Pub Date : 2025-04-01Epub Date: 2025-01-10DOI: 10.1016/j.poetic.2025.101972
Manuel Cuadrado-García , Juan D. Montoro-Pons
Arts and cultural consumption have been shown to be determined by people´s sociodemographic background. Diversity is embedded in such a context and shapes individual choice. It includes a myriad of factors: gender, sexual orientation, functional diversity, ethnic or religious background. However, it has been unevenly analyzed in the literature. This paper brings these topics to the forefront by conducting a bibliometric analysis on the research intersecting arts and cultural consumption and diversity. In this regard, a database comprising 1,155 academic documents in the fields of business, economics, and management listed in WoS was reviewed following a systematic procedure. Main research traits as well as the intellectual roots and the evolution of this research area were identified. Potential topics, approaches and methods for future research are then accordingly proposed.
{"title":"Arts and cultural consumption and diversity research: A bibliometric analysis","authors":"Manuel Cuadrado-García , Juan D. Montoro-Pons","doi":"10.1016/j.poetic.2025.101972","DOIUrl":"10.1016/j.poetic.2025.101972","url":null,"abstract":"<div><div>Arts and cultural consumption have been shown to be determined by people´s sociodemographic background. Diversity is embedded in such a context and shapes individual choice. It includes a myriad of factors: gender, sexual orientation, functional diversity, ethnic or religious background. However, it has been unevenly analyzed in the literature. This paper brings these topics to the forefront by conducting a bibliometric analysis on the research intersecting arts and cultural consumption and diversity. In this regard, a database comprising 1,155 academic documents in the fields of business, economics, and management listed in WoS was reviewed following a systematic procedure. Main research traits as well as the intellectual roots and the evolution of this research area were identified. Potential topics, approaches and methods for future research are then accordingly proposed.</div></div>","PeriodicalId":47900,"journal":{"name":"Poetics","volume":"109 ","pages":"Article 101972"},"PeriodicalIF":2.0,"publicationDate":"2025-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142967839","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2025-02-01Epub Date: 2024-12-27DOI: 10.1016/j.poetic.2024.101965
Nicolas Restrepo Ochoa , Turgut Keskintürk
Culture is often conceptualized as a landscape, where the peaks represent popular beliefs, institutions or practices, while the valleys represent those that receive infrequent attention. In this article, we build on this metaphor, and explore how individuals navigate these cultural landscapes. Using longitudinal data from the National Study of Youth and Religion, we follow participants' survey response trajectories across three cultural domains, each with particular topographical features. We show that movement across cultural landscapes is adequately captured by a gravitational model of change, which specifies transition probabilities among cultural positions as a function of the distance between them and how populated they are. Nonetheless, the kind of movement that such a gravitational model would predict varies widely depending on the initial topography of the landscape. Our work highlights that charting landscapes is not only useful cartography, but also an analytical tool that helps us understand the kind of cultural trajectories we should expect individuals to follow.
{"title":"Measuring movement in cultural landscapes","authors":"Nicolas Restrepo Ochoa , Turgut Keskintürk","doi":"10.1016/j.poetic.2024.101965","DOIUrl":"10.1016/j.poetic.2024.101965","url":null,"abstract":"<div><div>Culture is often conceptualized as a landscape, where the peaks represent popular beliefs, institutions or practices, while the valleys represent those that receive infrequent attention. In this article, we build on this metaphor, and explore how individuals navigate these cultural landscapes. Using longitudinal data from the National Study of Youth and Religion, we follow participants' survey response trajectories across three cultural domains, each with particular topographical features. We show that movement across cultural landscapes is adequately captured by a gravitational model of change, which specifies transition probabilities among cultural positions as a function of the distance between them and how populated they are. Nonetheless, the kind of movement that such a gravitational model would predict varies widely depending on the initial topography of the landscape. Our work highlights that charting landscapes is not only useful cartography, but also an analytical tool that helps us understand the kind of cultural trajectories we should expect individuals to follow.</div></div>","PeriodicalId":47900,"journal":{"name":"Poetics","volume":"108 ","pages":"Article 101965"},"PeriodicalIF":2.0,"publicationDate":"2025-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142889275","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2025-02-01Epub Date: 2024-12-25DOI: 10.1016/j.poetic.2024.101961
Júlia Perczel, Balazs Vedres
In our contemporary art field global institutional networks offer novel strategies for peripheral artists in their struggle for global recognition, bypassing the necessity of maximizing presence in the territorial core. We address the puzzle of how such novel artistic strategies bypassing core gatekeepers can succeed. In this article we analyze the way artists from Central-Eastern Europe strive for consecration via acquisition by the pinnacle museums – Tate Modern, Centre Pompidou and the MoMA – between 1990 and 2018. Our analysis is based on more than hundred thousand exhibition events of about 3500 artists, held at nearly ten thousand venues in 112 countries. We focus on network topology of co-exhibiting relations of venues and artists. We introduce two key concepts to understand success in the multiscalar global art field: geo-capital and the globalizer position. Geo-capital measures the territorial balance of a venue's topological neighbours, capturing a capacity to span boundaries, while the globalizer position marks those venues that can provide artists with global visibility against the territorial core-periphery spectrum on topological grounds. We show that a strategy built on venues in the globalizer position improves the likelihood of consecration more than any other factors. We contribute to prior research by showing the functioning of a relational form of territoriality, that relies on global networks, and provides a mechanism through which global institutional networks can function in relative vertical autonomy within the multiscalar global art field.
{"title":"Careers in the global art field: Geo-capital and globalizer venues in the consecration of Central-Eastern European artists","authors":"Júlia Perczel, Balazs Vedres","doi":"10.1016/j.poetic.2024.101961","DOIUrl":"10.1016/j.poetic.2024.101961","url":null,"abstract":"<div><div>In our contemporary art field global institutional networks offer novel strategies for peripheral artists in their struggle for global recognition, bypassing the necessity of maximizing presence in the territorial core. We address the puzzle of how such novel artistic strategies bypassing core gatekeepers can succeed. In this article we analyze the way artists from Central-Eastern Europe strive for consecration via acquisition by the pinnacle museums – Tate Modern, Centre Pompidou and the MoMA – between 1990 and 2018. Our analysis is based on more than hundred thousand exhibition events of about 3500 artists, held at nearly ten thousand venues in 112 countries. We focus on network topology of co-exhibiting relations of venues and artists. We introduce two key concepts to understand success in the multiscalar global art field: geo-capital and the globalizer position. Geo-capital measures the territorial balance of a venue's topological neighbours, capturing a capacity to span boundaries, while the globalizer position marks those venues that can provide artists with global visibility against the territorial core-periphery spectrum on topological grounds. We show that a strategy built on venues in the globalizer position improves the likelihood of consecration more than any other factors. We contribute to prior research by showing the functioning of a relational form of territoriality, that relies on global networks, and provides a mechanism through which global institutional networks can function in relative vertical autonomy within the multiscalar global art field.</div></div>","PeriodicalId":47900,"journal":{"name":"Poetics","volume":"108 ","pages":"Article 101961"},"PeriodicalIF":2.0,"publicationDate":"2025-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142889276","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2025-02-01Epub Date: 2024-12-25DOI: 10.1016/j.poetic.2024.101947
Andreas Schmitz , Christian Schmidt-Wellenburg , Jonas Volle
This paper presents an iterative procedure for reconstructing a scientific field by relating two relational methods. The procedure involves using geometric data analysis and network analysis in several steps. Blocks from block model analysis are projected into a space constructed by MCA, considered as subspaces using CSA, and subsequently inspected with regard to their manifest interaction structures. The findings allow us to examine the overall structure of a scientific field vis-à-vis the relative autonomies and eigenstructures of its subspaces and the homology-heterology relations they show to each other and the main space, thus providing a more differentiated view of the interplay of social spaces and networks.
{"title":"Integrating geometric data analysis and network analysis by iterative reciprocal mapping. The example of the German field of sociology","authors":"Andreas Schmitz , Christian Schmidt-Wellenburg , Jonas Volle","doi":"10.1016/j.poetic.2024.101947","DOIUrl":"10.1016/j.poetic.2024.101947","url":null,"abstract":"<div><div>This paper presents an iterative procedure for reconstructing a scientific field by relating two relational methods. The procedure involves using geometric data analysis and network analysis in several steps. Blocks from block model analysis are projected into a space constructed by MCA, considered as subspaces using CSA, and subsequently inspected with regard to their manifest interaction structures. The findings allow us to examine the overall structure of a scientific field vis-à-vis the relative autonomies and eigenstructures of its subspaces and the homology-heterology relations they show to each other and the main space, thus providing a more differentiated view of the interplay of social spaces and networks.</div></div>","PeriodicalId":47900,"journal":{"name":"Poetics","volume":"108 ","pages":"Article 101947"},"PeriodicalIF":2.0,"publicationDate":"2025-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142889278","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article examines how cultural policy frames embody and shape inequalities in cultural participation within urban settings. It explores both historical and contemporary policy frames, scrutinizing various approaches to cultural democratization and intersectional equity. From this perspective, we study how the cultural policies advanced by the Barcelona City Council framed inequalities in urban cultural participation and access to culture. The research employs thematic analysis of Barcelona's cultural policy documents and relevant stakeholder interviews to evaluate these frames' problem definition, prognosis, and collective action components. On this basis, the article identifies three main policy frames: constitutive, participatory, and intersectional, which are contrasted with policies implemented in the city from 2019 to 2023, including both pre- and post-COVID-19. The results reveal that although the local administration's policy frame broadly aligns with strategies and narratives of multidimensional participation and pro-intersectional equity frames, it also embeds tensions within and between specific social stratification and constitutive components of cultural policy design.
{"title":"The problem of socio-territorial inequality in cultural policies: Unveiling policy frames through Barcelona policies (2019–2023)","authors":"Mariano Martín Zamorano Barrios , Nicolás Barbieri Muttis","doi":"10.1016/j.poetic.2024.101963","DOIUrl":"10.1016/j.poetic.2024.101963","url":null,"abstract":"<div><div>This article examines how cultural policy frames embody and shape inequalities in cultural participation within urban settings. It explores both historical and contemporary policy frames, scrutinizing various approaches to cultural democratization and intersectional equity. From this perspective, we study how the cultural policies advanced by the Barcelona City Council framed inequalities in urban cultural participation and access to culture. The research employs thematic analysis of Barcelona's cultural policy documents and relevant stakeholder interviews to evaluate these frames' problem definition, prognosis, and collective action components. On this basis, the article identifies three main policy frames: constitutive, participatory, and intersectional, which are contrasted with policies implemented in the city from 2019 to 2023, including both pre- and post-COVID-19. The results reveal that although the local administration's policy frame broadly aligns with strategies and narratives of multidimensional participation and pro-intersectional equity frames, it also embeds tensions within and between specific social stratification and constitutive components of cultural policy design.</div></div>","PeriodicalId":47900,"journal":{"name":"Poetics","volume":"108 ","pages":"Article 101963"},"PeriodicalIF":2.0,"publicationDate":"2025-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142790195","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2025-02-01Epub Date: 2025-01-08DOI: 10.1016/j.poetic.2024.101967
Yongren Shi , Kevin Kiley , Freda B. Lynn
Socially constructed categories are central to sociological investigation, but their use in empirical research on culture is often limited to a role as explanatory variables in regression designs comparing differences in groups means. We argue that categories can and do structure cultural space on multiple dimensions simultaneously, and that the cohesiveness of culture within categories is under-explored in existing work. Drawing on insights from the “duality of persons and groups” and the “duality of persons and culture,” we develop the concept of Cultural Blau Space as a general tool for exploring cultural consensus. Cultural Blau Space is a multi-dimensional space defined by many measures of personal culture and individuals are positioned within this space based on the similarity of their cultural profiles. We then explore how social groups structure a cultural space defined by political and social attitudes in two ways: within-group homogeneity and cross-group fragmentation. We find that partisan identification and educational attainment play a larger role in structuring this cultural space than ascribed characteristics such as gender, with the former increasing in homogeneity and fragmentation in recent years.
{"title":"Beyond statistical variables: Examining the duality of persons and groups in structuring cultural space","authors":"Yongren Shi , Kevin Kiley , Freda B. Lynn","doi":"10.1016/j.poetic.2024.101967","DOIUrl":"10.1016/j.poetic.2024.101967","url":null,"abstract":"<div><div>Socially constructed categories are central to sociological investigation, but their use in empirical research on culture is often limited to a role as explanatory variables in regression designs comparing differences in groups means. We argue that categories can and do structure cultural space on multiple dimensions simultaneously, and that the cohesiveness of culture within categories is under-explored in existing work. Drawing on insights from the “duality of persons and groups” and the “duality of persons and culture,” we develop the concept of Cultural Blau Space as a general tool for exploring cultural consensus. Cultural Blau Space is a multi-dimensional space defined by many measures of personal culture and individuals are positioned within this space based on the similarity of their cultural profiles. We then explore how social groups structure a cultural space defined by political and social attitudes in two ways: within-group homogeneity and cross-group fragmentation. We find that partisan identification and educational attainment play a larger role in structuring this cultural space than ascribed characteristics such as gender, with the former increasing in homogeneity and fragmentation in recent years.</div></div>","PeriodicalId":47900,"journal":{"name":"Poetics","volume":"108 ","pages":"Article 101967"},"PeriodicalIF":2.0,"publicationDate":"2025-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142967841","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2025-02-01Epub Date: 2024-12-27DOI: 10.1016/j.poetic.2024.101964
Yagmur Karakaya , Penny Edgell
Critical Race Theory has become the latest signifier in the American culture wars, polarizing people across the political spectrum. In this paper, using the Virginia Governor's race as a case study, we ask how a political campaign helped transform Critical Race Theory from an academic theory to an emotionally charged political acronym – “CRT” – thus becoming a symbol evoking, crystalizing, and politicizing moral emotions. We demonstrate how transformative surprises occur in the unfolding performance of public culture: moments when obscure ideas or cultural objects migrate to the center of public discourse and media coverage. Drawing on performance theory, we show how Youngkin successfully “fused” his anti-CRT message with long-standing American cultural ideals to evoke powerful emotional responses. Specifically, Youngkin effectively portrayed his campaign as a grassroots movement of parents protecting children's innocence, the nuclear family, and democracy itself. Simultaneously, Youngkin characterized his opponent, Democrat Terry McAuliffe, as a self-interested career politician and CRT as a divisive, backward political ideology. By tracing these processes, this study provides novel insight into the moral turn in American discourse about race by demonstrating how White racial anxieties manifest in a moral panic about (white) children's endangered innocence. Centrally, we demonstrate the powerful, yet neglected, role of audience emotions in social performances.
{"title":"The curious transformation of “Critical Race Theory” to “CRT”: The role of election campaigns in American culture wars","authors":"Yagmur Karakaya , Penny Edgell","doi":"10.1016/j.poetic.2024.101964","DOIUrl":"10.1016/j.poetic.2024.101964","url":null,"abstract":"<div><div>Critical Race Theory has become the latest signifier in the American culture wars, polarizing people across the political spectrum. In this paper, using the Virginia Governor's race as a case study, we ask how a political campaign helped transform Critical Race Theory from an academic theory to an emotionally charged political acronym – “CRT” – thus becoming a symbol evoking, crystalizing, and politicizing moral emotions. We demonstrate how transformative surprises occur in the unfolding performance of public culture: moments when obscure ideas or cultural objects migrate to the center of public discourse and media coverage. Drawing on performance theory, we show how Youngkin successfully “fused” his anti-CRT message with long-standing American cultural ideals to evoke powerful emotional responses. Specifically, Youngkin effectively portrayed his campaign as a grassroots movement of parents protecting children's innocence, the nuclear family, and democracy itself. Simultaneously, Youngkin characterized his opponent, Democrat Terry McAuliffe, as a self-interested career politician and CRT as a divisive, backward political ideology. By tracing these processes, this study provides novel insight into the moral turn in American discourse about race by demonstrating how White racial anxieties manifest in a moral panic about (white) children's endangered innocence. Centrally, we demonstrate the powerful, yet neglected, role of audience emotions in social performances.</div></div>","PeriodicalId":47900,"journal":{"name":"Poetics","volume":"108 ","pages":"Article 101964"},"PeriodicalIF":2.0,"publicationDate":"2025-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142889274","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2025-02-01Epub Date: 2024-12-24DOI: 10.1016/j.poetic.2024.101966
Daniel Karell , Jeffrey Sachs , Ryan Barrett
The development of generative artificial intelligence (genAI) has caused concern about its potential risks, including how its ability to generate human-like texts could affect our shared perception of the social world. Yet, it remains unclear how best to assess and understand genAI's influence on our understanding of social reality. Building on insights into the representation of social worlds within texts, we introduce a framework for analyzing genAI's content and its consequences for perceptions of social reality. We demonstrate this “synthetic duality” framework in two parts. First, we show that genAI can create, with minimal guidance, reasonable portrayals of actors and ascribe relational meaning to those actors – virtual social worlds within texts, or “Mondo-Breigers”. Second, we examine how these synthetic documents with interior social worlds affect readers’ view of social reality. We find that they change individuals’ perceptions of actors depicted in the documents, likely by updating individuals’ expectations about the actors and their meanings. However, additional exploratory analyses suggest it is texts’ style, not their construction of “Mondo-Breigers”, that might be influencing people's perceptions. We end with a discussion of theoretical and methodological implications, including how genAI may unsettle structural notions of individuality. Namely, reimagining the duality of individuals and groups could help theorize growing homogeneity in an increasingly genAI-informed world.
{"title":"Synthetic duality: A framework for analyzing generative artificial intelligence's representation of social reality","authors":"Daniel Karell , Jeffrey Sachs , Ryan Barrett","doi":"10.1016/j.poetic.2024.101966","DOIUrl":"10.1016/j.poetic.2024.101966","url":null,"abstract":"<div><div>The development of generative artificial intelligence (genAI) has caused concern about its potential risks, including how its ability to generate human-like texts could affect our shared perception of the social world. Yet, it remains unclear how best to assess and understand genAI's influence on our understanding of social reality. Building on insights into the representation of social worlds within texts, we introduce a framework for analyzing genAI's content and its consequences for perceptions of social reality. We demonstrate this “synthetic duality” framework in two parts. First, we show that genAI can create, with minimal guidance, reasonable portrayals of actors and ascribe relational meaning to those actors – virtual social worlds within texts, or “Mondo-Breigers”. Second, we examine how these synthetic documents with interior social worlds affect readers’ view of social reality. We find that they change individuals’ perceptions of actors depicted in the documents, likely by updating individuals’ expectations about the actors and their meanings. However, additional exploratory analyses suggest it is texts’ style, not their construction of “Mondo-Breigers”, that might be influencing people's perceptions. We end with a discussion of theoretical and methodological implications, including how genAI may unsettle structural notions of individuality. Namely, reimagining the duality of individuals and groups could help theorize growing homogeneity in an increasingly genAI-informed world.</div></div>","PeriodicalId":47900,"journal":{"name":"Poetics","volume":"108 ","pages":"Article 101966"},"PeriodicalIF":2.0,"publicationDate":"2025-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142889277","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2025-01-01Epub Date: 2024-11-29DOI: 10.1016/j.poetic.2024.101959
Sebastian Diemer Mørk , Anton Grau Larsen
Craft and design are art forms that teeter on the boundary of being considered art. Because of this, these mediums are an ideal case to examine how the Danish Art Foundation funds these arts and what this says about the distinction of the arts in a Danish context. This article analyses 1898 full-text applications for funding - both the ones that have been awarded funding and the ones that have been rejected - of craftsmen and designers from a five-year range. The applications are analysed with hierarchical Stochastic Block Modelling and Class Specific Correspondence Analysis to reduce the complexity of the data. Using these methods, the structures of both the overall meta-field and the discipline-specific subfields become apparent, and so do the different degrees of homologies and heterologies between subfields and the meta-field and the field of art. Exemplified by four subfields, we identify four different types of homology/heterology: a full homology, a secondary homology, a heterologous artistic pole, and a full heterology. That some subfields of craft and design are homologous to the field of art while others are heterologous exemplifies the process of artification from an institutional perspective. The criteria for being considered artistic varies from subfield to subfield, with some having homologous structures to the art field, while others show a clear heterologous structure, highlighting that subfields can be autonomous from a common meta-field. Some subfields are, however, neither fully homologous nor heterologous but exhibit a mix of both logics. This article hopes to add to the discussion of methods for determining field autonomy and what fields can be autonomous from.
{"title":"Designed for success or failure: Differences in funding and rejection in the space of applications to the Danish Art Foundation among craftsmen and designers","authors":"Sebastian Diemer Mørk , Anton Grau Larsen","doi":"10.1016/j.poetic.2024.101959","DOIUrl":"10.1016/j.poetic.2024.101959","url":null,"abstract":"<div><div>Craft and design are art forms that teeter on the boundary of being considered art. Because of this, these mediums are an ideal case to examine how the Danish Art Foundation funds these arts and what this says about the distinction of the arts in a Danish context. This article analyses 1898 full-text applications for funding - both the ones that have been awarded funding and the ones that have been rejected - of craftsmen and designers from a five-year range. The applications are analysed with hierarchical Stochastic Block Modelling and Class Specific Correspondence Analysis to reduce the complexity of the data. Using these methods, the structures of both the overall meta-field and the discipline-specific subfields become apparent, and so do the different degrees of homologies and heterologies between subfields and the meta-field and the field of art. Exemplified by four subfields, we identify four different types of homology/heterology: a full homology, a secondary homology, a heterologous artistic pole, and a full heterology. That some subfields of craft and design are homologous to the field of art while others are heterologous exemplifies the process of artification from an institutional perspective. The criteria for being considered artistic varies from subfield to subfield, with some having homologous structures to the art field, while others show a clear heterologous structure, highlighting that subfields can be autonomous from a common meta-field. Some subfields are, however, neither fully homologous nor heterologous but exhibit a mix of both logics. This article hopes to add to the discussion of methods for determining field autonomy and what fields can be autonomous from.</div></div>","PeriodicalId":47900,"journal":{"name":"Poetics","volume":"108 ","pages":"Article 101959"},"PeriodicalIF":2.0,"publicationDate":"2025-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142745487","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2025-01-01Epub Date: 2024-11-22DOI: 10.1016/j.poetic.2024.101950
Radim Hladík , Yann Renisio
The study presents a new approach for constructing an epistemological coordinate system that locates individual researchers within the disciplinary landscape of science. Drawing on a comprehensive national dataset of scientific outputs, we build a topic model based on a semantic network of publications and terms derived from textual content comprising titles, abstracts, and keywords. Compositional data transformation applied to the topic model enables a geometric analysis of topics across disciplines. The design yields four important results for addressing the gap between knowledge and knowledge-producers. (1) Hierarchical clustering confirms an alignment between traditional disciplinary classification and our empirical, bottom-up topic model. (2) Principal component analysis reveals three axes – Culture–Nature, Life–Non-life, and Materials–Methods – that primarily structure this scientific knowledge space. (3) The projection of individual researchers via their topic portfolios allows to locate them relationally on these three continuous measures of epistemological distinctions. (4) The robustness of our approach is validated by examining the links between researchers’ topic orientation and supplementary variables such as publication practices, gender, institutional affiliations, and funding sources. Our method could inform science policy and evaluation practices, as well as be extended to uncover associations between products and producers in other cultural fields.
{"title":"Mapping knowledge: Topic analysis of science locates researchers in disciplinary landscape","authors":"Radim Hladík , Yann Renisio","doi":"10.1016/j.poetic.2024.101950","DOIUrl":"10.1016/j.poetic.2024.101950","url":null,"abstract":"<div><div>The study presents a new approach for constructing an epistemological coordinate system that locates individual researchers within the disciplinary landscape of science. Drawing on a comprehensive national dataset of scientific outputs, we build a topic model based on a semantic network of publications and terms derived from textual content comprising titles, abstracts, and keywords. Compositional data transformation applied to the topic model enables a geometric analysis of topics across disciplines. The design yields four important results for addressing the gap between knowledge and knowledge-producers. (1) Hierarchical clustering confirms an alignment between traditional disciplinary classification and our empirical, bottom-up topic model. (2) Principal component analysis reveals three axes – Culture–Nature, Life–Non-life, and Materials–Methods – that primarily structure this scientific knowledge space. (3) The projection of individual researchers via their topic portfolios allows to locate them relationally on these three continuous measures of epistemological distinctions. (4) The robustness of our approach is validated by examining the links between researchers’ topic orientation and supplementary variables such as publication practices, gender, institutional affiliations, and funding sources. Our method could inform science policy and evaluation practices, as well as be extended to uncover associations between products and producers in other cultural fields.</div></div>","PeriodicalId":47900,"journal":{"name":"Poetics","volume":"108 ","pages":"Article 101950"},"PeriodicalIF":2.0,"publicationDate":"2025-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142691110","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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