Pub Date : 2024-12-25DOI: 10.1016/j.poetic.2024.101961
Júlia Perczel, Balazs Vedres
In our contemporary art field global institutional networks offer novel strategies for peripheral artists in their struggle for global recognition, bypassing the necessity of maximizing presence in the territorial core. We address the puzzle of how such novel artistic strategies bypassing core gatekeepers can succeed. In this article we analyze the way artists from Central-Eastern Europe strive for consecration via acquisition by the pinnacle museums – Tate Modern, Centre Pompidou and the MoMA – between 1990 and 2018. Our analysis is based on more than hundred thousand exhibition events of about 3500 artists, held at nearly ten thousand venues in 112 countries. We focus on network topology of co-exhibiting relations of venues and artists. We introduce two key concepts to understand success in the multiscalar global art field: geo-capital and the globalizer position. Geo-capital measures the territorial balance of a venue's topological neighbours, capturing a capacity to span boundaries, while the globalizer position marks those venues that can provide artists with global visibility against the territorial core-periphery spectrum on topological grounds. We show that a strategy built on venues in the globalizer position improves the likelihood of consecration more than any other factors. We contribute to prior research by showing the functioning of a relational form of territoriality, that relies on global networks, and provides a mechanism through which global institutional networks can function in relative vertical autonomy within the multiscalar global art field.
{"title":"Careers in the global art field: Geo-capital and globalizer venues in the consecration of Central-Eastern European artists","authors":"Júlia Perczel, Balazs Vedres","doi":"10.1016/j.poetic.2024.101961","DOIUrl":"https://doi.org/10.1016/j.poetic.2024.101961","url":null,"abstract":"In our contemporary art field global institutional networks offer novel strategies for peripheral artists in their struggle for global recognition, bypassing the necessity of maximizing presence in the territorial core. We address the puzzle of how such novel artistic strategies bypassing core gatekeepers can succeed. In this article we analyze the way artists from Central-Eastern Europe strive for consecration via acquisition by the pinnacle museums – Tate Modern, Centre Pompidou and the MoMA – between 1990 and 2018. Our analysis is based on more than hundred thousand exhibition events of about 3500 artists, held at nearly ten thousand venues in 112 countries. We focus on network topology of co-exhibiting relations of venues and artists. We introduce two key concepts to understand success in the multiscalar global art field: geo-capital and the globalizer position. Geo-capital measures the territorial balance of a venue's topological neighbours, capturing a capacity to span boundaries, while the globalizer position marks those venues that can provide artists with global visibility against the territorial core-periphery spectrum on topological grounds. We show that a strategy built on venues in the globalizer position improves the likelihood of consecration more than any other factors. We contribute to prior research by showing the functioning of a relational form of territoriality, that relies on global networks, and provides a mechanism through which global institutional networks can function in relative vertical autonomy within the multiscalar global art field.","PeriodicalId":47900,"journal":{"name":"Poetics","volume":"4 1","pages":""},"PeriodicalIF":2.5,"publicationDate":"2024-12-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142889276","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-12-25DOI: 10.1016/j.poetic.2024.101947
Andreas Schmitz, Christian Schmidt-Wellenburg, Jonas Volle
This paper presents an iterative procedure for reconstructing a scientific field by relating two relational methods. The procedure involves using geometric data analysis and network analysis in several steps. Blocks from block model analysis are projected into a space constructed by MCA, considered as subspaces using CSA, and subsequently inspected with regard to their manifest interaction structures. The findings allow us to examine the overall structure of a scientific field vis-à-vis the relative autonomies and eigenstructures of its subspaces and the homology-heterology relations they show to each other and the main space, thus providing a more differentiated view of the interplay of social spaces and networks.
{"title":"Integrating geometric data analysis and network analysis by iterative reciprocal mapping. The example of the German field of sociology","authors":"Andreas Schmitz, Christian Schmidt-Wellenburg, Jonas Volle","doi":"10.1016/j.poetic.2024.101947","DOIUrl":"https://doi.org/10.1016/j.poetic.2024.101947","url":null,"abstract":"This paper presents an iterative procedure for reconstructing a scientific field by relating two relational methods. The procedure involves using geometric data analysis and network analysis in several steps. Blocks from block model analysis are projected into a space constructed by MCA, considered as subspaces using CSA, and subsequently inspected with regard to their manifest interaction structures. The findings allow us to examine the overall structure of a scientific field vis-à-vis the relative autonomies and eigenstructures of its subspaces and the homology-heterology relations they show to each other and the main space, thus providing a more differentiated view of the interplay of social spaces and networks.","PeriodicalId":47900,"journal":{"name":"Poetics","volume":"65 1","pages":""},"PeriodicalIF":2.5,"publicationDate":"2024-12-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142889278","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-12-24DOI: 10.1016/j.poetic.2024.101966
Daniel Karell, Jeffrey Sachs, Ryan Barrett
The development of generative artificial intelligence (genAI) has caused concern about its potential risks, including how its ability to generate human-like texts could affect our shared perception of the social world. Yet, it remains unclear how best to assess and understand genAI's influence on our understanding of social reality. Building on insights into the representation of social worlds within texts, we introduce a framework for analyzing genAI's content and its consequences for perceptions of social reality. We demonstrate this “synthetic duality” framework in two parts. First, we show that genAI can create, with minimal guidance, reasonable portrayals of actors and ascribe relational meaning to those actors – virtual social worlds within texts, or “Mondo-Breigers”. Second, we examine how these synthetic documents with interior social worlds affect readers’ view of social reality. We find that they change individuals’ perceptions of actors depicted in the documents, likely by updating individuals’ expectations about the actors and their meanings. However, additional exploratory analyses suggest it is texts’ style, not their construction of “Mondo-Breigers”, that might be influencing people's perceptions. We end with a discussion of theoretical and methodological implications, including how genAI may unsettle structural notions of individuality. Namely, reimagining the duality of individuals and groups could help theorize growing homogeneity in an increasingly genAI-informed world.
{"title":"Synthetic duality: A framework for analyzing generative artificial intelligence's representation of social reality","authors":"Daniel Karell, Jeffrey Sachs, Ryan Barrett","doi":"10.1016/j.poetic.2024.101966","DOIUrl":"https://doi.org/10.1016/j.poetic.2024.101966","url":null,"abstract":"The development of generative artificial intelligence (genAI) has caused concern about its potential risks, including how its ability to generate human-like texts could affect our shared perception of the social world. Yet, it remains unclear how best to assess and understand genAI's influence on our understanding of social reality. Building on insights into the representation of social worlds within texts, we introduce a framework for analyzing genAI's content and its consequences for perceptions of social reality. We demonstrate this “synthetic duality” framework in two parts. First, we show that genAI can create, with minimal guidance, reasonable portrayals of actors and ascribe relational meaning to those actors – virtual social worlds within texts, or “Mondo-Breigers”. Second, we examine how these synthetic documents with interior social worlds affect readers’ view of social reality. We find that they change individuals’ perceptions of actors depicted in the documents, likely by updating individuals’ expectations about the actors and their meanings. However, additional exploratory analyses suggest it is texts’ style, not their construction of “Mondo-Breigers”, that might be influencing people's perceptions. We end with a discussion of theoretical and methodological implications, including how genAI may unsettle structural notions of individuality. Namely, reimagining the duality of individuals and groups could help theorize growing homogeneity in an increasingly genAI-informed world.","PeriodicalId":47900,"journal":{"name":"Poetics","volume":"20 1","pages":""},"PeriodicalIF":2.5,"publicationDate":"2024-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142889277","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article examines how cultural policy frames embody and shape inequalities in cultural participation within urban settings. It explores both historical and contemporary policy frames, scrutinizing various approaches to cultural democratization and intersectional equity. From this perspective, we study how the cultural policies advanced by the Barcelona City Council framed inequalities in urban cultural participation and access to culture. The research employs thematic analysis of Barcelona's cultural policy documents and relevant stakeholder interviews to evaluate these frames' problem definition, prognosis, and collective action components. On this basis, the article identifies three main policy frames: constitutive, participatory, and intersectional, which are contrasted with policies implemented in the city from 2019 to 2023, including both pre- and post-COVID-19. The results reveal that although the local administration's policy frame broadly aligns with strategies and narratives of multidimensional participation and pro-intersectional equity frames, it also embeds tensions within and between specific social stratification and constitutive components of cultural policy design.
{"title":"The problem of socio-territorial inequality in cultural policies: Unveiling policy frames through Barcelona policies (2019–2023)","authors":"Mariano Martín Zamorano Barrios, Nicolás Barbieri Muttis","doi":"10.1016/j.poetic.2024.101963","DOIUrl":"https://doi.org/10.1016/j.poetic.2024.101963","url":null,"abstract":"This article examines how cultural policy frames embody and shape inequalities in cultural participation within urban settings. It explores both historical and contemporary policy frames, scrutinizing various approaches to cultural democratization and intersectional equity. From this perspective, we study how the cultural policies advanced by the Barcelona City Council framed inequalities in urban cultural participation and access to culture. The research employs thematic analysis of Barcelona's cultural policy documents and relevant stakeholder interviews to evaluate these frames' problem definition, prognosis, and collective action components. On this basis, the article identifies three main policy frames: constitutive, participatory, and intersectional, which are contrasted with policies implemented in the city from 2019 to 2023, including both pre- and post-COVID-19. The results reveal that although the local administration's policy frame broadly aligns with strategies and narratives of multidimensional participation and pro-intersectional equity frames, it also embeds tensions within and between specific social stratification and constitutive components of cultural policy design.","PeriodicalId":47900,"journal":{"name":"Poetics","volume":"28 1","pages":""},"PeriodicalIF":2.5,"publicationDate":"2024-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142790195","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-12-02DOI: 10.1016/j.poetic.2024.101962
Xihuan Hu , Yupei Zhao , Wenjun He
This study builds upon the established frameworks of popular music heritage, scene theory, and Chinese hip-hop politics and authenticity, highlighting the intricate relationship between cultural heritage and hip-hop. Focusing on the localised genre the “Huxiang Flow” from Hunan province, it conducts critical discourse analysis of 98 song lyrics, music videos, and performances, alongside interviews with 20 local hip-hop audiences and practitioners. The research reconfigures “heritage hip-hop,” suggesting that artists leverage their cultural heritage as a strategic resource in their creative processes, thereby achieving nuanced self and local identities, articulating ideological expressions, and fostering emotional dialogues with audiences. Operating on the fringes of legitimate cultural channels, Huxiang flow artists employ elements like revolutionary historical figures and significant sites to enact legitimate resistance. They also utilise everyday environments to critique internal social divisions, shaping forms of everyday resistance through hip-hop, which resonates with local audiences and fosters collective consciousness. This study demonstrates heritage as dynamic to construct legitimate resistance in hip-hop music under Chinese cultural politics. Hip-hop artists are not merely representatives of marginalised groups but are influenced by localised cultural education, which underpins their creative work and informs their use of sophisticated rhetorical strategies to achieve legitimate resistance and promote social cohesion.
{"title":"Reconfiguring “Heritage hip-hop” From the scenes: Rightful youth rebellion and localised authenticity in the Huxiang Flow","authors":"Xihuan Hu , Yupei Zhao , Wenjun He","doi":"10.1016/j.poetic.2024.101962","DOIUrl":"10.1016/j.poetic.2024.101962","url":null,"abstract":"<div><div>This study builds upon the established frameworks of popular music heritage, scene theory, and Chinese hip-hop politics and authenticity, highlighting the intricate relationship between cultural heritage and hip-hop. Focusing on the localised genre the “Huxiang Flow” from Hunan province, it conducts critical discourse analysis of 98 song lyrics, music videos, and performances, alongside interviews with 20 local hip-hop audiences and practitioners. The research reconfigures “heritage hip-hop,” suggesting that artists leverage their cultural heritage as a strategic resource in their creative processes, thereby achieving nuanced self and local identities, articulating ideological expressions, and fostering emotional dialogues with audiences. Operating on the fringes of legitimate cultural channels, Huxiang flow artists employ elements like revolutionary historical figures and significant sites to enact legitimate resistance. They also utilise everyday environments to critique internal social divisions, shaping forms of everyday resistance through hip-hop, which resonates with local audiences and fosters collective consciousness. This study demonstrates heritage as dynamic to construct legitimate resistance in hip-hop music under Chinese cultural politics. Hip-hop artists are not merely representatives of marginalised groups but are influenced by localised cultural education, which underpins their creative work and informs their use of sophisticated rhetorical strategies to achieve legitimate resistance and promote social cohesion.</div></div>","PeriodicalId":47900,"journal":{"name":"Poetics","volume":"108 ","pages":"Article 101962"},"PeriodicalIF":2.0,"publicationDate":"2024-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142758827","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-12-02DOI: 10.1016/j.poetic.2024.101960
W. P. Malecki , Matthew Schneider-Mayerson , Aino Petterson , Małgorzata Dobrowolska , Jagadish Thaker
There is a growing consensus that climate fiction might be an effective communication strategy to move the public on climate. However, empirical evidence documenting such an effect is limited, especially when it comes to climate fiction's potential to induce emotions of hope and fear, which are of key importance to the ongoing debate about the social effects of climate messages. To address this gap, we conducted an experimental cross-cultural study (N = 2268) with participants from India and the USA. In line with the Extended Parallel Process Model, we hypothesized that climate fiction combining fear and hope appeals (“ambitopian climate fiction”) would be more effective at stimulating climate action intentions than either fear-appealing (“dystopian”) climate fiction or hope-appealing (“utopian”) climate fiction. The hypothesis was not supported. We found that, in the US sample, dystopian climate fiction was more effective at stimulating climate action intentions than ambitopian climate fiction. However, ambitopian climate fiction was found to be efficient at inducing both hope and fear in both samples and at stimulating climate action intentions indirectly, in the Indian sample, through these emotions. The practical and theoretical implications of these findings are discussed.
{"title":"The role of hope and fear in the impact of climate fiction on climate action intentions: Evidence from India and USA","authors":"W. P. Malecki , Matthew Schneider-Mayerson , Aino Petterson , Małgorzata Dobrowolska , Jagadish Thaker","doi":"10.1016/j.poetic.2024.101960","DOIUrl":"10.1016/j.poetic.2024.101960","url":null,"abstract":"<div><div>There is a growing consensus that climate fiction might be an effective communication strategy to move the public on climate. However, empirical evidence documenting such an effect is limited, especially when it comes to climate fiction's potential to induce emotions of hope and fear, which are of key importance to the ongoing debate about the social effects of climate messages. To address this gap, we conducted an experimental cross-cultural study (<em>N</em> = 2268) with participants from India and the USA. In line with the Extended Parallel Process Model, we hypothesized that climate fiction combining fear and hope appeals (“ambitopian climate fiction”) would be more effective at stimulating climate action intentions than either fear-appealing (“dystopian”) climate fiction or hope-appealing (“utopian”) climate fiction. The hypothesis was not supported. We found that, in the US sample, dystopian climate fiction was more effective at stimulating climate action intentions than ambitopian climate fiction. However, ambitopian climate fiction was found to be efficient at inducing both hope and fear in both samples and at stimulating climate action intentions indirectly, in the Indian sample, through these emotions. The practical and theoretical implications of these findings are discussed.</div></div>","PeriodicalId":47900,"journal":{"name":"Poetics","volume":"108 ","pages":"Article 101960"},"PeriodicalIF":2.0,"publicationDate":"2024-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142758828","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-11-29DOI: 10.1016/j.poetic.2024.101959
Sebastian Diemer Mørk , Anton Grau Larsen
Craft and design are art forms that teeter on the boundary of being considered art. Because of this, these mediums are an ideal case to examine how the Danish Art Foundation funds these arts and what this says about the distinction of the arts in a Danish context. This article analyses 1898 full-text applications for funding - both the ones that have been awarded funding and the ones that have been rejected - of craftsmen and designers from a five-year range. The applications are analysed with hierarchical Stochastic Block Modelling and Class Specific Correspondence Analysis to reduce the complexity of the data. Using these methods, the structures of both the overall meta-field and the discipline-specific subfields become apparent, and so do the different degrees of homologies and heterologies between subfields and the meta-field and the field of art. Exemplified by four subfields, we identify four different types of homology/heterology: a full homology, a secondary homology, a heterologous artistic pole, and a full heterology. That some subfields of craft and design are homologous to the field of art while others are heterologous exemplifies the process of artification from an institutional perspective. The criteria for being considered artistic varies from subfield to subfield, with some having homologous structures to the art field, while others show a clear heterologous structure, highlighting that subfields can be autonomous from a common meta-field. Some subfields are, however, neither fully homologous nor heterologous but exhibit a mix of both logics. This article hopes to add to the discussion of methods for determining field autonomy and what fields can be autonomous from.
{"title":"Designed for success or failure: Differences in funding and rejection in the space of applications to the Danish Art Foundation among craftsmen and designers","authors":"Sebastian Diemer Mørk , Anton Grau Larsen","doi":"10.1016/j.poetic.2024.101959","DOIUrl":"10.1016/j.poetic.2024.101959","url":null,"abstract":"<div><div>Craft and design are art forms that teeter on the boundary of being considered art. Because of this, these mediums are an ideal case to examine how the Danish Art Foundation funds these arts and what this says about the distinction of the arts in a Danish context. This article analyses 1898 full-text applications for funding - both the ones that have been awarded funding and the ones that have been rejected - of craftsmen and designers from a five-year range. The applications are analysed with hierarchical Stochastic Block Modelling and Class Specific Correspondence Analysis to reduce the complexity of the data. Using these methods, the structures of both the overall meta-field and the discipline-specific subfields become apparent, and so do the different degrees of homologies and heterologies between subfields and the meta-field and the field of art. Exemplified by four subfields, we identify four different types of homology/heterology: a full homology, a secondary homology, a heterologous artistic pole, and a full heterology. That some subfields of craft and design are homologous to the field of art while others are heterologous exemplifies the process of artification from an institutional perspective. The criteria for being considered artistic varies from subfield to subfield, with some having homologous structures to the art field, while others show a clear heterologous structure, highlighting that subfields can be autonomous from a common meta-field. Some subfields are, however, neither fully homologous nor heterologous but exhibit a mix of both logics. This article hopes to add to the discussion of methods for determining field autonomy and what fields can be autonomous from.</div></div>","PeriodicalId":47900,"journal":{"name":"Poetics","volume":"108 ","pages":"Article 101959"},"PeriodicalIF":2.0,"publicationDate":"2024-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142745487","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-11-29DOI: 10.1016/j.poetic.2024.101946
Laurie Hanquinet , Mark Taylor
When investigating relational structures in culture, research in Europe has often either mapped the relationship between cultural tastes in a particular context, or mapped differences in cultural tastes (measured consistently) in different countries, without assessing how these differences can vary across them. Indeed, the idea of national homology (namely that the structures of cultural capital would be fairly similar in nations across Europe) has never been really tested, probably due to a lack of cross-national research on cultural preferences. Using data from the EUCROSS survey that took place in Denmark, Germany, Italy, Romania, Spain and the UK (2012–2013, n = 6016), we first use multiple correspondence analysis to estimate the relationships between a set of items on musical tastes. We then extend this through the use of class-specific analysis, to investigate how these relationships vary in each of the six countries. Finally, we analyse the relationships between the underlying dimensions of music tastes and different components of cosmopolitanism, compared with key demographic variables. We show that the musical field significantly varies across the nations represented in the survey, demonstrating that musical preferences remain largely anchored in national contexts. Cultural preferences are shaped by historical and social dynamics specific to each country, with significant variations in the symbolic value and demographic associations of music genres.
{"title":"Divergences and convergences across European musical preferences: How taste varies within and between countries","authors":"Laurie Hanquinet , Mark Taylor","doi":"10.1016/j.poetic.2024.101946","DOIUrl":"10.1016/j.poetic.2024.101946","url":null,"abstract":"<div><div>When investigating relational structures in culture, research in Europe has often either mapped the relationship between cultural tastes in a particular context, or mapped differences in cultural tastes (measured consistently) in different countries, without assessing how these differences can vary across them. Indeed, the idea of national homology (namely that the structures of cultural capital would be fairly similar in nations across Europe) has never been really tested, probably due to a lack of cross-national research on cultural preferences. Using data from the EUCROSS survey that took place in Denmark, Germany, Italy, Romania, Spain and the UK (2012–2013, <em>n</em> = 6016), we first use multiple correspondence analysis to estimate the relationships between a set of items on musical tastes. We then extend this through the use of class-specific analysis, to investigate how these relationships vary in each of the six countries. Finally, we analyse the relationships between the underlying dimensions of music tastes and different components of cosmopolitanism, compared with key demographic variables. We show that the musical field significantly varies across the nations represented in the survey, demonstrating that musical preferences remain largely anchored in national contexts. Cultural preferences are shaped by historical and social dynamics specific to each country, with significant variations in the symbolic value and demographic associations of music genres.</div></div>","PeriodicalId":47900,"journal":{"name":"Poetics","volume":"108 ","pages":"Article 101946"},"PeriodicalIF":2.0,"publicationDate":"2024-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142745486","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-11-22DOI: 10.1016/j.poetic.2024.101950
Radim Hladík , Yann Renisio
The study presents a new approach for constructing an epistemological coordinate system that locates individual researchers within the disciplinary landscape of science. Drawing on a comprehensive national dataset of scientific outputs, we build a topic model based on a semantic network of publications and terms derived from textual content comprising titles, abstracts, and keywords. Compositional data transformation applied to the topic model enables a geometric analysis of topics across disciplines. The design yields four important results for addressing the gap between knowledge and knowledge-producers. (1) Hierarchical clustering confirms an alignment between traditional disciplinary classification and our empirical, bottom-up topic model. (2) Principal component analysis reveals three axes – Culture–Nature, Life–Non-life, and Materials–Methods – that primarily structure this scientific knowledge space. (3) The projection of individual researchers via their topic portfolios allows to locate them relationally on these three continuous measures of epistemological distinctions. (4) The robustness of our approach is validated by examining the links between researchers’ topic orientation and supplementary variables such as publication practices, gender, institutional affiliations, and funding sources. Our method could inform science policy and evaluation practices, as well as be extended to uncover associations between products and producers in other cultural fields.
{"title":"Mapping knowledge: Topic analysis of science locates researchers in disciplinary landscape","authors":"Radim Hladík , Yann Renisio","doi":"10.1016/j.poetic.2024.101950","DOIUrl":"10.1016/j.poetic.2024.101950","url":null,"abstract":"<div><div>The study presents a new approach for constructing an epistemological coordinate system that locates individual researchers within the disciplinary landscape of science. Drawing on a comprehensive national dataset of scientific outputs, we build a topic model based on a semantic network of publications and terms derived from textual content comprising titles, abstracts, and keywords. Compositional data transformation applied to the topic model enables a geometric analysis of topics across disciplines. The design yields four important results for addressing the gap between knowledge and knowledge-producers. (1) Hierarchical clustering confirms an alignment between traditional disciplinary classification and our empirical, bottom-up topic model. (2) Principal component analysis reveals three axes – Culture–Nature, Life–Non-life, and Materials–Methods – that primarily structure this scientific knowledge space. (3) The projection of individual researchers via their topic portfolios allows to locate them relationally on these three continuous measures of epistemological distinctions. (4) The robustness of our approach is validated by examining the links between researchers’ topic orientation and supplementary variables such as publication practices, gender, institutional affiliations, and funding sources. Our method could inform science policy and evaluation practices, as well as be extended to uncover associations between products and producers in other cultural fields.</div></div>","PeriodicalId":47900,"journal":{"name":"Poetics","volume":"108 ","pages":"Article 101950"},"PeriodicalIF":2.0,"publicationDate":"2024-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142691110","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-11-13DOI: 10.1016/j.poetic.2024.101948
Marc Verboord , Larissa Fritsch , Neta Yodovich , Alysa Karels , Lucas Page Pereira , Eva Myrczik
This research note studies how cultural participation impacts affective well-being in everyday life by taking a novel methodological approach via Experience Sampling Methodology (ESM). The potential for culture to improve the well-being of citizens has been a long-running subject of study. Through participation in cultural activities, individuals would gain experiences that foster feelings of liberation, engagement and confidence which are translated into positive emotions. However, existing studies have limitations, such as lacking the possibility to establish causal relationships or being limited to laboratory settings and specific cases. To increase our understanding of how cultural participation affects affective well-being, we use ESM. This is a diary survey type which allows researchers to examine what people do, feel, and think during their daily life. More than 270 respondents filled out up to 28 mini-questionnaires during a week. This created a semi-experimental design in which feelings can be compared between moments following participation and no participation. The results show significant positive impact of participation on well-being, controlled for where individuals are and with whom, as well as social background characteristics.
{"title":"Does culture improve affective well-being in everyday life? An experimental sampling approach","authors":"Marc Verboord , Larissa Fritsch , Neta Yodovich , Alysa Karels , Lucas Page Pereira , Eva Myrczik","doi":"10.1016/j.poetic.2024.101948","DOIUrl":"10.1016/j.poetic.2024.101948","url":null,"abstract":"<div><div>This research note studies how cultural participation impacts affective well-being in everyday life by taking a novel methodological approach via Experience Sampling Methodology (ESM). The potential for culture to improve the well-being of citizens has been a long-running subject of study. Through participation in cultural activities, individuals would gain experiences that foster feelings of liberation, engagement and confidence which are translated into positive emotions. However, existing studies have limitations, such as lacking the possibility to establish causal relationships or being limited to laboratory settings and specific cases. To increase our understanding of how cultural participation affects affective well-being, we use ESM. This is a diary survey type which allows researchers to examine what people do, feel, and think during their daily life. More than 270 respondents filled out up to 28 mini-questionnaires during a week. This created a semi-experimental design in which feelings can be compared between moments following participation and no participation. The results show significant positive impact of participation on well-being, controlled for where individuals are and with whom, as well as social background characteristics.</div></div>","PeriodicalId":47900,"journal":{"name":"Poetics","volume":"107 ","pages":"Article 101948"},"PeriodicalIF":2.0,"publicationDate":"2024-11-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142652465","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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