Pub Date : 2024-01-01DOI: 10.25136/2409-8698.2024.1.69489
Khabiba Sadyrovna Shagbanova
The article is devoted to the understanding of patriotism according to M.A. Sholokhov. The theme of love for the Motherland is consistently considered in the works of various periods of the famous Soviet writer's work. Being a direct participant in the fateful events for the USSR, Sholokhov managed to reflect patriotism as a multilevel and, at times, contradictory concept. The analysis of the patriotic model of behavior on the example of the main characters and supporting characters of the writer's works is considered in the context of such plot and compositional elements as binary oppositions (good - evil, truth – lies, honor – inhumanity, mercy – cruelty, personal – collective). The description of this concept is accompanied by an appeal to the categories of space and time, an understanding of the ideological, moral and spiritual dominants that guide the literary heroes of the works. Patriotism, presented in the historical context of M.A. Sholokhov's literary heritage, should be considered as a constant that contributes to the reflection of the character and registers the internal logical connections of this constant, its meaningful content throughout the plot. The patriotic paradigm of the worldview of the writer's artistic works is characterized not only by the ability to motivate sacrificial acts, but also by the prerequisite to form the basis for a conflict of personalized positions and views. Using the example of the heroes of his works, M.A. Sholokhov shows us, the readers, what a true patriot should be. It is stated that the artistic heritage of the Master in modern socio-political realities can successfully contribute to the patriotic education of Russian youth, since fiction has a serious impact on the upbringing of a personality, on its inner potential and the choice of moral and ethical guidelines, and contribute to the formation of high moral qualities of a person.
{"title":"Patriotic principles in the work of M.A. Sholokhov","authors":"Khabiba Sadyrovna Shagbanova","doi":"10.25136/2409-8698.2024.1.69489","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.1.69489","url":null,"abstract":"\u0000 The article is devoted to the understanding of patriotism according to M.A. Sholokhov. The theme of love for the Motherland is consistently considered in the works of various periods of the famous Soviet writer's work. Being a direct participant in the fateful events for the USSR, Sholokhov managed to reflect patriotism as a multilevel and, at times, contradictory concept. The analysis of the patriotic model of behavior on the example of the main characters and supporting characters of the writer's works is considered in the context of such plot and compositional elements as binary oppositions (good - evil, truth – lies, honor – inhumanity, mercy – cruelty, personal – collective). The description of this concept is accompanied by an appeal to the categories of space and time, an understanding of the ideological, moral and spiritual dominants that guide the literary heroes of the works. Patriotism, presented in the historical context of M.A. Sholokhov's literary heritage, should be considered as a constant that contributes to the reflection of the character and registers the internal logical connections of this constant, its meaningful content throughout the plot. The patriotic paradigm of the worldview of the writer's artistic works is characterized not only by the ability to motivate sacrificial acts, but also by the prerequisite to form the basis for a conflict of personalized positions and views. Using the example of the heroes of his works, M.A. Sholokhov shows us, the readers, what a true patriot should be. It is stated that the artistic heritage of the Master in modern socio-political realities can successfully contribute to the patriotic education of Russian youth, since fiction has a serious impact on the upbringing of a personality, on its inner potential and the choice of moral and ethical guidelines, and contribute to the formation of high moral qualities of a person.\u0000","PeriodicalId":506782,"journal":{"name":"Litera","volume":"13 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140524777","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-01DOI: 10.25136/2409-8698.2024.1.69434
Anastasiya Dmitrievna Petrova
This study is devoted to the nuances of metaphor and metonymy translation, in particular, to the works of Guillaume Apollinaire and their Russian translations. The article begins by defining the theoretical foundations of metaphor and metonymy, drawing on linguistic and cognitive theories to emphasise their importance in literary discourse. It then provides a thorough analysis of Apollinaire's unique stylistic elements, highlighting the fusion of visual and verbal poetics and how these aspects pose a challenge to the translator. The main part of the study is an in-depth analysis of selected Apollinaire works, offering a comparative analysis of the original French texts and their Russian counterparts. This segment highlights the difficulties inherent in translating Apollinaire's rich metaphorical and metonymic language, marked by a characteristic combination of visual imagery and linguistic innovation. The study uses a range of linguistic examples to demonstrate both successful and problematic translation solutions, providing a multifaceted insight into the translation process. The paper then examines the specific difficulties of translating metaphor and metonymy into Russian, given the linguistic and cultural differences between French and Russian. It presents various translation techniques such as substitution, modulation and word-for-word translation and evaluates their effectiveness in bridging the gap between the two languages. The study also critically examines examples where direct translation fails to convey the essence of the original, emphasising the importance of cultural context and idiomatic appropriateness in translation. The conclusion summarises the findings, highlighting the crucial role of cultural and cognitive considerations when translating metaphors and metonymies.
{"title":"Metaphor and metonymy in translation: transformation of images in Russian versions of Guillaume Apollinaire's works","authors":"Anastasiya Dmitrievna Petrova","doi":"10.25136/2409-8698.2024.1.69434","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.1.69434","url":null,"abstract":"\u0000 This study is devoted to the nuances of metaphor and metonymy translation, in particular, to the works of Guillaume Apollinaire and their Russian translations. The article begins by defining the theoretical foundations of metaphor and metonymy, drawing on linguistic and cognitive theories to emphasise their importance in literary discourse. It then provides a thorough analysis of Apollinaire's unique stylistic elements, highlighting the fusion of visual and verbal poetics and how these aspects pose a challenge to the translator. The main part of the study is an in-depth analysis of selected Apollinaire works, offering a comparative analysis of the original French texts and their Russian counterparts. This segment highlights the difficulties inherent in translating Apollinaire's rich metaphorical and metonymic language, marked by a characteristic combination of visual imagery and linguistic innovation. The study uses a range of linguistic examples to demonstrate both successful and problematic translation solutions, providing a multifaceted insight into the translation process. The paper then examines the specific difficulties of translating metaphor and metonymy into Russian, given the linguistic and cultural differences between French and Russian. It presents various translation techniques such as substitution, modulation and word-for-word translation and evaluates their effectiveness in bridging the gap between the two languages. The study also critically examines examples where direct translation fails to convey the essence of the original, emphasising the importance of cultural context and idiomatic appropriateness in translation. The conclusion summarises the findings, highlighting the crucial role of cultural and cognitive considerations when translating metaphors and metonymies.\u0000","PeriodicalId":506782,"journal":{"name":"Litera","volume":"54 1-2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140517272","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-01DOI: 10.25136/2409-8698.2024.1.44222
E. A. Ulanskii
A while after the compilation of the Sanskrit grammar called "Aṣṭādhyāyī" (≈ V century BC) by the ancient Indian linguist Pāṇini, commentators of this treatise began to formulate numerous metarules guiding to the correct interpretation of grammatical rules. The object of our study are these post-Pāṇinian metarules, also known as paribhāṣās. They describe the metalanguage developed by Panini, varieties of technical use of language’s expressive means in the "Aṣṭādhyāyī", they also help resolve contradictions that arise when reading grammatical rules and settle priorities in the execution sequence of grammatical operations. The material of the study are metarules collected and commented on by the Sanskrit grammarian of the XVII century AD Nīlakaṇṭhadīkṣita in his work "Commentary on paribhāṣās" (Paribhāṣāvṛtti). The purpose of our work is to expose the content of the "Commentary on the paribhāṣās", to classify the metarules collected in this work, to indicate their purpose. The method of the work is a structural and hermeneutical study of the text. For the first time, a detailed analysis of the Nīlakaṇṭhadīkṣita's "Commentary on the paribhāṣās" and the classification of the metarules collected in this work were carried out. For the first time in Russian-language literature, the content of a large number of post-Pāṇinian metarules of Sanskrit grammar "Aṣṭādhyāyī" is exhibited, as well as biographical data about the grammarian Nīlakaṇṭhadīkṣita is revealed.
{"title":"A Review of the Collection of commented Metarules of Pāṇini's Sanskrit Grammar — \"Paribhāṣāvṛtti\" by Nīlakaṇṭha Dīkṣita","authors":"E. A. Ulanskii","doi":"10.25136/2409-8698.2024.1.44222","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.1.44222","url":null,"abstract":"\u0000 A while after the compilation of the Sanskrit grammar called \"Aṣṭādhyāyī\" (≈ V century BC) by the ancient Indian linguist Pāṇini, commentators of this treatise began to formulate numerous metarules guiding to the correct interpretation of grammatical rules. The object of our study are these post-Pāṇinian metarules, also known as paribhāṣās. They describe the metalanguage developed by Panini, varieties of technical use of language’s expressive means in the \"Aṣṭādhyāyī\", they also help resolve contradictions that arise when reading grammatical rules and settle priorities in the execution sequence of grammatical operations. The material of the study are metarules collected and commented on by the Sanskrit grammarian of the XVII century AD Nīlakaṇṭhadīkṣita in his work \"Commentary on paribhāṣās\" (Paribhāṣāvṛtti). The purpose of our work is to expose the content of the \"Commentary on the paribhāṣās\", to classify the metarules collected in this work, to indicate their purpose. The method of the work is a structural and hermeneutical study of the text. For the first time, a detailed analysis of the Nīlakaṇṭhadīkṣita's \"Commentary on the paribhāṣās\" and the classification of the metarules collected in this work were carried out. For the first time in Russian-language literature, the content of a large number of post-Pāṇinian metarules of Sanskrit grammar \"Aṣṭādhyāyī\" is exhibited, as well as biographical data about the grammarian Nīlakaṇṭhadīkṣita is revealed.\u0000","PeriodicalId":506782,"journal":{"name":"Litera","volume":"24 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140516556","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-01DOI: 10.25136/2409-8698.2024.1.39786
Artur Viktorovich Novikau
The object of research in this article is a novel by Mark Z. Danilevsky's "House of Leaves" in the context of postmodernism. The subject of the study was the mythical element of the novel (ash Yggdrasil). This element is considered as a hermeneutic key to the interpretation of the novel by Mark Z. Danilevsky's "House of Leaves". Also, the subject of the study is space and time in the novel, inextricably linked with the mythical component of the works. As a result, a detailed analysis of the mythical component of the "House of Leaves" is given in the context of the poetics of postmodernism, as well as some characteristics of the space-time of the novel. Hermeneutical interpretation is performed using the poem "Yggdrasil", located on the last page of the novel, as a symbolic key. The grapheme "Yggdrasil" and the symbolism of the components of the limit tree in their relation to the exemplification of the structure of the novel as a whole are analyzed. The mechanism of the inclusion of the work in the context of world literature is described through the actualization of semantic and etymological inclusions of mythical motifs about the creation of the world in the text of the "House of Leaves". The analysis of intertextual references to Egyptian mythology through the symbols of the ouroboros and the solar disk is given. The plot of the path of the sun god Ra in the "House of Leaves" is analyzed. The novelty of the research lies in the fact that we have analyzed the symbolic detail in the novel: the hidden symbolism of the "Ash Tree" as the tree of the limit; elements of biblical mythology; the image of the inverted world; labyrinth, stairs. The interpretation of the work as a model of the world is considered, where the ambiguity of mythological and spatio-temporal layers, based on the inevitable symbolic references-threads, function as an instrument of appeal to the cultural unconscious. The connection of the mythologies of Egypt, Tibet, the texts of the "Upanishads" and "Kabbalah", as well as the artistic and literary intertext with the "House of Leaves" is analyzed. As a result of this hermeneutic analysis, an ironic postmodern interpretation of the work of Mark Z. is described. Danilevsky through the symbolism of emptiness (unselfishness).
{"title":"The Tree \"Yggdrasil\" as a Symbolic Key to the Interpretation of the Novel by Mark Z. Danilevsky's \"House of Leaves\"","authors":"Artur Viktorovich Novikau","doi":"10.25136/2409-8698.2024.1.39786","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.1.39786","url":null,"abstract":"\u0000 The object of research in this article is a novel by Mark Z. Danilevsky's \"House of Leaves\" in the context of postmodernism. The subject of the study was the mythical element of the novel (ash Yggdrasil). This element is considered as a hermeneutic key to the interpretation of the novel by Mark Z. Danilevsky's \"House of Leaves\". Also, the subject of the study is space and time in the novel, inextricably linked with the mythical component of the works. As a result, a detailed analysis of the mythical component of the \"House of Leaves\" is given in the context of the poetics of postmodernism, as well as some characteristics of the space-time of the novel. Hermeneutical interpretation is performed using the poem \"Yggdrasil\", located on the last page of the novel, as a symbolic key. The grapheme \"Yggdrasil\" and the symbolism of the components of the limit tree in their relation to the exemplification of the structure of the novel as a whole are analyzed. The mechanism of the inclusion of the work in the context of world literature is described through the actualization of semantic and etymological inclusions of mythical motifs about the creation of the world in the text of the \"House of Leaves\". The analysis of intertextual references to Egyptian mythology through the symbols of the ouroboros and the solar disk is given. The plot of the path of the sun god Ra in the \"House of Leaves\" is analyzed. The novelty of the research lies in the fact that we have analyzed the symbolic detail in the novel: the hidden symbolism of the \"Ash Tree\" as the tree of the limit; elements of biblical mythology; the image of the inverted world; labyrinth, stairs. The interpretation of the work as a model of the world is considered, where the ambiguity of mythological and spatio-temporal layers, based on the inevitable symbolic references-threads, function as an instrument of appeal to the cultural unconscious. The connection of the mythologies of Egypt, Tibet, the texts of the \"Upanishads\" and \"Kabbalah\", as well as the artistic and literary intertext with the \"House of Leaves\" is analyzed. As a result of this hermeneutic analysis, an ironic postmodern interpretation of the work of Mark Z. is described. Danilevsky through the symbolism of emptiness (unselfishness).\u0000","PeriodicalId":506782,"journal":{"name":"Litera","volume":"23 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140516559","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-01DOI: 10.25136/2409-8698.2024.1.69726
Lihong Bao
The object of the study is Bulgakov’s play “Zoyka’s Apartment”, and the subject was the images of the Chinese, created by the author. The discursive representation of foreign cultural elements in Russian literature of the 1920s, the role of Chinese images in the plot, their place in the structure of characters are studied. “Chinese” theme is examined, an analysis of characters belonging to a different culture is provided, their ideological and artistic essence and the author’s manner of creating ethnic flavor are revealed. The author of the article connects the images of the Chinese created by the writer with his understanding of the historical and cultural events in the Soviet Union in the 1920s, with stereotypical and historically based ideas about the Chinese. The research is conducted on the general scientific methods of analysis and synthesis, as well as comparative, contextual, and interpretive methods. The main approach has become a comprehensive one, which allows us to consider images of the Chinese as components of the discursive structure of the work. The scientific novelty of the study is the identification of the special discursive representation that foreign cultural specifics received in Bulgakov’s play. In the depiction of Chinese heroes the author uses the techniques of grotesqueness, parody, sarcasm, and irony. Such qualities of the Chinese as love for the Motherland, the desire to demonstrate strength and defend their own honor, readiness to sacrifice, adventurous thinking, activity, being in constant motion, are depicted in close connection with the Soviet historical and cultural context of the 1920s. It is concluded that the images of the Chinese are paradoxical, ambiguous, contradictory: they participate in the author’s creation of illusory, borderline space and at the same time help to depict it accurately, taking into account historical, cultural, and temporal realities.
{"title":"Features of the discursive representation of the image of the Chinese in the play «Zoyka’s Apartment» by M. A. Bulgakov","authors":"Lihong Bao","doi":"10.25136/2409-8698.2024.1.69726","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.1.69726","url":null,"abstract":"\u0000 The object of the study is Bulgakov’s play “Zoyka’s Apartment”, and the subject was the images of the Chinese, created by the author. The discursive representation of foreign cultural elements in Russian literature of the 1920s, the role of Chinese images in the plot, their place in the structure of characters are studied. “Chinese” theme is examined, an analysis of characters belonging to a different culture is provided, their ideological and artistic essence and the author’s manner of creating ethnic flavor are revealed. The author of the article connects the images of the Chinese created by the writer with his understanding of the historical and cultural events in the Soviet Union in the 1920s, with stereotypical and historically based ideas about the Chinese. The research is conducted on the general scientific methods of analysis and synthesis, as well as comparative, contextual, and interpretive methods. The main approach has become a comprehensive one, which allows us to consider images of the Chinese as components of the discursive structure of the work. The scientific novelty of the study is the identification of the special discursive representation that foreign cultural specifics received in Bulgakov’s play. In the depiction of Chinese heroes the author uses the techniques of grotesqueness, parody, sarcasm, and irony. Such qualities of the Chinese as love for the Motherland, the desire to demonstrate strength and defend their own honor, readiness to sacrifice, adventurous thinking, activity, being in constant motion, are depicted in close connection with the Soviet historical and cultural context of the 1920s. It is concluded that the images of the Chinese are paradoxical, ambiguous, contradictory: they participate in the author’s creation of illusory, borderline space and at the same time help to depict it accurately, taking into account historical, cultural, and temporal realities.\u0000","PeriodicalId":506782,"journal":{"name":"Litera","volume":"4 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140518372","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-01DOI: 10.25136/2409-8698.2024.1.69706
S. Lakina
The article is devoted to the most frequent anthroponymic lexemes that are used within the framework of the discipline "Classical Literature". The subject of the research was the upper part (the first ten in terms of frequency of anthroponyms) of the frequency dictionary, compiled on the basis of textbooks on the specified subject area. Anthroponyms are presented in the article both in a short and in their full version, that is, taking into account cognomen or prenomen. The research methodology consists in a combination of quantitative automated and manual analysis, and contextual analysis was also applied. The scientific novelty of the conducted research lies in the differentiation of thematic and non-thematic anthroponyms and in identifying the reasons for the usage of names in sections and chapters of the textbook that are not devoted to them. In the course of the research, it was found out that the fundamental factor that influences the quantitative indicators of the use of a particular lexeme is the thematic affiliation of a particular textbook. This approach makes it possible to distinguish the center (where the frequency thematic anthroponyms are located) and the periphery (where the infrequent non-thematic anthroponyms are located) of the onomastic space. In addition to this difference, common indicators for all textbooks were also identified. Most of the units (49 from 50) included in the top ten in frequency are used in the content of textbooks not only in the sections devoted to them, but also in others, which deal with other personalities. Such usage of the names of real historical figures suggests an increase in their importance within the framework of the discipline "Classical Literature". In addition, it was possible to identify and classify the reasons for such use of names.
{"title":"What do the most frequent anthroponyms say in the framework of the discipline \"Classical Literature\"","authors":"S. Lakina","doi":"10.25136/2409-8698.2024.1.69706","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.1.69706","url":null,"abstract":"\u0000 The article is devoted to the most frequent anthroponymic lexemes that are used within the framework of the discipline \"Classical Literature\". The subject of the research was the upper part (the first ten in terms of frequency of anthroponyms) of the frequency dictionary, compiled on the basis of textbooks on the specified subject area. Anthroponyms are presented in the article both in a short and in their full version, that is, taking into account cognomen or prenomen. The research methodology consists in a combination of quantitative automated and manual analysis, and contextual analysis was also applied. The scientific novelty of the conducted research lies in the differentiation of thematic and non-thematic anthroponyms and in identifying the reasons for the usage of names in sections and chapters of the textbook that are not devoted to them. In the course of the research, it was found out that the fundamental factor that influences the quantitative indicators of the use of a particular lexeme is the thematic affiliation of a particular textbook. This approach makes it possible to distinguish the center (where the frequency thematic anthroponyms are located) and the periphery (where the infrequent non-thematic anthroponyms are located) of the onomastic space. In addition to this difference, common indicators for all textbooks were also identified. Most of the units (49 from 50) included in the top ten in frequency are used in the content of textbooks not only in the sections devoted to them, but also in others, which deal with other personalities. Such usage of the names of real historical figures suggests an increase in their importance within the framework of the discipline \"Classical Literature\". In addition, it was possible to identify and classify the reasons for such use of names.\u0000","PeriodicalId":506782,"journal":{"name":"Litera","volume":"20 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140519996","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The regional press plays an important role in the formation of the urban media space. The article examines the adaptation features of the Russian regional press to the changing the digital environment conditions. Despite the slight increase in circulation and audience of print media, the Russian regional press continues to experience a number of difficulties associated with a lack of funding, influence from government agencies, the implementation of government tasks, an aging audience, and publication of news in printed editions with a long delay. Publications are trying to adapt to changing conditions, looking for new ways not only to earn money, but also to attract an audience. Some sites are either a copy of the printed edition or are updated quite rarely. Nevertheless, digitalization does not mean the death of the Russian regional press. The study was based on interviews conducted by the authors in 2021-2023 with the heads of Russian regional newspapers. The authors also conducted a content analysis of materials posted on newspaper websites. The article is the first to examine successful cases of regional press. To attract the widest possible number of subscribers and, in general, active consumers of information products, the content of regional media must be exclusive, prompt, reliable, dialogic (providing different points of view), and multimedia. Unfortunately, Internet resources of Russian regional print media do not always meet these criteria. Digitalization does not mean death for traditional media; it is rather a new opportunity to conquer new “territories”, attract audiences, and implement new tasks. However, the development of local publications is hampered by the policies of government agencies that put pressure on editorial offices. Officials do not understand the specifics of journalistic work. Only a few regional publications manage to cope with existing problems, find sources of funding and attract new audiences.
{"title":"Transition Features of the Russian Regional Press to Digital Technology","authors":"Ekaterina Andreevna Baranova, Galina Germanovna Novoselova","doi":"10.25136/2409-8698.2024.1.69280","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.1.69280","url":null,"abstract":"\u0000 The regional press plays an important role in the formation of the urban media space. The article examines the adaptation features of the Russian regional press to the changing the digital environment conditions. Despite the slight increase in circulation and audience of print media, the Russian regional press continues to experience a number of difficulties associated with a lack of funding, influence from government agencies, the implementation of government tasks, an aging audience, and publication of news in printed editions with a long delay. Publications are trying to adapt to changing conditions, looking for new ways not only to earn money, but also to attract an audience. Some sites are either a copy of the printed edition or are updated quite rarely. Nevertheless, digitalization does not mean the death of the Russian regional press. The study was based on interviews conducted by the authors in 2021-2023 with the heads of Russian regional newspapers. The authors also conducted a content analysis of materials posted on newspaper websites. The article is the first to examine successful cases of regional press. To attract the widest possible number of subscribers and, in general, active consumers of information products, the content of regional media must be exclusive, prompt, reliable, dialogic (providing different points of view), and multimedia. Unfortunately, Internet resources of Russian regional print media do not always meet these criteria. Digitalization does not mean death for traditional media; it is rather a new opportunity to conquer new “territories”, attract audiences, and implement new tasks. However, the development of local publications is hampered by the policies of government agencies that put pressure on editorial offices. Officials do not understand the specifics of journalistic work. Only a few regional publications manage to cope with existing problems, find sources of funding and attract new audiences.\u0000","PeriodicalId":506782,"journal":{"name":"Litera","volume":"184 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140521478","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-01DOI: 10.25136/2409-8698.2024.1.39805
Olga Nikolaevna Osadchaia
The purpose of the study is to clarify the specifics of the phraseological representation of legal concepts that have colour elements in their composition in the English and Russian legal discourse. The subject of the study is phraseological units with colour designation in English and Russian, used in legal texts. By studying the phraseological fund of the language, the general and specific features of the worldview of representatives of the compared linguistic cultures are clarified. The application of the means of colour designation in the phraseological component of the legal discourse contributes to the establishment of the peculiarities of the national-cultural mentality. The following methods were used in the course of the study: classification method, semantic method, modeling, quantitative method of processing the results obtained. The scientific novelty of the work consists in the study of legal phraseological units with a colour component that have not previously been considered when comparing English and Russian. As a result of the work carried out, we received information for the first time that the system of colour designation in the transmission of English legal concepts by metaphorical or metonymic transfer is much more developed than similar phraseological units in the Russian language. This phenomenon is explained by the development and stability of the common law system based on the principle of historicism and continuity, as well as the possibility of fixing the figurative perception of legal concepts in formal legal discourse. A significant part of the examples selected for the study demonstrates psycholinguistic patterns in their formation and functioning in language, and more specifically, in legal texts.
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Pub Date : 2024-01-01DOI: 10.25136/2409-8698.2024.1.69716
Svetlana Stanislavovna Mikova, Hassanet Sadouri
The subject of this article is the linguistic means of creating a linguistic and cultural image of Tunisia in the memoirs of Galina Aleksandrovna Makhrova "My Tunisia". The studied linguistic units are considered as representatives of the linguistic and cultural codes of Tunisia – subject, spatial, biomorphic, temporal, spiritual. The linguistic and cultural code in the article refers to the verbally implemented code of national culture. The functions of such linguistic units as vocabulary with a national cultural component (vocabulary of the thematic groups "Clothes", "Cosmetics", "Food and drinks"), proper names (toponyms and anthroponyms), adjectives with a color component in the space of the Russian literary text are analyzed. The influence of the author's linguistic personality as a representative of another (Russian) linguistic culture and a representative of a certain profession (artist) on the choice of linguistic means of creating an image of the country as both his own and someone else's space is assessed. Research methods: descriptive method, methods of analysis and synthesis, linguistic and cultural analysis of a literary text, the method of continuous sampling of linguistic units with a national cultural component and the method of component analysis to identify culturally specific semes of their lexical meaning. The novelty of this study is related to the research material (memoirs of G.A. Makhrova) - the subject of the study (the linguistic and cultural codes of Tunisia are studied in terms of its perception by a native speaker of a different linguistic culture, who feels himself a part of both Tunisian and Russian linguistic cultures) - description of the linguistic and cultural code of Tunisia, taking into account the peculiarities of the linguistic personality of the author of the text: G.A. Makhrova perceives many linguistic and cultural details in a special way, since he is a professional artist. The analyzed language material allows us to draw the following conclusions: 1.In the Tunisian subject code, the linguistic units of the thematic groups "Clothing", "Cosmetics", "Food and drinks" are of particular importance. 2.The spatial code is mainly represented by toponyms, among which the names of hills, as well as beaches and resort towns predominate. Among proper names, a group of names associated with the history of Tunisia stands out, which creates the image of Tunisia as a country with a rich past, located at the crossroads of civilizations. 3.The phytonymic symbol of Tunisia in the work is jasmine. 4. G.A. Makhrova is a professional artist, and therefore adjectives of color play a significant role in creating the image of Tunisia. 5.The names of the deities are associated with the spiritual code of Tunisia.
本文的主题是在加琳娜-亚历山大罗夫娜-马赫罗娃的回忆录《我的突尼斯》中塑造突尼斯语言和文化形象的语言手段。所研究的语言单位被视为突尼斯语言和文化代码的代表--主体、空间、生物形态、时间、精神。文章中的语言和文化代码是指民族文化的口头执行代码。文章分析了具有民族文化成分的词汇（"服装"、"化妆品"、"食品和饮料 "主题组词汇）、专有名词（地名和人名词）、具有色彩成分的形容词等语言单位在俄罗斯文学文本空间中的功能。评估了作者作为另一种（俄罗斯）语言文化的代表和某种职业（艺术家）的代表，其语言个性对选择语言手段塑造国家形象（既是自己的空间，也是别人的空间）的影响。研究方法：描述性方法、分析和综合方法、文学文本的语言和文化分析、具有民族文化成分的语言单位的连续抽样方法以及确定其词义的特定文化词义的成分分析方法。本研究的新颖之处在于：研究材料（G.A. Makhrova 的回忆录）--研究对象（突尼斯的语言和文化代码是通过一位以不同语言文化为母语的人的感知来研究的，他认为自己既是突尼斯语言文化的一部分，也是俄罗斯语言文化的一部分）--对突尼斯语言和文化代码的描述，同时考虑到文本作者语言个性的特殊性：由于 G.A. Makhrova 是一名专业艺术家，因此他对许多语言和文化细节有着特殊的感知。通过分析语言材料，我们可以得出以下结论：1.在突尼斯主题代码中，"服装"、"化妆品"、"食品和饮料 "主题组的语言单位尤为重要。2.空间代码主要以地名为代表，其中以山丘、海滩和度假胜地的名称为主。在专有名称中，一组与突尼斯历史有关的名称尤为突出，这些名称塑造了突尼斯作为一个历史悠久、位于文明交汇处的国家的形象。3.作品中突尼斯的植物符号是茉莉花。4.4. G.A. Makhrova 是一位专业艺术家，因此色彩形容词在塑造突尼斯形象时发挥了重要作用。5.神灵的名字与突尼斯的精神代码有关。
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Pub Date : 2024-01-01DOI: 10.25136/2409-8698.2024.1.69218
Min Zhang
The subject of the study is the concepts “Motherland” and “State”, their synonyms and associative images in Russian songs and Russian language, including Russian phraseological units, proverbs and sayings. The first concept is understood as a small homeland and a large homeland. Each person has his own small homeland, which is associated with place of birth, family, house, street, village, town, etc. The large homeland in a broad sense refers to the native country. The small homeland is part of the big homeland. These concepts play a role in the formation of Russian person’s national consciousness, spiritual values, worldview, character and personality. The purpose of this work is to clarify their meanings and differences in Russian language and in Russian people’s consciousness. Research methods include descriptive, associative, comparative methods, methods of synthesis and generalization, and semantic analysis. When analyzing and comparing the concepts “Motherland” and “State”, this work examines the images reflected in the texts of Russian songs about these concepts and language examples in Russian phraseological dictionaries. The conducted research shows that the term “Motherland”, associated with national history, culture and ethnic identity, has a spiritual psychological flavor. The term “State” with a social meaning is defined as a political, legal, economic form of organization of human society. This concept is associated with the images of “law”, “authority”, “army/armed force”, “citizen”, etc. Clarifying the differences in their semantics in Russian language helps speakers of other linguistic cultures to better understand their significance in Russian people’s history, culture and consciousness, their role and influence on the formation of Russian people’s national psychology and spiritual world. The study of these concepts has prospects for expanding foreign students' vocabulary, deeper understanding of the Russian language, culture, people, its spiritual world and their relationships and enriching their cultural, linguistic and personal experience.
{"title":"The concepts of “Motherland” and “State” in Russian language","authors":"Min Zhang","doi":"10.25136/2409-8698.2024.1.69218","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.1.69218","url":null,"abstract":"\u0000 The subject of the study is the concepts “Motherland” and “State”, their synonyms and associative images in Russian songs and Russian language, including Russian phraseological units, proverbs and sayings. The first concept is understood as a small homeland and a large homeland. Each person has his own small homeland, which is associated with place of birth, family, house, street, village, town, etc. The large homeland in a broad sense refers to the native country. The small homeland is part of the big homeland. These concepts play a role in the formation of Russian person’s national consciousness, spiritual values, worldview, character and personality. The purpose of this work is to clarify their meanings and differences in Russian language and in Russian people’s consciousness. Research methods include descriptive, associative, comparative methods, methods of synthesis and generalization, and semantic analysis. When analyzing and comparing the concepts “Motherland” and “State”, this work examines the images reflected in the texts of Russian songs about these concepts and language examples in Russian phraseological dictionaries. The conducted research shows that the term “Motherland”, associated with national history, culture and ethnic identity, has a spiritual psychological flavor. The term “State” with a social meaning is defined as a political, legal, economic form of organization of human society. This concept is associated with the images of “law”, “authority”, “army/armed force”, “citizen”, etc. Clarifying the differences in their semantics in Russian language helps speakers of other linguistic cultures to better understand their significance in Russian people’s history, culture and consciousness, their role and influence on the formation of Russian people’s national psychology and spiritual world. The study of these concepts has prospects for expanding foreign students' vocabulary, deeper understanding of the Russian language, culture, people, its spiritual world and their relationships and enriching their cultural, linguistic and personal experience.\u0000","PeriodicalId":506782,"journal":{"name":"Litera","volume":"309 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140521161","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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