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Simultaneously ‘national medicine’ and ‘East Asian medicine’: A cross-boundary network of medical exchange in wartime East Asia 同时是 "民族医学 "和 "东亚医学":战时东亚的跨境医疗交流网络
IF 0.9 2区 社会学 Q1 Arts and Humanities Pub Date : 2024-03-18 DOI: 10.1017/s0026749x23000380
Yun Xia
This article examines a transnational network of advocates for Kampō (traditional) medicine in Japan, occupied China, and Manchukuo during the Sino-Japanese War (1931–1945), shedding new light on collaborationism, Asianism, and the modernization of traditional medicine in East Asia. In the 1930s, despite deteriorating Sino-Japanese relations, the Kampō revival movement in Japan joined forces with the struggle to preserve traditional medicine in China. In 1938, the Association of East Asian Medicine was founded in Japan, gathering together Chinese, Korean, and Japanese advocates under the banner of ‘East Asian medicine’. This article delineates the evolution of what I call ‘medical Asianism’ and how it was institutionalized in different parts of the Japanese empire. Participants in this network differed in their priorities and ideological commitments, yet they tactfully utilized the Japanese imperial infrastructure and wartime circumstances to promote traditional medicine. Their work laid important intellectual and institutional foundations for the postwar development of traditional medicine across East Asia. This study also contributes to a more nuanced understandings of collaborationism. The type of collaboration examined in this article was preceded by a long history of intellectual exchange, based on a shared body of knowledge and morals, motivated by mutual empathy, and for a cause that was much valued in postwar Asia. As a result, unlike most Chinese collaborators who were prosecuted as ‘traitors’, protagonists in this study continued to prosper professionally and became valuable assets in the postwar rebuilding of Sino-Japanese relations.
本文研究了甲午战争(1931-1945 年)期间日本、被占领中国和满洲国的关东(传统)医学倡导者跨国网络,为东亚的合作主义、亚洲主义和传统医学现代化提供了新的视角。20 世纪 30 年代,尽管中日关系恶化,但日本的关东复兴运动与中国的传统医学保护斗争联合起来。1938 年,东亚医学协会在日本成立,在 "东亚医学 "的旗帜下聚集了中国、韩国和日本的倡导者。本文描述了我所称的 "亚洲医学 "的演变过程,以及它是如何在日本帝国的不同地区制度化的。这个网络的参与者在工作重点和意识形态承诺上各不相同,但他们巧妙地利用了日本帝国的基础设施和战时环境来推广传统医学。他们的工作为战后整个东亚地区传统医学的发展奠定了重要的思想和制度基础。本研究还有助于更细致地理解合作主义。本文所研究的合作类型是在长期的知识交流基础上进行的,这种交流基于共同的知识体系和道德规范,以相互共鸣为动力,并且是为了战后亚洲非常重视的事业。因此,与大多数被作为 "叛国者 "起诉的中国合作者不同,本研究中的主人公在职业上继续繁荣发展,并成为战后重建中日关系的宝贵财富。
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引用次数: 0
Overcoming a stigmatic past: National Central University students in Nanjing, China, and the politics of wartime history 克服耻辱的过去:中国南京中央大学学生与战时历史政治
IF 0.9 2区 社会学 Q1 Arts and Humanities Pub Date : 2024-03-18 DOI: 10.1017/s0026749x23000434
Jonathan Henshaw
The Japanese empire’s occupation of China during the Second World War left a complex and bitter legacy in postwar Chinese society. This article examines the occupation and its legacies at the grassroots, taking university students in Nanjing as a case study in occupation history and ‘bottom-up’ wartime commemoration. These young people, who studied at National Central University (NCU) under the Japanese-backed Reorganized National Government of Wang Jingwei, organized three protest movements between 1940 and 1945, defying puppet authorities, Japanese forces, and, after the war, the returning Chongqing Nationalist government, as they campaigned against corruption, opium sales, and discriminatory treatment over their status as ‘bogus students’ who supposedly received Japanese ‘enslavement education’ from a collaborationist regime. In the 1980s, after decades of marginalization under the People’s Republic of China, these former protestors began holding reunions, documenting their experiences, and campaigning for recognition from Nanjing University, which eventually recognized them as alumni. Drawing primarily on privately printed alumni memoirs and commemorative volumes, this article positions the protests in the history of youth activism in Nanjing. That NCU students were able to rehabilitate themselves was due to their own organizational prowess and a sympathetic reception from the leadership of a cash-strapped Nanjing University, though the interests of fellow alumnus Jiang Zemin and the Communist Party-state still set the parameters of historical memory. In this, the example of the Nanjing students complicates the top-down role of the state, as described in much previous scholarship on Chinese wartime commemoration, in producing politically motivated nationalist narratives of wartime history.
日本帝国在第二次世界大战期间占领中国,给战后中国社会留下了复杂而痛苦的遗产。本文以南京的大学生为案例,研究了占领史和 "自下而上 "的战时纪念活动,探讨了占领及其在基层留下的影响。这些在日本支持的汪精卫改组国民政府统治下的国立中央大学学习的年轻人,在1940年至1945年期间组织了三次抗议运动,反抗傀儡当局、日军以及战后回归的重庆国民政府,他们反对腐败、鸦片销售,以及对他们作为 "假学生 "身份的歧视性待遇,他们被认为从一个合作主义政权那里接受了日本的 "奴役教育"。20 世纪 80 年代,在中华人民共和国统治下被边缘化数十年后,这些前抗议者开始举行同学聚会,记录他们的经历,并争取南京大学的承认,最终南京大学承认了他们的校友身份。本文主要通过私人印刷的校友回忆录和纪念册,将抗议活动置于南京青年活动史中。南京大学学生能够恢复名誉,得益于他们自身的组织能力以及资金短缺的南京大学领导层对他们的同情,尽管江泽民校友和共产党国家的利益仍然决定着历史记忆的参数。在这一点上,南京大学学生的例子使以往许多关于中国战时纪念活动的学术研究中所描述的国家自上而下的角色复杂化,这种角色产生了以政治为动机的战时历史民族主义叙事。
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引用次数: 0
Saving China and admiring Japan: Cultural traitor Qian Daosun 拯救中国,崇拜日本:文化汉奸钱稻孙
IF 0.9 2区 社会学 Q1 Arts and Humanities Pub Date : 2024-03-18 DOI: 10.1017/s0026749x23000355
Naoko Kato
Qian Daosun (1887–1966) was imprisoned for collaborating with the Provisional Government in North China under Japanese occupation, and to this day he is labelled as hanjian (traitor). Yet, Qian was first and foremost a cultural literatus, librarian, and an exceptional translator with an in-depth understanding of Japanese culture and languages. This article examines the crucial role that Japan and the Japanese language played for Chinese cultural literati in their quest to save China. It also brings to the forefront the dilemmas and agonizing choices Qian faced in his attempt to promote Sino-Japanese cultural exchange in the midst of war, in particular as a librarian. Wartime libraries are highly contested sites of selection, destruction, censorship, preservation, confiscation, and knowledge production. An added layer of complexity was Japan’s cultural policy in China that promoted Japanese-language collections and governed libraries such as the Beijing1 Modern Science Library where Qian worked. What exacerbated Qian’s dilemmas was his upbringing, which led him to form close personal connections with like-minded Japanese literati. Lastly, this article revisits the hanjian label by comparing Qian’s fate to that of other librarians and returned students of Japan, such as May Fourth writer Lu Xun and patriotic bibliophile Zheng Zhenduo. By deliberately examining May Fourth writers alongside hanjian and Japanese intermediaries, the intention is to dismount arbitrary labels and divisions that have set them apart and against each other in the resistance versus collaboration dichotomy.
钱稻孙(1887-1966 年)因与日本占领下的华北临时政府合作而入狱,至今仍被扣上汉奸的帽子。然而,钱学森首先是一位文化学者、图书馆员,也是一位对日本文化和语言有深入了解的杰出翻译家。本文探讨了日本和日语在中国文化文人寻求救亡图存的过程中所发挥的关键作用。文章还将钱钟书在战火中为促进中日文化交流所面临的困境和痛苦抉择,尤其是作为一名图书馆员所面临的困境和痛苦抉择展现在读者面前。战时图书馆是选择、破坏、审查、保存、没收和知识生产的高度竞争场所。日本在中国推行的文化政策,促进了日语藏书的发展,并对钱钟书工作的北京1 现代科学图书馆等图书馆进行管理,这也增加了图书馆工作的复杂性。钱钟书的成长经历使他与志同道合的日本文人建立了密切的个人联系,这加剧了他的困境。最后,本文通过将钱钟书的命运与其他图书馆员和留日归国人员的命运进行比较,如五四作家鲁迅和爱国藏书家郑振铎,重新审视了 "汉奸 "这一标签。通过有意识地将五四作家与汉简和日本中介人放在一起进行研究,意在取消武断的标签和划分,这些标签和划分将他们区分开来,并在抵抗与合作的二分法中将他们对立起来。
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引用次数: 0
Cosmopolitan collaboration and wartime collaborationism: The Chinese Maritime Customs Service and its staff, 1932–1941 世界性合作与战时合作主义:中国海关及其工作人员,1932-1941 年
IF 0.9 2区 社会学 Q1 Arts and Humanities Pub Date : 2024-03-18 DOI: 10.1017/s0026749x23000458
Chihyun Chang, Chiu-Ya Kao
This article discusses the continuity between cosmopolitan collaboration and wartime collaborationism from 1932–1941 by exploring the Chinese Maritime Customs Service (CMCS) and its international staff. The CMCS managed China’s international trade and directed the custom houses in northern China before 1937, and in occupied China and free China from 1937–1941. The customs revenues generated by this international trade were pledged to service China’s international obligations. This article argues that both Chinese and Japanese staff members’ activities to maintain the status quo could be considered as wartime collaborationism from the perspectives of Japan, Manchukuo, and the Collaborationist and Chongqing governments, but all parties tolerated their activities until the outbreak of the Pacific War. The reason for this was that all parties benefitted from the CMCS’s management of international trade and its implementation of international obligations which had existed since the mid-nineteenth century. This article situates wartime collaborationism within the long-existing institutional network that was welcomed as cosmopolitan collaboration in the prewar, wartime, and postwar periods, rather than treating it as a unique wartime setup and ideology. Such a view also illuminates the postwar exchange of personnel and cooperation among former enemies, which grew out of prewar collaboration and wartime collaborationism.
本文通过探讨中国海关(CMCS)及其国际工作人员,讨论了 1932-1941 年间世界性合作与战时合作主义之间的连续性。中国海关负责管理中国的国际贸易,并在 1937 年前指导华北地区的海关,1937-1941 年间指导被占领中国和自由中国的海关。国际贸易产生的海关收入被用于履行中国的国际义务。本文认为,从日本、满洲国、协约国政府和重庆政府的角度来看,中日工作人员维持现状的活动都可以被视为战时通敌,但各方都容忍了他们的活动,直到太平洋战争爆发。究其原因,是因为各方都受益于中国商会对国际贸易的管理及其对 19 世纪中叶以来存在的国际义务的履行。本文将战时协作主义置于战前、战时和战后长期存在的、作为世界性协作而受到欢迎的制度网络之中,而不是将其视为一种独特的战时设置和意识形态。这种观点还揭示了战后前敌人之间的人员交流与合作,这种交流与合作是在战前协作和战时协作主义的基础上发展起来的。
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引用次数: 0
From collaboration to commemoration: Zhang Wojun and the ambiguities of identity for intellectuals from Taiwan 从合作到纪念:张禾军与台湾知识分子身份的模糊性
IF 0.9 2区 社会学 Q1 Arts and Humanities Pub Date : 2024-03-18 DOI: 10.1017/s0026749x23000367
Craig A. Smith
This article examines Zhang Wojun (1902–1955) and the memory of his ‘collaboration’ with Japan during the Second World War. A Taiwanese-born writer and educator who lived in Beijing for 25 years, his drifting identity was full of ambiguities. Although he was one of the key intellectuals behind Taiwan’s New-Old Literatures Debate and responsible for introducing many May Fourth ideas to Taiwan, he also played an important role in bringing Japanese literature and thought into Chinese discourse during the 1920s, 1930s, and 1940s. During the war, he continued to teach in Beijing and travelled to Japan to attend the Greater East Asia Writers’ conferences. Some of his works from this period call for the Chinese people to support the empire and eradicate Western culture and literature from Asia, but many of his writings also indicate a strong sense of Chinese nationalism. This article considers the memories of Zhang, his various intellectual contributions, and his oeuvre, arguing that his collaboration must be understood and contextualized within his intellectual landscape through a research methodology that examines continuities and change across decades of his life and work.
本文探讨张禾君(1902-1955 年)及其在第二次世界大战期间与日本 "合作 "的记忆。他是台湾出生的作家和教育家,在北京生活了 25 年,其漂泊的身份充满了模糊性。虽然他是台湾新旧文学论战的主要知识分子之一,并负责将许多五四思想引入台湾,但在 20 世纪 20 年代、30 年代和 40 年代,他在将日本文学和思想引入中国话语方面也发挥了重要作用。抗战期间,他继续在北京任教,并前往日本参加大东亚作家会议。他在这一时期的一些作品呼吁中国人民支持帝国,从亚洲根除西方文化和文学,但他的许多作品也显示出强烈的中国民族主义意识。本文探讨了对张的回忆、他的各种思想贡献以及他的作品,认为必须通过一种研究方法来理解他的合作,并将其纳入他的思想背景中,研究他几十年生活和工作中的连续性和变化。
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引用次数: 0
A Song of Fallen Flowers: Miyazaki Tōten and the making of naniwabushi as a mode of popular dissent in transwar Japan, 1902–1909 落花之歌》:宫崎滔天与 1902-1909 年横渡战国日本的 "呐喊"(naniwabushi)作为一种民众异议模式的形成
IF 0.9 2区 社会学 Q1 Arts and Humanities Pub Date : 2024-01-04 DOI: 10.1017/s0026749x23000392
Joel Littler
The popular genre of sung and spoken performance—naniwabushi—was the biggest ‘craze’ during the first decade of the twentieth century in Japan. This article uncovers how Miyazaki Tōten (1870–1922), a revolutionary and thinker who became a naniwabushi balladeer, was instrumental in the rise of naniwabushi as a popular art form during the Russo-Japanese transwar period (1902–1909) and used it to engage in a practice of nihilist democracy. In using a transwar frame to examine the content, audiences, and contemporary reports of his performances, this article concludes that Miyazaki Tōten created ‘new’ naniwabushi to deliberately link the techniques and rhetoric of the Freedom and People’s Rights Movement from the 1880s to the Russo-Japanese War (1904–1905). He used naniwabushi to articulate his concepts of autonomous freedom, nihilism, and anarchist communitarianism in a time usually characterized by the heavy suppression of dissent. It counters the impression of the wholesale embrace of nationalism and support for Japanese imperialism and shows how Japan’s urban poor engaged in political discourse through popular entertainment that was critical of Japanese imperialism.
在二十世纪头十年,日本最 "热 "的流行歌谣和口语表演流派--"谣曲"。本文揭示了在日俄战争时期(1902-1909 年),宫崎滔天(1870-1922 年)这位革命家和思想家如何成为一名歌谣家,如何推动歌谣作为一种流行艺术形式的兴起,并利用歌谣进行虚无主义民主实践。通过使用跨战框架来研究其表演的内容、受众和当代报道,本文得出结论认为,宫崎滔天创造了 "新 "年轮寿司,有意将 19 世纪 80 年代的自由和人民权利运动的技巧和修辞与日俄战争(1904-1905 年)联系起来。在那个通常以严厉镇压不同政见者为特征的时代,他用 "无念 "来表达他的自主自由、虚无主义和无政府主义社群主义概念。该书反驳了全盘接受民族主义和支持日本帝国主义的印象,展示了日本城市贫民如何通过批判日本帝国主义的大众娱乐参与政治讨论。
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引用次数: 0
Justifying the use of excessive force: A critical discourse analysis of Chinese police individual WeChat Subscription Accounts 为过度使用武力辩护:对中国警察个人微信订阅账号的批判性话语分析
IF 0.9 2区 社会学 Q1 Arts and Humanities Pub Date : 2023-11-21 DOI: 10.1017/s0026749x2300032x
Han Wang
This article examines how individual police officers in China interpret and justify the use of excessive force on social media through their WeChat Subscription Accounts (WSAs). Existing research examines how the police department uses social media to justify deadly force, but overlooks individual officers’ online justifications. Adopting a critical discourse analysis approach, this study analyses 211 articles commenting on a prominent case of police violence in China. The findings shed light on the online voice of Chinese frontline officers, revealing an ideology that defends the use of excessive force. The articles published in WSAs displayed strong empathy towards the involved officer; contested the characterization of the incident as police brutality by police officials, the public, and the media; and employed various strategies to justify the officer’s actions. The discussion section expands on these findings by drawing comparisons to justifications in the United States, emphasizing the distinctive dynamic between individual officers’ online expression and official police discourse in China, and offering insights for scholars examining online expression and digital nationalism in the Chinese context.
本文探讨了中国警察个人如何通过其微信订阅账号(WSA)在社交媒体上解释过度使用武力并为之辩解。现有研究探讨了警察部门如何利用社交媒体为使用致命武力进行辩解,但却忽略了警察个人在网上的辩解。本研究采用批判性话语分析方法,分析了 211 篇评论中国警察暴力事件的文章。研究结果揭示了中国一线警察的网络声音,揭示了为过度使用武力辩护的意识形态。在 WSA 上发表的文章对涉事警官表现出强烈的同情;对警察官员、公众和媒体将事件定性为警察暴力提出质疑;并采用各种策略为警官的行为辩护。讨论部分通过与美国的辩解进行比较,强调了中国警官个人的网络表达与官方警察言论之间的独特动态,并为研究中国背景下的网络表达和数字民族主义的学者提供了启示。
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引用次数: 0
ASS volume 57 issue 6 Cover and Back matter ASS第57卷第6期封面和封底
2区 社会学 Q1 Arts and Humanities Pub Date : 2023-11-01 DOI: 10.1017/s0026749x23000410
An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button.
此内容的摘要不可用,因此提供了预览。当您可以访问此内容时,可以通过“保存PDF”操作按钮获得完整的PDF。
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引用次数: 0
ASS volume 57 issue 6 Cover and Front matter ASS第57卷第6期封面和封面问题
2区 社会学 Q1 Arts and Humanities Pub Date : 2023-11-01 DOI: 10.1017/s0026749x23000409
An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button.
此内容的摘要不可用,因此提供了预览。当您可以访问此内容时,可以通过“保存PDF”操作按钮获得完整的PDF。
{"title":"ASS volume 57 issue 6 Cover and Front matter","authors":"","doi":"10.1017/s0026749x23000409","DOIUrl":"https://doi.org/10.1017/s0026749x23000409","url":null,"abstract":"An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button.","PeriodicalId":51574,"journal":{"name":"Modern Asian Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135565558","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Find the river: Discovering the Tsangpo-Brahmaputra in the age of empire 寻找河流:发现帝国时代的雅鲁藏布江
2区 社会学 Q1 Arts and Humanities Pub Date : 2023-10-25 DOI: 10.1017/s0026749x23000288
Thomas Simpson
Abstract Despite the enormous size and economic and scientific significance of the Tsangpo-Brahmaputra River, questions of where and what it was generated successive waves of dispute from the mid-eighteenth to early twentieth centuries. Geographical discovery in the eastern Himalayan borderlands neither entailed the application of fixed theories and techniques, nor resulted from consistent flows of information along established channels. Europeans instead understood the region’s rivers in many different ways, influenced by sporadic deluges of data, competing forms of expertise, shifting imperatives of colonial political economy, unsettling encounters with various bodies of water, and heterogeneous Asian knowledge structures. Informants, infrastructures, and cosmologies of often-overlooked communities at imperial margins fundamentally reshaped European knowledge. Under these conditions, practitioners of spatial sciences came to thrive on the proliferation of models and objects of discovery rather than seeking definitive closure.
尽管雅鲁藏布江规模巨大,经济和科学意义重大,但从18世纪中期到20世纪初,关于它在哪里以及它是什么的问题引发了连续的争论。喜马拉雅东部边境地区的地理发现既不需要应用固定的理论和技术,也不是沿着既定渠道不断流动的信息的结果。相反,欧洲人对该地区河流的理解有许多不同的方式,受到零星的大量数据、竞争形式的专业知识、不断变化的殖民政治经济要求、与各种水体的令人不安的接触以及亚洲不同的知识结构的影响。经常被忽视的帝国边缘社区的线人、基础设施和宇宙观从根本上重塑了欧洲的知识。在这些条件下,空间科学的实践者开始在模型和发现对象的扩散中茁壮成长,而不是寻求最终的结局。
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引用次数: 0
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Modern Asian Studies
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