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On Ads as Aesthetic Objects: A Thematic Review of Aesthetics in Advertising Research 论广告作为审美对象——广告美学研究的主题回顾
IF 5.7 2区 管理学 Q1 BUSINESS Pub Date : 2023-03-20 DOI: 10.1080/00913367.2023.2183286
Ileyha Dagalp, J. Södergren
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引用次数: 0
Consumer Responses to AI-Generated Charitable Giving Ads 消费者对人工智能生成的慈善捐赠广告的反应
IF 5.7 2区 管理学 Q1 BUSINESS Pub Date : 2023-03-08 DOI: 10.1080/00913367.2023.2183285
Luis Arango, S. Singaraju, O. Niininen
Abstract Content created by employing artificial intelligence (AI) algorithms, also known as synthetic content, promises to radically change the advertising and marketing landscape in the coming decades, presumably for the better. It is fundamental for advertising and marketing scholars and practitioners to have solid knowledge of how synthetic content is perceived by consumers before widespread adoption is promoted. Across three experimental studies we tested how consumers in charitable giving contexts reacted to advertising messages featuring content generated by an AI neural network. We show that potential donors responded differently to children’s faces when they knew they had been generated by AI. Study 1 established that awareness of the falsity of a face or its status as an AI-generated image has a negative impact on donation intentions. This negative impact is serially mediated by empathy and anticipatory guilt and empathy and emotion perception. Study 2 investigated several motives for employing AI-generated images and indicated that charities employing those images can benefit by making their ethical motives salient. Finally, Study 3 revealed that under extraordinary circumstances the use of AI images by charities is considered acceptable by consumers and is likely to lead to similar outcomes as the use of real images. Therefore, we recommend a cautious approach to the adoption of synthetic content.
采用人工智能(AI)算法创建的内容,也被称为合成内容,有望在未来几十年从根本上改变广告和营销格局,可能会变得更好。对于广告和市场营销学者和从业者来说,在广泛采用合成内容之前,对消费者如何感知合成内容有扎实的了解是至关重要的。在三项实验研究中,我们测试了慈善捐赠背景下的消费者对人工智能神经网络生成内容的广告信息的反应。我们发现,当潜在的捐赠者知道孩子的脸是由人工智能生成的时候,他们对孩子的脸的反应会有所不同。研究1证实,意识到人脸的虚假或其作为人工智能生成的图像的地位对捐赠意愿有负面影响。这种负面影响是由共情、预期内疚、共情和情绪知觉依次介导的。研究2调查了使用人工智能生成图像的几个动机,并表明使用这些图像的慈善机构可以通过突出其道德动机而受益。最后,研究3显示,在特殊情况下,慈善机构使用人工智能图像被消费者认为是可以接受的,并且可能导致与使用真实图像相似的结果。因此,我们建议谨慎采用合成内容。
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引用次数: 2
Do Consumers Understand What Different Green Claims Actually Mean? An Experimental Approach in Italy 消费者了解不同的绿色声明的实际含义吗?意大利的实验方法
IF 5.7 2区 管理学 Q1 BUSINESS Pub Date : 2023-03-06 DOI: 10.1080/00913367.2023.2175279
R. Iovino, F. Testa, Fabio Iraldo
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引用次数: 0
Boredom in the Creative Studio 创意工作室的无聊
IF 5.7 2区 管理学 Q1 BUSINESS Pub Date : 2023-02-16 DOI: 10.1080/00913367.2023.2173683
M. Vafeas
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引用次数: 0
How to Allocate White Space in Ad Design? The Impact of Product Layouts on Perceived Entitativity and Advertising Performance 广告设计中如何分配留白?产品布局对感知实体和广告效果的影响
IF 5.7 2区 管理学 Q1 BUSINESS Pub Date : 2023-02-16 DOI: 10.1080/00913367.2023.2175280
Zhihao Yu, V. Ponomarenko, L. Liska
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引用次数: 0
Integrating Network Clustering Analysis and Computational Methods to Understand Communication With and About Brands: Opportunities and Challenges 整合网络聚类分析和计算方法来理解与品牌的沟通:机遇与挑战
IF 5.7 2区 管理学 Q1 BUSINESS Pub Date : 2023-02-06 DOI: 10.1080/00913367.2023.2166629
Itai Himelboim, E. Maslowska, T. Araujo
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引用次数: 0
More than Shapes: The Silhouette Effect in Advertising 不仅仅是形状:广告中的剪影效应
IF 5.7 2区 管理学 Q1 BUSINESS Pub Date : 2023-01-10 DOI: 10.1080/00913367.2022.2154720
Can Trinh
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引用次数: 1
Consumers’ Responses to Virtual Influencers as Advertising Endorsers: Novel and Effective or Uncanny and Deceiving? 消费者对作为广告代言人的虚拟影响力者的反应:新颖有效还是新奇欺骗?
IF 5.7 2区 管理学 Q1 BUSINESS Pub Date : 2023-01-05 DOI: 10.1080/00913367.2022.2154721
Claudia Franke, Andrea Groeppel-Klein, Katrin Müller
Abstract Virtual influencers, generated on the computer, are changing the advertising industry. More and more brands utilize virtual instead of human influencers as endorsers for their marketing campaigns for a variety of reasons, e.g., better control of the influencer’s behavior, cost savings, or zeitgeist motives (desire to be “up to date”). However, there is currently little research on whether significant advertising goals are achieved using virtual influencers. We analyze, in an initial study, whether consumers find such influencers appealing compared to human influencers and whether they are able to identify that the influencer is not real. Our results show that consumers find it difficult to identify virtual influencers as such and that they still have more positive attitudes toward human endorsers in advertising campaigns. However, virtual endorsers can lead to higher perceived ad novelty. In a second study, we further examine whether the advertised product category functions as a moderator. Results show that perceived congruence between virtual influencers and product is dependent on the product category and leads to higher advertising effectiveness. Our studies lead to the implication that marketers should carefully consider the use of virtual influencers in accordance with the aspired advertising goals and brand values.
摘要计算机上产生的虚拟影响者正在改变广告业。出于各种原因,越来越多的品牌利用虚拟而非人类的影响者作为营销活动的代言人,例如更好地控制影响者的行为、节省成本或时代精神动机(希望“与时俱进”)。然而,目前很少有研究表明,使用虚拟影响者是否能实现重大的广告目标。在一项初步研究中,我们分析了与人类影响者相比,消费者是否觉得这种影响者有吸引力,以及他们是否能够识别出影响者不是真实的。我们的研究结果表明,消费者发现很难识别虚拟影响者,而且他们在广告活动中仍然对人类代言人持更积极的态度。然而,虚拟代言人可以带来更高的广告新颖性。在第二项研究中,我们进一步考察了广告中的产品类别是否起到了调节作用。结果表明,虚拟影响者和产品之间的感知一致性取决于产品类别,并导致更高的广告效果。我们的研究表明,营销人员应该根据渴望的广告目标和品牌价值,仔细考虑虚拟影响者的使用。
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引用次数: 19
Future of the Journal of Advertising in the Rapidly Changing World 《广告杂志在快速变化的世界中的未来》
IF 5.7 2区 管理学 Q1 BUSINESS Pub Date : 2023-01-01 DOI: 10.1080/00913367.2022.2156236
J. Huh
I am excited and honored to assume the role of Editor-in-Chief (EIC) of the Journal of Advertising (JA) and grateful to the prior editor, Shelly Rodgers as well as all of the previous editors before her, for their dedicated service in leading the Journal and invaluable contributions to the growth of JA. Under the competent and dedicated leadership and hard work of prior editors, JA has grown and prospered over the years, in terms of the number of issues per year, number of articles published, number of submissions, number of different countries from which manuscripts come, number of readers and citations, SSCI impact factors, and stature considered by scholars both inside and outside the advertising field. As I was putting together this first issue as EIC of JA, I began by reflecting on the history and the current state of the advertising discipline and JA as the preeminent journal in our field. The origin of the academic discipline of advertising can be traced back to the 1890s when scholars in the psychology and business fields started conducting advertising research and teaching advertising courses at universities (Ross and Richards 2008). The first scientific advertising research is claimed to have been conducted by Harlow Gale, a psychologist at the University of Minnesota in 1895 (Ross and Richards 2008). However, firm establishment of advertising as an academic discipline devoted to generating and sharing serious and systematic research didn’t occur until the American Academy of Advertising (AAA) was formed in 1958. In January 1966 AAA began publishing a collection of papers designed to enhance and enlarge our knowledge of how advertising is created, functions, works, and with what effects. These appeared at irregular intervals under the title of Occasional Papers in Advertising. In 1972, after 4 issues, Occasional Papers in Advertising was replaced by a more formal and consistent publication by the American Academy of Advertising and renamed the Journal of Advertising (Sandage 1992). The first issue published in 1972 articulated the Journal’s aims and scope. It stated, “A discipline is measured in terms of its theoretical foundations in conjunction with their implied verifiable consequences. Therefore, because advertising is, generally, a communication industry, this Journal aims to encourage the discovery and development of, (a) valid theory and relevant facts regarding the psychological and philosophical aspects of communication, and (b) the relationship between these and other components of the advertising process” (Journal of Advertising 1(1) 1972, “Front Matter,” p. iv). The Journal’s Introduction entitled, “Some Institutional Aspects of Advertising” offered philosophical reflection on the goals and functions of advertising. It viewed advertising as a crucial social institution that is “responsible to inform and persuade members of society in respect to products, services, and ideas” (p. 6). This editorial also addressed the prevalen
能够担任《广告杂志》(Journal of Advertising, JA)的总编辑,我感到非常激动和荣幸。我非常感谢之前的编辑Shelly Rodgers以及她之前的所有编辑,感谢他们在领导《广告杂志》的过程中所做的奉献和对JA发展的宝贵贡献。多年来,在前任编辑们称职而敬业的领导和辛勤的工作下,《JA》在每年的发行量、发表的文章数量、投稿数量、来源国数量、读者数量和被引次数、SSCI影响因子以及广告领域内外学者的地位等方面都取得了长足的发展和繁荣。当我作为JA的EIC整理第一期时,我开始反思广告学科的历史和现状,以及JA作为我们领域的杰出期刊。广告学科的起源可以追溯到19世纪90年代,当时心理学和商业领域的学者开始在大学进行广告研究和教授广告课程(Ross and Richards 2008)。第一个科学的广告研究据称是由明尼苏达大学的心理学家Harlow Gale在1895年进行的(Ross and Richards 2008)。然而,直到1958年美国广告学会(AAA)成立后,广告才成为一门致力于产生和分享严肃而系统的研究的学科。1966年1月,AAA开始出版一系列论文,旨在增强和扩大我们对广告是如何创作、功能、工作和效果的认识。这些报纸以《广告中的偶尔报纸》为题,不定期地刊登出来。1972年,在出版了4期之后,《广告中的偶尔论文》被美国广告学会出版的一份更正式、更一致的出版物所取代,并更名为《广告杂志》(Sandage 1992)。1972年出版的第一期明确阐述了《华尔街日报》的目标和范围。它说:“一门学科是根据其理论基础以及隐含的可验证的结果来衡量的。因此,由于广告通常是一个传播行业,本杂志旨在鼓励发现和发展,(a)关于传播的心理和哲学方面的有效理论和相关事实,以及(b)这些与广告过程中其他组成部分之间的关系”(《广告杂志》1(1)1972年,“前沿问题”,)。《华尔街日报》题为“广告的一些制度方面”的导言对广告的目标和功能进行了哲学思考。它认为广告是一个重要的社会机构,“有责任告知和说服社会成员关于产品、服务和想法”(第6页)。这篇社论还谈到了普遍存在的公众对广告的批评,并强调了广告学术的关键社会需求和机会(Sandage 1972)。这种愿景和对JA的哲学反思今天仍然是真实的。在随后的五十年中,《广告杂志》一直是“致力于广告理论发展及其与实践关系的首要期刊”(现为《广告目标与范围杂志》),在推动广告领域作为一门严肃的学术学科的发展,促进创新和严谨的广告研究和理论建设方面发挥了重要作用。JA定义和重新定义了广告和广告学术的界限,突出了重要的研究课题,帮助制定了研究议程,并开创了广告的研究创新和理论发展。我对JA的愿景是继续在我们的领域发挥这些关键的智力领导作用。
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引用次数: 0
Authentically Fake? How Consumers Respond to the Influence of Virtual Influencers 真的假的?消费者如何应对虚拟影响者的影响
IF 5.7 2区 管理学 Q1 BUSINESS Pub Date : 2022-12-22 DOI: 10.1080/00913367.2022.2149641
Chen Lou, Siu Ting Josie Kiew, T. Chen, Tze Yen Michelle Lee, Jia En Celine Ong, ZhaoXi Phua
Abstract Artificially created characters – virtual influencers – amass millions of followers on social media and affect digital natives’ engagement and decisionmaking in remarkable ways. Guided by the Uses and Gratification (U&G) approach and the Uncanny Valley Theory, this study seeks to understand this phenomenon. By looking into followers’ engagement with virtual influencers, this study identifies and conceptualizes six primary motivations – namely, novelty, information, entertainment, surveillance, esthetics, and integration and social interaction. Furthermore, we found that most followers perceive virtual influencers as uncanny and authentically fake. However, followers also express acceptance of their staged fabrication where curated flaws and self-justification have been found to mitigate the effect of the uncanny valley. Virtual influencers are considered effective in building brand image and boosting brand awareness, but lack the persuasive ability to incite purchase intention due to a lack of authenticity, a low similarity to followers, and their weak parasocial relations with followers. These findings advance the extant literature on U&G, influencer advertising, and virtual influencers in the era of artificial intelligence; provide insights into the mitigating factors of the uncanny valley; and yield theoretical and practical implications for the efficacy of virtual influencers in advertising campaigns.
摘要人工创造的角色——虚拟影响者——在社交媒体上聚集了数百万粉丝,并以显著的方式影响数字原住民的参与和决策。本研究以使用与感恩(U&G)方法和Uncanny Valley理论为指导,试图理解这一现象。通过观察追随者与虚拟影响者的互动,本研究确定并概念化了六个主要动机,即新颖性、信息、娱乐、监控、美学以及融合和社交。此外,我们发现,大多数追随者认为虚拟影响者是不可思议的、真实的假的。然而,追随者们也表示接受他们的阶段性捏造,他们发现了精心策划的缺陷和自我辩护,以减轻神秘山谷的影响。虚拟影响者被认为在建立品牌形象和提高品牌知名度方面是有效的,但由于缺乏真实性、与追随者的相似性低以及与追随者的反社会关系弱,他们缺乏煽动购买意图的说服能力。这些发现推动了人工智能时代关于U&G、影响者广告和虚拟影响者的现有文献;深入了解神秘山谷的缓解因素;并对虚拟影响者在广告活动中的功效产生理论和实践启示。
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引用次数: 22
期刊
Journal of Advertising
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