Since its publication in 1642, Giovanni Baglione’s Lives of the Painters, Sculptors and Architects from the Pontificate of Gregory XIII of 1572 until the times of Pope Urban VIII in 1642, has been classified as either largely factual or obviously biased, a reflection of the culture of slander in early modern Rome. Definitions of what constituted textual ‘truth’ have changed dramatically since Baglione wrote his Lives, though this has not adequately informed debate. Also overlooked is the degree to which Baglione staked his entire rhetorical agenda around notions of truth and untruth, rumour and opinion, which emerge as central themes throughout both the framing elements and the individual artists’ lives. The present article adopts a new methodological approach to these questions, reassessing Baglione’s central themes of rumour, fama and truth in relation to questions of textuality and intertextuality, fiction and disinformation, rhetoric and agency, and drawing upon recent literary and historical studies of rumour, fame and news when doing so. At the same time, this study investigates conceptions of fame and rumour in relation to contemporary practices of art criticism in oral, manuscript and print cultures and in light of the rivalry between Caravaggio and Baglione.
{"title":"Caravaggio’s Rumore: Fact, Fiction and Authority in Giovanni Baglione’s Lives of the Painters, Sculptors and Architects","authors":"Frances Gage","doi":"10.1093/pastj/gtac031","DOIUrl":"https://doi.org/10.1093/pastj/gtac031","url":null,"abstract":"Since its publication in 1642, Giovanni Baglione’s Lives of the Painters, Sculptors and Architects from the Pontificate of Gregory XIII of 1572 until the times of Pope Urban VIII in 1642, has been classified as either largely factual or obviously biased, a reflection of the culture of slander in early modern Rome. Definitions of what constituted textual ‘truth’ have changed dramatically since Baglione wrote his Lives, though this has not adequately informed debate. Also overlooked is the degree to which Baglione staked his entire rhetorical agenda around notions of truth and untruth, rumour and opinion, which emerge as central themes throughout both the framing elements and the individual artists’ lives. The present article adopts a new methodological approach to these questions, reassessing Baglione’s central themes of rumour, fama and truth in relation to questions of textuality and intertextuality, fiction and disinformation, rhetoric and agency, and drawing upon recent literary and historical studies of rumour, fame and news when doing so. At the same time, this study investigates conceptions of fame and rumour in relation to contemporary practices of art criticism in oral, manuscript and print cultures and in light of the rivalry between Caravaggio and Baglione.","PeriodicalId":47870,"journal":{"name":"Past & Present","volume":null,"pages":null},"PeriodicalIF":1.8,"publicationDate":"2022-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"50167422","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This chapter introduces the reader to the world of fiction and disinformation in early modern Europe. It starts by placing fiction and disinformation in the context of wider trends and developments, while also drawing a parallel between present practices and concerns and those of the early modern period (Section I). The chapter then surveys existing scholarship on these themes, highlighting the novelty of recent research and the transformative potential of interdisciplinary work (Section II). Finally, it sets out the approach and methodology which underpin the rest of volume (Section III). It is argued that fiction and disinformation need to be studied in tandem, and that their study should be guided by a combination of literary and historical approaches. This method is exemplified by the volume’s nine chapters. They all conduct close readings of falsehoods and fictional writings, examining their rhetorical and linguistic qualities, including matters such as style, narrative and genre; and they also uncover how fiction and disinformation brought about change in society and in the lives of the people who wrote them as much as those who read them. This makes the Supplement as a whole a methodological intervention, further bridging the gap between historical analysis and cultural criticism, and a contribution to the social and cultural history of early modernity.
{"title":"Fiction and Disinformation in Early Modern Europe: An Introduction","authors":"Emma Claussen, Luca Zenobi","doi":"10.1093/pastj/gtac028","DOIUrl":"https://doi.org/10.1093/pastj/gtac028","url":null,"abstract":"This chapter introduces the reader to the world of fiction and disinformation in early modern Europe. It starts by placing fiction and disinformation in the context of wider trends and developments, while also drawing a parallel between present practices and concerns and those of the early modern period (Section I). The chapter then surveys existing scholarship on these themes, highlighting the novelty of recent research and the transformative potential of interdisciplinary work (Section II). Finally, it sets out the approach and methodology which underpin the rest of volume (Section III). It is argued that fiction and disinformation need to be studied in tandem, and that their study should be guided by a combination of literary and historical approaches. This method is exemplified by the volume’s nine chapters. They all conduct close readings of falsehoods and fictional writings, examining their rhetorical and linguistic qualities, including matters such as style, narrative and genre; and they also uncover how fiction and disinformation brought about change in society and in the lives of the people who wrote them as much as those who read them. This makes the Supplement as a whole a methodological intervention, further bridging the gap between historical analysis and cultural criticism, and a contribution to the social and cultural history of early modernity.","PeriodicalId":47870,"journal":{"name":"Past & Present","volume":null,"pages":null},"PeriodicalIF":1.8,"publicationDate":"2022-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"50167414","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
By the early modern period, libelling a private individual had been legally redefined and was being tried at the court of Star Chamber, alongside cases relating to the monarch or government. This brought the ruination of individual reputations by spreading false rumours into the same realm as the circulation of nationally significant false news. Private libels typically took the form of verses, impersonations, mock ceremonies or visual symbols that were read, sung, posted, and published; they exploited the defamatory potential of fictional reconstructions of local disputes in order to exacerbate conflicts within provincial communities. This chapter argues that private libels provide evidence for a novel multimedia practice of circulating disinformation that blended fact and fiction amongst the social networks of early modern England. It examines two cases, one centred upon a libellous verse and the other on mock proclamations, to establish the significance of literary and performance techniques in libellous disinformation. The chapter also explores the significance of ‘disreputation’ for the categories of private and public. It argues that private libels were a crucial feature of the social backdrop to established forms of oral, print and manuscript communication, which impacted upon common perceptions of trustworthiness of information and public official figures.
{"title":"Libel in the Provinces: Disinformation and ‘Disreputation’ in Early Modern England","authors":"Clare Egan","doi":"10.1093/pastj/gtac030","DOIUrl":"https://doi.org/10.1093/pastj/gtac030","url":null,"abstract":"By the early modern period, libelling a private individual had been legally redefined and was being tried at the court of Star Chamber, alongside cases relating to the monarch or government. This brought the ruination of individual reputations by spreading false rumours into the same realm as the circulation of nationally significant false news. Private libels typically took the form of verses, impersonations, mock ceremonies or visual symbols that were read, sung, posted, and published; they exploited the defamatory potential of fictional reconstructions of local disputes in order to exacerbate conflicts within provincial communities. This chapter argues that private libels provide evidence for a novel multimedia practice of circulating disinformation that blended fact and fiction amongst the social networks of early modern England. It examines two cases, one centred upon a libellous verse and the other on mock proclamations, to establish the significance of literary and performance techniques in libellous disinformation. The chapter also explores the significance of ‘disreputation’ for the categories of private and public. It argues that private libels were a crucial feature of the social backdrop to established forms of oral, print and manuscript communication, which impacted upon common perceptions of trustworthiness of information and public official figures.","PeriodicalId":47870,"journal":{"name":"Past & Present","volume":null,"pages":null},"PeriodicalIF":1.8,"publicationDate":"2022-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"50167408","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This chapter explores the intersection between two different kinds of nouvelle: on the one hand, a piece of news; and on the other, a literary genre, the novella. Both senses were current in the early sixteenth century when Marguerite de Navarre, the sister of the French king François I, wrote the collection of novellas now known as the Heptameron. Developing its model, Boccaccio’s Decameron, the Heptameron includes an elaborate frame narrative in which the storytellers debate each story after they hear it. From these discussions, and the stories themselves, emerges a concern with the underlying principles of storytelling: truth, authority, witness and interpretation. These are concerns, this chapter argues, that were also current in sixteenth-century news culture, and in particular the short sensational news pamphlets that became popular during the religious wars of the second half of the century. The chapter examines the claims made in both the Heptameron and in news publications and argues that the Heptameron aspires to provide the analytical tools required to assess any account that claims to be truthful; an aspiration that anticipates later critiques of sensationalist and partisan news. It does this through a practice of discrimination, a careful parsing of a story and its underlying motivations.
{"title":"Novelty, Disinformation and Discrimination in Marguerite de Navarre’s Heptameron (1559) and Sixteenth-Century French News Culture","authors":"Emily Butterworth","doi":"10.1093/pastj/gtac033","DOIUrl":"https://doi.org/10.1093/pastj/gtac033","url":null,"abstract":"This chapter explores the intersection between two different kinds of nouvelle: on the one hand, a piece of news; and on the other, a literary genre, the novella. Both senses were current in the early sixteenth century when Marguerite de Navarre, the sister of the French king François I, wrote the collection of novellas now known as the Heptameron. Developing its model, Boccaccio’s Decameron, the Heptameron includes an elaborate frame narrative in which the storytellers debate each story after they hear it. From these discussions, and the stories themselves, emerges a concern with the underlying principles of storytelling: truth, authority, witness and interpretation. These are concerns, this chapter argues, that were also current in sixteenth-century news culture, and in particular the short sensational news pamphlets that became popular during the religious wars of the second half of the century. The chapter examines the claims made in both the Heptameron and in news publications and argues that the Heptameron aspires to provide the analytical tools required to assess any account that claims to be truthful; an aspiration that anticipates later critiques of sensationalist and partisan news. It does this through a practice of discrimination, a careful parsing of a story and its underlying motivations.","PeriodicalId":47870,"journal":{"name":"Past & Present","volume":null,"pages":null},"PeriodicalIF":1.8,"publicationDate":"2022-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"50167410","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract This article investigates the archiving practices of a little-known group of Catholics in the Ottoman Empire, the Diyarbakır Chaldeans, in the late seventeenth and eighteenth centuries. It argues for a flexible definition of archives, based not on traditional characteristics such as links to a defined institutional repository, but on their purpose of community formation. The loose institutional structure of the Chaldean Church resulted in an unconventional archive, which never had one physical centre and consisted largely of liturgical manuscripts; nonetheless, it recorded recognizably archival material and gained cohesion from the overlapping circles of families, scribes and churches involved in its production, as well as from systematic innovations in scribal practices. The Diyarbakır Chaldean archive not only reflected the distinctive form of the community but also contributed to creating and reshaping it. By recording social ties, it kept these obligations alive for decades and generated ongoing commitments. It also imagined the community on an illusory level, occluding tensions and troubles in order to preserve an idealized image of a church united under pious leadership. This dispersed, mobile archive thus was intimately connected to community formation and contributed to the survival of the Chaldean Church in a time of immense difficulty.
{"title":"Archiving Faith: Record-Keeping and Catholic Community Formation in Eighteenth-Century Mesopotamia","authors":"Lucy Parker,Rosie Maxton","doi":"10.1093/pastj/gtab037","DOIUrl":"https://doi.org/10.1093/pastj/gtab037","url":null,"abstract":"Abstract This article investigates the archiving practices of a little-known group of Catholics in the Ottoman Empire, the Diyarbakır Chaldeans, in the late seventeenth and eighteenth centuries. It argues for a flexible definition of archives, based not on traditional characteristics such as links to a defined institutional repository, but on their purpose of community formation. The loose institutional structure of the Chaldean Church resulted in an unconventional archive, which never had one physical centre and consisted largely of liturgical manuscripts; nonetheless, it recorded recognizably archival material and gained cohesion from the overlapping circles of families, scribes and churches involved in its production, as well as from systematic innovations in scribal practices. The Diyarbakır Chaldean archive not only reflected the distinctive form of the community but also contributed to creating and reshaping it. By recording social ties, it kept these obligations alive for decades and generated ongoing commitments. It also imagined the community on an illusory level, occluding tensions and troubles in order to preserve an idealized image of a church united under pious leadership. This dispersed, mobile archive thus was intimately connected to community formation and contributed to the survival of the Chaldean Church in a time of immense difficulty.","PeriodicalId":47870,"journal":{"name":"Past & Present","volume":null,"pages":null},"PeriodicalIF":1.8,"publicationDate":"2022-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"50167687","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract The aim of this article is to establish a new basis for exploring the network of ancient Greek city-states during the Classical and Hellenistic periods by applying Social Network Analysis to the record of inscriptions recording grants of proxeny. Proxeny was a generalized institution for facilitating interactions between Greek political communities. Because it left a rich and idiosyncratic record in the form of thousands of honorific inscriptions, it represents an important test case for Social Network Analysis. By drawing on work on partial samples of network data, we can identify a clear and historically significant structure in this material, namely a massively unequal hierarchy in the extent to which different communities were the focus of links. This allows us to compare, systematically, the hundreds of Greek city-states in terms of their connectivity in the network. As a result it provides a new empirical basis for testing prevailing models and assumptions about why these communities forged links and mapping the limits of the network. By reading this hierarchy alongside the other information we have, we can identify the role that political, economic and geographic factors played in determining connectivity in this network, and the surprising unimportance of religion.
{"title":"‘Where Are the Proxenoi?’ Social Network Analysis, Connectivity and the Greek Poleis","authors":"William Mack","doi":"10.1093/pastj/gtab036","DOIUrl":"https://doi.org/10.1093/pastj/gtab036","url":null,"abstract":"Abstract The aim of this article is to establish a new basis for exploring the network of ancient Greek city-states during the Classical and Hellenistic periods by applying Social Network Analysis to the record of inscriptions recording grants of proxeny. Proxeny was a generalized institution for facilitating interactions between Greek political communities. Because it left a rich and idiosyncratic record in the form of thousands of honorific inscriptions, it represents an important test case for Social Network Analysis. By drawing on work on partial samples of network data, we can identify a clear and historically significant structure in this material, namely a massively unequal hierarchy in the extent to which different communities were the focus of links. This allows us to compare, systematically, the hundreds of Greek city-states in terms of their connectivity in the network. As a result it provides a new empirical basis for testing prevailing models and assumptions about why these communities forged links and mapping the limits of the network. By reading this hierarchy alongside the other information we have, we can identify the role that political, economic and geographic factors played in determining connectivity in this network, and the surprising unimportance of religion.","PeriodicalId":47870,"journal":{"name":"Past & Present","volume":null,"pages":null},"PeriodicalIF":1.8,"publicationDate":"2022-03-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"50167834","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract This article responds to Philip Slavin’s ‘Out of the West: Formation of a Permanent Plague Reservoir in South-Central Germany (1349–1356) and Its Implications’. Genetics has transformed the study of plague, one of the most lethal diseases in human history. But this technically demanding science raises questions of what constitutes valid evidence and supportable argument when examining historical phenomena at a microscopic level. Slavin argues that two new lineages of Yersinia pestis, the causative organism of plague, were seeded in central Germany following the Black Death; appearing sequentially, one lineage caused plague outbreaks in the 1350s and early 1360s, only to retreat and be replaced by a second lineage. Here, evidence is adduced to support the early central European proliferation of one lineage of Y. pestis, but also to suggest that the second lineage arose simultaneously in a different locale, outside Europe and within different epidemiological parameters. Because of the inherent rarity of biological evidence, the reconstruction of epidemiological phenomena will always require consilience with archaeological and documentary sources. Establishing ‘best practices’ of analysis and verification in this emerging multidisciplinary field has implications not only for Europe’s four hundred-year experience with plague, but for all fields of global health history.
{"title":"Out of the East (or North or South): A Response to Philip Slavin","authors":"Monica H Green","doi":"10.1093/pastj/gtab031","DOIUrl":"https://doi.org/10.1093/pastj/gtab031","url":null,"abstract":"Abstract This article responds to Philip Slavin’s ‘Out of the West: Formation of a Permanent Plague Reservoir in South-Central Germany (1349–1356) and Its Implications’. Genetics has transformed the study of plague, one of the most lethal diseases in human history. But this technically demanding science raises questions of what constitutes valid evidence and supportable argument when examining historical phenomena at a microscopic level. Slavin argues that two new lineages of Yersinia pestis, the causative organism of plague, were seeded in central Germany following the Black Death; appearing sequentially, one lineage caused plague outbreaks in the 1350s and early 1360s, only to retreat and be replaced by a second lineage. Here, evidence is adduced to support the early central European proliferation of one lineage of Y. pestis, but also to suggest that the second lineage arose simultaneously in a different locale, outside Europe and within different epidemiological parameters. Because of the inherent rarity of biological evidence, the reconstruction of epidemiological phenomena will always require consilience with archaeological and documentary sources. Establishing ‘best practices’ of analysis and verification in this emerging multidisciplinary field has implications not only for Europe’s four hundred-year experience with plague, but for all fields of global health history.","PeriodicalId":47870,"journal":{"name":"Past & Present","volume":null,"pages":null},"PeriodicalIF":1.8,"publicationDate":"2022-03-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"50167844","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article investigates how the concept of ‘conscience’ emerged as a battleground within the French Catholic Church and as a politicized concept with implications for ideas about human rights. State-sponsored torture during the Algerian War (1954–62) prompted dissident Christians to pioneer the use of ‘individual conscience’ as a tool of resistance. The Christians of the anti-torture movement embraced the theologically informed language of conscience alongside a French, secular tradition of rights drawn from the 1789 Declaration of the Rights of Man and of the Citizen. The way that Catholic dissidents thought about rights transcended the secular–religious divide; while recognizing a liberal concept of rights coming out of the French Revolution, these Catholics also insisted upon the spiritual function of individual conscience as a check upon the state. Intra-Catholic debates about conscience thus reveal the political and theological diversity within mid-twentieth-century Christianity, long assumed to have been dominated by actors on the political right, as well as the multiplicity of coexisting ways of speaking about and interpreting human rights.
{"title":"Erratum to: The Christian Anti-Torture Movement and the Politics of Conscience in France","authors":"Giuliana, Chamedes, J. Chappel, Udi Greenberg","doi":"10.1093/pastj/gtac002","DOIUrl":"https://doi.org/10.1093/pastj/gtac002","url":null,"abstract":"This article investigates how the concept of ‘conscience’ emerged as a battleground within the French Catholic Church and as a politicized concept with implications for ideas about human rights. State-sponsored torture during the Algerian War (1954–62) prompted dissident Christians to pioneer the use of ‘individual conscience’ as a tool of resistance. The Christians of the anti-torture movement embraced the theologically informed language of conscience alongside a French, secular tradition of rights drawn from the 1789 Declaration of the Rights of Man and of the Citizen. The way that Catholic dissidents thought about rights transcended the secular–religious divide; while recognizing a liberal concept of rights coming out of the French Revolution, these Catholics also insisted upon the spiritual function of individual conscience as a check upon the state. Intra-Catholic debates about conscience thus reveal the political and theological diversity within mid-twentieth-century Christianity, long assumed to have been dominated by actors on the political right, as well as the multiplicity of coexisting ways of speaking about and interpreting human rights.","PeriodicalId":47870,"journal":{"name":"Past & Present","volume":null,"pages":null},"PeriodicalIF":1.8,"publicationDate":"2022-01-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49467680","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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