Pub Date : 2023-12-17DOI: 10.51461/issn.2309-3072/78.2222
E. Grigoryeva
The year 2023 is coming to an end. It was filled with bright architectural events in the life of Irkutsk, Siberia and the whole country. PB has published detailed materials about the main Siberian events (Zimnik, Archbukhta, Archigesh and ZVS) in its previous issues. Here are a few more events that should not be left unmentioned at the end of the outgoing year.
{"title":"in brief","authors":"E. Grigoryeva","doi":"10.51461/issn.2309-3072/78.2222","DOIUrl":"https://doi.org/10.51461/issn.2309-3072/78.2222","url":null,"abstract":"The year 2023 is coming to an end. It was filled with bright architectural events in the life of Irkutsk, Siberia and the whole country. PB has published detailed materials about the main Siberian events (Zimnik, Archbukhta, Archigesh and ZVS) in its previous issues. Here are a few more events that should not be left unmentioned at the end of the outgoing year.","PeriodicalId":508496,"journal":{"name":"проект байкал","volume":"446 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139176781","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-17DOI: 10.51461/issn.2309-3072/78.2242
Olga Zheleznyak
“Something for Nothing”, pause containers, container buildings and other interpretations of the category “Containers” were raised for the first time by the XIX Congress of Architecture in Barcelona as a topical problem of the profession. The representation of architecture as a container, when the form does not follow the function at all, and the content actually becomes a replaceable and transformable filling, changes the traditional ideas about the impossibility to transfer the content of a work into another Form.The ideology of hybrid spaces and flexible offices, the need for reconstruction/modernization of historical and industrial buildings and structures, renovation and gentrification of degrading environments and objects give special importance to the discussion of the “container” as an ongoing discourse of the profession.
{"title":"Containers","authors":"Olga Zheleznyak","doi":"10.51461/issn.2309-3072/78.2242","DOIUrl":"https://doi.org/10.51461/issn.2309-3072/78.2242","url":null,"abstract":"“Something for Nothing”, pause containers, container buildings and other interpretations of the category “Containers” were raised for the first time by the XIX Congress of Architecture in Barcelona as a topical problem of the profession. The representation of architecture as a container, when the form does not follow the function at all, and the content actually becomes a replaceable and transformable filling, changes the traditional ideas about the impossibility to transfer the content of a work into another Form.The ideology of hybrid spaces and flexible offices, the need for reconstruction/modernization of historical and industrial buildings and structures, renovation and gentrification of degrading environments and objects give special importance to the discussion of the “container” as an ongoing discourse of the profession.","PeriodicalId":508496,"journal":{"name":"проект байкал","volume":"140 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139176479","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-17DOI: 10.51461/issn.2309-3072/78.2241
M. Dymchenko
The article identifies and describes the evolution of the architectural form of the Versailles Palace and Park Ensemble as a single spatial artistic experience. The change in the layout and structure of the palace is considered from the point of view of the general trend of Western European architecture – the appearance and development of Rococo in the bosom of architectonics and composition created in the Baroque manner, which evolved from classical Baroque in the Italian style to the purely national tradition of Rococo and early classicism. This forms a unique semantic space of the subject’s experience. The author formulates conceptual understanding of the change in the content of architectural form-making as a process of the constitution of the unique spatial structure of the “court” type of society, socio-cultural ties and relations and its gradual evolution from the Baroque mythologized theatricality of absolutism to the private type of structuration of the dwelling of the pre-revolutionary decades.
{"title":"Versailles: The phenomenology of architectural form","authors":"M. Dymchenko","doi":"10.51461/issn.2309-3072/78.2241","DOIUrl":"https://doi.org/10.51461/issn.2309-3072/78.2241","url":null,"abstract":"The article identifies and describes the evolution of the architectural form of the Versailles Palace and Park Ensemble as a single spatial artistic experience. The change in the layout and structure of the palace is considered from the point of view of the general trend of Western European architecture – the appearance and development of Rococo in the bosom of architectonics and composition created in the Baroque manner, which evolved from classical Baroque in the Italian style to the purely national tradition of Rococo and early classicism. This forms a unique semantic space of the subject’s experience. The author formulates conceptual understanding of the change in the content of architectural form-making as a process of the constitution of the unique spatial structure of the “court” type of society, socio-cultural ties and relations and its gradual evolution from the Baroque mythologized theatricality of absolutism to the private type of structuration of the dwelling of the pre-revolutionary decades.","PeriodicalId":508496,"journal":{"name":"проект байкал","volume":"265 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139176523","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-17DOI: 10.51461/issn.2309-3072/78.2230
Andrey Barkhin
In 1932, the competition for the Palace of the Soviets formally proclaimed a focus on “mastering the classical heritage”. From that moment on, Soviet architects turned with passion to Italian Renaissance motifs and the tradition of domestic pre-revolutionary architecture. However, in 1934, the Palace of Soviets was accepted for construction in an innovative, ribbed style and Art Deco forms. In those years, that kind of architecture was developing abroad as well. New York and Chicago became centres of rapid growth in the number of skyscrapers in Art Deco style; the new centre of Washington was worked out in Neoclassical style. All this allows us to record the phenomenon of style parallelism in the Soviet and foreign architecture of the 1930s.
{"title":"Style trends in Soviet architecture of the 1930s","authors":"Andrey Barkhin","doi":"10.51461/issn.2309-3072/78.2230","DOIUrl":"https://doi.org/10.51461/issn.2309-3072/78.2230","url":null,"abstract":"In 1932, the competition for the Palace of the Soviets formally proclaimed a focus on “mastering the classical heritage”. From that moment on, Soviet architects turned with passion to Italian Renaissance motifs and the tradition of domestic pre-revolutionary architecture. However, in 1934, the Palace of Soviets was accepted for construction in an innovative, ribbed style and Art Deco forms. In those years, that kind of architecture was developing abroad as well. New York and Chicago became centres of rapid growth in the number of skyscrapers in Art Deco style; the new centre of Washington was worked out in Neoclassical style. All this allows us to record the phenomenon of style parallelism in the Soviet and foreign architecture of the 1930s.","PeriodicalId":508496,"journal":{"name":"проект байкал","volume":"406 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139176531","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-17DOI: 10.51461/issn.2309-3072/78.2232
Yulia Kozlova
The social nature of the city, its landscape and architectural, iconic and system codes ensure cultural continuity and unity of society. The article presents a comparative analysis of the concepts of the city in the era of modern, postmodern (“second modern”) and metamodern. In order to identify the basic approaches to the comprehensive study of the city, the context of urban research is characterized at each stage of the development of scientific knowledge, and the discourse of the most significant concepts is determined. The author substantiates the necessity for modern urbanism to apply a meta-research approach to its object.
{"title":"The knowledge status in the paradigms of urban studies","authors":"Yulia Kozlova","doi":"10.51461/issn.2309-3072/78.2232","DOIUrl":"https://doi.org/10.51461/issn.2309-3072/78.2232","url":null,"abstract":"The social nature of the city, its landscape and architectural, iconic and system codes ensure cultural continuity and unity of society. The article presents a comparative analysis of the concepts of the city in the era of modern, postmodern (“second modern”) and metamodern. In order to identify the basic approaches to the comprehensive study of the city, the context of urban research is characterized at each stage of the development of scientific knowledge, and the discourse of the most significant concepts is determined. The author substantiates the necessity for modern urbanism to apply a meta-research approach to its object.","PeriodicalId":508496,"journal":{"name":"проект байкал","volume":"55 19","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139176344","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-17DOI: 10.51461/issn.2309-3072/78.2243
Mais Rahdi Al-Ruawishedi, Raed Qaqish, Esam Azzam, D. Khraisat, Omar Moustafa Ahmad AlOmari
Building Information Modeling (BIM) technologies have attracted much research attention, especially in the last fifteen years. The prospects and benefits that BIM promises for all participants in the design, construction and operation of buildings are hopeful and enthusiastic. Nevertheless, the global adoption of BIM has been slow and uneven. A bibliometric analysis shows that BIM research is concentrated in a few centers and performed by a narrow group of specialists. As a result, there are research areas with few or no publications (“blind spots”). One such area is the economics of BIM implementation. Considering the transition to the use of BIM as an investment project, the authors of the article formulate the necessary conditions for BIM implementation to become investment attractive. It is shown that the participation of governmental structures is necessary for a wide transition to digital technologies in the architectural and construction sphere.
{"title":"The impact of BIM authoring tools on the architectural profession in Jordan","authors":"Mais Rahdi Al-Ruawishedi, Raed Qaqish, Esam Azzam, D. Khraisat, Omar Moustafa Ahmad AlOmari","doi":"10.51461/issn.2309-3072/78.2243","DOIUrl":"https://doi.org/10.51461/issn.2309-3072/78.2243","url":null,"abstract":"Building Information Modeling (BIM) technologies have attracted much research attention, especially in the last fifteen years. The prospects and benefits that BIM promises for all participants in the design, construction and operation of buildings are hopeful and enthusiastic. Nevertheless, the global adoption of BIM has been slow and uneven. A bibliometric analysis shows that BIM research is concentrated in a few centers and performed by a narrow group of specialists. As a result, there are research areas with few or no publications (“blind spots”). One such area is the economics of BIM implementation. Considering the transition to the use of BIM as an investment project, the authors of the article formulate the necessary conditions for BIM implementation to become investment attractive. It is shown that the participation of governmental structures is necessary for a wide transition to digital technologies in the architectural and construction sphere.","PeriodicalId":508496,"journal":{"name":"проект байкал","volume":"46 17","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139176271","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-17DOI: 10.51461/issn.2309-3072/78.2223
K. Lidin
The existence of a general architectural theory is seriously doubted by most researchers. Based on the assumption that the modern stage of architecture development requires the construction of a workable theory, the article considers the process of creating a theory similar to the creation of an architectural project. It is shown that the axiomatic basis of the theory is similar to the foundation of a building. The complex of specific methods of analysis and synthesis in the theory is considered as an analogue of building materials and details in an architectural project. The connection of the building to infrastructure networks is analogous to the harmonisation of the approaches of the designed theory with modern general scientific concepts and paradigms. Shaping of the theory in the form of vivid visual images is similar to the design of facades with cladding and building cosmetics. It is shown that the foundation of architectural theory was laid in the late Middle Ages and retains its relevance and topicality. The other elements of the designed architectural theory need to be developed.
{"title":"To the project of architectural theory","authors":"K. Lidin","doi":"10.51461/issn.2309-3072/78.2223","DOIUrl":"https://doi.org/10.51461/issn.2309-3072/78.2223","url":null,"abstract":"The existence of a general architectural theory is seriously doubted by most researchers. Based on the assumption that the modern stage of architecture development requires the construction of a workable theory, the article considers the process of creating a theory similar to the creation of an architectural project. It is shown that the axiomatic basis of the theory is similar to the foundation of a building. The complex of specific methods of analysis and synthesis in the theory is considered as an analogue of building materials and details in an architectural project. The connection of the building to infrastructure networks is analogous to the harmonisation of the approaches of the designed theory with modern general scientific concepts and paradigms. Shaping of the theory in the form of vivid visual images is similar to the design of facades with cladding and building cosmetics. It is shown that the foundation of architectural theory was laid in the late Middle Ages and retains its relevance and topicality. The other elements of the designed architectural theory need to be developed.","PeriodicalId":508496,"journal":{"name":"проект байкал","volume":"42 25","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139176441","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-17DOI: 10.51461/issn.2309-3072/78.2228
Olga Volichenko
Consideration of the evolution of architecture of the 20-21st centuries through the prism of the world global crises allows us to feel the influence of economic and political cataclysms on the formation of modern architectural theory and practice. Being a kind of mirror, architecture reflects all the current problems that worry and excite the society, so architects have always been deeply involved in crisis problems and have sought to find ways out of them by means of the architectural profession. Each global crisis of the past and present centuries became a turning point in the development of architecture and urban planning, forming new stylistic, conceptual and theoretical trends of modernism, postmodernism and panmodernism. The concept of “panmodernism” indicates the universal nature of modernism, covering all the diversity of architectural mainstreams that arise as a response of architects to the crisis problems of modernity.
{"title":"Architecture as a response to the challenges of modernity","authors":"Olga Volichenko","doi":"10.51461/issn.2309-3072/78.2228","DOIUrl":"https://doi.org/10.51461/issn.2309-3072/78.2228","url":null,"abstract":"Consideration of the evolution of architecture of the 20-21st centuries through the prism of the world global crises allows us to feel the influence of economic and political cataclysms on the formation of modern architectural theory and practice. Being a kind of mirror, architecture reflects all the current problems that worry and excite the society, so architects have always been deeply involved in crisis problems and have sought to find ways out of them by means of the architectural profession. Each global crisis of the past and present centuries became a turning point in the development of architecture and urban planning, forming new stylistic, conceptual and theoretical trends of modernism, postmodernism and panmodernism. The concept of “panmodernism” indicates the universal nature of modernism, covering all the diversity of architectural mainstreams that arise as a response of architects to the crisis problems of modernity.","PeriodicalId":508496,"journal":{"name":"проект байкал","volume":"33 19","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139176454","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-17DOI: 10.51461/issn.2309-3072/78.2253
Sergey Yamaletdinov
23 February 2024 marks the 100th anniversary of the birth of Georgy Petrovich Stepanov (1924-2007), a Soviet and Russian architect, Doctor of Art History, Professor, Honoured Art Worker of the RSFSR, Honorary Member of the Russian Academy of Architecture and Construction Sciences. A major project implemented by G. P. Stepanov was a theatre for Zheleznogorsk in the Krasnoyarsk region. On the basis of the revealed archival data and published materials, the stages of the search for the architectural appearance of the theatre building for the Siberian city are restored. The structure built in neoclassical style influenced the further creative path of the Leningrad architect and the directions of his scientific interests and pedagogical work.
{"title":"Theatre for Zheleznogorsk in the architect G. P. Stepanov’s creative activity","authors":"Sergey Yamaletdinov","doi":"10.51461/issn.2309-3072/78.2253","DOIUrl":"https://doi.org/10.51461/issn.2309-3072/78.2253","url":null,"abstract":"23 February 2024 marks the 100th anniversary of the birth of Georgy Petrovich Stepanov (1924-2007), a Soviet and Russian architect, Doctor of Art History, Professor, Honoured Art Worker of the RSFSR, Honorary Member of the Russian Academy of Architecture and Construction Sciences. A major project implemented by G. P. Stepanov was a theatre for Zheleznogorsk in the Krasnoyarsk region. On the basis of the revealed archival data and published materials, the stages of the search for the architectural appearance of the theatre building for the Siberian city are restored. The structure built in neoclassical style influenced the further creative path of the Leningrad architect and the directions of his scientific interests and pedagogical work.","PeriodicalId":508496,"journal":{"name":"проект байкал","volume":"577 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139176736","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-17DOI: 10.51461/issn.2309-3072/78.2239
K. Lidin
About a hundred years ago, a period of unprecedented flourishing and multiplication of theoretical models, which treated architecture from a variety of positions, began. The poetic whims of modern and the laconic volumes of modernism, the irony of postmodernism, the paradoxical games of structuralists, the mathematical formulas of parametricism, and many other attempts to use theories adopted from other sciences show that one cannot do without theory. Does architecture have its own set of methods for analysing and synthesising meanings (which, in fact, forms a science separate from other sciences)? Or is architectural theory a disorderly mishmash of contradictory approaches, methods, individual insights and incomprehensible white spots? In this block, we have collected several examples of contemporary theoretical analysis and attempts to realise the state of architectural theory in general. As usual, we have more questions than answers.
{"title":"form and content","authors":"K. Lidin","doi":"10.51461/issn.2309-3072/78.2239","DOIUrl":"https://doi.org/10.51461/issn.2309-3072/78.2239","url":null,"abstract":"About a hundred years ago, a period of unprecedented flourishing and multiplication of theoretical models, which treated architecture from a variety of positions, began. The poetic whims of modern and the laconic volumes of modernism, the irony of postmodernism, the paradoxical games of structuralists, the mathematical formulas of parametricism, and many other attempts to use theories adopted from other sciences show that one cannot do without theory. Does architecture have its own set of methods for analysing and synthesising meanings (which, in fact, forms a science separate from other sciences)? Or is architectural theory a disorderly mishmash of contradictory approaches, methods, individual insights and incomprehensible white spots? In this block, we have collected several examples of contemporary theoretical analysis and attempts to realise the state of architectural theory in general. As usual, we have more questions than answers.","PeriodicalId":508496,"journal":{"name":"проект байкал","volume":"27 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139176629","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：