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Boy, You Fight like a Woman … Representations of Defeated Enemies, Boys and Male Nudity in the Late Bronze Age Aegean Iconography and Their Role in the Expression of Masculinity 男孩,你像女人一样战斗……青铜时代晚期爱琴海图像中被击败的敌人、男孩和男性裸体的表现及其在男子气概表达中的作用
IF 2.5 2区 社会学 Q1 Arts and Humanities Pub Date : 2022-11-30 DOI: 10.1177/1097184X221133321
Filip Franković, Uroš Matić
This paper examines depictions of male nudity, flaccid penises and phalli (erect penises) attested in the representations of boys, defeated warriors and figures of authority in late Bronze Age Aegean (ca. 1700–1050 BCE). It is argued that, similarly to ancient Egyptian iconography, the flaccid penis, as a sign of weakness and the lack of developed masculinity, was contrasted to the phallus, as a sign of masculine strength and sexual virility. Moreover, the paper argues that there was a gradual change in the depictions of male nudity around 1420/1400 BCE. In the period between ca. 1700–1420/1400 BCE, male nudity was restricted to representations of boys and defeated warriors. After ca. 1420/1400 BCE, most depictions of male nudity represented figures of power and authority with erect penises/phalli. We believe that the depictions of male nudity in combination with phalli were used to accentuate masculinity of such figures.
本文研究了青铜器时代晚期爱琴海(约公元前1700 -公元前1050年)的男孩、战败的战士和权威人物的代表中对男性裸体、松弛的阴茎和阴茎(勃起的阴茎)的描绘。有人认为,与古埃及的图像相似,松弛的阴茎作为软弱和缺乏发达的男子气概的标志,与阴茎作为男性力量和阳刚之气的标志形成对比。此外,该论文认为,在公元前1420/1400年左右,对男性裸体的描绘逐渐发生了变化。在大约公元前1700-1420/1400年间,男性裸体仅限于代表男孩和战败的战士。大约公元前1420/1400年之后,大多数男性裸体的描绘都代表着勃起的阴茎和权威人物。我们认为,男性裸体与阳具相结合的描绘是为了强调这些人物的男子气概。
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引用次数: 0
Indigenous and Settler Understandings for Addressing Gender-Based Violence in Australia: The Significance of a Decolonial Approach 土著和定居者对解决澳大利亚基于性别的暴力的理解:非殖民化方法的意义
IF 2.5 2区 社会学 Q1 Arts and Humanities Pub Date : 2022-11-29 DOI: 10.1177/1097184X221143134
A. Keddie
Addressing the gendered dimensions of family violence remains a key focus in the primary prevention of violence against women (PVAW) in Indigenous and non-Indigenous Australian communities. What is seen as more important for Indigenous communities in PVAW is addressing the legacies and ongoing impacts of colonisation on Indigenous people, families, and communities. This focus on decolonisation deviates from settler PVAW programs where the emphasis is on challenging hegemonic masculinity and patriarchy. In this paper, I consider the importance of critiquing the western logic of colonisation within both Indigenous and non-Indigenous PVAW programs through examining the links between hegemonic masculinity, colonisation and neoliberal capitalism. I draw attention to the inherent violence and corrosion within processes of colonisation that adversely affect the social and emotional wellbeing and relationships of Indigenous and non-Indigenous men (albeit in very different ways) and argue the importance of a decolonising approach for addressing gender-based violence within Indigenous and non-Indigenous programs.
解决家庭暴力的性别层面问题仍然是澳大利亚土著和非土著社区初级预防暴力侵害妇女行为的一个重点。在《消除对妇女歧视公约》中,对于土著社区来说,更重要的是解决殖民对土著人民、家庭和社区的遗留问题和持续影响。这种对非殖民化的关注偏离了定居者PVAW的计划,后者的重点是挑战霸权的男子气概和父权制。在本文中,我通过研究霸权男子气概、殖民和新自由主义资本主义之间的联系,考虑了在土著和非土著PVAW计划中批判西方殖民逻辑的重要性。我提请注意殖民过程中固有的暴力和腐蚀,这些暴力和腐蚀对土著和非土著男性的社会和情感福祉以及关系产生了不利影响(尽管方式非常不同),并论证了在土著和非土著项目中解决基于性别的暴力的非殖民化方法的重要性。
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引用次数: 1
Unmanned? Military Masculinities in Filmic Representations of US Drone Operators 无人驾驶?美国无人机操作员的电影表现中的军事男子气概
IF 2.5 2区 社会学 Q1 Arts and Humanities Pub Date : 2022-11-16 DOI: 10.1177/1097184X221139820
T. Æ. Bjerre
Drones have become the new face of American warfare, challenging institutional and cultural norms about what it means to be a soldier. In the context of military masculinities, I examine the representation of the US drone operators in three films: Drones (Rosenthal 2013), Good Kill (Niccol 2014), and Eye in the Sky (Hood 2015). The films feature a male-female team of drone operators and can partly be seen as counter-narratives to the official idealized story of drone warfare by exposing some of the moral dilemmas facing the drone operators. Yet rarely do the films address the larger ethical issues of how drone technology skirts the legal framework of war. Additionally, the films' reconfiguration of the white male drone operator as morally courageous and a potential savior of innocent women and children on the “battlefield” obscures the racialized and imperialist ideologies bound up in the US-led “war on terror.”
无人机已经成为美国战争的新面孔,挑战着关于军人意义的制度和文化规范。在军事男性气质的背景下,我研究了美国无人机操作员在三部电影中的表现:无人机(罗森塔尔2013年)、Good Kill(尼科尔2014年)和Eye In the Sky(胡德2015年)。这些电影以一群男女无人机操作员为主角,通过揭露无人机操作员面临的一些道德困境,可以在一定程度上被视为对官方理想化的无人机战争故事的反叙事。然而,这些电影很少涉及无人机技术如何绕过战争法律框架这一更大的伦理问题。此外,影片将白人男性无人机操作员重新塑造为道德上勇敢的人,是“战场”上无辜妇女和儿童的潜在救世主,这掩盖了美国领导的“反恐战争”中种族化和帝国主义的意识形态。
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引用次数: 0
The Exonerating “Guise of Brotherhood”: Intra-fraternal Sexual Violence Survivors’ Accounts of Illegibility and Impunity 赎罪的“兄弟情谊”:兄弟间性暴力幸存者对不合法性和有罪不罚的描述
IF 2.5 2区 社会学 Q1 Arts and Humanities Pub Date : 2022-11-11 DOI: 10.1177/1097184X221133122
David Fishman, L. Nielsen, Sino Esthappan
Greek life in American colleges and universities is characterized by white hetero-masculine dominance. A large scholarship has documented Greek life’s association with women’s sexual violence, yet much less is known about how men—who are ostensibly privileged in these settings—experience sexual harassment and assault. Using 15 interviews with fraternity members attending an elite, midwestern university, we examine men’s experiences of intra-fraternal sexual violence. We describe fraternity members creating and deploying a white hetero-masculine discourse of “brotherhood” that institutionalizes intra-fraternal sexual violence, makes it illegible, and gives its perpetrators impunity. We also show how the brotherhood discourse differentially deploys resources and power to fraternity brothers based on their intersectional location and relationship to intra-fraternal sexual violence. Future applications of the brotherhood discourse in fraternities and other institutional contexts can help us better understand how such organizations reinscribe intersectional power hierarchies.
在美国的大学里,希腊人的生活以白人异性男性为主。一项大型奖学金记录了希腊生活与女性性暴力的关系,但人们对男性——表面上在这些环境中享有特权——如何经历性骚扰和性侵犯知之甚少。通过对就读于中西部一所精英大学的兄弟会成员的15次采访,我们调查了男性兄弟会内部性暴力的经历。我们描述了兄弟会成员创造和运用白人异性恋男性的“兄弟情谊”话语,将兄弟会内部的性暴力制度化,使其难以辨认,并使施暴者逍遥法外。我们还展示了兄弟会话语如何根据兄弟会兄弟的交叉位置和与兄弟会内部性暴力的关系,不同地向兄弟会兄弟部署资源和权力。兄弟会话语在兄弟会和其他制度背景下的未来应用可以帮助我们更好地理解这些组织是如何重新定义交叉权力等级的。
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引用次数: 1
Book Review: Reimagining Black Masculinities: Race, Gender, and Public Space 书评:重新想象黑人男子气概:种族、性别和公共空间
IF 2.5 2区 社会学 Q1 Arts and Humanities Pub Date : 2022-11-05 DOI: 10.1177/1097184X221131030
Saida Grundy
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引用次数: 0
Book Review: Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River 书评:社区媒体在拖船节中的位置和身份表现:重建密西西比河
IF 2.5 2区 社会学 Q1 Arts and Humanities Pub Date : 2022-10-12 DOI: 10.1177/1097184x221133121
Braden T. Leap
rural Midwestern communities of LeClaire, Iowa, and Port Byron, Illinois, have attempted to sustain their communities through the creation of an annual festival featuring a tug-of-war contest between the towns that spans the Mississippi River. Any event that requires a 2700-foot rope and the United States Coast Guard to close the Mississippi River to maritime traffic is a remarkable accomplishment. However, Johnston argues that the festival is far more than just spectacle. By analyzing local newspaper and television coverage of the festival produced between 2000 and 2019, Johnston contends that these communities reimagine and reinvigorate their cultures and economies through Tug Fest. As residents and tourists attend the festival, they spend money, create and renew social bonds, and reimagine their collective pasts, presents, and futures. The social differences and inequalities that are central to the communities are also on display and potentially reorganized. In short, Tug Fest provides attendees an annual opportunity to transform and renew their communities in manners that help to sustain them while maintaining meaningful ties to the past. Chapter 1 places LeClaire, Port Byron, and Tug Fest within broader patterns of depopulation and deindustrialization that have characterized much of the rural Midwest over the past century. Johnston suggests that annual festivals like Tug Fest are especially significant to rural towns experiencing depopulation. Not only can festivals provide an economic boost through an influx of cash from tourists, but hese festivals provide comnize their cultures amidst shifting
爱荷华州的勒克莱尔和伊利诺斯州的拜伦港等中西部乡村社区试图通过创建一个一年一度的节日来维持他们的社区,该节日的特色是在横跨密西西比河的城镇之间进行拔河比赛。任何需要2700英尺长的绳子和美国海岸警卫队来关闭密西西比河海上交通的活动都是一项了不起的成就。然而,约翰斯顿认为,这个节日远不只是一个奇观。通过分析2000年至2019年期间当地报纸和电视对该节日的报道,约翰斯顿认为,这些社区通过拖船节重新构想并振兴了他们的文化和经济。当居民和游客参加这个节日时,他们花钱,创造和更新社会纽带,重新想象他们共同的过去、现在和未来。作为社区中心的社会差异和不平等也被展示出来,并有可能被重组。简而言之,Tug Fest为参加者提供了一个每年一次的机会,以一种有助于维持社区的方式来改造和更新他们的社区,同时保持与过去有意义的联系。第一章将勒克莱尔、拜伦港和托格费斯特置于人口减少和去工业化的更广泛的模式中,这种模式在过去的一个世纪里已经成为中西部农村的特点。约翰斯顿认为,像拖船节这样的年度节日对正在经历人口减少的农村城镇尤其重要。节日不仅可以通过游客带来的现金流入来促进经济增长,而且这些节日还可以在变化中融合他们的文化
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引用次数: 0
Book Review: Vulnerable Constitutions: Queerness, Disability, and the Remaking of American Manhood 书评:脆弱的宪法:酷儿、残疾和美国男子气概的重塑
IF 2.5 2区 社会学 Q1 Arts and Humanities Pub Date : 2022-10-03 DOI: 10.1177/1097184X221132261
A. Santinele Martino
maps the racial terrains of their lives. What has been most promising about such recent works is that it moves beyond the context of talking about Black men as the subjects of social problems. The field has evolved, but that evolution is not reflected in this volume. Given this work and the direction of this field, the ultimate question for this text is how it advances studies of Black masculinities. I am not sure it does.
描绘了他们生活中的种族版图。这类近期作品最有希望的一点是,它超越了把黑人作为社会问题主题来讨论的背景。这个领域已经发展,但是这种发展并没有反映在本书中。鉴于这项工作和这个领域的方向,本文的最终问题是它如何推进黑人男性气质的研究。我不确定是否有。
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引用次数: 3
Book Reviews: Eguchi Shinsuke, Asians Loving Asians: Sticky Rice Homoeroticism and Queer Politics 书评:《亚洲人爱亚洲人:糯米同性恋和酷儿政治》
IF 2.5 2区 社会学 Q1 Arts and Humanities Pub Date : 2022-09-16 DOI: 10.1177/1097184X221123791
Jiacheng Liu
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引用次数: 0
Masculinity for Sale: Shan Migrant Sex Worker Men in Thailand and Questions of Identity 出售男子气概:泰国的掸族移民性工作者和身份问题
IF 2.5 2区 社会学 Q1 Arts and Humanities Pub Date : 2022-08-13 DOI: 10.1177/1097184X221119793
Amporn Jirattikorn, A. Tangmunkongvorakul, Arratee Ayuttacorn
The Thai sex industry sector catering to sex between men has recently shifted to a predominately migrant workforce, particularly in northern part of the country. The majority of sex worker men in Chiang Mai, a metropolitan center in northern Thailand, are Shan migrants from Myanmar. This research explores the lives of Shan men engaged in sex work in Chiang Mai, examining how engaging with queer sexual commodification shapes their gender and sexual identities. As Shan sex worker men in this research identify as heterosexual men, selling sex to men might impact their sense of (hetero)masculinity. Based on 20 in-depth interviews with Shan migrant sex worker men living and working in Chiang Mai city, this research explores, on the one hand, how Shan sex worker men negotiate, redefine, and reconstruct their masculinities, and on the other, how the identities of being a masculine man, sex worker, and non-citizen migrant intersect and shape their experiences and identities.
泰国的性产业部门迎合男性之间的性行为,最近转移到主要的移民劳动力,特别是在该国北部地区。在泰国北部的都市中心清迈,大多数性工作者都是来自缅甸的掸族移民。本研究探讨了清迈从事性工作的掸族男性的生活,考察了与酷儿性商品化的接触如何塑造了他们的性别和性身份。由于本研究中的掸族性工作者认为自己是异性恋男性,因此向男性提供性服务可能会影响他们对(异性恋)男子气概的认识。本研究基于对20位在清迈市生活和工作的掸族性工作者的深度访谈,一方面探讨掸族性工作者如何协商、重新定义和重建他们的男性气质,另一方面探讨男性、性工作者和非公民移民的身份如何交叉并塑造他们的经历和身份。
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引用次数: 0
“Zero Emission, Zero Compromises”: An Intersectional, Qualitative Exploration of Masculinities in Tesla’s Consumer Stories “零排放,零妥协”:对特斯拉消费者故事中男性气质的交叉定性探索
IF 2.5 2区 社会学 Q1 Arts and Humanities Pub Date : 2022-07-12 DOI: 10.1177/1097184X221114159
M. Vivi, A. Hermans
In light of gendered dynamics complicating masculine adoption of self-driving and electric vehicles (EV), we examine how Tesla’s video consumer stories envision masculinities within sociotechnical systems of automobility, exploring how corporate representations co-construct drivers and vehicles in gendered ways. Using multimodal critical discourse analysis, we show how the driver-car appropriates movement as a work of raced, gendered, age-dependent, and classed culture: EVs validate energy-soaked lifestyles in an age of climate change, enabling “green” enactments of fast, aggressive, and reckless styles of hegemonic driving performed by ecomodern masculinities; over-masculinized dynamics of techno-eroticism forge automated vehicles (AV) as technologically-advanced devices, crystallizing fantasies of men’s hegemonic love for technology within drivers’ mobility patterns. Tesla’s narratives sketch a future of mobility dominated by gendered sociotechnical adjustments, where neither energy-based nor technology-based reconfigurations of automobility spark critical conversations around reconfigurations of “behind-the-wheel” masculinities, leaving unquestioned what it means for them to demand space, speed, and comfort.
鉴于自动驾驶汽车和电动汽车(EV)的男性化趋势变得复杂,我们研究了特斯拉的视频消费者故事如何在汽车社会技术系统中设想男性化,探索企业代表如何以性别化的方式共同构建驾驶员和车辆。使用多模态批判性话语分析,我们展示了驾驶员-汽车如何将运动作为一种种族,性别,年龄依赖和阶级文化的工作:电动汽车在气候变化时代验证了能源消耗的生活方式,使“绿色”制定了快速,侵略性和鲁莽的霸权驾驶风格,由经济现代男性执行;过度男性化的技术色情动力将自动驾驶汽车(AV)锻造成技术先进的设备,在司机的移动模式中,使男性对技术的霸权之爱的幻想具体化。特斯拉描绘了一个以性别社会技术调整为主导的未来交通,无论是基于能源还是基于技术的汽车重新配置,都不会引发围绕“幕后”男性特征重新配置的批判性讨论,也不会质疑他们对空间、速度和舒适的需求意味着什么。
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引用次数: 0
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Men and Masculinities
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