Emotion Space and Society最新文献

英文中文

Feelings at work: A retrospective discussion of emotional geographies of work 工作中的感受：对工作中的情感地理的回顾性讨论

IF 1.7 2区社会学 Q2 GEOGRAPHY

Emotion Space and Society

Pub Date : 2025-08-01 Epub Date: 2025-02-26 DOI: 10.1016/j.emospa.2025.101071

Natasha A. Webster, Chih-Chen Trista Lin

引用次数: 0

Enclosed emotions: The entanglement of hiders and hideouts in Amsterdam during World War II 封闭的情感：第二次世界大战期间阿姆斯特丹的隐藏者和藏身处的纠缠

IF 1.9 2区社会学 Q2 GEOGRAPHY

Emotion Space and Society

Pub Date : 2025-08-01 Epub Date: 2025-07-09 DOI: 10.1016/j.emospa.2025.101108

Antonius C.G.M. Robben

People engage with a place and its constituent things in terms of their perception of the material possibilities for action. These affordances also evoke emotions that express people's entanglement with the material environment, as is most apparent from the lives of human beings confined to constrictive places, such as prisons, nursing homes, and internment camps. Their lifeworld consists of limiting material surroundings and limited social relations. The exclusion from other meaningful places deprives them of impressions, experiences, actions, interactions, and emotions that would have enhanced their lives. This article examines the relation of place and emotion through an analysis of metaphors and metonyms in Anne Frank's diary in terms of conceptual metaphor theory. The diary was a private space in which she could express her emotions about hiding from Nazi persecution with seven other hiders in an annex to a canal house in Amsterdam. I will demonstrate that the metaphors and metonyms are causeways into her changing emotional state of being and the dynamic interaction with the secret annex due to its multiple affordances. I will conclude that people's confinement to constrictive places strips them of a wide array of experiences, social relations and emotions, which impoverishes them as sentient human beings.

人们对一个地方及其组成部分的参与是基于他们对行动的物质可能性的感知。这些能力也唤起了人们的情感，表达了人们与物质环境的纠缠，这一点从人们被限制在监狱、养老院和拘留营等狭窄场所的生活中最为明显。他们的生活世界是由有限的物质环境和有限的社会关系构成的。被排除在其他有意义的地方剥夺了他们的印象、经历、行动、互动和情感，这些本来可以改善他们的生活。本文运用概念隐喻理论，通过对安妮日记中的隐喻和转喻的分析，探讨了地点与情感的关系。这本日记是一个私人空间，她可以在里面表达自己与其他七名藏人在阿姆斯特丹一处运河房屋的附楼里躲避纳粹迫害的情绪。我将证明隐喻和转喻是她不断变化的情感状态和与秘密附件的动态互动的原因，因为它的多重启示。我的结论是，人们被限制在狭窄的地方，剥夺了他们广泛的经验、社会关系和情感，使他们成为有知觉的人。

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引用次数: 0

Intimate revolutions: the relationship between spatial form and personal change in the COVID-19 pandemic 亲密革命：COVID-19大流行中空间形式与个人变化之间的关系

IF 1.9 2区社会学 Q2 GEOGRAPHY

Emotion Space and Society

Pub Date : 2025-08-01 Epub Date: 2025-06-26 DOI: 10.1016/j.emospa.2025.101107

Laura McGrath , Marlee Bower , Amarina Donohoe-Bales , Kylie Valentine , Peta Wolifson , Erin Fearn-Smith , Caitlin Buckle , Julia Macauley

The predominant spatial form of the COVID-19 pandemic constituted a mass confinement of people to domestic space and major restrictions to mobility and access to public space. This spatial change has personal implications; the material contexts in which people live are part of what shapes the possible range of experiences, relationships and selves to which a person has access. In this article we draw on mapping interviews conducted with a community sample of 46 Australians during 2021 and 2022, highlighting experiences of change: new ways of thinking, being or relating which participants developed in lockdown or intended to take up in the future. These changes were orientated towards similar concerns, wanting to sustain a greater focus on relationships, creativity and meaningful activity beyond lockdown. We note that these concerns reflect the symbolism and activities associated with domestic space (relationality, care, reproduction, the private self), indicating that these new futures and ways of being were crafted from the ingredients available in the spacetime of the pandemic. Implications for literatures on change emerging from crisis are discussed, arguing for greater attention to be paid to the spatial form of crisis situations.

2019冠状病毒病大流行的主要空间形式是将大量人员限制在家庭空间内，并严重限制了人员流动和进入公共空间。这种空间变化具有个人含义；人们生活的物质环境是塑造一个人所能接触到的经历、关系和自我的可能范围的一部分。在这篇文章中，我们借鉴了在2021年和2022年期间对46名澳大利亚人的社区样本进行的地图访谈，强调了变化的经历：新的思维方式，参与者在封锁期间形成的或打算在未来采取的新思维方式。这些变化都是出于类似的担忧，希望在封锁之后更加关注人际关系、创造力和有意义的活动。我们注意到，这些关切反映了与家庭空间（关系、照料、繁殖、私人自我）相关的象征意义和活动，表明这些新的未来和存在方式是用大流行病时空中可用的成分精心制作的。讨论了危机引发的变化对文献的影响，认为应该更多地关注危机情境的空间形式。

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引用次数: 0

IF 1.9 2区社会学 Q2 GEOGRAPHY

Emotion Space and Society

Pub Date : 2025-06-05 DOI: 10.1016/j.emospa.2025.101106

Tung-Duong Hoang , Manh-Tung Ho

引用次数: 0

IF 1.9 2区社会学 Q2 GEOGRAPHY

Emotion Space and Society

Pub Date : 2025-06-03 DOI: 10.1016/j.emospa.2025.101105

Hélder Silva Lopes

引用次数: 0

Corrigendum to “Goodbye Yellow Brick Road: Nostalgia and mobility perceptions of informal dementia carers” [Emotion, Space Soc. 53, (2024) 101028] “告别黄砖路：非正式痴呆症护理人员的怀旧和流动性感知”的勘误表[情感，空间社会，53,(2024)101028]

IF 1.9 2区社会学 Q2 GEOGRAPHY

Emotion Space and Society

Pub Date : 2025-05-01 Epub Date: 2025-03-08 DOI: 10.1016/j.emospa.2025.101082

Thomas A. Lowe

引用次数: 0

Encountering graffiti and street art under light and air conditions: Exploring the atmospheric qualities of a place 在光线和空气条件下遇到涂鸦和街头艺术：探索一个地方的大气品质

IF 1.9 2区社会学 Q2 GEOGRAPHY

Emotion Space and Society

Pub Date : 2025-05-01 Epub Date: 2025-03-22 DOI: 10.1016/j.emospa.2025.101085

Li Wen, Liu Peng

This research paper explores the atmospheric qualities of urban spaces that are influenced by the presence of graffiti and street art. The study has expanded the literature review to provide a stronger theoretical foundation for examining atmospheres within the urban context, with a particular focus on the intersection of graffiti, street art, and the broader sensory experience of a location. Drawing on non-representational sensory ethnographic methods, the research analyses how the interplay of light, air, and the presence of graffiti/street art shapes the experience and perception of a place. Through on-site observation, interviews, and photographic documentation, the paper explores how these transient, environmental factors contribute to a sense of atmosphere and their role in cultivating a place-making experience for users of the space. The finding suggests that the atmospheric conditions of a place, including its sensory qualities, can significantly impact how people perceive and engage with graffiti and street art, evoking a sense of nostalgia, belonging, and attachment to the urban environment.

这篇研究论文探讨了受涂鸦和街头艺术影响的城市空间的大气品质。该研究扩展了文献综述，为研究城市环境中的氛围提供了更强大的理论基础，特别关注涂鸦、街头艺术和更广泛的感官体验的交集。利用非代表性的感官民族志方法，该研究分析了光、空气和涂鸦/街头艺术的存在如何相互作用，塑造了一个地方的体验和感知。通过现场观察、访谈和摄影记录，本文探讨了这些短暂的环境因素如何促成一种氛围感，以及它们在为空间用户培养场所制造体验方面的作用。这一发现表明，一个地方的大气条件，包括它的感官品质，可以显著影响人们对涂鸦和街头艺术的感知和参与，唤起人们对城市环境的怀旧、归属感和依恋感。

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引用次数: 0

The value of being unseen – Experiencing hidden elements of ‘invisible’ work 看不见的价值--体验 "看不见的 "工作中的隐性元素

IF 1.9 2区社会学 Q2 GEOGRAPHY

Emotion Space and Society

Pub Date : 2025-05-01 Epub Date: 2025-04-14 DOI: 10.1016/j.emospa.2025.101091

Maria Thulemark

引用次数: 0

Anger in festivals: Contradiction in terms or a desirable part of the program? 节日中的愤怒：矛盾还是节目的理想部分？

IF 1.9 2区社会学 Q2 GEOGRAPHY

Emotion Space and Society

Pub Date : 2025-05-01 Epub Date: 2025-04-18 DOI: 10.1016/j.emospa.2025.101087

Zorica Siročić

Festivals, as their etymology suggests, are festive, celebratory occasions. They are also opportunities to have fun and forget the worries of the day. In such an understanding, aggression, anger, fear, frustration, and other negative emotions and attitudes are associated with attendee dissatisfaction and, as such, are hopefully exceptional conditions to be avoided through skilful event management. This paper challenges our conventional wisdom about festivals by bringing up the example of festivals of gender dissent (women's, feminist, LGBTQ+), which deliberately allocate parts of the program for the expression of anger and fear, to name a few of such negative emotions, through different art performances, workshops and dance. In particular, the paper examines whether and how the liminality of festivals i.e. their temporal and spatial exceptionalism allows for the disruption of culturally conditioned and gendered patterns of emotional expression and experience. In order to do so, the paper situates personal observations and interviews with festival organizers and performers within a broader framework of literature on emotions in critical event studies and anger and gender (dissent).

节日，正如其词源所示，是喜庆的，庆祝的场合。他们也有机会玩得开心，忘记一天的烦恼。在这样的理解下，攻击性、愤怒、恐惧、沮丧和其他负面情绪和态度与与会者的不满有关，因此，希望通过熟练的活动管理来避免异常情况。本文以性别异议节（女性节、女权节、LGBTQ+节）为例，挑战了我们对节日的传统认知，这些节日通过不同的艺术表演、工作坊和舞蹈，故意将节目的部分内容分配给表达愤怒和恐惧的人，仅举几个例子。特别是，本文考察了节日的阈限性，即它们的时间和空间例外主义是否以及如何允许情感表达和体验的文化条件和性别模式的破坏。为了做到这一点，本文将个人观察和对节日组织者和表演者的采访置于一个更广泛的关于关键事件研究中情绪以及愤怒和性别（异议）的文献框架中。

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引用次数: 0

Creating safer spaces in higher education: failure and discomfort in spacing for difference 在高等教育中创造更安全的空间：差异空间的失败和不适

IF 1.9 2区社会学 Q2 GEOGRAPHY

Emotion Space and Society

Pub Date : 2025-05-01 Epub Date: 2025-05-15 DOI: 10.1016/j.emospa.2025.101095

Fran Trento, Noora Pyyry, Raine Aiava, Lauri Jäntti

This article critically engages with the concept of safer spaces within higher education institutions, which serve as prime examples of young people's institutional spaces. We build the argument by using John Horton and Peter Kraftl's (2006) idea of space as a verb and discuss how failure may be a catalyst for spacing processes. While acknowledging and valuing recent steps towards the creation of institutionalized safer spaces, we question the sufficiency of representational measures and worry about tokenization in safer space guidelines. We argue that safer spaces must be built with an atmosphere of openness, which often exceeds the limits of representational disclosures. We, therefore, probe failure and discomfort as affectual states that may have the potential to create fractures in taken-for-granted ways of thinking/being. Mobilizing Ben Anderson's (2009) concept of affective atmosphere, we emphasize the importance of hesitation and experimentation in opening space for difference. In particular, we focus on the neurodiversity spectrum, understood as a non-fixed continuum (Yergeau, 2018) by exploring situations of vulnerability and discomfort, often linked to failure, through two vignettes: an experience of a neurodivergent academic in the university cafeteria and a classroom experiment of ‘thinking under the table’ with young students.

本文批判性地探讨了高等教育机构中安全空间的概念，这是年轻人机构空间的主要例子。我们通过使用John Horton和Peter Kraftl（2006）将空间作为动词的想法来构建论点，并讨论失败如何成为间隔过程的催化剂。在承认和重视最近为创建制度化的更安全空间所采取的步骤的同时，我们质疑代表性措施的充分性，并担心更安全空间指南中的标记化。我们认为，更安全的空间必须建立在一种开放的氛围中，这种氛围往往超出了代表性披露的限制。因此，我们将失败和不适视为情感状态，它们可能会在我们习以为常的思维/存在方式中造成断裂。利用Ben Anderson（2009）的情感氛围概念，我们强调了犹豫和实验在为差异打开空间中的重要性。我们特别关注神经多样性光谱，将其理解为一个非固定的连续体（Yergeau, 2018），通过两个小插曲来探索脆弱和不适的情况，这些情况通常与失败有关：一个是大学自助餐厅的神经发散学者的经历，另一个是与年轻学生一起进行的“桌子下思考”的课堂实验。

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