on individual perceptions and engagements with the apps. Furthermore, we consider the different ways in which participants perceive their mental (ill)health, sometimes in fractious conflict with the apps. Finally, we highlight that features of for-profit apps can reshape understanding of mental (ill)health needs and perceptions of responsibility, resulting in the capacity for apps to be simultaneously disciplining and liberating. The findings provide insight of significant value to mental health policy and practice.
在管理精神(不健康)症状方面,应用程序是越来越常见的支持和权威来源。本文分析了这些应用程序在支持实践中日益重要的作用,因为它们能够重构个人和集体对心理健康的理解。新唯物主义研究承认人类和非人类行动者的能动性,并考虑了社会环境中身体和技术的持续关系。我们运用 "数字氛围 "的概念来追踪构成心理健康应用程序使用体验的物质-情感力量。我们的研究结果表明,人们在自己独特的背景和环境中即兴使用应用程序的方式是多种多样的,而且人际关系也影响着个人对应用程序的看法和使用。此外,我们还考虑了参与者感知自己心理(不)健康的不同方式,有时会与应用程序产生冲突。最后,我们强调,营利性应用程序的特点可以重塑对心理(疾病)健康需求的理解和对责任的认识,从而使应用程序同时具有约束和解放的能力。这些发现为心理健康政策和实践提供了具有重要价值的见解。
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引用次数: 0
Working with absent presences: Disappearances and materiality in post-war Sri Lanka 与缺席的存在一起工作:斯里兰卡战后的失踪现象和物质性
IF 1.9 2区 社会学 Q2 GEOGRAPHY Pub Date : 2024-09-30 DOI: 10.1016/j.emospa.2024.101042
Udeni Appuhamilage
This paper is about affective potencies of materiality that aid grieving war-related disappearances in post-war Sri Lanka. Based on ethnographic narratives of those who have lost someone to disappearance during the 1983–2009 civil war, the paper questions the nonrepresentationality of traumatic grief and problems with established processes and practices of grieving in cases of disappearances. It also elucidates how survivor's affective experiences of grief are ever-evolving, both subjective and objective, personal and political. The paper explores the polymorphous and potentiating nature of materiality as a means to address otherwise non-representational and ever-evolving grief, highlighting how materiality assists grieving the disappeared specifically by bringing the missing to the forefront.
本文论述了在战后的斯里兰卡,物质性的情感力量有助于哀悼与战争有关的失踪事件。根据 1983-2009 年内战期间因失踪而失去亲人者的人种学叙述,本文质疑创伤性悲伤的非代表性,以及失踪案件中既定悲伤程序和做法的问题。论文还阐明了幸存者对悲伤的情感体验是如何不断变化的,既有主观的,也有客观的,既有个人的,也有政治的。论文探讨了物质性的多态性和增效性,将其作为一种手段来处理原本不具代表性和不断演变的悲伤,强调了物质性如何通过将失踪者置于最前沿来特别协助对失踪者的悲伤。
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引用次数: 0
Islanding as a vernacular creative response to crisis: Emotional geographies of pandemic musicianship 岛屿化作为对危机的本土创造性回应:大流行音乐的情感地理学
IF 1.9 2区 社会学 Q2 GEOGRAPHY Pub Date : 2024-09-24 DOI: 10.1016/j.emospa.2024.101040
Chris Brennan-Horley, Chris Gibson, Nicole Cook, Pauline McGuirk, Andrew Warren, Peta Wolifson
Emotional geographies of creativity during disruptive crises have received scant attention yet are deeply entwined with unfolding spatial reconfigurations. Drawing upon ethnographic research on the shifting geographies of creative work in the post-pandemic city, we highlight and discuss one distinctive emotional-geographic experience: what Wakefield (2021) calls ‘islanding’, a ‘retreat’ among creative workers to home spaces, consolidating activities and finding ways to inhabit upheaval. Describing the case of four male musicians who play together regularly in Sydney, Australia, we show how, in response to forced lockdowns, collaboration shifted from dispersed networks to home spaces of rehearsal, composition, production and performance. Within these reworked home spaces, creativity and sociality were reassembled. The emotional dimensions of music-making, support from family and friends, gender nuances, and bonds of collective creativity, acquired heightened significance. Pandemic upheaval afforded unforeseen opportunities to experiment, while ‘islanded’ spaces proved vital, socially, as the musicians faced multiple health, employment, and psychological challenges. Transcending masculine tropes, gathering at home to play music proved an avenue to perform care work, share the joys of music, express love and admit vulnerability. We conclude that emotional, gendered, and spatial dimensions must figure more prominently within analyses of creative responses to crisis, including post-pandemic discussions of the creative sectors.
在破坏性危机期间,创造性的情感地理学很少受到关注,但却与正在展开的空间重构深深地纠缠在一起。通过对大流行后城市中不断变化的创意工作地域的人种学研究,我们强调并讨论了一种与众不同的情感地域体验:韦克菲尔德(Wakefield,2021 年)所称的 "孤岛化",即创意工作者 "撤退 "到家庭空间,巩固活动并找到栖息于动荡的方法。我们以澳大利亚悉尼四位经常一起演奏的男性音乐家为例,说明他们是如何应对强制封锁,将合作从分散的网络转移到排练、作曲、制作和表演的家庭空间。在这些重新组合的家庭空间中,创造力和社会性得以重新组合。音乐创作的情感维度、家人和朋友的支持、性别的细微差别以及集体创造力的纽带都变得更加重要。大流行病的动荡为音乐家们提供了不可预见的实验机会,而 "孤岛 "空间在社会方面也证明是至关重要的,因为音乐家们面临着健康、就业和心理方面的多重挑战。超越男性的传统,聚集在家中演奏音乐被证明是进行护理工作、分享音乐乐趣、表达爱意和承认脆弱的途径。我们的结论是,在分析对危机的创造性反应时,包括在大流行病后对创造性部门的讨论中,必须更加突出情感、性别和空间层面。
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引用次数: 0
‘I want to go to the brink’: Cycling, the fold and men's sporting stories 我想去边缘":自行车、折叠和男子体育故事
IF 1.9 2区 社会学 Q2 GEOGRAPHY Pub Date : 2024-09-18 DOI: 10.1016/j.emospa.2024.101039
Nicholas Fogarty

This article tells the stories of three cyclists: Rob, Lucas and Cayden. For each, racing offers catharsis and emotional expression between riders deeply familiar with one another, riding together every day across years in Sydney, Australia. At Glenwood Cycle Club, the stories athletes tell of how to be a ‘hard’ racing man allows for the simultaneous denial of what is a core functioning of such sporting relationships, namely unspoken intimations of love and care. Cycling affords these riders an understanding where each can avoid speaking to the emotional difficulties that necessitate their being on road, where they share stories that gesture to personal difficulty, but rarely in detail. To explain such sporting practice, I rely on the ‘fold' as a methodological and theoretical framework to re-conceptualise dominant myths in both sport but also ‘masculinities’ studies. Rather, than ask ‘what kind of masculinity’ a person is, I ask what does a person do? What are the life-narratives men tell, interwoven with sporting movement, to fantastically augment their lives in advanced capitalist conditions specific to Sydney, Australia?

本文讲述了三位自行车手的故事:Rob、Lucas 和 Cayden。在澳大利亚悉尼,他们多年来每天都在一起骑车,对每个人来说,比赛都是彼此熟悉的车手之间的宣泄和情感表达。在格伦伍德自行车俱乐部(Glenwood Cycle Club),运动员们讲述了如何成为一名 "硬 "赛车手的故事,同时也否定了这种运动关系的核心功能,即不言而喻的爱与关怀的暗示。自行车运动为这些车手提供了一种默契,在这种默契中,每个人都可以避免谈论情感上的困难,而这些困难正是他们上路的必要条件。为了解释这种体育实践,我将 "折叠 "作为一种方法论和理论框架,对体育和 "男子气概 "研究中的主流神话进行重新构思。与其问一个人 "具有什么样的男子气概",不如问他是做什么的?在澳大利亚悉尼特有的发达资本主义条件下,男性与体育运动交织在一起,讲述着怎样的生活叙事来奇妙地充实他们的生活?
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引用次数: 0
Affective incapacity of the depressed self: Evidence from a narrative study of an online depression community on Weibo 抑郁自我的情感无能:来自微博网上抑郁社区叙事研究的证据
IF 1.9 2区 社会学 Q2 GEOGRAPHY Pub Date : 2024-09-13 DOI: 10.1016/j.emospa.2024.101041
Yating Chen, Pei Soo Ang, Charity Lee

With the increasing prevalence of depression worldwide, there is a noticeable number of online depression communities (ODCs) flourishing in cyberspace. This phenomenon offers a discursive platform for observing and discerning people’s mental and affective struggles. Under the overarching framework of narrative analysis, we coded the most salient emotions expressed in 2000 pieces of comments by the top 20 core participants of ‘Zoufan’, an ODC space on China Weibo. We analyze how the members construct their emotive struggles and depressed self in self-talk (disengagement) and interactions (engagement) via linguistic deixis. Based on this communication mapping, this study offers a new notion of affective incapacity as an epistemological insight into depressive emotions. The observed phenomena of both inward-centered (self-talk) emotions and outward-centered (dialogue) emotions point to members’ reduced capacity to affect and to be affected, to intervene and to be intervened. This research is expected to educate both the public and social professionals in recognizing more nuanced emotional deliberation of self-reported depression and take early measures if need be.

随着全球抑郁症发病率的不断上升,网络空间中出现了数量可观的在线抑郁症社区(ODC)。这一现象为观察和辨析人们的心理和情感挣扎提供了一个话语平台。在叙事分析的总体框架下,我们对中国微博上的抑郁社区 "邹凡 "的前 20 名核心参与者在 2000 条评论中表达的最突出的情绪进行了编码。我们分析了参与者如何在自我对话(不参与)和互动(参与)中通过语用去中心化来建构他们的情绪挣扎和抑郁的自我。基于这一沟通图谱,本研究提出了一个新的情感无能概念,作为对抑郁情绪的认识论洞察。观察到的以内向为中心(自言自语)的情绪和以外向为中心(对话)的情绪现象都表明,成员的影响能力和被影响能力、干预能力和被干预能力都有所下降。这项研究可望教育公众和社会专业人士认识到自我报告的抑郁情绪中更细微的情绪斟酌,并在必要时及早采取措施。
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引用次数: 0
Social relations and spatiality in VR - Making spaces meaningful in VRChat VR 中的社会关系和空间性--让 VRChat 中的空间更有意义
IF 1.9 2区 社会学 Q2 GEOGRAPHY Pub Date : 2024-09-05 DOI: 10.1016/j.emospa.2024.101038
Michal Rzeszewski , Leighton Evans

Virtual environments of social VR platforms offer a unique space for social interaction. They can be seen as socio-technological assemblages that foster immersion, embodiment, and presence, which come together as a framework that allows VR users to make space meaningful – thus creating places. This research aimed to understand how using social VR mediates social practices and the spatial practices of being social, investigating the spatial dynamics and place-making processes within Social VR environments. We conducted participant observation and 15 virtual in-depth interviews in VRChat. Our thematic analysis reveals that mobility and escape mechanisms are critical affordances shaping social spatiality. Additionally, social presence and co-presence are pivotal in establishing a feeling of ‘being there’ and cultivating attachment to virtual locales. Users actively contribute to the emergence of place through their spatial understandings and normative social behaviors. These findings underscore the significance of social interaction in shaping the spatial experience within Social VR. Further research is warranted to explore diverse user experiences and platforms, advancing our understanding of Social VR as a medium for meaningful interaction and place-making.

社交 VR 平台的虚拟环境为社交互动提供了一个独特的空间。它们可以被视为促进沉浸感、体现感和存在感的社会技术集合体,它们共同构成了一个框架,使 VR 用户能够创造有意义的空间--从而创造场所。本研究旨在了解使用社交 VR 如何调解社交实践和社交的空间实践,调查社交 VR 环境中的空间动态和场所创造过程。我们在 VRChat 中进行了参与观察和 15 次虚拟深度访谈。我们的主题分析表明,移动性和逃生机制是塑造社会空间性的关键因素。此外,社会存在和共同存在对于建立 "身临其境 "的感觉和培养对虚拟地点的依恋至关重要。用户通过他们对空间的理解和规范的社会行为,积极促进了场所的出现。这些发现强调了社交互动在塑造社交 VR 空间体验中的重要作用。我们有必要开展进一步的研究,探索不同的用户体验和平台,从而加深我们对社交虚拟现实作为有意义的互动和场所营造媒介的理解。
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引用次数: 0
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Emotion Space and Society
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