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LEONI, Simona Boscani, BAUMGARTNER, Sarah and KNITTEL, Mieke (editors). Connecting territories. Exploring people and nature, 1700–1850 LEONI,Simona Boscani,BAUMGARTNER,Sarah和KNITTEL,Mieke(编辑)。连接领土。探索人与自然,1700–1850
IF 0.2 4区 哲学 Q2 Arts and Humanities Pub Date : 2022-10-01 DOI: 10.3366/anh.2022.0807
Patrick Anthony
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引用次数: 0
ROSCHER, Mieke, KREBBER, André and MIZELLE, Brett (editors). Handbook of historical animal studies ROSCHER, Mieke, KREBBER, andr<e:1>和MIZELLE, Brett(编辑)。历史动物研究手册
IF 0.2 4区 哲学 Q2 Arts and Humanities Pub Date : 2022-10-01 DOI: 10.3366/anh.2022.0816
Dominik Hünniger
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引用次数: 0
Ernest Galpin's pioneering botanical expedition to the Eastern Cape Drakensberg, southern Africa, 1904 1904年,欧内斯特·加尔平对南非东开普德拉肯斯堡的开创性植物学考察
IF 0.2 4区 哲学 Q2 Arts and Humanities Pub Date : 2022-10-01 DOI: 10.3366/anh.2022.0792
Brendan Cole
This paper reconstructs aspects of the pioneering botanical expedition of Edward Ernest Galpin (1858–1941) accompanied by his wife, Marie Elizabeth Galpin (1859–1933), to the highland areas of the Eastern Cape Drakensberg in 1904. Details of the route, organization and logistics of Galpin's journey are described as well as a discursive record of his main botanical discoveries.
本文重建了爱德华·欧内斯特·加尔平(1858–1941)在其妻子玛丽·伊丽莎白·加尔平的陪同下于1904年前往东德拉肯斯堡角高地的开创性植物探险的各个方面。描述了加尔平旅程的路线、组织和后勤细节,以及他主要植物学发现的散漫记录。
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引用次数: 0
Three botanical watercolours by Richard Bradley (c.1688–1732) including of coffee and cinnamon 理查德·布拉德利(约1688 - 1732)的三幅植物水彩画,包括咖啡和肉桂
IF 0.2 4区 哲学 Q2 Arts and Humanities Pub Date : 2022-10-01 DOI: 10.3366/anh.2022.0795
J. Edgington
Three watercolour paintings by Richard Bradley, depicting plants from the East Indies and southern Africa, are described. The images of Coffea arabica (coffee) (Rubiaceae), Cinnamomum verum (cinnamon) (Lauraceae) and a southern African succulent, Cylindrophyllum calamiforme (Aizoaceae), are bound into contemporary volumes now held at the British Library, London. Also included in the cinnamon watercolour are two images of Sri Lankan butterflies. This paper sets these watercolours in the context of Bradley’s other paintings and colour illustrations. These three images, hitherto unpublished, were probably painted during Bradley’s visit to Holland in 1714.
理查德·布拉德利的三幅水彩画描绘了来自东印度群岛和非洲南部的植物。Coffea arabica(咖啡)(Rubiaceae), Cinnamomum verum(肉桂)(樟科)和南部非洲多肉植物圆柱体(Aizoaceae)的图像被装订成当代卷,目前保存在伦敦大英图书馆。肉桂水彩画中还包括两幅斯里兰卡蝴蝶的图像。本文将这些水彩画放在布拉德利的其他绘画和彩色插图的背景下。这三幅迄今未发表的图像可能是在1714年布拉德利访问荷兰期间绘制的。
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引用次数: 0
ŞENGÖR, A. M. Celâl. Revising the revisions: James Hutton’s reputation among geologists in the late eighteenth and nineteenth centuries ŞENGÖR, A. M. cell。修订修订:詹姆斯·赫顿在18世纪末和19世纪地质学家中的声誉
IF 0.2 4区 哲学 Q2 Arts and Humanities Pub Date : 2022-10-01 DOI: 10.3366/anh.2022.0818
Gregory Todd
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引用次数: 0
“Horniman Museum and Library Publications” series: zoology and anthropology (1904–1977) “霍尼曼博物馆和图书馆出版物”系列:动物学和人类学(1904–1977)
IF 0.2 4区 哲学 Q2 Arts and Humanities Pub Date : 2022-10-01 DOI: 10.3366/anh.2022.0788
J. Cain
Horniman Museum and Gardens, London published a group of visitor guides and handbooks from 1904 to 1977 under the series title “Horniman Museum and Library Publications” to accompany the permanent galleries. This paper presents a bibliography for the series, which covered subjects in zoology and anthropology. The series included 16 publications. Many had multiple editions. Authors were not always identified explicitly, and attribution was assigned to the institution. This paper identifies authors and other notable contributors for each volume. The Horniman stopped assigning new publications to the series at the end of the 1930s; however, new guides and handbooks continued to be published in similar fashion. Some of those later publications asserted continuity, claiming to be new editions. Others did not. Both continuities and breaks reveal aspects of work within the museum environment as well as trends in British museum engagement with its audiences. For instance, simplification is a profound trend over successive editions.
伦敦霍尼曼博物馆和花园于1904年至1977年出版了一组游客指南和手册,标题为“霍尼曼图书馆和博物馆出版物”,以配合永久画廊。本文介绍了该系列的参考书目,涵盖了动物学和人类学的主题。该系列包括16种出版物。许多都有多个版本。作者的身份并不总是明确的,归属也被分配给了该机构。本文确定了每卷的作者和其他著名贡献者。Horniman在20世纪30年代末停止为该系列分配新的出版物;然而,新的指南和手册继续以类似的方式出版。其中一些后来的出版物宣称是连续性的,声称是新版本。其他人没有。连续性和间断性都揭示了博物馆环境中工作的各个方面,以及英国博物馆与观众互动的趋势。例如,在连续的版本中,简化是一种深刻的趋势。
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引用次数: 0
FALLON, Richard. Reimagining dinosaurs in late Victorian and Edwardian literature. How the ‘terrible lizard’ became a transatlantic cultural icon 理查德,法伦。在维多利亚晚期和爱德华时代的文学中重新想象恐龙。“可怕的蜥蜴”如何成为跨大西洋文化的象征
IF 0.2 4区 哲学 Q2 Arts and Humanities Pub Date : 2022-10-01 DOI: 10.3366/anh.2022.0806
A. M. Lucas
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引用次数: 0
MABBERLEY, David J., MOORE, David T., with the assistance of WOJER, Jacek. The Robert Brown handbook. A guide to the life and work of Robert Brown (1773–1858) Scottish botanist MABBERLEY, David J., MOORE, David T.,在WOJER, Jacek的协助下。罗伯特·布朗的手册。罗伯特·布朗(1773-1858)苏格兰植物学家的生活和工作指南
IF 0.2 4区 哲学 Q2 Arts and Humanities Pub Date : 2022-10-01 DOI: 10.3366/anh.2022.0812
E. Nelson
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引用次数: 4
Biological models and replicas in Museu de História Natural e da Ciência da Universidade do Porto, Portugal 葡萄牙波尔图大学自然历史博物馆的生物模型和复制品
IF 0.2 4区 哲学 Q2 Arts and Humanities Pub Date : 2022-10-01 DOI: 10.3366/anh.2022.0790
Cristiana Vieira, J. Muchagata, Rita Gaspar, Helena Gonçalves, Simão Mateus, Maria João Fonseca
Biological models and replicas were in their heyday in the nineteenth century when they were common in primary, elementary, secondary and higher education institutions, as they were frequently used to illustrate anatomical structures mentioned in textbooks and scientific papers. Biological models and replicas are part of the heritage of the Museu de História Natural e da Ciência da Universidade do Porto (Natural History and Science Museum, University of Oporto) offering insights into the world of these unique collections. We performed a study on the use of these industrial-made models and replicas of the internal or/and external anatomy of animals and plants that accompanied many of the practical demonstrations in comparative biology and anatomy classes at the Academia Politécnica do Porto and, later on, at the Universidade do Porto, its successor. Artisanal models and replicas were also used in biology and anthropology classes. This research on these special items helps promote their value and contributes to the dissemination of information and may be relevant to other institutions owning identical models.
生物模型和复制品在19世纪处于鼎盛时期,当时它们在小学、小学、中学和高等教育机构很常见,因为它们经常被用来说明教科书和科学论文中提到的解剖结构。生物模型和复制品是波尔图大学自然历史与科学博物馆(波尔图大学自然史与科学博物馆)遗产的一部分,可以深入了解这些独特藏品的世界。我们对这些工业制造的动物和植物内部或/和外部解剖模型和复制品的使用进行了研究,这些模型和复制物伴随着波尔图理工学院和后来的波尔图大学的比较生物学和解剖课程中的许多实际演示。手工模型和复制品也被用于生物学和人类学课程。对这些特殊项目的研究有助于提高它们的价值,有助于信息的传播,可能与拥有相同模型的其他机构有关。
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引用次数: 1
Edward Emrys Watkin (1900–1978): marine zoologist and educator 爱德华·埃默里斯·沃特金(1900-1978):海洋动物学家和教育家
IF 0.2 4区 哲学 Q2 Arts and Humanities Pub Date : 2022-10-01 DOI: 10.3366/anh.2022.0797
P. Moore
The Welsh marine zoologist, Edward Emrys Watkin (1900–1978), studied the population dynamics of Cardigan Bay herring stocks in the 1920s and subsequently worked on amphipod crustaceans in the Clyde Sea Area in Scotland. His published works span a transitional period in the history of biology, when natural history was being formalized into ecology. A graduate, and a staff member, of the University College of Wales, Aberystwyth, for 45 years he inspired students with his teaching. His experiences as a teacher and examiner were called upon when, in 1965 and 1971, he edited and co-wrote Biology (with Herbert Tisdale Conway and John Brinley Jones), a textbook on biology for pupils seeking the General Certificate of Education (GCE) O-level qualification. However, the impact of Watkins’s book was lessened because of competition from Donald Gordon Mackean’s Introduction to biology published first in 1962.
威尔士海洋动物学家爱德华·埃姆里斯·沃特金(Edward Emrys Watkin, 1900-1978)在20世纪20年代研究了卡迪根湾鲱鱼种群的种群动态,随后在苏格兰克莱德海域研究了片脚类甲壳类动物。他发表的作品跨越了生物史上的一个过渡时期,当时自然史正被形式化为生态学。作为阿伯里斯特威斯威尔士大学学院的毕业生和教职员工,45年来,他的教学激励了学生。1965年和1971年,他与赫伯特·蒂斯代尔·康威和约翰·布林利·琼斯合编了一本《生物学》教科书,这本教科书是为寻求普通教育证书(GCE) o级资格的学生编写的。然而,由于唐纳德·戈登·麦基恩(Donald Gordon Mackean) 1962年首次出版的《生物学导论》(Introduction to biology)的竞争,沃特金斯这本书的影响力减弱了。
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引用次数: 0
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Archives of Natural History
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