Pub Date : 2023-09-01DOI: 10.1017/s0026749x2300015x
Isabel Huacuja Alonso, Andrew Amstutz
{"title":"Rethinking the Second World War in South Asia: Between theatres and beyond battles","authors":"Isabel Huacuja Alonso, Andrew Amstutz","doi":"10.1017/s0026749x2300015x","DOIUrl":"https://doi.org/10.1017/s0026749x2300015x","url":null,"abstract":"","PeriodicalId":51574,"journal":{"name":"Modern Asian Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135298127","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-01DOI: 10.1017/s0026749x23000252
An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button.
{"title":"ASS volume 57 issue 5 Cover and Front matter","authors":"","doi":"10.1017/s0026749x23000252","DOIUrl":"https://doi.org/10.1017/s0026749x23000252","url":null,"abstract":"An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button.","PeriodicalId":51574,"journal":{"name":"Modern Asian Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135255478","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-01DOI: 10.1017/s0026749x23000264
{"title":"ASS volume 57 issue 5 Cover and Back matter","authors":"","doi":"10.1017/s0026749x23000264","DOIUrl":"https://doi.org/10.1017/s0026749x23000264","url":null,"abstract":"","PeriodicalId":51574,"journal":{"name":"Modern Asian Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135298137","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-10DOI: 10.1017/s0026749x23000227
Yiqing Li
The mid-1950s saw the relationship between China and Indonesia evolve from one of mutual hostility to one of fraternity as a trend of détente emerged out of the Geneva (1954) and the Bandung (1955) conferences. This article explores why and how the two newly independent nations applied art diplomacy to reduce their ideological differences and facilitate their commercial and political rapprochements for the sake of Asian solidarity. Through contextualizing a series of art activities between the two nations, especially China’s reproduction of President Sukarno’s private collection of paintings and Chairman Mao Zedong’s gifts of Chinese ink paintings to President Sukarno, this article argues that interactions in the name of art exemplify how China shaped its modern profile as an independent and industrialized power. It will also show how China deviated from its diplomacy of ‘Leaning to One Side’, formulated in the late 1940s, towards the ‘Peaceful United Front’ of the mid-1950s. More broadly, art relations between China and Indonesia reflect intensive cultural exchanges between the newly independent, yet ideologically clashing, nations of the Third World in the postwar period and offer a multifaceted history of the Cold War beyond the binary paradigm of the two superpowers of the United States and the Soviet Union.
{"title":"Art diplomacy: Drawing China-Indonesia relations in the early Cold War, 1949–1956","authors":"Yiqing Li","doi":"10.1017/s0026749x23000227","DOIUrl":"https://doi.org/10.1017/s0026749x23000227","url":null,"abstract":"\u0000 The mid-1950s saw the relationship between China and Indonesia evolve from one of mutual hostility to one of fraternity as a trend of détente emerged out of the Geneva (1954) and the Bandung (1955) conferences. This article explores why and how the two newly independent nations applied art diplomacy to reduce their ideological differences and facilitate their commercial and political rapprochements for the sake of Asian solidarity. Through contextualizing a series of art activities between the two nations, especially China’s reproduction of President Sukarno’s private collection of paintings and Chairman Mao Zedong’s gifts of Chinese ink paintings to President Sukarno, this article argues that interactions in the name of art exemplify how China shaped its modern profile as an independent and industrialized power. It will also show how China deviated from its diplomacy of ‘Leaning to One Side’, formulated in the late 1940s, towards the ‘Peaceful United Front’ of the mid-1950s. More broadly, art relations between China and Indonesia reflect intensive cultural exchanges between the newly independent, yet ideologically clashing, nations of the Third World in the postwar period and offer a multifaceted history of the Cold War beyond the binary paradigm of the two superpowers of the United States and the Soviet Union.","PeriodicalId":51574,"journal":{"name":"Modern Asian Studies","volume":null,"pages":null},"PeriodicalIF":0.9,"publicationDate":"2023-08-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42829856","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-08DOI: 10.1017/s0026749x22000506
Thiruni Kelegama, B. Korf
This paper studies the contradictions of peasant politics in Sri Lanka’s dry zone frontier in a highly militarized colonization scheme (‘System L’ of the Mahaweli Development Programme in Weli Oya in northern Sri Lanka). Through a detailed ethnographic study of the life histories of settlers who came in two waves to this scheme (1980s and post-2009), we show the workings of what we call the ‘lure of land’: first, as the (al)lure that attracts landless families to live out the mythical dream of becoming a paddy farmer; second, this lure of land is intimately tied to a nationalist territorial aspiration that transforms the settler into a patriotic colonizer of the land: due to its strategic location in the frontier zone between Sinhalese and Tamil inhabited territories, settlers became ‘home guards’ who live on and protect the frontier. But the lure of land is not without contradictions: Life in the frontier is dangerous (for the early settlers) and economically precarious (for the early and late settlers), because the state is unable to deliver the promise of land and water. Government officials deploy various tactics of repeatedly deferred promises and subtle threats to discourage settlers to abandon the colonization scheme despite the settlers’ precarious life conditions, disappointments, and frustrations. A ‘cunning state’ thereby betrays its own ‘frontiersmen’, while safeguarding its nationalist territorial agenda.
{"title":"The lure of land: Peasant politics, frontier colonization and the cunning state in Sri Lanka","authors":"Thiruni Kelegama, B. Korf","doi":"10.1017/s0026749x22000506","DOIUrl":"https://doi.org/10.1017/s0026749x22000506","url":null,"abstract":"\u0000 This paper studies the contradictions of peasant politics in Sri Lanka’s dry zone frontier in a highly militarized colonization scheme (‘System L’ of the Mahaweli Development Programme in Weli Oya in northern Sri Lanka). Through a detailed ethnographic study of the life histories of settlers who came in two waves to this scheme (1980s and post-2009), we show the workings of what we call the ‘lure of land’: first, as the (al)lure that attracts landless families to live out the mythical dream of becoming a paddy farmer; second, this lure of land is intimately tied to a nationalist territorial aspiration that transforms the settler into a patriotic colonizer of the land: due to its strategic location in the frontier zone between Sinhalese and Tamil inhabited territories, settlers became ‘home guards’ who live on and protect the frontier. But the lure of land is not without contradictions: Life in the frontier is dangerous (for the early settlers) and economically precarious (for the early and late settlers), because the state is unable to deliver the promise of land and water. Government officials deploy various tactics of repeatedly deferred promises and subtle threats to discourage settlers to abandon the colonization scheme despite the settlers’ precarious life conditions, disappointments, and frustrations. A ‘cunning state’ thereby betrays its own ‘frontiersmen’, while safeguarding its nationalist territorial agenda.","PeriodicalId":51574,"journal":{"name":"Modern Asian Studies","volume":null,"pages":null},"PeriodicalIF":0.9,"publicationDate":"2023-08-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41964227","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-25DOI: 10.1017/s0026749x23000185
N. Baranovitch
In recent decades, as part of the efforts of the Chinese government first to integrate and, more recently, to forcibly assimilate the Uyghur population into China’s mainstream culture and society, the Uyghur language has been marginalized and repressed to an unprecedented extent. The academic literature on Xinjiang’s language policy has repeatedly acknowledged that this repression is a major source of concern and discontent among many Uyghurs. However, to date, little has been written about the public response of Uyghurs to this policy and their open efforts to challenge it. In particular, with very few exceptions, little is known about the public response of Uyghur writers and artists. In this article I analyse a large corpus of Uyghur poems and songs that engaged openly with the Uyghur language crisis and were published and disseminated in the Uyghur public sphere between the mid-1990s and the mid-2010s. Unlike some studies that try to assess the condition of certain languages at a certain point in time through objective methodologies, these literary and artistic works provide an insider view on how the Uyghur cultural elite and many other Uyghurs experienced the repression and loss of their native language, and also, how they struggled against this repression. In the article I examine the diverse sentiments, perceptions, and discourses that these literary and artistic expressions communicate, and the different strategies that the Uyghurs used to struggle against the language policy and its consequences. I also explore what these works tell us about the development of Xinjiang’s language policy over time, the linguistic reality in the region, and the impact that the language policy has had on Uyghur society. Finally, the article also investigates the broad political meanings of these works and speculates on the link between them and the efforts of the Chinese government to further marginalize the Uyghur language.
{"title":"‘Farewell, My Uyghur Language’: Linguistic anxiety and resistance in Uyghur poetry and songs, 1990s–2010s","authors":"N. Baranovitch","doi":"10.1017/s0026749x23000185","DOIUrl":"https://doi.org/10.1017/s0026749x23000185","url":null,"abstract":"\u0000 In recent decades, as part of the efforts of the Chinese government first to integrate and, more recently, to forcibly assimilate the Uyghur population into China’s mainstream culture and society, the Uyghur language has been marginalized and repressed to an unprecedented extent. The academic literature on Xinjiang’s language policy has repeatedly acknowledged that this repression is a major source of concern and discontent among many Uyghurs. However, to date, little has been written about the public response of Uyghurs to this policy and their open efforts to challenge it. In particular, with very few exceptions, little is known about the public response of Uyghur writers and artists. In this article I analyse a large corpus of Uyghur poems and songs that engaged openly with the Uyghur language crisis and were published and disseminated in the Uyghur public sphere between the mid-1990s and the mid-2010s. Unlike some studies that try to assess the condition of certain languages at a certain point in time through objective methodologies, these literary and artistic works provide an insider view on how the Uyghur cultural elite and many other Uyghurs experienced the repression and loss of their native language, and also, how they struggled against this repression. In the article I examine the diverse sentiments, perceptions, and discourses that these literary and artistic expressions communicate, and the different strategies that the Uyghurs used to struggle against the language policy and its consequences. I also explore what these works tell us about the development of Xinjiang’s language policy over time, the linguistic reality in the region, and the impact that the language policy has had on Uyghur society. Finally, the article also investigates the broad political meanings of these works and speculates on the link between them and the efforts of the Chinese government to further marginalize the Uyghur language.","PeriodicalId":51574,"journal":{"name":"Modern Asian Studies","volume":null,"pages":null},"PeriodicalIF":0.9,"publicationDate":"2023-07-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44495969","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-19DOI: 10.1017/s0026749x23000197
Dayal Paleri, R. Santhosh
The lack of electoral success of the Bharatiya Janata Party (BJP) in the South Indian state of Kerala is often explained through the idea of Kerala ‘exceptionalism’, a broad term used to explain the unique historical, political, and developmental trajectory of the state. However, such explanations do not adequately address the systematic and concerted attempts by Hindu nationalist organizations to transform the cultural sphere of Kerala into a fertile ground for its future electoral politics. Through an ethnographic study of three Hindu nationalist organizations in the civil society sphere of Kodungallur, a multi-religious town in central Kerala, this article explores the politics and implications of their cultural interventions. The article argues that, peeved by an ‘absent Hindu atmosphere’ in Kerala, these organizations are trying to construct new forms of sociality and subjectivity and a grassroots public sphere embedded in Hindu nationalist ideology in Kodungallur. Often described by these organizations as ‘apolitical’ and ‘cultural’, these interventions are indeed a critique of the Kerala public sphere which is characterized by religious pluralism and secular sociality. Hence, the attempt to create a ‘Hindu atmosphere’ by these organizations is a deeply political endeavour aimed at creating an exclusivist Hindu hegemony in the cultural sphere, which they assume will pave the way for their electoral hegemony in Kerala in the long run.
{"title":"‘Elections can wait!’ The politics of constructing a ‘Hindu atmosphere’ in Kerala, South India","authors":"Dayal Paleri, R. Santhosh","doi":"10.1017/s0026749x23000197","DOIUrl":"https://doi.org/10.1017/s0026749x23000197","url":null,"abstract":"\u0000 The lack of electoral success of the Bharatiya Janata Party (BJP) in the South Indian state of Kerala is often explained through the idea of Kerala ‘exceptionalism’, a broad term used to explain the unique historical, political, and developmental trajectory of the state. However, such explanations do not adequately address the systematic and concerted attempts by Hindu nationalist organizations to transform the cultural sphere of Kerala into a fertile ground for its future electoral politics. Through an ethnographic study of three Hindu nationalist organizations in the civil society sphere of Kodungallur, a multi-religious town in central Kerala, this article explores the politics and implications of their cultural interventions. The article argues that, peeved by an ‘absent Hindu atmosphere’ in Kerala, these organizations are trying to construct new forms of sociality and subjectivity and a grassroots public sphere embedded in Hindu nationalist ideology in Kodungallur. Often described by these organizations as ‘apolitical’ and ‘cultural’, these interventions are indeed a critique of the Kerala public sphere which is characterized by religious pluralism and secular sociality. Hence, the attempt to create a ‘Hindu atmosphere’ by these organizations is a deeply political endeavour aimed at creating an exclusivist Hindu hegemony in the cultural sphere, which they assume will pave the way for their electoral hegemony in Kerala in the long run.","PeriodicalId":51574,"journal":{"name":"Modern Asian Studies","volume":null,"pages":null},"PeriodicalIF":0.9,"publicationDate":"2023-07-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42464068","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-19DOI: 10.1017/s0026749x23000161
Yucong Hao
In the first half of the 1960s China witnessed an unprecedented florescence of theatrical works on Third World decolonization, which aimed to disseminate the ideology of Maoist internationalism and cultivate transnational and interracial solidarity among the Chinese public. Existing scholarship on Maoist internationalist theatre tends to understand the phenomenon as the domestication of Third World decolonization for China’s political ends. This article, by focusing on the heterogeneous processes of production, adaptation, and reception, illuminates the practical and epistemological challenges of representing an internationalist subject, the imperfect performance of foreign culture and history, and the porous process of meaning-making for Chinese performers and audiences. Using previously untapped historical materials, such as performance programmes, personal recollections, and newspapers, this article explores the staging of the Congo Crisis (1960–1965)—a widely mediated international event in Maoist China and a central conflict in the global Cold War—in the spoken drama War Drums on the Equator (1965), its many local variations, and a dance drama adaptation, The Raging Congo River (1965). By mediating and enacting ‘embodied and affective knowledge’ about Congo, these theatrical works made the political motif of internationalist solidarity into sonorous and kinaesthetic artefacts that engendered plural meanings to Chinese performers and audiences. This article further reveals flawed perceptions, processes of corrections, and the epistemological limitations in the performance of the Congo Crisis in Maoist China.
{"title":"Afro-Asian resonances: Staging the Congo Crisis in 1960s’ Chinese theatre","authors":"Yucong Hao","doi":"10.1017/s0026749x23000161","DOIUrl":"https://doi.org/10.1017/s0026749x23000161","url":null,"abstract":"\u0000 In the first half of the 1960s China witnessed an unprecedented florescence of theatrical works on Third World decolonization, which aimed to disseminate the ideology of Maoist internationalism and cultivate transnational and interracial solidarity among the Chinese public. Existing scholarship on Maoist internationalist theatre tends to understand the phenomenon as the domestication of Third World decolonization for China’s political ends. This article, by focusing on the heterogeneous processes of production, adaptation, and reception, illuminates the practical and epistemological challenges of representing an internationalist subject, the imperfect performance of foreign culture and history, and the porous process of meaning-making for Chinese performers and audiences. Using previously untapped historical materials, such as performance programmes, personal recollections, and newspapers, this article explores the staging of the Congo Crisis (1960–1965)—a widely mediated international event in Maoist China and a central conflict in the global Cold War—in the spoken drama War Drums on the Equator (1965), its many local variations, and a dance drama adaptation, The Raging Congo River (1965). By mediating and enacting ‘embodied and affective knowledge’ about Congo, these theatrical works made the political motif of internationalist solidarity into sonorous and kinaesthetic artefacts that engendered plural meanings to Chinese performers and audiences. This article further reveals flawed perceptions, processes of corrections, and the epistemological limitations in the performance of the Congo Crisis in Maoist China.","PeriodicalId":51574,"journal":{"name":"Modern Asian Studies","volume":null,"pages":null},"PeriodicalIF":0.9,"publicationDate":"2023-07-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41989249","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-23DOI: 10.1017/s0026749x23000203
{"title":"ASS volume 57 issue 4 Cover and Front matter","authors":"","doi":"10.1017/s0026749x23000203","DOIUrl":"https://doi.org/10.1017/s0026749x23000203","url":null,"abstract":"","PeriodicalId":51574,"journal":{"name":"Modern Asian Studies","volume":null,"pages":null},"PeriodicalIF":0.9,"publicationDate":"2023-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42117224","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-23DOI: 10.1017/s0026749x23000215
{"title":"ASS volume 57 issue 4 Cover and Back matter","authors":"","doi":"10.1017/s0026749x23000215","DOIUrl":"https://doi.org/10.1017/s0026749x23000215","url":null,"abstract":"","PeriodicalId":51574,"journal":{"name":"Modern Asian Studies","volume":null,"pages":null},"PeriodicalIF":0.9,"publicationDate":"2023-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45866456","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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