Pub Date : 2023-12-12DOI: 10.25205/1818-7919-2023-22-9-98-108
Е. R. Obatnina
The image of “Music teacher” and its semantic meanings. The object of the research is the semantic image of “music teacher” in the title of the famous novel by A. M. Remizov as a manifestation of the latent theme of continuity of generations in the environment of creative emigration. Music in this semantic field is a universal language uniting tradition, culture and modernity. 2. On the creation of two “musical” episodes. Based on the unknown letters of the musician and conductor N. L. Slonimsky, who belonged to the Parisian group of Remisov’s pupils, the article discovers the real subtexts of two stories devoted to the avant-garde music innovation and some experiments of the early 1930s within the novel. 2.1. Remizov and Varèse: on the typology of creative search. Author compares Remizov's intentions in transforming the form of autobiographical prose with the creative vector of composer Edgar Varèse and reveals similar features of modern culture. 2.2. Literary lesson for a professional musician. The image of Slonimsky in the structure of the novel Music teacher is related to the objectification of the equal force vector which defines similar tasks for literature and music art. The important conclusion of the article is an explanation of the significance of Alexander Blok’s image among denotatives of “music teacher” as an ideal creator able to perceive the historical time and culture by “inner hearing”.
音乐教师 "的形象及其语义。研究对象是阿-米-雷米佐夫（A. M. Remizov）著名小说标题中 "音乐教师 "的语义形象，它体现了在创造性移民环境中世代延续的潜在主题。在这一语义领域，音乐是一种将传统、文化和现代性结合在一起的通用语言。2.关于两个 "音乐 "插曲的创作。根据音乐家兼指挥家尼-列-斯洛尼姆斯基（N. L. Slonimsky）（他是雷米索夫在巴黎的学生）的不为人知的信件，文章发现了小说中两个关于前卫音乐创新和 20 世纪 30 年代早期一些实验的故事的真实潜台词。2.1.雷米佐夫与瓦雷兹：关于创作探索的类型学。作者将雷米佐夫转变自传体散文形式的意图与作曲家埃德加-瓦雷兹的创作矢量进行了比较，揭示了现代文化的相似特征。2.2.为专业音乐家上文学课。小说《音乐教师》结构中的斯洛尼姆斯基形象与等效力矢量的对象化有关，等效力矢量为文学和音乐艺术规定了相似的任务。文章的重要结论是解释亚历山大-布洛克的形象在 "音乐教师 "这一指称中的意义，他是一位能够通过 "内在听觉 "感知历史时代和文化的理想创作者。
{"title":"Alexey Remizov: Teacher and His Pupils (On the History of the Meaning of Music Teacher in the Context of Modern Art of the 20th Century)","authors":"Е. R. Obatnina","doi":"10.25205/1818-7919-2023-22-9-98-108","DOIUrl":"https://doi.org/10.25205/1818-7919-2023-22-9-98-108","url":null,"abstract":"The image of “Music teacher” and its semantic meanings. The object of the research is the semantic image of “music teacher” in the title of the famous novel by A. M. Remizov as a manifestation of the latent theme of continuity of generations in the environment of creative emigration. Music in this semantic field is a universal language uniting tradition, culture and modernity. 2. On the creation of two “musical” episodes. Based on the unknown letters of the musician and conductor N. L. Slonimsky, who belonged to the Parisian group of Remisov’s pupils, the article discovers the real subtexts of two stories devoted to the avant-garde music innovation and some experiments of the early 1930s within the novel. 2.1. Remizov and Varèse: on the typology of creative search. Author compares Remizov's intentions in transforming the form of autobiographical prose with the creative vector of composer Edgar Varèse and reveals similar features of modern culture. 2.2. Literary lesson for a professional musician. The image of Slonimsky in the structure of the novel Music teacher is related to the objectification of the equal force vector which defines similar tasks for literature and music art. The important conclusion of the article is an explanation of the significance of Alexander Blok’s image among denotatives of “music teacher” as an ideal creator able to perceive the historical time and culture by “inner hearing”.","PeriodicalId":508489,"journal":{"name":"Vestnik NSU. Series: History and Philology","volume":"129 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139182096","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-12DOI: 10.25205/1818-7919-2023-22-9-120-133
N. V. Kovtun
Purpose. The article explores the image of a trickster, and the peculiarity of its embodiment in world literature. Special attention is paid to the peculiarities of assignment and functioning of the trickster image in modern Russian literature: from camp prose with its interest in the “naked man”, and the weirdos of traditionalism, to the characters created in the postmodern era. Results. The author analyses the reasons for and prospects of the emergence of the trickster hero, his ability to solve tragic problems facing its consciousness at the turn of the twentieth and twenty-first centuries. The author emphasizes the life-affirming and vital potential of the image, the possibilities inherent in it, the means of understanding and representing tragedy. The author analyses the change of the trickster's paradigm from one epoch and text to another, and presents the peculiarities of every cultural period. The author analyses the features of the modernist trickster, which becomes the initiator of events and the engine of the plot, and the concept of the postmodernist trickster, which differs significantly from his predecessors. The analysis of artistic texts shows that the trickster is used frequently due to its ambivalence and liminality, which meets the needs of the “crisis time”. Conclusion. The relevance of the figure of trickster is related, in particular, to the obvious fatigue of modern man from the “secondary” playful strategy of postmodernism, when the suspicion of irony is total, and to the enormous pressure that man feels and the trickster can alleviate.
{"title":"The Trickster as a Hero of the Frontier, or On Survival Mechanisms in Chaos","authors":"N. V. Kovtun","doi":"10.25205/1818-7919-2023-22-9-120-133","DOIUrl":"https://doi.org/10.25205/1818-7919-2023-22-9-120-133","url":null,"abstract":"Purpose. The article explores the image of a trickster, and the peculiarity of its embodiment in world literature. Special attention is paid to the peculiarities of assignment and functioning of the trickster image in modern Russian literature: from camp prose with its interest in the “naked man”, and the weirdos of traditionalism, to the characters created in the postmodern era. Results. The author analyses the reasons for and prospects of the emergence of the trickster hero, his ability to solve tragic problems facing its consciousness at the turn of the twentieth and twenty-first centuries. The author emphasizes the life-affirming and vital potential of the image, the possibilities inherent in it, the means of understanding and representing tragedy. The author analyses the change of the trickster's paradigm from one epoch and text to another, and presents the peculiarities of every cultural period. The author analyses the features of the modernist trickster, which becomes the initiator of events and the engine of the plot, and the concept of the postmodernist trickster, which differs significantly from his predecessors. The analysis of artistic texts shows that the trickster is used frequently due to its ambivalence and liminality, which meets the needs of the “crisis time”. Conclusion. The relevance of the figure of trickster is related, in particular, to the obvious fatigue of modern man from the “secondary” playful strategy of postmodernism, when the suspicion of irony is total, and to the enormous pressure that man feels and the trickster can alleviate.","PeriodicalId":508489,"journal":{"name":"Vestnik NSU. Series: History and Philology","volume":"10 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139182086","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-12DOI: 10.25205/1818-7919-2023-22-9-134-138
O. G. Shcheglova
An essay on the monograph The Metalanguage of Linguistics by S.V. Lesnikov (St. Petersburg, 2021). The author analyses the innovative principles of creating a hypertext thesaurus of linguistics terminology, emphasizes an extensive source base of digitized dictionaries of linguistic terms, and the integrated approach to the study of linguistics metalanguage including a multidimensional analysis of various scientific schools’ and national traditions’ terminological systems. The study was based on more than 1220 digitized sources – Russian dictionaries of linguistics terminology published from 1755 to 2021. S. V. Lesnikov introduces the concept of hyzaurus into scientific circulation. In fact, it is a digital ideographic dictionary of linguistics terminology providing hyperlinks designed to search for terms by their meanings. The monograph presents infographics, a systematic index of the hyzaurus, and the ability to search not only by keywords, but also by semantic fields and even by terminological paradigms. The author notes the importance of the performed research for the creation of linguistics epistemology.
{"title":"Towards the Epistemology of Linguistics: Creating a Terminological Hypertext Thesaurus","authors":"O. G. Shcheglova","doi":"10.25205/1818-7919-2023-22-9-134-138","DOIUrl":"https://doi.org/10.25205/1818-7919-2023-22-9-134-138","url":null,"abstract":"An essay on the monograph The Metalanguage of Linguistics by S.V. Lesnikov (St. Petersburg, 2021). The author analyses the innovative principles of creating a hypertext thesaurus of linguistics terminology, emphasizes an extensive source base of digitized dictionaries of linguistic terms, and the integrated approach to the study of linguistics metalanguage including a multidimensional analysis of various scientific schools’ and national traditions’ terminological systems. The study was based on more than 1220 digitized sources – Russian dictionaries of linguistics terminology published from 1755 to 2021. S. V. Lesnikov introduces the concept of hyzaurus into scientific circulation. In fact, it is a digital ideographic dictionary of linguistics terminology providing hyperlinks designed to search for terms by their meanings. The monograph presents infographics, a systematic index of the hyzaurus, and the ability to search not only by keywords, but also by semantic fields and even by terminological paradigms. The author notes the importance of the performed research for the creation of linguistics epistemology.","PeriodicalId":508489,"journal":{"name":"Vestnik NSU. Series: History and Philology","volume":"20 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139181974","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-12DOI: 10.25205/1818-7919-2023-22-9-83-97
V. G. Andreeva, L. V. Kalyuzhnaya
Purpose. The purpose of this article is an analytical study of the correspondence between Tolstoy and Samarin, the introduction into scientific circulation of three letters that are stored in the Department of Manuscripts of the State Museum of Leo Tolstoy in Moscow and have not been published until that time. Results. The problem of creative and personal connections between Tolstoy and Samarin, their interaction and especially correspondence is comprehended in many ways. The authors of this article present a detailed scientific commentary on the letters of Tolstoy and Samarin, and explain many realities and facts that have not been given attention in Tolstoy studies. The dating of three Samarin's letters introduced into scientific circulation with analytical explanations of their place and role in the communication of correspondents has been carried out. The work uses biographical, comparative, historical and typological methods, hermeneutic and ontological methods. Conclusion. Despite the fact that Tolstoy could not find a best friend in Samarin, as he really wanted in the early 1860s, it was thanks to communication with him that he deeply comprehended the ambiguity and complexity of a number of Slavophiles’ beliefs in their application to real life.
{"title":"Correspondence of L. N. Tolstoy and Yu. F. Samarin: New Contexts and Problems of Relations between Two Contemporaries","authors":"V. G. Andreeva, L. V. Kalyuzhnaya","doi":"10.25205/1818-7919-2023-22-9-83-97","DOIUrl":"https://doi.org/10.25205/1818-7919-2023-22-9-83-97","url":null,"abstract":"Purpose. The purpose of this article is an analytical study of the correspondence between Tolstoy and Samarin, the introduction into scientific circulation of three letters that are stored in the Department of Manuscripts of the State Museum of Leo Tolstoy in Moscow and have not been published until that time. Results. The problem of creative and personal connections between Tolstoy and Samarin, their interaction and especially correspondence is comprehended in many ways. The authors of this article present a detailed scientific commentary on the letters of Tolstoy and Samarin, and explain many realities and facts that have not been given attention in Tolstoy studies. The dating of three Samarin's letters introduced into scientific circulation with analytical explanations of their place and role in the communication of correspondents has been carried out. The work uses biographical, comparative, historical and typological methods, hermeneutic and ontological methods. Conclusion. Despite the fact that Tolstoy could not find a best friend in Samarin, as he really wanted in the early 1860s, it was thanks to communication with him that he deeply comprehended the ambiguity and complexity of a number of Slavophiles’ beliefs in their application to real life.","PeriodicalId":508489,"journal":{"name":"Vestnik NSU. Series: History and Philology","volume":"142 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139182691","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-12DOI: 10.25205/1818-7919-2023-22-9-74-82
M. A. Alyakrinskaya
Introduction. The article explores the almost unstudied fairy tale Kissel by M.E. Saltykov-Shchedrin. There are no surveys on the story except for the writer’s comments on collected works. The key concept of the tale (kissel) is identified by the Soviet literature as a Russian man, while the problem is limited to denouncing “peoples’ lack of participation”. Results. As the genre of the tale Kissel is actually a parable, it is important to understand both literary and historical context. The historical context is represented by the rapid development of “wild” capitalism in post-reformed Russia, described in different publicistic series of 1870–1880s written by M. E. Saltykov-Shchedrin, as well as the emergence of the “Russian bourgeois” class (the satirist was very skeptical of the idea that the class could become a base for the new social order). The literary context is observed in the satirist’s works of 1870–1880s empathizing problems of predation, uncontrolled and merciless elimination of Russian natural resources, as well as the inability of Russian nobility to resist those social challenges. Those problems are characterized by the three main characters of the tale Kissel: the pig, the kissel and the lords personalizing concepts of “predation”, patriarchal peasantical Russia, and the cultural class losing its positions in social life. Conclusion. The author claims that the fairy tale Kissel by M. E. Saltykov-Shchedrin is the satirist’s peculiar warning that such uncontrolled embezzlement of the country’s wealth (i.e. the pig eating kissel) might lead to painful consequences for the Russian society.
导言本文探讨的是 M.E. Saltykov-Shchedrin 所著的几乎未经研究的童话《基塞尔》。除了作者对作品集的评论外，没有任何关于该故事的研究。故事的关键概念（基塞尔）被苏联文学认定为俄罗斯人，而问题仅限于谴责 "人民缺乏参与"。结果。由于《基瑟尔》的体裁实际上是一则寓言，因此了解文学和历史背景非常重要。历史背景表现为改革后的俄罗斯 "野蛮 "资本主义的迅速发展，M. E. Saltykov-Shchedrin 在 1870-1880 年代撰写的不同宣传丛书中对此进行了描述，以及 "俄罗斯资产阶级 "的出现（讽刺作家对该阶级可能成为新社会秩序基础的观点持怀疑态度）。在讽刺作家 1870-1880 年代的作品中，我们可以看到他对掠夺、无节制和无情地掠夺俄罗斯自然资源以及俄罗斯贵族无力抵御这些社会挑战等问题感同身受的文学背景。基塞尔》故事中的三个主要人物：猪、基塞尔和领主将 "掠夺"、父权制的俄罗斯农民以及在社会生活中失去地位的文化阶层等概念个人化，从而体现了这些问题的特点。结论作者认为，M. E. Saltykov-Shchedrin 的童话《基塞尔》是讽刺作家的一个特殊警告，即这种无节制地侵吞国家财富的行为（即猪吃基塞尔）可能会给俄罗斯社会带来痛苦的后果。
{"title":"On the Genre Interpretation of the Fairy Tale Kissel by Saltykov-Shchedrin","authors":"M. A. Alyakrinskaya","doi":"10.25205/1818-7919-2023-22-9-74-82","DOIUrl":"https://doi.org/10.25205/1818-7919-2023-22-9-74-82","url":null,"abstract":"Introduction. The article explores the almost unstudied fairy tale Kissel by M.E. Saltykov-Shchedrin. There are no surveys on the story except for the writer’s comments on collected works. The key concept of the tale (kissel) is identified by the Soviet literature as a Russian man, while the problem is limited to denouncing “peoples’ lack of participation”. Results. As the genre of the tale Kissel is actually a parable, it is important to understand both literary and historical context. The historical context is represented by the rapid development of “wild” capitalism in post-reformed Russia, described in different publicistic series of 1870–1880s written by M. E. Saltykov-Shchedrin, as well as the emergence of the “Russian bourgeois” class (the satirist was very skeptical of the idea that the class could become a base for the new social order). The literary context is observed in the satirist’s works of 1870–1880s empathizing problems of predation, uncontrolled and merciless elimination of Russian natural resources, as well as the inability of Russian nobility to resist those social challenges. Those problems are characterized by the three main characters of the tale Kissel: the pig, the kissel and the lords personalizing concepts of “predation”, patriarchal peasantical Russia, and the cultural class losing its positions in social life. Conclusion. The author claims that the fairy tale Kissel by M. E. Saltykov-Shchedrin is the satirist’s peculiar warning that such uncontrolled embezzlement of the country’s wealth (i.e. the pig eating kissel) might lead to painful consequences for the Russian society.","PeriodicalId":508489,"journal":{"name":"Vestnik NSU. Series: History and Philology","volume":"29 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139182527","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-12DOI: 10.25205/1818-7919-2023-22-9-109-119
O. A. Donskikh, Md Tapu Rayhan
This article questions the reasons for the interest in the genre of saga, and discusses the peculiarities of its construction depending on the time and place of its origin, starting with the oral tradition. This genre is defined firstly by describing the life of no less than three families during a considerable span of history of a country, it also includes precise environmental details, such as dress and behavior, and exact dates of events against which the life of the heroes flows. Yet there are some differences in the choice of the narrator (whether it is the heroes themselves, or an objective observer of the events), the way of presenting time and space, ways of communication, etc. These differences are analyzed in the examples of four novels representing four literary traditions. The specifics of Russian literary tradition are also emphasized.
{"title":"Family Saga as a Genre of World Literature","authors":"O. A. Donskikh, Md Tapu Rayhan","doi":"10.25205/1818-7919-2023-22-9-109-119","DOIUrl":"https://doi.org/10.25205/1818-7919-2023-22-9-109-119","url":null,"abstract":"This article questions the reasons for the interest in the genre of saga, and discusses the peculiarities of its construction depending on the time and place of its origin, starting with the oral tradition. This genre is defined firstly by describing the life of no less than three families during a considerable span of history of a country, it also includes precise environmental details, such as dress and behavior, and exact dates of events against which the life of the heroes flows. Yet there are some differences in the choice of the narrator (whether it is the heroes themselves, or an objective observer of the events), the way of presenting time and space, ways of communication, etc. These differences are analyzed in the examples of four novels representing four literary traditions. The specifics of Russian literary tradition are also emphasized.","PeriodicalId":508489,"journal":{"name":"Vestnik NSU. Series: History and Philology","volume":"42 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139182051","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-11DOI: 10.25205/1818-7919-2023-22-9-31-40
A. Nazaykin
Purpose. For scientists studying communication and for specialists who create texts, it is important to understand how you can evaluate the impact on the audience, the result of this impact. In this paper, the author made an attempt to combine practical knowledge in the field of text creation with a scientific approach to studying its effectiveness. Based on the functions inherent in the text, the author considers the very concept of text effectiveness, which is defined differently by different specialists. Different approaches to evaluating effectiveness are used in different communication areas: in journalism, PR, advertising, and literature. Results. The analysis made it possible to highlight the general and specific in modern approaches to evaluating the effectiveness of texts, to use traditional and new evaluation approaches in the preparation of high-quality messages. Conclusion. In general, based on the analysis, it was concluded that today in journalism, and in PR, and in advertising, and in literature, there is an expansion of economical opportunities for an objective assessment of texts. Their study and use allows the creators of modern texts to improve the quality of their work to communicate more effectively with their audience.
{"title":"Modern Approaches to Assessing the Effectiveness of the Text","authors":"A. Nazaykin","doi":"10.25205/1818-7919-2023-22-9-31-40","DOIUrl":"https://doi.org/10.25205/1818-7919-2023-22-9-31-40","url":null,"abstract":"Purpose. For scientists studying communication and for specialists who create texts, it is important to understand how you can evaluate the impact on the audience, the result of this impact. In this paper, the author made an attempt to combine practical knowledge in the field of text creation with a scientific approach to studying its effectiveness. Based on the functions inherent in the text, the author considers the very concept of text effectiveness, which is defined differently by different specialists. Different approaches to evaluating effectiveness are used in different communication areas: in journalism, PR, advertising, and literature. Results. The analysis made it possible to highlight the general and specific in modern approaches to evaluating the effectiveness of texts, to use traditional and new evaluation approaches in the preparation of high-quality messages. Conclusion. In general, based on the analysis, it was concluded that today in journalism, and in PR, and in advertising, and in literature, there is an expansion of economical opportunities for an objective assessment of texts. Their study and use allows the creators of modern texts to improve the quality of their work to communicate more effectively with their audience.","PeriodicalId":508489,"journal":{"name":"Vestnik NSU. Series: History and Philology","volume":"78 17","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139183717","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-11DOI: 10.25205/1818-7919-2023-22-9-9-20
A. Tihova
Purpose. The paper focuses on some compound nominal entries from word-formation and semantic aspect with low frequency of occurrence, typical of the Tarnovo Revision of Verse Prolog. Results. I. Names of persons, whose occupation is connected to: writing hymns, to the icon painting, writing chronicles. II. Names of persons, whose occupation is connected to the stone, metal and fur processing. III. Names of persons from the ruler’s circle, who have routine obligations; whose activities are related to trade. The specificity of the prolog passionaries makes it possible to highlight an interesting layer of lexis from semantic perspective, related to a number of professions and occupations during the Middle Ages.
{"title":"Composite nomina agentis with Low Frequency Usage in the Tarnovo Revision of the Verse Prolog","authors":"A. Tihova","doi":"10.25205/1818-7919-2023-22-9-9-20","DOIUrl":"https://doi.org/10.25205/1818-7919-2023-22-9-9-20","url":null,"abstract":"Purpose. The paper focuses on some compound nominal entries from word-formation and semantic aspect with low frequency of occurrence, typical of the Tarnovo Revision of Verse Prolog. Results. I. Names of persons, whose occupation is connected to: writing hymns, to the icon painting, writing chronicles. II. Names of persons, whose occupation is connected to the stone, metal and fur processing. III. Names of persons from the ruler’s circle, who have routine obligations; whose activities are related to trade. The specificity of the prolog passionaries makes it possible to highlight an interesting layer of lexis from semantic perspective, related to a number of professions and occupations during the Middle Ages.","PeriodicalId":508489,"journal":{"name":"Vestnik NSU. Series: History and Philology","volume":"317 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139183251","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-11DOI: 10.25205/1818-7919-2023-22-9-53-63
P. A. Sikatskaya, I. A. Remorov
Purpose. Some texts have been translated into another language multiple times. There are various reasons to compile a new translation of a previously translated text: some translators are not satisfied with the accuracy of the existing translations, while others try to create new interpretations. The study presents a comparative evaluation of translation equivalence on the base of one of Horace's odes, namely Ad Leuconoën (I:XI), and its 55 translations into Russian. Results. Detailed study of the problem revealed the impossibility of postulating a single scale of translation equivalence; at least for translations of a Latin poetic text, metrical, cultural, and semantic equivalence should be considered separately. The article describes the semantic equivalence. Our method is divided into two steps - semantic analysis and arithmetic calculations. First, in Horace's poem, we select 30 keywords, and then we define the actual semes for each of them in the original text and in the translations. Then we compare the semes and register the differences. At last, we determine the coefficient of semantic equivalence for every translation using the arithmetic means. Conclusion. High semantic equivalence does not always correlate with aesthetic perception. Moreover, earlier translations tend to have lesser equivalence.
{"title":"Evaluating the Semantic Equivalence of a Poetic Text","authors":"P. A. Sikatskaya, I. A. Remorov","doi":"10.25205/1818-7919-2023-22-9-53-63","DOIUrl":"https://doi.org/10.25205/1818-7919-2023-22-9-53-63","url":null,"abstract":"Purpose. Some texts have been translated into another language multiple times. There are various reasons to compile a new translation of a previously translated text: some translators are not satisfied with the accuracy of the existing translations, while others try to create new interpretations. The study presents a comparative evaluation of translation equivalence on the base of one of Horace's odes, namely Ad Leuconoën (I:XI), and its 55 translations into Russian. Results. Detailed study of the problem revealed the impossibility of postulating a single scale of translation equivalence; at least for translations of a Latin poetic text, metrical, cultural, and semantic equivalence should be considered separately. The article describes the semantic equivalence. Our method is divided into two steps - semantic analysis and arithmetic calculations. First, in Horace's poem, we select 30 keywords, and then we define the actual semes for each of them in the original text and in the translations. Then we compare the semes and register the differences. At last, we determine the coefficient of semantic equivalence for every translation using the arithmetic means. Conclusion. High semantic equivalence does not always correlate with aesthetic perception. Moreover, earlier translations tend to have lesser equivalence.","PeriodicalId":508489,"journal":{"name":"Vestnik NSU. Series: History and Philology","volume":"33 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139183875","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-11DOI: 10.25205/1818-7919-2023-22-9-21-30
Y. G. Zakharova
Purpose. The author considers the problem of establishing a correlation between lacunarity and neologization of the language system in the diachronic aspect using methods of semantic, contrastive, contextual, corpus and quantitative analysis. The material for the study is Russian writers’ epistolary texts of the second half of the 19th century. The author specifies the meaning of the term lacuna in relation to diachrony: a lacuna is an empty cell in the lexical system of a language, revealed retrospectively by detecting means that compensate for it. Results. The author’s classification of lacunae is based on a semiotic criterion: conceptual lacunae are empty cells in the lexical system, which are characterized by the absence of both the signifier and the signified (concept); lexical lacunae are empty cells in the lexical system, which lack a signifier, but have a non-verbalized signified that exists in public or individual consciousness. Conclusion. Extralinguistic and intra-linguistic factors determined the formation and compensation of communicatively significant lacunae in the lexical system at the level of language and speech: changes in the socio-political, economic, cultural life of Russia; interlanguage contacts; the need for nomination or re-designation of the concept; the laws of linguistic regularity, analogy, generalization and differentiation, economy, the tendency to expressiveness.
{"title":"Lacunarity and Neology: Diachronic Aspect (Based on the Material of Russian Writers’ Epistolary Texts of the 19th Century)","authors":"Y. G. Zakharova","doi":"10.25205/1818-7919-2023-22-9-21-30","DOIUrl":"https://doi.org/10.25205/1818-7919-2023-22-9-21-30","url":null,"abstract":"Purpose. The author considers the problem of establishing a correlation between lacunarity and neologization of the language system in the diachronic aspect using methods of semantic, contrastive, contextual, corpus and quantitative analysis. The material for the study is Russian writers’ epistolary texts of the second half of the 19th century. The author specifies the meaning of the term lacuna in relation to diachrony: a lacuna is an empty cell in the lexical system of a language, revealed retrospectively by detecting means that compensate for it. Results. The author’s classification of lacunae is based on a semiotic criterion: conceptual lacunae are empty cells in the lexical system, which are characterized by the absence of both the signifier and the signified (concept); lexical lacunae are empty cells in the lexical system, which lack a signifier, but have a non-verbalized signified that exists in public or individual consciousness. Conclusion. Extralinguistic and intra-linguistic factors determined the formation and compensation of communicatively significant lacunae in the lexical system at the level of language and speech: changes in the socio-political, economic, cultural life of Russia; interlanguage contacts; the need for nomination or re-designation of the concept; the laws of linguistic regularity, analogy, generalization and differentiation, economy, the tendency to expressiveness.","PeriodicalId":508489,"journal":{"name":"Vestnik NSU. Series: History and Philology","volume":"25 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139183969","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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