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Digital humanities at global scale 全球范围内的数字人文学科
IF 1.1 4区 综合性期刊 Q3 MULTIDISCIPLINARY SCIENCES Pub Date : 2023-07-03 DOI: 10.1080/03080188.2023.2193799
Lidia Bocanegra Barbecho, Salvador Ros Muñoz, Elena González-Blanco García, M. Toscano
ABSTRACT The incorporation of the humanities into digital transformation processes resulted in the emergence of a new research field called digital humanities. This new field has its origin in the beginning of the second half of the twentieth century. From the research point of view, through the analysis of the scientific production of the main academic databases, we provide here an overview of the international panorama of digital humanities, looking at the main countries, institutions, areas of knowledge and leading topics in this discipline.
将人文学科纳入数字化转型过程导致了一个新的研究领域——数字人文学科的出现。这个新领域起源于二十世纪下半叶的初期。从研究的角度来看,通过对主要学术数据库的科学成果的分析,我们在这里提供了一个数字人文学科的国际全景,看看主要国家,机构,知识领域和该学科的领先主题。
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引用次数: 0
‘Life built herself a myriad forms’: epics of gestation and co-operation in late nineteenth-century women’s poetry “生命为自己创造了无数的形式”:19世纪晚期女性诗歌中的孕育与合作史诗
IF 1.1 4区 综合性期刊 Q3 MULTIDISCIPLINARY SCIENCES Pub Date : 2023-07-03 DOI: 10.1080/03080188.2023.2193802
Wolfgang Funk
ABSTRACT This article argues for a specifically female appropriation and reshaping of the epic tradition in the wake of Darwin’s On the Origin of Species. Based on an analysis of Mathilde Blind’s The Ascent of Man and Louisa Sarah Bevington’s ‘Unto this Present’, it will show how this ‘female evolutionary epic’ responds to and counteracts Social Darwinist narratives of competition and struggle by emphasizing forces of (maternal) gestation, co-operation and sympathy in the development of life on earth. In doing so, these poems anticipate Peter Kropotkin’s notion of ‘mutual aid’ as the primary factor in evolution.
摘要本文认为,在达尔文的《物种起源》之后,史诗传统有一种特殊的女性挪用和重塑。通过对玛蒂尔德·布林德的《人类的崛起》和路易莎·萨拉·贝文顿的《直到现在》的分析,本文将展示这部“女性进化史诗”是如何通过强调(母体)妊娠、合作和同情在地球生命发展中的力量来回应和抵消社会达尔文主义关于竞争和斗争的叙述的。在这样做的过程中,这些诗预示着彼得·克鲁泡特金的“互助”概念是进化的主要因素。
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引用次数: 0
The magic lantern as a Gothic literary instrument 作为哥特式文学工具的魔法灯笼
IF 1.1 4区 综合性期刊 Q3 MULTIDISCIPLINARY SCIENCES Pub Date : 2023-07-03 DOI: 10.1080/03080188.2023.2193795
M. Vara
ABSTRACT This paper focuses on the function of the magic lantern, a seventeenth-century scientific invention with the ability to project frightening images painted on transparent slides, as a literary device intrinsically connected to the Gothic genre. Darkness, foul weather, animated portraits, eerie apparitions, crumbling abbeys and half-demolished tombs team with physics and optics in an intricate swirl of exchanges between literature and visual technology, still relevant today. These exchanges are vividly illustrated in Girona’s spectacular Museu del Cinema – Col·lecció Tomàs Mallol.
摘要本文着重探讨了魔灯的功能,这是一项17世纪的科学发明,能够在透明幻灯片上投射出可怕的图像,是一种与哥特式风格有着内在联系的文学装置。黑暗、恶劣的天气、动画肖像、诡异的幻影、摇摇欲坠的修道院和半被拆除的坟墓,在文学和视觉技术之间错综复杂的交流漩涡中与物理学和光学结合在一起,至今仍然存在。这些交流在赫罗纳壮观的电影博物馆——Col·leccióTomàs Malol中得到了生动的体现。
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引用次数: 0
The poetics of enquiry in Ronald Duncan’s Man 罗纳德·邓肯《人》中的探究诗学
IF 1.1 4区 综合性期刊 Q3 MULTIDISCIPLINARY SCIENCES Pub Date : 2023-07-03 DOI: 10.1080/03080188.2023.2193793
J. Holmes
ABSTRACT In his cosmological epic Man, Ronald Duncan attempted to bridge the perceived divide between science and poetry. To do so, he had to find an aesthetically effective way to incorporate scientific data into poetry while using the form of the modernist long poem to replicate the insatiable processes of enquiry that he saw as defining science itself. Duncan’s dialogic engagement with science and scientists instigated in turn the creation of a new kind of reference work, The Encyclopaedia of Ignorance, sharing and promoting the same conception of science as Man.
摘要在他的宇宙史诗《人》中,罗纳德·邓肯试图弥合科学与诗歌之间的鸿沟。要做到这一点,他必须找到一种美学上有效的方法,将科学数据融入诗歌,同时使用现代主义长诗的形式来复制他认为定义科学本身的永不满足的探索过程。邓肯与科学和科学家的对话反过来又促成了一种新的参考著作《无知百科全书》的创作,分享并推广了与人类相同的科学概念。
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引用次数: 0
Queerness in science and literature: towards a ‘naturalization’ of the queer in the crossroads of physics, biology, and literary theory 科学和文学中的酷儿:在物理学、生物学和文学理论的十字路口实现酷儿的“自然化”
IF 1.1 4区 综合性期刊 Q3 MULTIDISCIPLINARY SCIENCES Pub Date : 2023-07-03 DOI: 10.1080/03080188.2023.2193804
Benito García-Valero
ABSTRACT The aim of this paper is to contribute to the resignification of the queer as a valid category both in science and literary studies. It puts forward a criticism of the queer as a cultural construct and enhances its definition with evidence from the sciences of biology and quantum physics. Finally, it claims the validity of queer perspectives to understand the slippage between categories in any epistemology.
本文的目的是为酷儿在科学和文学研究中作为一个有效类别的重新定位做出贡献。它对酷儿作为一种文化建构提出了批评,并从生物学和量子物理学的科学证据中加强了它的定义。最后,它声称酷儿视角对于理解任何认识论中类别之间的滑动是有效的。
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引用次数: 0
Wide horizons: science and epic in Mina Loy’s ‘Anglo-Mongrels and the Rose’ and C. Day Lewis’s From Feathers to Iron 开阔的视野:米娜·洛伊的《盎格鲁-混血儿与玫瑰》和c·戴·刘易斯的《从羽毛到钢铁》中的科学与史诗
IF 1.1 4区 综合性期刊 Q3 MULTIDISCIPLINARY SCIENCES Pub Date : 2023-07-03 DOI: 10.1080/03080188.2023.2193803
Michael H. Whitworth
ABSTRACT Both Mina Loy’s autobiographical poem ‘Anglo-Mongrels and the Rose’ and C. Day Lewis’s From Feathers to Iron are cognizant of epic without reproducing the conventions of epic narrative. In part, the epic quality of both comes from their depiction or implication of epic scales as a backdrop for human action. Unfamiliar scales were found in many sciences, with astronomy and cosmology being the most prominent in the early twentieth century. The essay considers Loy’s scientific diction and Day Lewis’s sources in popular science and astronomy works by A. S. Eddington and James Jeans.
米娜·洛伊的自传体诗《盎格鲁-杂种与玫瑰》和c·戴·刘易斯的《从羽毛到钢铁》都认识到了史诗的意义,但没有复制史诗叙事的传统。在某种程度上,两者的史诗品质来自于它们对史诗尺度作为人类行为背景的描述或暗示。在许多科学中都发现了不熟悉的尺度,天文学和宇宙学在20世纪早期最为突出。本文考虑了洛伊的科学措辞和戴·刘易斯在a.s.爱丁顿和詹姆斯·金斯的通俗科学和天文学著作中的来源。
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引用次数: 0
Sherlock Holmes saving Mr. Venizelos: using science in an early Greek crime fiction novel 福尔摩斯拯救韦尼泽洛斯:在早期希腊犯罪小说中运用科学
IF 1.1 4区 综合性期刊 Q3 MULTIDISCIPLINARY SCIENCES Pub Date : 2023-07-03 DOI: 10.1080/03080188.2023.2193794
Sophia Denissi
ABSTRACT Crime fiction was introduced to the Greek reading public at an early period, first through the translation of works of Émile Gaboriau (1878) and later through the works of Arthur Conan Doyle from 1905 onward. Their effect can be seen in the first Greek crime fiction novel, by an anonymous writer, serialized in 1913 in the periodical Hellas, entitled Sherlock Holmes Saving Mr. Venizelos, who was the Greek Prime Minister of the time. The novel, that takes place in London, is a hybrid of a political and a crime fiction novel, using Doyle’s forensic methods and electrical devices for its resolution. In this paper we will try to see how far this Greek by-product of the Holmes tradition follows the scientific approach of the original Doyle works, using his forensic methods as well as technological inventions of the time to solve the case.
犯罪小说很早就被希腊读者所熟知,最初是通过埃米尔·加布里奥(1878)的作品翻译,后来又通过亚瑟·柯南·道尔(Arthur Conan Doyle)的作品从1905年开始。1913年,一位匿名作家在《Hellas》杂志上连载了第一部希腊犯罪小说,题为《福尔摩斯拯救当时的希腊总理韦尼泽洛斯先生》。这部小说发生在伦敦,是一部政治小说和犯罪小说的混合体,使用了道尔的法医方法和电气设备来解决问题。在这篇论文中,我们将试图了解福尔摩斯传统的希腊副产品在多大程度上遵循了道尔原著的科学方法,使用他的法医方法以及当时的技术发明来破案。
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引用次数: 0
Preface 前言
IF 1.1 4区 综合性期刊 Q3 MULTIDISCIPLINARY SCIENCES Pub Date : 2023-07-03 DOI: 10.1080/03080188.2023.2193806
H. Massegur
The challenge of organizing the fourth International Conference on Science and Literature in a post-pandemic scenario, after multiple postponements, meetings, videoconferences and other inconveniences, finally became a reality on 30 June to 2 July 2022 in Girona. The effects of the pandemic on webinars, zooms, etc. were felt when it came to confirming the participation of speakers, with a certain tendency to avoid travel and consequent expenses, which made the organization’s task more arduous. In spite of everything, we went ahead to achieve the objective we had set ourselves. Fortunately, the quality of the speakers provided ‘the pillars of wisdom’ that supported and gave shape to the edifice we had sketched out. When the level of the participants is so high, it is difficult to single out the best of the best. After 3 days of intense work and grateful for the invaluable collaboration and understanding of all the participants, we are satisfied with the result obtained, despite a certain bitter taste due to the perception that the pandemic situation has changed the soul of the Congresses. We hope that videoconferences will remain a type of scientific communication but not the way of communication. The other great concern or question is how tomake the university community, especially the new generations, interested in a multidisciplinary, let us say, Renaissance education, which does not lead them to super-specialization and the creation of isolated worlds without seeing or knowing the relationship between the scientific world and the humanistic world. In any case, the high quality of the participants at the conference and the depth and complexity of the themes have left a hope of better times and, as Leonard Cohen sings:
在经历了多次延期、会议、视频会议和其他不便之后,在疫情后的情况下组织第四届国际科学和文学会议的挑战终于于2022年6月30日至7月2日在赫罗纳成为现实。在确认演讲者的参与时,可以感受到疫情对网络研讨会、Zoom等的影响,并有一定的避免差旅和由此产生的费用的倾向,这使该组织的任务更加艰巨。尽管发生了一切,我们还是继续实现我们为自己设定的目标。幸运的是,演讲者的素质提供了“智慧的支柱”,支撑并塑造了我们勾勒出的大厦。当参与者的水平如此之高时,很难从中选出最好的。经过3天的紧张工作,感谢所有与会者的宝贵合作和理解,我们对所取得的结果感到满意,尽管由于人们认为疫情已经改变了大会的灵魂,我们感到有些苦涩。我们希望视频会议仍然是一种科学交流,而不是一种交流方式。另一个重大关注或问题是,如何让大学界,尤其是新一代,对多学科的,比如文艺复兴时期的教育感兴趣,这不会导致他们在看不到或不知道科学世界和人文世界之间关系的情况下,走向超专业化和创造孤立世界。无论如何,会议参与者的高质量以及主题的深度和复杂性给我们留下了美好时代的希望,正如莱昂纳德·科恩所唱:
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引用次数: 0
Immortal codes: genetics, ghosts, and Shakespeare’s sonnets 不朽的密码:基因、鬼魂和莎士比亚的十四行诗
IF 1.1 4区 综合性期刊 Q3 MULTIDISCIPLINARY SCIENCES Pub Date : 2023-07-03 DOI: 10.1080/03080188.2023.2193796
T. Day
ABSTRACT This essay is built around three narratives of Shakespeare, code, and immortality: the first, the parallel between the passage of encoded genetic material in the body and the cultural transmission of text which converge in the reproduction of Shakespeare's sonnets into the medium of DNA, potentially collapsing a metaphorical relationship into a literal one; the second, the supposed conveying of information from a deceased Shakespeare to a superstitious Victor Hugo through the tapping out of code onto a tabletop during a nineteenth-century seance; and third, one in which I consider an alternative—or perhaps parallel—reading of Shakespeare's sonnets in which the author himself intends, against all odds and rationality, to preserve his deceased son in the form of sonnets that have more frequently been read as love letters to a young male lover.
摘要:本文围绕莎士比亚、密码和不朽的三种叙事展开:第一,体内编码遗传物质的传递与文本的文化传播之间的平行关系,这种平行关系在莎士比亚十四行诗以DNA为媒介的复制中汇聚在一起,潜在地将隐喻关系瓦解为字面关系;第二,在19世纪的一次降神会中,通过在桌面上敲出密码,将已故的莎士比亚的信息传递给迷信的维克多·雨果;第三,我认为这是对莎士比亚十四行诗的另一种或平行的解读,在这种解读中,作者自己打算不顾一切可能性和理性,以十四行诗的形式来保存他已故的儿子,这种十四行诗更常被当作给年轻男性情人的情书来读。
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引用次数: 0
Science, philosophy and literature in the early Spanish Enlightenment: the case of Martin Martinez 西班牙启蒙运动早期的科学、哲学和文学——以马丁·马丁内斯为例
IF 1.1 4区 综合性期刊 Q3 MULTIDISCIPLINARY SCIENCES Pub Date : 2023-07-03 DOI: 10.1080/03080188.2023.2193801
Jorge García López
ABSTRACT Martín Martínez was born in Madrid in 1684 and died fifty years later in the Spanish capital in 1734. He was one of the introducers of medicine and modern philosophy in the Spain of Philip V (Marañón 1962, 130). He is a focus for many of the aspects that bring together scientific research with literary writing and philosophical reflection. In fact, Martinez systematically considered the usefulness of writing science books in Spanish at the same time as he reflected on the scope of Cartesian or Gassendist philosophy and its relationship with scientific research in the sense that some sixty years earlier Robert Boyle had defined it in his The Sceptical Chymist (1661). He is therefore a model figure for observing the penetration of the Scientific Revolution in Spain in the early years of the eighteenth century.
Martín Martínez于1684年出生于马德里,50年后于1734年在西班牙首都去世。他是医学和现代哲学在西班牙菲利普五世(Marañón 1962, 130)的介绍人之一。他是将科学研究与文学写作和哲学思考结合在一起的许多方面的焦点。事实上,马丁内斯在思考笛卡尔或伽森德哲学的范围及其与科学研究的关系的同时,系统地考虑了用西班牙语写科学书籍的用处,就像大约60年前罗伯特·波义耳在他的《怀疑的化学家》(1661)中所定义的那样。因此,他是观察十八世纪早期西班牙科学革命渗透的典范人物。
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引用次数: 0
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Interdisciplinary Science Reviews
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