IF 2 2区社会学 0 LITERATURE

Poetics

Pub Date : 2025-01-01 Epub Date: 2024-12-02 DOI: 10.1016/j.poetic.2024.101962

Xihuan Hu , Yupei Zhao , Wenjun He

This study builds upon the established frameworks of popular music heritage, scene theory, and Chinese hip-hop politics and authenticity, highlighting the intricate relationship between cultural heritage and hip-hop. Focusing on the localised genre the “Huxiang Flow” from Hunan province, it conducts critical discourse analysis of 98 song lyrics, music videos, and performances, alongside interviews with 20 local hip-hop audiences and practitioners. The research reconfigures “heritage hip-hop,” suggesting that artists leverage their cultural heritage as a strategic resource in their creative processes, thereby achieving nuanced self and local identities, articulating ideological expressions, and fostering emotional dialogues with audiences. Operating on the fringes of legitimate cultural channels, Huxiang flow artists employ elements like revolutionary historical figures and significant sites to enact legitimate resistance. They also utilise everyday environments to critique internal social divisions, shaping forms of everyday resistance through hip-hop, which resonates with local audiences and fosters collective consciousness. This study demonstrates heritage as dynamic to construct legitimate resistance in hip-hop music under Chinese cultural politics. Hip-hop artists are not merely representatives of marginalised groups but are influenced by localised cultural education, which underpins their creative work and informs their use of sophisticated rhetorical strategies to achieve legitimate resistance and promote social cohesion.

本研究建立在流行音乐传承、场景理论、中国嘻哈政治与真实性的框架之上，强调文化传承与嘻哈之间错综复杂的关系。以湖南本土的“湖湘流”为研究对象，对98首歌词、mv和表演进行了批判性话语分析，并采访了20位当地的嘻哈观众和从业者。该研究重新配置了“传统嘻哈”，建议艺术家在创作过程中利用他们的文化遗产作为战略资源，从而实现微妙的自我和地方身份，清晰地表达意识形态，并促进与观众的情感对话。在合法文化渠道的边缘，湖湘流艺术家使用革命历史人物和重要遗址等元素来进行合法的抵抗。他们还利用日常环境来批判社会内部的分裂，通过嘻哈塑造日常抵抗的形式，与当地观众产生共鸣，培养集体意识。本研究证明，在中国文化政治背景下，传承是嘻哈音乐建构合法抵抗的动力。嘻哈艺术家不仅是边缘化群体的代表，而且还受到当地文化教育的影响，这些文化教育支撑着他们的创造性工作，并指导他们使用复杂的修辞策略来实现合法的抵抗，促进社会凝聚力。

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引用次数: 0

Divergences and convergences across European musical preferences: How taste varies within and between countries 欧洲音乐偏好的差异和趋同：国家内部和国家之间的品味如何变化

IF 2 2区社会学 0 LITERATURE

Poetics

Pub Date : 2025-01-01 Epub Date: 2024-11-29 DOI: 10.1016/j.poetic.2024.101946

Laurie Hanquinet , Mark Taylor

When investigating relational structures in culture, research in Europe has often either mapped the relationship between cultural tastes in a particular context, or mapped differences in cultural tastes (measured consistently) in different countries, without assessing how these differences can vary across them. Indeed, the idea of national homology (namely that the structures of cultural capital would be fairly similar in nations across Europe) has never been really tested, probably due to a lack of cross-national research on cultural preferences. Using data from the EUCROSS survey that took place in Denmark, Germany, Italy, Romania, Spain and the UK (2012–2013, n = 6016), we first use multiple correspondence analysis to estimate the relationships between a set of items on musical tastes. We then extend this through the use of class-specific analysis, to investigate how these relationships vary in each of the six countries. Finally, we analyse the relationships between the underlying dimensions of music tastes and different components of cosmopolitanism, compared with key demographic variables. We show that the musical field significantly varies across the nations represented in the survey, demonstrating that musical preferences remain largely anchored in national contexts. Cultural preferences are shaped by historical and social dynamics specific to each country, with significant variations in the symbolic value and demographic associations of music genres.

在调查文化中的关系结构时，欧洲的研究通常要么绘制出特定背景下文化品味之间的关系，要么绘制出不同国家文化品味的差异（一致测量），而没有评估这些差异如何在它们之间变化。事实上，国家同源性（即欧洲各国的文化资本结构相当相似）的观点从未得到过真正的检验，这可能是由于缺乏对文化偏好的跨国研究。利用在丹麦、德国、意大利、罗马尼亚、西班牙和英国（2012-2013,n = 6016）进行的EUCROSS调查的数据，我们首先使用多重对应分析来估计一组音乐品味项目之间的关系。然后，我们通过使用特定类别的分析来扩展这一方法，以调查这些关系在六个国家中的差异。最后，我们分析了音乐品味的潜在维度与世界主义的不同组成部分之间的关系，并与关键的人口变量进行了比较。我们表明，在调查中所代表的国家之间，音乐领域存在显著差异，表明音乐偏好在很大程度上取决于国家背景。文化偏好受到每个国家特定的历史和社会动态的影响，在音乐流派的象征价值和人口关联方面存在显著差异。

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引用次数: 0

The role of hope and fear in the impact of climate fiction on climate action intentions: Evidence from India and USA 希望和恐惧在气候小说对气候行动意图的影响中的作用：来自印度和美国的证据

IF 2 2区社会学 0 LITERATURE

Poetics

Pub Date : 2025-01-01 Epub Date: 2024-12-02 DOI: 10.1016/j.poetic.2024.101960

W. P. Malecki , Matthew Schneider-Mayerson , Aino Petterson , Małgorzata Dobrowolska , Jagadish Thaker

There is a growing consensus that climate fiction might be an effective communication strategy to move the public on climate. However, empirical evidence documenting such an effect is limited, especially when it comes to climate fiction's potential to induce emotions of hope and fear, which are of key importance to the ongoing debate about the social effects of climate messages. To address this gap, we conducted an experimental cross-cultural study (N = 2268) with participants from India and the USA. In line with the Extended Parallel Process Model, we hypothesized that climate fiction combining fear and hope appeals (“ambitopian climate fiction”) would be more effective at stimulating climate action intentions than either fear-appealing (“dystopian”) climate fiction or hope-appealing (“utopian”) climate fiction. The hypothesis was not supported. We found that, in the US sample, dystopian climate fiction was more effective at stimulating climate action intentions than ambitopian climate fiction. However, ambitopian climate fiction was found to be efficient at inducing both hope and fear in both samples and at stimulating climate action intentions indirectly, in the Indian sample, through these emotions. The practical and theoretical implications of these findings are discussed.

越来越多的人认为，气候小说可能是一种有效的传播策略，可以让公众关注气候问题。然而，记录这种影响的经验证据是有限的，特别是当涉及到气候小说引发希望和恐惧情绪的潜力时，这对于正在进行的关于气候信息的社会影响的辩论至关重要。为了解决这一差距，我们对来自印度和美国的参与者进行了一项实验性跨文化研究（N = 2268）。根据扩展平行过程模型，我们假设结合恐惧和希望诉求的气候小说（“野心型气候小说”）比恐惧诉求（“反乌托邦”）气候小说或希望诉求（“乌托邦”）气候小说更有效地激发气候行动意图。这个假设没有得到支持。我们发现，在美国的样本中，反乌托邦气候小说比雄心勃勃的气候小说更能有效地激发气候行动意图。然而，在两个样本中，雄心勃勃的气候小说被发现在诱导希望和恐惧方面是有效的，在印度样本中，通过这些情绪间接地刺激气候行动意图。讨论了这些发现的实际意义和理论意义。

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引用次数: 0

Mapping epistemic pluralism: A network analysis of discursive practices in communities promoting refused knowledge about healthcare and wellbeing 映射认识论多元化：对推广被拒绝的医疗保健和福祉知识的社区中的话语实践进行网络分析

IF 2 2区社会学 0 LITERATURE

Poetics

Pub Date : 2024-12-01 Epub Date: 2024-10-21 DOI: 10.1016/j.poetic.2024.101929

Marco Serino, Ilenia Picardi, Giancarlo Ragozini

This article presents an analysis of discourses performed in communities that share and disseminate knowledge refused by institutional science. The study focuses on an online community concerned with alkaline water, food, and lifestyle, aiming at understanding how promoters of refused knowledge in this community enrol other forms of knowledge, including science. Theoretically, this work is framed in Science & Technology Studies, and in the tradition of actor-network theory, situating itself in a recent turn that takes epistemic instability and pluralism into due consideration, thus overcoming opaque views of the opposition between science and non-science. Empirically, this fine-grained analytic purpose is addressed by a mixed-method strategy in which discursive practices are observed through a web-ethnography conducted between January 2020 and December 2021 on the relevant online spaces and then analysed qualitatively and quantitively by means of formal techniques. Relying on the tools of social network analysis, the discursive space of the community under study is formalised as a two-mode network of knowledge claims and heterogeneous actors enrolled in discourse to sustain those claims. Then, community detection is performed to map the different assemblages of claims and actors and the relevant repertoires characterising those assemblages. Finally, multiple correspondence analysis applied to two-mode networks is used to highlight the dimensions of concern and meaning expressed in the knowledge organisation of this community.

本文分析了在分享和传播被机构科学拒绝的知识的社区中所进行的论述。研究重点是一个关注碱性水、食品和生活方式的在线社区，旨在了解该社区中被拒绝知识的推广者是如何吸收其他形式的知识（包括科学）的。从理论上讲，这项研究以科学与技术研究（Science & Technology Studies）和行动者网络理论（actor-network theory）为框架，将自己置于最近的一个转折点上，即适当考虑认识论的不稳定性和多元化，从而克服科学与非科学之间对立的不透明观点。2020 年 1 月至 2021 年 12 月期间，通过对相关网络空间进行网络人种学调查，对话语实践进行观察，然后通过正式技术对其进行定性和定量分析。借助社会网络分析工具，所研究社区的话语空间被形式化为由知识主张和参与话语以维持这些主张的异质行动者组成的双模网络。然后，进行社群检测，以绘制不同主张和参与者的组合图，以及这些组合图的相关语汇特征。最后，将多重对应分析应用于双模式网络，以突出该社区知识组织中所表达的关注和意义。

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引用次数: 0

Homologies in fields of cultural production. Evidence from the European scientific field 文化生产领域的同源性。欧洲科学领域的证据

IF 2 2区社会学 0 LITERATURE

Poetics

Pub Date : 2024-12-01 Epub Date: 2024-10-31 DOI: 10.1016/j.poetic.2024.101945

Pierre Benz , Kristoffer Kropp , Trine Cosmus Nobel , Thierry Rossier

This article suggests a comparative field analytical approach to fields of cultural production. Combining concepts from field analysis and focusing on homology with topic modeling and multiple correspondence analysis, we compare four scientific disciplines and show homological structures along both internal and external principles of differentiation. The empirical analysis suggests that despite major differences between the four disciplines (biology, chemistry, economics, and sociology), they are structured along similar principles. Moreover, cognitive distinctions in certain disciplines can be correlated with institutional properties and symbolic hierarchies. Despite the similarities, the analysis also shows important differences between the four disciplines related to internal organization and their relations to both other scientific disciplines and the field of power. The article shows how topic modeling and multiple correspondence analysis can cross-fertilize to understand how fields of cultural production differentiate and how cultural practices (here scientific knowledge production) relate to social structures (here academic hierarchies and prestige). The method hence allows for comparison between fields of cultural production while retaining a nuanced analysis of specific fields and the practices that constitute them.

本文提出了一种文化生产领域的比较领域分析方法。结合领域分析的概念，以同源性为重点，通过主题建模和多重对应分析，我们对四个科学学科进行了比较，并按照内部和外部的区分原则展示了同源性结构。实证分析表明，尽管四个学科（生物学、化学、经济学和社会学）之间存在重大差异，但它们的结构原理相似。此外，某些学科中的认知差异可以与制度属性和符号等级相关联。尽管有相似之处，但分析也显示出这四个学科在内部组织及其与其他科学学科和权力领域的关系方面存在重要差异。文章展示了主题建模和多重对应分析如何相互促进，以了解文化生产领域的差异，以及文化实践（此处为科学知识生产）与社会结构（此处为学术等级和声望）之间的关系。因此，该方法既能对不同文化生产领域进行比较，又能对特定领域和构成这些领域的实践进行细致入微的分析。

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引用次数: 0

Digital media revolution and stratificational inertia: A historical study of media usage and sociopolitical stratification in the age of social media 数字媒体革命与分层惯性：社交媒体时代媒体使用与社会政治分层的历史研究

IF 2 2区社会学 0 LITERATURE

Poetics

Pub Date : 2024-12-01 Epub Date: 2024-10-16 DOI: 10.1016/j.poetic.2024.101942

Majsa Stina Grosen , Morten Fischer Sivertsen , Jannie Møller Hartley

Very few studies have deployed a historical focus in investigating how changes in the media environment in the twenty-first century have altered the connection between cross-media consumption, political (dis)interest, and dimensions of social stratification. This paper contributes to the literature on the nexus between democracy, citizens, and media through a historical study of media use among Danish citizens from 2008, which we argue should be considered the beginning of the social media era in the Danish context, to 2021, when social media was popularised among the wider Danish population. Based on three representative surveys on Danish adults’ media consumption in 2008, 2017, and 2021, we deployed multiple correspondence analysis (MCA) to investigate two related inquiries: first, a study of differentiation in cross-media consumption and, second, an examination of how such differentiation patterns are linked to social and political divides. This study contributes in two ways. First, it contributes to the methodological advancement of multiple correspondence analysis by addressing the challenge of conducting a cross-sectional design with changing variables and individuals. It accomplishes this discussing a recent approach centered on the formation of triads of variables. Second, it analytically shows that despite major changes in the media environment between 2008 and 2021, media use is consistently structured according to divisions, first in online and traditional media use and, second, between high levels of news consumption (as opposed to entertainment consumption) and news avoidance. These lines of division are consistently differentiated by age, social inequalities, and political orientation.

很少有研究以历史为重点，调查 21 世纪媒体环境的变化如何改变了跨媒体消费、政治（不）兴趣和社会分层之间的联系。我们认为，2008 年是丹麦社交媒体时代的开端，而 2021 年则是社交媒体在更广泛的丹麦人口中得到普及的时期，本文通过对 2008 年至 2021 年丹麦公民的媒体使用情况进行历史研究，为有关民主、公民和媒体之间关系的文献做出贡献。基于 2008 年、2017 年和 2021 年三次具有代表性的丹麦成年人媒体消费调查，我们采用多重对应分析法（MCA）研究了两个相关问题：第一，跨媒体消费的差异化研究；第二，研究这种差异化模式如何与社会和政治分歧相关联。本研究有两方面的贡献。首先，它解决了在变量和个体不断变化的情况下进行横截面设计所面临的挑战，从而推动了多重对应分析方法的发展。为此，本研究讨论了一种以变量三元组的形成为中心的最新方法。其次，它通过分析表明，尽管 2008 年至 2021 年间媒体环境发生了重大变化，但媒体使用的结构始终保持分化，首先是网络媒体和传统媒体的使用，其次是高水平新闻消费（相对于娱乐消费）和新闻回避之间的分化。这些分界线始终按年龄、社会不平等和政治取向进行区分。

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引用次数: 0

The costliest signals of authenticity? How iconic deaths transform audience reception in hip-hop 最昂贵的真实性信号？标志性死亡如何改变嘻哈音乐的观众接受度

IF 2 2区社会学 0 LITERATURE

Poetics

Pub Date : 2024-12-01 Epub Date: 2024-10-30 DOI: 10.1016/j.poetic.2024.101943

Xiangyu Ma

The death of an artist can act as a costly signal of their authenticity, and cause enduring changes in audience valuations of their work. Drawing on novel digital trace data of audience evaluations from a major online music community, we show how the death of an hip-hop artist induces improvements to the valuations of their antemortem work. Such death-induced changes to audience valuations are mediated by the ability of some deaths – what we term iconic deaths – to act as costly signals of an artist’s authenticity. Iconic deaths that better signal authenticity produce greater death-induced improvements in audience valuations. Such costly signaling effects are more salient within discredited subgenres of hip-hop. We show how this is robust to complementary explanations, such as sympathetic eulogizing or audience expansion effects.

艺术家的死亡可以作为其真实性的一个代价高昂的信号，并引起受众对其作品评价的持久变化。我们利用来自一个大型在线音乐社区的受众评价的新颖数字跟踪数据，展示了嘻哈歌手的死亡是如何促使其生前作品的价值得到提高的。这种由死亡引起的受众评价变化是由某些死亡--我们称之为标志性死亡--作为艺术家真实性的代价高昂的信号的能力所促成的。标志性死亡如果能更好地传递真实性信号，就能更大程度地提高死亡对观众价值的影响。这种代价高昂的信号效应在声誉扫地的嘻哈次流派中更为突出。我们展示了这一现象是如何被补充解释的，如同情讴歌或受众扩展效应。

引用次数: 0

Comparison of ambiguity and aesthetic impressions in haiku poetry between experts and novices 比较专家和新手俳句诗中的歧义和审美印象

IF 2 2区社会学 0 LITERATURE

Poetics

Pub Date : 2024-12-01 Epub Date: 2024-11-01 DOI: 10.1016/j.poetic.2024.101944

Jimpei Hitsuwari , Michio Nomura

Haiku, the world's shortest form of poetry, has usually been deemed ambiguous owing to its length. However, studies have shown that ambiguity lowers the aesthetic evaluation of a haiku, which contradicts the belief that ambiguity is a characteristic of both the haiku and art in general. One reason for this contradiction may be the interaction with the readers’ attributes, in particular, their expertise—a theme considered important in the field of aesthetic psychology. Therefore, in this study, we had 20 experts and 20 novices evaluate 20 low- and 20 high-ambiguity haikus, which another group of novices had evaluated and distinguished in the pilot study. The results revealed that the novices exhibited a lower liking for high-ambiguity haikus, whereas the experts demonstrated the same degree of liking for both high- and low-ambiguity haikus. Additionally, the experts had lower perceived ambiguity for high-ambiguity haikus than novices. This suggests a higher degree of liking for ambiguous haikus than novices because they were able to process them more fluently based on their knowledge and experiences. Furthermore, interest mediated the relationship between perceived ambiguity and liking among experts only. In sum, the experts appreciated ambiguous haikus in different ways compared to the novices. The results have implications for the psychology and cognitive science of aesthetics and art, where ambiguity is important, as well as for expertise in school education, where haiku is part of the curriculum.

俳句是世界上最短的诗歌形式，由于篇幅较长，通常被认为是模棱两可的。然而，研究表明，模糊性会降低对俳句的审美评价，这与 "模糊性是俳句和一般艺术的特点 "这一观点相矛盾。造成这种矛盾的原因之一可能是与读者属性的相互作用，特别是他们的专业知识--一个在审美心理学领域被认为很重要的主题。因此，在本研究中，我们让 20 位专家和 20 位新手分别对 20 首低模糊性和 20 首高模糊性俳句进行评价。结果显示，新手对高歧义俳句的喜爱程度较低，而专家对高歧义和低歧义俳句的喜爱程度相同。此外，专家对高模糊性俳句的感知模糊度也低于新手。这表明，专家比新手更喜欢模棱两可的俳句，因为他们能够根据自己的知识和经验更流畅地处理这些俳句。此外，兴趣只对专家感知到的歧义与喜欢之间的关系起中介作用。总之，与新手相比，专家对模棱两可的俳句有不同的欣赏方式。研究结果对美学和艺术的心理学和认知科学（模糊性在美学和艺术中非常重要）以及学校教育的专业知识（俳句是学校课程的一部分）都有意义。

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引用次数: 0

Does culture improve affective well-being in everyday life? An experimental sampling approach 文化能改善日常生活中的情感幸福吗？实验取样法

IF 2 2区社会学 0 LITERATURE

Poetics

Pub Date : 2024-12-01 Epub Date: 2024-11-13 DOI: 10.1016/j.poetic.2024.101948

Marc Verboord , Larissa Fritsch , Neta Yodovich , Alysa Karels , Lucas Page Pereira , Eva Myrczik

This research note studies how cultural participation impacts affective well-being in everyday life by taking a novel methodological approach via Experience Sampling Methodology (ESM). The potential for culture to improve the well-being of citizens has been a long-running subject of study. Through participation in cultural activities, individuals would gain experiences that foster feelings of liberation, engagement and confidence which are translated into positive emotions. However, existing studies have limitations, such as lacking the possibility to establish causal relationships or being limited to laboratory settings and specific cases. To increase our understanding of how cultural participation affects affective well-being, we use ESM. This is a diary survey type which allows researchers to examine what people do, feel, and think during their daily life. More than 270 respondents filled out up to 28 mini-questionnaires during a week. This created a semi-experimental design in which feelings can be compared between moments following participation and no participation. The results show significant positive impact of participation on well-being, controlled for where individuals are and with whom, as well as social background characteristics.

本研究报告通过经验取样法（ESM）这一新颖的方法论研究文化参与如何影响日常生活中的情感幸福。文化改善公民福祉的潜力一直是一个长期研究的课题。通过参与文化活动，个人可以获得促进解放感、参与感和自信心的体验，并将其转化为积极的情绪。然而，现有的研究有其局限性，比如无法建立因果关系，或仅限于实验室环境和特定案例。为了加深我们对文化参与如何影响情感幸福的理解，我们使用了 ESM。这是一种日记调查类型，研究人员可以通过它来考察人们在日常生活中的所作所为、感受和想法。270 多名受访者在一周内填写了多达 28 份小型问卷。这样就形成了一种半实验设计，可以比较参与和不参与后的感受。结果显示，参与对幸福感有明显的积极影响，并与个人所在位置、与谁在一起以及社会背景特征进行了对照。

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引用次数: 0

Sustainable creative careers through mentoring: Understanding social resilience in the art field 通过指导实现可持续的创意职业生涯：了解艺术领域的社会复原力

IF 2 2区社会学 0 LITERATURE

Poetics

Pub Date : 2024-12-01 Epub Date: 2024-09-25 DOI: 10.1016/j.poetic.2024.101930

Åsne Dahl Haugsevje, Mari Torvik Heian

In recent years, there has been a rise in career development programs for artists, including various types of mentoring programs. However, research on mentoring is scarce within the field of cultural policy. In this paper, we analyse mentoring as a tool for developing creative careers by investigating three different programs implemented in the Norwegian art field. The analysis is based on qualitative interviews with mentors, protégés, and administrators in the three programs, and survey data, applications, and reports from one of the programs. Building on studies that address the social and collective aspects of artists’ and other creatives’ work and using social capital and social resilience as theoretical lenses for our analysis, we argue that despite potential downsides and pitfalls, mentoring can offer a holistic approach to learning, and its activation of collective resources can contribute to resilience and sustainability in creative careers.

近年来，针对艺术家的职业发展计划不断增加，其中包括各种类型的指导计划。然而，在文化政策领域，有关指导的研究却很少。在本文中，我们通过对挪威艺术领域实施的三个不同计划进行调查，分析了作为发展创造性职业生涯工具的指导工作。分析基于对三个项目中的指导者、被指导者和管理者的定性访谈，以及其中一个项目的调查数据、申请和报告。我们以有关艺术家和其他创作人员工作的社会和集体方面的研究为基础，并以社会资本和社会复原力作为分析的理论视角，认为尽管存在潜在的弊端和隐患，但指导可以提供一种全面的学习方法，其对集体资源的激活可以促进创作事业的复原力和可持续性。

引用次数: 0

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