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Machine Learning Methods for Analyzing Morphological and Lexical Characteristics of Speech of Boys with Autism Spectrum Disorders and Down Syndrome 用机器学习方法分析自闭症谱系障碍和唐氏综合征男孩的语音形态和词汇特征
Pub Date : 2024-02-21 DOI: 10.25205/1818-7919-2024-23-2-39-55
O. Makhnytkina, O. V. Frolova, E. Lyakso
Purpose. In this paper, we propose an approach to identifying significant differences in the speech of typically developing boys (TD), boys with Autism Spectrum Disorder (ASD) and Down syndrome (DS) based on a comparison of morphological and lexical characteristics of their speech. The linguistic characteristics were extracted automatically using the morphological analyzer pymorphy2. Sixty nine boys were interviewed. In total, 45 linguistic features were extracted from each dialogue.Results. The Mann – Whitney U test was used for assessing the differences in linguistic features of speech, and differences were identified for 31 linguistic features of speech of boys with TD and with ASD, 31 linguistic features of speech of boys with TD and with DS, and 15 linguistic features of speech of boys with ASD and with DS. These features were used to build classification models using machine learning methods: gradient boosting, random forest, and AdaBoost algorithm. The identified features showed good separability, and the accuracy of the classification of the dialogues of boys with typical development, autism spectrum disorders and Down syndrome equal to 88 % was achieved.
目的。在本文中,我们提出了一种方法,基于对典型发育男孩(TD)、患有自闭症谱系障碍(ASD)和唐氏综合症(DS)的男孩的语音的形态和词汇特征的比较,来识别他们语音中的显著差异。语言特点是使用形态分析器 pymorphy2 自动提取的。69 名男孩接受了访谈。从每段对话中共提取了 45 个语言特点。曼-惠特尼U检验用于评估语言特征的差异,结果显示,31个TD男孩和ASD男孩的语言特征存在差异,31个TD男孩和DS男孩的语言特征存在差异,15个ASD男孩和DS男孩的语言特征存在差异。这些特征被用于使用梯度提升、随机森林和 AdaBoost 算法等机器学习方法建立分类模型。所识别的特征显示出良好的可分离性,对患有典型发育障碍、自闭症谱系障碍和唐氏综合症的男孩的对话进行分类的准确率达到了 88%。
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引用次数: 0
“Night Witch”, Warrior Maiden, Soviet Woman: The Image of a Military Pilot in the Literature of Socialist Realism (M. Chechneva My Fighting Friends) "黑夜女巫"、女战士、苏联妇女:社会主义现实主义文学中的军事飞行员形象》(M. Chechneva My Fighting Friends)
Pub Date : 2024-02-21 DOI: 10.25205/1818-7919-2024-23-2-106-114
T. A. Zagidulina
Purpose. The article analyses the image of a military pilot in Soviet memoir literature. A lot of research works were devoted to the study of Soviet literature and its figurative system, but no special works have been found that focus on this character. The research material is a book of essays by M. Chechneva My Battle Friends (1968). The author used the method of mythopoetic analysis, as well as a structural-typological approach.Results. The work substantiates a typological similarity between a pilot and a warrior maiden at the characterological, gender, mythopoetic, allusive, and nominative levels. The study revealed significant elements of the image of a military pilot and associated motives – revenge, delayed marriage. These motifs refer to the inherent gender inversion in such plots, highlight the masculinity of the heroines, a characteristic of the type of female warrior. The image under the study is intertextually connected with Russian epic heroines, which allows us to talk about the traditional nature of the type itself. The semantics of the nomination “night witches” is also analyzed, which paradoxically takes on positive connotations. In addition, specific socialist realist layers were found in the model under consideration – the heroines are characterized by such qualities as discipline, rigor, and calmness.Conclusion. The image of a military pilot fits into the paradigm of the warrior maiden type, but has some peculiarities. This is due to the artistic method within which the author of the essays worked, as well as to the time of writing the works.
目的文章分析了苏联回忆录文学中的军事飞行员形象。大量研究著作致力于苏联文学及其形象系统的研究,但尚未发现专门研究这一人物形象的著作。研究材料是 M. 切赫涅娃的散文集《我的战友》(1968 年)。作者使用了神话分析方法以及结构类型学方法。研究结果表明,飞行员和少女战士在性格、性别、神话、典故和称谓层面上具有类型学上的相似性。研究揭示了军事飞行员形象的重要元素和相关动机--复仇、延迟结婚。这些主题指的是此类情节中固有的性别倒置,突出了女主人公的男性气质,这也是女战士类型的特征。本研究中的形象与俄罗斯史诗中的女英雄有着互文联系,这让我们可以讨论这一类型本身的传统性质。我们还分析了 "黑夜女巫 "这一称谓的语义,它自相矛盾地具有积极的含义。此外,我们还在所研究的模型中发现了特定的社会主义现实主义层面--女英雄们具有纪律、严谨和冷静等品质。军事飞行员的形象符合少女战士类型的范例,但也有一些特殊性。这与散文作者的艺术创作方法以及作品的写作时间有关。
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引用次数: 0
Expression of Ecological Consciousness of the Indigenous Peoples of the North in the Works by N. Kalitin (Tommoo, Thunder Bursts) N. Kalitin 作品中北方土著人民生态意识的表达(《Tommoo》,《雷霆迸发》)。
Pub Date : 2024-02-21 DOI: 10.25205/1818-7919-2024-23-2-138-145
N. V. Zotova
Purpose. The article is devoted to the key aspects of expressing ecological consciousness of the indigenous peoples of the North in novels Tommoo and Thunder Bursts by Nikolai Kalitin, who raises the problem of damaging hunting grounds and rivers during the technological development of the North.Results. The key aspects of the ecological consciousness of Evenks and Yakuts are revealed in novels Tommoo and Thunder bursts. The ecological consciousness is based on a careful attitude to nature, and awareness of inseparable unity with it: perception of nature as the mother of all things and understanding of kinship with it; animateness of all objects and phenomena revealed through the presence of spirits of nature and mythological deities; man's understanding of himself as a creation of nature; the presence of a sacred tree as a symbol of the world structure, the personification of the unfading fertility of the earth.Conclusion. The key to solving the problem of further survival and wealth of indigenous peoples of the North is believed to be the search for a balance between the technological development of society and the preservation of ecology, rational use of natural resources for continuation of traditional activities, based on ethnic culture with rational simplification of labor.
目的。本文主要探讨尼古拉-卡利京(Nikolai Kalitin)的小说《Tommoo》和《Thunder Bursts》中表达北方土著民族生态意识的主要方面。小说《Tommoo》和《雷声阵阵》揭示了埃文克族和雅库特族生态意识的主要方面。生态意识的基础是对自然的谨慎态度,以及与自然不可分割的统一意识:将自然视为万物之母,并理解与自然的亲缘关系;通过自然之灵和神话神灵的存在揭示了所有物体和现象的灵性;人类将自身理解为自然的创造物;神树的存在是世界结构的象征,是大地永不衰败的肥力的化身。人们认为,解决北方土著人民进一步生存和致富问题的关键在于寻求社会技术发展与保护生态之间的平衡,合理利用自然资源,以民族文化为基础,合理简化劳动,继续开展传统活动。
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引用次数: 0
Euphemistic Means of the Erotic Narrative in the Cycle Dark Alleys by I. Bunin 伊-布宁《暗巷》中婉转的情色叙事手段
Pub Date : 2024-02-21 DOI: 10.25205/1818-7919-2024-23-2-20-30
O. Isachenko, He Sin
Purpose. The article analyses the features of the erotic narrative of I. A. Bunin in his cycle Dark Alleys, which became a phenomenon in Russian classical literature – a kind of artistic “encyclopedia of love”, written in defiance of ethical and ideological prohibitions.Results. Erotica in this cycle is presented in descriptions of the physiology of sex and sexual communication. The research examines 209 contexts extracted from the cycle. They describe actions of a sexual nature, including violent or commercial ones, human physiology and anatomy (59 contexts), which determine human sexual behavior. The writer widely uses various methods of euphemization of erotic meanings: synonymous replacements, generalization techniques, allusion, ellipsis, silence. Quantitative data show that the main speech strategy in the Bunin cycle is silence, which is implemented in a whole series of stylistic tropes and figures. I. A. Bunin uses a diverse arsenal of units of the lexical, lexico-morphological and syntactic levels. Euphemisms appear in areas of maximum erotic tension. With their help, the author reduces the “emotionogenicity” of erotica in accordance with his own ideas about the boundaries of what is acceptable and permissible.Conclusion. In the vertical context of Russian culture, I. Bunin’s erotic narrative, his restraint and precision in the choice of linguistic means, the deliberate exclusion of naturalism and reduced style serve to preserve harmony in the triad “LOVE – PASSION – SEX”. The Bunin language of Dark Alleys can be considered a classic standard of the sacrament of physical love, which the writers of the 20th century were guided by, accepting or rejecting it.
目的文章分析了伊-阿-布宁在其《暗巷》一书中的情色叙事特点,该书已成为俄罗斯古典文学的一种现象--一种艺术性的 "爱情百科全书",它是在无视伦理和意识形态禁令的情况下写成的。该书中的情色描写是通过对性生理和性交流的描述来表现的。研究对从该周期中提取的 209 个情境进行了审查。它们描述了决定人类性行为的性行动(包括暴力或商业性行动)、人体生理和解剖(59 个情境)。作者广泛使用了各种婉转色情含义的方法:同义替换、概括技巧、典故、省略号、沉默。定量数据显示,布宁作品中的主要语言策略是沉默,并通过一系列文体套语和形象来实现。伊-阿-布宁在词汇、词形和句法层面使用了多种多样的单位。委婉语出现在情欲最紧张的地方。在它们的帮助下,作者根据自己对可接受和可允许的界限的看法,降低了情色作品的 "情感原生性"。在俄罗斯文化的纵向背景下,伊-布宁的情色叙事、他在语言手段选择上的克制和精确、对自然主义的刻意排斥以及风格的简化,都有助于维护 "爱-激情-性 "三者之间的和谐。布宁在《幽暗的小巷》中的语言可以说是肉体之爱圣典的经典标准,20 世纪的作家们都以此为指导,接受或拒绝它。
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引用次数: 0
Associative Experiment as an Auxiliary Method to Identify the Features of the Linguocolor Pictures of the Kazakh World 以联想实验为辅助方法识别哈萨克世界语言色彩图片的特征
Pub Date : 2024-02-21 DOI: 10.25205/1818-7919-2024-23-2-76-88
N. B. Koshkareva, M. Abzhaparova
Purpose. General aim of this article is the structuring of the functional-semantic field of color terms in the Kazakh language.Results. The article analyzes the experimental results obtained during the psycholinguistic association experiment (AE) conducted in 2021 with students being native Kazakh speakers. The Almaty Corpus of the Kazakh language was used for determining the frequency of basic adjectives in the Kazakh language. There were assigned 8 lexemes as basic color terms in the Kazakh language: қara ‘black’, ақ ‘white’, kok ‘blue’, kyzyl ‘red’, sary ‘yellow’, қоңыр ‘brown’, zhasyl ‘green’ and sur ‘grey’ ‒ on the basis of their frequency, non-derivation, transparency of lexical meaning, wide compatibility with words of different semantic classes and word-formation productivity. The conducted associative experiment was aimed to identify the standards of basic color designations rooted in the linguistic consciousness, as well as the respondents' original reactions to color.Conclusion. The application of the associative experiment revealed the features of the linguistic picture of the world of the Kazakhs in terms of the color representation of reality. The use of AE made it possible to obtain information about different levels of color awareness, which allows clarifying and verifying one of the possible ways to study color designations. A significant proportion of stable associations lie in the emotional, spiritual and intellectual spheres, whereas objects of the environment acting as standards for color values are represented by a large number of single, individual associations.
目的。本文的总体目标是构建哈萨克语中颜色术语的功能语义领域。文章分析了 2021 年对以哈萨克语为母语的学生进行的心理语言学联想实验(AE)的实验结果。哈萨克语阿拉木图语料库用于确定哈萨克语中基本形容词的频率。哈萨克语的基本颜色词共有 8 个:қara "黑色"、ақ "白色"、kok "蓝色"、kyzyl "红色"、sary "黄色"、қоңыр "棕色"、zhasyl "绿色 "和sur "灰色"--其依据是这些词的频率、非衍生性、词义的透明度、与不同语义类别词汇的广泛兼容性和构词效率。进行联想实验的目的是确定扎根于语言意识中的基本颜色名称标准,以及受访者对颜色的原始反应。联想实验的应用揭示了哈萨克人在现实色彩表征方面的语言世界图景特征。通过使用联想实验,我们获得了关于不同色彩认知水平的信息,从而澄清并验证了研究色彩称谓的一种可能方法。在情感、精神和智力领域,稳定的联想占了很大比例,而作为色彩价值标准的环境对象则由大量单一、个别的联想来代表。
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引用次数: 0
Motif of Flight in the Poems by A. D. Raevsky 阿-达-拉耶夫斯基诗歌中的飞行主题
Pub Date : 2024-02-21 DOI: 10.25205/1818-7919-2024-23-2-115-125
I. A. Pushkareva, Yu. E. Pushkareva
Purpose. The article contains results of philological analysis of the motif of flight in the poems by the contemporary Kuzbass poet A. D. Raevsky. The material for analysis is The Golden Bug (Zolotoy Zhuk; 2021), a collection of works of different periods. Poems containing the motif of flight are analyzed and classified by topic.Results. The authors consider five groups of poems: 1) poems where flight is the central element of the plot; 2) poems tied to childhood, homeland, nostalgia, memories of the past; 3) landscape poems dedicated to nature; 4) love poems; 5) philosophical poems with metaphysical, existential topics.The motif has a range of functions: 1) expresses psychological state of the hero, for example, his joy or delight, love, passion, fatigue, sorrow, calmness; 2) becomes an element of the philosophical plot of the poem corresponding to such topics as sense of life, death, soul; 3) becomes an element of the space developing the chronotop of the poem, making it bright and emotional.Conclusion. The motif of flight expressed with various verbs and nouns plays an important role in the poetry by Raevsky. It is associated with love, nature, freedom, homeland, family members, memory and nostalgia, as well as with philosophical topics such as death and sense of life. Various images, from animals (birds, horses, etc.) and natural objects (leaves, clouds) to supernatural creatures (a flying horse, a witch) reveal this motif.
目的。文章包含对当代库兹巴斯诗人阿-达-拉耶夫斯基诗歌中飞行主题的语言学分析结果。分析材料是《金虫》(Zolotoy Zhuk; 2021 年),这是一部不同时期的作品集。对包含飞行主题的诗歌进行了分析,并按主题进行了分类。作者考虑了五组诗歌:1) 以飞行为中心情节的诗歌;2) 与童年、故乡、乡愁、对过去的回忆有关的诗歌;3) 献给大自然的风景诗;4) 爱情诗;5) 以形而上学、存在主义为主题的哲理诗:1) 表现主人公的心理状态,例如,他的欢乐或喜悦、爱情、激情、疲劳、悲伤、平静;2) 成为诗歌哲学情节的一个元素,与生命感、死亡、灵魂等主题相对应;3) 成为诗歌时空发展的一个元素,使诗歌明亮而富有情感。用各种动词和名词表达的飞行主题在拉耶夫斯基的诗歌中扮演着重要角色。它与爱情、自然、自由、故乡、家人、记忆和乡愁有关,也与死亡和生命感等哲学话题有关。从动物(鸟、马等)、自然物体(树叶、云彩)到超自然生物(飞马、女巫)等各种形象都揭示了这一主题。
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引用次数: 0
The Image of the Married Woman in Portuguese, Spanish and Russian Proverbs in the Light of Medieval Christian Ethics 从中世纪基督教伦理看葡萄牙语、西班牙语和俄语谚语中已婚妇女的形象
Pub Date : 2024-02-21 DOI: 10.25205/1818-7919-2024-23-2-56-67
N. Arsentieva, A. M. Díaz Ferrero, E. F. Quero Gervilla
Purpose. To examine the portrayal of women in matrimonial contexts through an analysis of 437 proverbs originating from Portuguese, Spanish, and Russian traditions. This study aims to explore how these sayings mirror the cultural, societal, and religious beliefs surrounding women's roles in the institution of marriage.Results. The study found that the image of women in marriage within these proverbs is consistent across the cultures studied. It highlighted that while the Christian Church promotes chastity, it also endorses marriage to combat sexual promiscuity. Similarities were identified between Southern European and Russian proverbs regarding the spiritual foundation of Christian marriage, the nature of spousal relationships, and the expected qualities of a wife and mother.Conclusion. Proverbs serve as a cultural repository, mirroring traditions and values shaped by historical and literary influences. The proverbs perpetuate the religious and moral ideals of the Catholic and Orthodox Churches, particularly the patriarchal view of marriage. This view enforces a hierarchy within marriage, with the wife subordinated to the husband, who is seen as her spiritual guide and the determinant of roles and responsibilities in the family and the broader society.
目的通过分析源自葡萄牙、西班牙和俄罗斯传统的 437 条谚语,研究妇女在婚姻环境中的形象。本研究旨在探讨这些谚语如何反映出围绕妇女在婚姻制度中的角色的文化、社会和宗教信仰。研究发现,在这些谚语中,妇女在婚姻中的形象在所研究的文化中是一致的。研究强调,基督教会在提倡贞洁的同时,也支持通过婚姻来打击性乱。南欧谚语和俄罗斯谚语在基督教婚姻的精神基础、配偶关系的性质以及妻子和母亲应具备的品质方面有相似之处。谚语是文化的宝库,反映了受历史和文学影响而形成的传统和价值观。谚语延续了天主教和东正教的宗教和道德理想,尤其是父权制婚姻观。这种观点强制推行婚姻中的等级制度,妻子从属于丈夫,丈夫被视为妻子的精神导师,是家庭和社会中角色和责任的决定者。
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引用次数: 0
Toposes Steppe – City – Plant in A. P. Chekhov’s Prose Poetics of 1890s. The Functions 19 世纪 90 年代契诃夫散文诗学中的 "草原-城市-植物 "主题。功能
Pub Date : 2024-02-21 DOI: 10.25205/1818-7919-2024-23-2-89-98
L. N. Sinyakova
Purpose. The subject of the article is the functional aspect of the major late A. P. Checkhov’s works topics. Steppe, city and plant / factory are polyfunctional space types and concepts.Results. The steppe topos incorporated into Chekhov’s poetics and concepts in the 1880s, was developing in the 1890s in its existential meaning. The steppe topos in two short stories, At Home and The Petcheneg, represents a disastrous space. The main character of the first story, Vera Kardina, realizes her regress into wildness; the protagonist of the se cond story would never realize it. So, Vera’s decision is to be useful in her local social life; the Petcheneg, on contrary, is metaphorically dead.The city topos is investigated in its major variant “the province”. The genius of the place is narrow-minded hypocrisy, total distrust and boredom. Misayl Poloznev, the personage of My Life, lives his own life in spite of the common way of living. Doctor Startsev, the protagonist of Ionych, could not overcome a city’s inertia of deindividualization.The plant / factory topos marks a place of machinery, antagonistic to any human – proprietors and workers. In the novella A Woman’s Kingdom the plant’s master is unhappy and lonesome, in A Doctor’s Visit the factory symbolizes a devil. A young lady, the proprietor, is ready to leave the place and seek her own path.Conclusion. Toposes the steppe, the city and the plant have a triple function. The first is a plot function (the action catalysator), the second is a conceptual (generation of negative senses), the third is architectonic (values structure).
目的。文章的主题是 A. P. 切霍夫晚期主要作品主题的功能方面。草原、城市和工厂是多功能的空间类型和概念。契诃夫在 19 世纪 80 年代就将草原拓扑纳入了他的诗学和概念中,并在 19 世纪 90 年代发展了其存在意义。在两篇短篇小说《在家》和《彼得切涅格》中,草原地貌代表了一种灾难性的空间。第一个故事的主人公薇拉-卡尔迪娜意识到了自己向野性的倒退,而第二个故事的主人公却永远不会意识到这一点。因此,薇拉的决定是在当地的社会生活中发挥作用;相反,彼得切涅格则隐喻着死亡。这个地方的天才在于狭隘的虚伪、完全的不信任和无聊。我的生活》中的主人公米萨伊尔-波洛兹涅夫不顾世俗的生活方式,过着自己的生活。厂房/工厂 "是一个机械的地方,与任何人类--业主和工人--都是对立的。在长篇小说《一个女人的王国》中,工厂的主人是不快乐和孤独的,而在《一个医生的来访》中,工厂则象征着魔鬼。一位年轻的女老板准备离开这里,寻找自己的道路。草原、城市和工厂这三个主题具有三重功能。第一种是情节功能(动作催化剂),第二种是概念功能(产生负面感觉),第三种是建筑功能(价值观结构)。
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引用次数: 0
Reminiscence of A. S. Pushkin’s Tale about the Dead Princess in B. L. Pasternak’s Poem Hoarfrost 在 B. L. 帕斯捷尔纳克的诗歌《冰霜》中回忆 A. S. 普希金的亡国公主故事
Pub Date : 2024-02-21 DOI: 10.25205/1818-7919-2024-23-2-99-105
A. A. Aksionova
Purpose. The poem Hoarfrost among the other works of B. L. Pasternak shows a problem of borders in three different ways: as the inner world of the lyrical hero, as a correlation of a fairy-tale and casual aspects of life, and as a state of nature. It is no coincidence that Hoarfrost is included in the “boundary”, transitional to the late stage of Pasternak's work, the Peredelkino cycle.Results. On the one hand, the theme of an end of a unique human life (in contrast to the endlessly reproduced cycle of death and rebirth of nature) is revealed in images of fear, deceptive order and mistrust. On the other hand, the creative gift of poetic (and childlike) vision brings semantics of consolation. The most surprising thing that happens to the lyrical hero is the discovery of correlations: all the solemn harmony of the environment turns out to be a living representation of the poetical harmony, such as Pushkin's quatrain in The Tale of the Dead Princess.Conclusion. Thus, the everyday world is an extension of the ideal, sacred sense. This discovery requires the efforts of the hero, who moves from a sense of discord between a human and the world to a dialogue with nature and the hope of being heard.
目的。在 B. L. 帕斯捷尔纳克的其他作品中,《冰霜》一诗以三种不同的方式展现了边界问题:作为抒情主人公的内心世界、作为童话与生活中偶然现象的关联以及作为自然状态。冰霜》被列入帕斯捷尔纳克作品的 "边界 "部分并非偶然,它是帕斯捷尔纳克晚期作品《佩列杰尔金诺》的过渡。一方面,恐惧、欺骗性秩序和不信任的形象揭示了人类独特生命终结的主题(与自然界无休止的死亡和重生循环形成鲜明对比)。另一方面,诗意(和童真)视觉的创造性天赋带来了安慰的语义。发生在抒情主人公身上最令人惊奇的事情就是发现了关联:所有庄严和谐的环境都变成了诗歌和谐的活生生的再现,如普希金在《亡国公主的故事》中的四行诗。因此,日常生活世界是理想、神圣感的延伸。这一发现需要主人公的努力,他从人与世界的不和谐感转变为与自然的对话,并希望被倾听。
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引用次数: 0
Dostoevsky’s Ethical and Aesthetical Conception and the Problem of Russian National Identity in A. Ponizovsky’s novel Turning into a Listening Ear 陀思妥耶夫斯基的伦理和美学观念与 A. 波尼佐夫斯基小说《变成一只倾听的耳朵》中的俄罗斯民族身份问题
Pub Date : 2024-02-21 DOI: 10.25205/1818-7919-2024-23-2-126-137
O. A. Kolmakova, M. N. Zhornikova
Purpose. The aim of the article is to investigate the influence of the F. M. Dostoevsky's creative heritage on the ideological and artistic originality of A. Ponizovsky's novel Turning into a Listening Ear (2013).Results. Ponizovsky's interpretation of Dostoevsky related to the theme of the Russian world and Russian identity. Two plotlines, social (ordinary Russians’ stories) and philosophical (controversy around them), create a conflict field typical for Dostoevsky's works: meaning of life and absurdity of existence, cruelty and compassion, Russian people and Russia. Dostoevsky's intertext is found at all levels of text organization. A deep philosophical understanding of the Russian life’s problems is achieved due to a set of Dostoevsky's intertexts, which have acquired the status of metanarratives in Russian culture (Grushenka's legend about the saving onion, devil's anecdote about a quadrillion kilometers on the way to paradise, Svidrigailov's image of eternity as a bathhouse with spiders). Following Dostoevsky's stylistic strategies includes the usage of a polyphonic novel resources, and reproducing individual techniques of the writer's poetics (anachronism, coexistence of fiction and non-fiction, using of Holy Scripture's text). The very person of Dostoevsky becomes an object of controversy for Ponizovsky. Colliding two concepts of the classic’s image – Freudian and Christian-oriented, the modern author creates a portrait of Dostoevsky’s conflicting personality.Conclusion. The perception of F. M. Dostoevsky's work by A. Ponizovsky is not only reminiscent, but also “genetic” by its nature due to the worldview commonality of these Russian writers.
文章目的本文旨在研究 F. M. 陀思妥耶夫斯基的创作遗产对 A. 波尼佐夫斯基的小说《变成一只倾听的耳朵》(2013 年)的思想性和艺术独创性的影响。波尼佐夫斯基对陀思妥耶夫斯基的诠释涉及俄罗斯世界和俄罗斯身份的主题。社会(普通俄罗斯人的故事)和哲学(围绕这些故事的争论)两条情节线形成了陀思妥耶夫斯基作品的典型冲突场:生命的意义和生存的荒谬、残酷和同情、俄罗斯人和俄罗斯。陀思妥耶夫斯基的互文存在于文本组织的各个层面。陀思妥耶夫斯基的一系列互文已成为俄罗斯文化中的元叙事(格鲁申卡关于拯救洋葱的传说、魔鬼关于通往天堂的四万亿公里的轶事、斯维德里加洛夫关于永恒是有蜘蛛的澡堂的形象),通过这些互文,我们对俄罗斯人的生活问题有了深刻的哲学理解。遵循陀思妥耶夫斯基的文体策略包括使用复调小说资源、再现作家诗学的个别技巧(不合时宜、虚构与非虚构并存、使用圣经文本)。陀思妥耶夫斯基这个人本身成为波尼佐夫斯基争论的对象。这位现代作家将经典形象的两种概念--弗洛伊德式的和基督教式的--对撞在一起,塑造了陀思妥耶夫斯基矛盾人格的肖像。A. Ponizovsky 对 F. M. Dostoevsky 作品的理解不仅是回忆性的,而且由于这两位俄罗斯作家世界观的共性而具有 "遗传性"。
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引用次数: 0
期刊
Vestnik NSU. Series: History and Philology
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